Key West Connection

Table of Contents

 

 

“What James Lee Burke has done for Louisiana, Tony Hillerman for the Southwest, John Sandford for Minnesota, and Joe R. Lansdale for east Texas, Randy Wayne White does for his own little acre.”

—
Chicago Tribune

 

“White take us places that no other Florida mystery writer can hope to find.”

—Carl Hiaasen

 

“White brings vivid imagination to his fight scenes. Think Mickey Spillane meets
The Matrix.
”

—
People

 

“A major new talent . . . hits the ground running . . . a virtually perfect piece of work. He's the best new writer we've encountered since Carl Hiaasen.”

—
The Denver Post

 

“White is the rightful heir to joining John D. Mac-Donald, Carl Hiaasen, James Hall, Geoffrey Norman. . . . His precise prose is as fresh and pungent as a salty breeze.”

—
The Tampa Tribune

 

“White doesn't just use Florida as a backdrop, but he also makes the smell, sound and physicality of the state leap off the page.”

—
South Florida Sun-Sentinel

 

“This satifying, madcap fare could go seismic on the regional bestseller lists.”

—
Publishers Weekly

 

“He describes southwestern Florida so well it's easy to smell the salt tang in the air and feel the cool gulf breeze.”

—
Mansfield News Journal

SIGNET

Published by New American Library, a division of

Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, USA

Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario M4P 2Y3, Canada (a division of Pearson Penguin Canada Inc.)

Penguin Books Ltd., 80 Strand, London WC2R 0RL, England

Penguin Ireland, 25 St. Stephen's Green, Dublin 2, Ireland (a division of Penguin Books Ltd.)

Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty. Ltd.)

Penguin Books India Pvt. Ltd., 11 Community Centre, Panchsheel Park, New Delhi - 110 017, India

Penguin Group (NZ), cnr Airborne and Rosedale Roads, Albany, Auckland 1310, New Zealand (a division of Pearson New Zealand Ltd.)

Penguin Books (South Africa) (Pty.) Ltd., 24 Sturdee Avenue,

Rosebank, Johannesburg 2196, South Africa

 

Penguin Books Ltd., Registered Offices: 80 Strand, London WC2R 0RL, England

 

Published by Signet, an imprint of New American Library, a division of Penguin Group (USA) Inc.

 

First Printing with Introduction by Author, April

eISBN : 978-1-101-53063-4

Copyright © New American Library, Inc., 1981 Introduction copyright © Randy Wayne White, 2006 All rights reserved

 

REGISTERED TRADEMARK—MARCA REGISTRADA

 

 

 

Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book.

 

PUBLISHER'S NOTE

This is a work of fiction. Names, characters, places, and incidents either are the product of the author's imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.

The publisher does not have any control over and does not assume any responsibility for author or third-party Web sites or their content.

 

 

The scanning, uploading, and distribution of this book via the Internet or via any other means without the permission of the publisher is illegal and punishable by law. Please purchase only authorized electronic editions, and do not participate in or encourage electronic piracy of copyrighted materials. Your support of the author's rights is appreciated.

WILLIE NELSON

In the winter of 1980, I received a surprising phone call from an editor at Signet Books—surprising because, as a Florida fishing guide, the only time New Yorkers called me was to charter my boat. And if any of my clients were editors, they were savvy enough not to admit it.

The editor said she'd read a story by me in
Outside Magazine
and was impressed. Did I have time to talk?

As a mediocre high school jock, my idols were writers, not ball players. I had a dream job as a lighttackle guide, yet I was still obsessed with my own dream of writing for a living. For years, before and after charters, I'd worked hard at the craft. Selling a story to
Outside,
one of the country's finest publications, was a huge break. I was about to finish a novel, but this was the first time New York had called.

Yes, I had time to talk.

The editor, whose name was Joanie, told me Signet wanted to launch a paperback thriller series that featured a recurring he-man hero. “We want at least four writers on the project because we want to keep the books coming, publishing one right after the other, to create momentum.”

Four writers producing books with the same character?

“Characters,” Joanie corrected. “Once we get going, the cast will become standard.”

Signet already had a template for the hero. He was a Vietnam vet turned Key West fishing guide, she said, talking as if the man existed. He was surfer-boy blond, and he'd been friends with Hemingway.

I am not a literary historian, but all my instincts told me the timetable seemed problematic. I said nothing.

“He has a shark scar,” Joanie added, “and he's freakishly strong. Like a man who lifts weights all the time.”

The guys I knew who lifted weights were also reakishly clumsy, so . . . maybe the hero, while visiting a local aquarium, tripped during feeding time?

My brain was already problem-solving.

“He lives in Key West,” she said, “so, of course, he has to be an expert on the area. That's why I'm calling. You live in Key West, and I liked your magazine story a lot. It seems like a natural fit.”

Actually, I fished out of Sanibel Island, on Florida's Gulf Coast, a six hour drive from Sloppy Joe's, but this was no time for petty details.

“Have you ever been to Key West?” I asked the editor. “Great sunsets.”

Editors, I have since learned, can also be cagey. Joanie didn't offer me the job. She had already settled on three of the four writers, she said, but if I was willing to submit a few sample chapters on speculation, she'd give me serious consideration.

Money? A contract? That stuff was “all standard,” she told me, and could be discussed later.

“I'll warn you right now,” she said, “there are a couple of other writer we're considering, so you need to get at least three chapters to me within a month. Then I'll let you know.”

I hung up the phone, stunned by my good fortune. My first son, Lee, had been born only a few months earlier. My much adored wife, Debra, and I were desperate for money because the weather that winter had been miserable for fishing. But it was
perfect
for writing.

I went to my desk, determined not to let my young family down.

At Tarpon Bay Marina, where I was a guide, my friend Ralph Woodring owned a boat with
Dusky
painted in big blue letters on the side. My friend, Graeme Mellor, lived on a Morgan sailboat named
No Mas
.

Dusky MacMorgan was born.

Every winter, Clyde Beatty-Cole Bros. Circus came to town. Their trapeze artists, I realized, were not only freakishly strong, but they were also freakishly nimble.

Dusky gathered depth.

One of my best friends was the late Dr. Harold Westervelt, a gifted orthopedic surgeon. Dr. Westervelt became the Edison of Death, and he loved introducing himself that way to new patients. His son, David, became Westy O'Davis, and our spearfishing pal, Billy, became Billy Mack.

Problems with my hero's shark scar and his devoted friendship with Hemingway were also solved.

Working around the clock, pounding away at my old black manