Authors: Andy Griffiths and Terry Denton
‘Okay,’ says Danny. ‘If you insist.’
‘I insist,’ I say.
WHAM!
Danny punches me in the jaw. Hard. I fall to the floor.
I said to
pretend
to hit me, you moron,’ I mumble.
‘Sorry,’ he says. ‘I was trying to make it look real.’
I bite down on the capsules. They’ve got an awful taste. But I can feel the fake blood flowing out of my mouth and down my neck. I roll around, groaning.
‘AAAAGGGHHHH . . .’ I say. ‘Aaaagggghhhhh. . .’
Ms Livingstone comes over and looks down at me.
She shakes her head.
‘You’re not really hurt, are you, Andy?’ she says.
‘Yes, I am,’ I say. ‘Danny hit me. But it was all my fault. I asked for it and if anybody should be sent to the principal’s office I think it should be me.’
Ms Livingstone leans down and sniffs my breath.
‘Blood capsules,’ she says, screwing up her face. ‘There’s no mistaking that smell.’
She is sharp. I’ll give her that. ‘They’re mine,’ I say. ‘And I don’t blame you for being angry. They are against the rules.’
‘No, I’m not angry,’ she says. ‘I’d just hoped never to see another blood capsule as long as I lived. When I worked as a stunt double for Natasha Teasedale I had to chew about fifty a day.’
‘You worked as a stunt double for Natasha Teasedale?’ I say. ‘Which movie?’
‘All of them,’ says Ms Livingstone.
‘Wow,’ I say. Oops. I didn’t mean to say that. I just meant to think it. ‘I mean, sure you were a stunt double . . . sure, sure.’
‘It’s true,’ she says. ‘I grew up in a circus and then I got into martial arts. I was spotted by Natasha Teasedale’s director at a tae kwon do exhibition in Tokyo, and that’s how I got into the movies. Falling out of buildings, fighting wild tigers, jumping out of speeding cars . . . you name it, I’ve done it.’
That’s amazing. I’d love to stay around and hear more about her movie career, and especially about working with Natasha Teasedale, but I can’t. I have to be expelled. I don’t want to spend my life sitting around listening to stories about somebody else’s adventures—I want to get out there and have my own.
‘That’s all very interesting, I’m sure,’ I say, ‘but the classroom is no place for stunt work. You should punish me.’
‘Stunt work?’ she guffaws. ‘You call
that
stunt work? I’ll show you stunt work.’
She climbs onto my table. ‘Andy,’ she says, ‘get up here!’
‘Me?’ I say. ‘Up there?’
She nods. She’s serious. She means business.
I climb up on the table. That’s another rule broken.
‘Okay,’ she says. ‘Now punch me.’
‘You mean pretend to punch you?’ I say.
‘No,’ she says. ‘I mean really punch me.’
Punch a teacher? That’s guaranteed to get me expelled. And not only expelled, either. I’m a pretty hard hitter. I could really hurt her. I could end up in jail. I’d rather stay in school.
‘I don’t think I should do this, Ms Livingstone,’ I say.
‘Come on!’ she says, pointing to her chin. ‘Hit me.’
‘Okay,’ I shrug, ‘you asked for it.’
I swing at her chin. But before my fist can connect with her face she cracks her head back, teeters on the edge of the table for a moment, wobbles, and then, without warning, does a back flip and crashes onto the floor.
The class cheers.
‘Now jump down and strangle me!’ she says.
‘But, Ms Livingstone,’ I say.
‘Just do it!’ she says.
I jump down. I put my hands around her neck. But I don’t even get to squeeze it before she lets out a bloodcurdling scream and begins writhing and gasping as if I’m really strangling her. It is very realistic. Not that I’ve ever strangled anybody, but I’m sure this is what they’d look like if I did.
The door opens and the principal walks in.
I’m gone now.
He looks at the scene—the blackboard graffiti, the broken projector, Ms Livingstone struggling on the floor, and the worst thing of all: me sitting on top of her, my hands around her throat.
‘What is the meaning of all this?’ he bellows.
I scramble to my feet.
Ms Livingstone stops her act and gets up.
‘Oh, hello, Mr Stanley,’ she says. ‘I was just showing the children some of the tricks of the stunt trade.’
The principal nods.
‘Oh,’ he says. ‘That’s all right. I thought something was wrong.’
‘No, everything’s fine,’ she says. ‘We’ve covered falling backwards off a table and now Andy is helping me to demonstrate strangulation.’
‘I’m very pleased to hear it,’ he says. ‘However, I’ve always felt, and this is just my opinion, that strangulation can be more convincingly simulated if the victim doesn’t make any sound. It should all be suggested by the movement of the limbs. Here, let me show you.’
He gets down on the floor, on his back, and starts waving his arms and kicking his legs in the air—like a dying fly.
I can’t believe what’s happening here. For the first time in my life I am actually learning something interesting and useful at school.
I can’t get expelled now. Not until the stunt lesson is over, anyway. And then I want to find out exactly what happened to Ms Livingstone in the Andes. And what it was like growing up in a circus. And I’ve got a million questions to ask about Natasha Teasedale.
I think I’ll get expelled next week instead.
’m cramped.
I’m cold.
I can hardly breathe.
I’ve been lying underneath my sister’s bed for more than an hour now. Where is she? The clock near the front door has just chimed midnight and she told Mum and Dad she would be home by eleven.
It’s not exactly a lot of fun down here.
The bed is really low. Every time I take a breath my chest presses against the bottom of the bed. I can’t even turn my head without grazing my nose.
So why am I here?
I’ll tell you why.
Revenge.
I’m doing it to pay Jen back for laughing at me because I wet my bed. Not that I really did wet my bed—well I did, but it happened because I was trying to put out a fire . . . but it’s kind of hard to explain the difference to people like Jen. Especially when they’re rolling around on the floor laughing at you.
Well two can play that game. Jen might not have wet her bed recently, but she is still scared of the bogeyman. I know this because I overheard her confessing it to her boyfriend. She’s convinced the bogeyman lives under her bed and is just waiting for a chance to grab her leg and pull her under. Well, tonight her nightmare is going to come true. When she comes home, I’m going to reach out and grab her ankle. She’ll die.
She’s out on a date with Craig Bennett. They’ve been going out together since the school social. I can’t imagine what she sees in him. He’s got no sense of humour. He tried to punch my head in at the social because I tricked him into thinking I was a girl. How was I to know he’d fall in love with me? Serves him right for being such a sleaze.
For all I know, they probably got home ages ago and have been standing out in the driveway smooching all this time. Maybe I should go and check. I could be wasting an even better opportunity to get revenge on Jen. I could throw a bucket of water over her and Craig. I could ring the police and tell them two suspicious-looking teenagers are hanging around outside. I could get a cardboard tube, stand on the roof of the house and provide a running commentary on the action for the benefit of the neighbours. The possibilities are endless. And a lot more fun than lying here.
I start wriggling out from underneath the bed. Hang on. What’s that?
I hear sounds outside. Footsteps coming up the path. I hear the key in the front door.
Just in time!
I wriggle under again. Not long now.
In a moment Jen will open her bedroom door. She will click on the light. She will approach the bed. I will reach out and grab her ankle. She will scream. I will roar like a monster. She will scream again. I will roar again—but this time not like a monster. I will be roaring with laughter.
I hear whispering. Jen’s room is right next to the front door.
‘Would you like to come in?’ says Jen.
‘Are you sure it’s all right?’ says Craig.
‘Yes, of course I’m sure,’ says Jen.
‘But what about your parents?’ says Craig.
‘Their bedroom is upstairs,’ she says. ‘They won’t wake up—and even if they do I’ll just tell them you’re borrowing a CD or something.’
‘What about your stupid little brother?’ says Craig. ‘What if he’s still up?’
‘Oh don’t worry about him,’ says Jen. ‘He would have been in bed hours ago. He’s just a child.’
‘Some child,’ says Craig. ‘I should have taught him a lesson while I had the chance. Nobody makes a fool of Craig Bennett and gets away with it.’
‘He didn’t make a fool of you, Craig,’ says Jen. ‘He was the one who looked ridiculous.’
‘Yeah,’ Craig chuckles. ‘Those Action Man undies . . . what a loser.’
They are both laughing. I don’t see what’s so funny. Action Man’s not a loser.
‘Come on,’ says Jen. ‘Just for a minute.’
‘Well, okay,’ says Craig. ‘Just for a minute.’
Damn—still more waiting. I hope Craig doesn’t stay for long.
They come into the hallway and close the front door very quietly. Jen flicks her bedroom light on.
‘Come in,’ she says. I hear the door click shut.
Oh no. I don’t believe it. She’s brought him into her bedroom!
If they find out I’m here I’ll be in serious trouble. They’ll think that I’m spying on them. Craig will want to punch my head in again . . . and this time Jen will probably let him. She’ll probably even help him. I’ve got to get out of here. But I can’t. They’ll see me.
Jen kicks off her shoes. One comes skidding across the floor and hits me in the left ear. Ouch. I take a deep breath and clench my teeth.
I’m straining my eyes as far around as I can without moving my head to see where they are. I can see their feet. Jen is in the middle of the room. Craig is over near her dressing table.
‘Wow,’ says Craig. ‘Is this a real crystal ball?’
Jen’s got this enormous crystal ball. It’s practically as big as a bowling ball. In fact if you ask me, that’s all it’s good for. All it needs is three holes drilled in the top and it would be perfect.
‘Yes,’ she says. ‘I can see the future in it.’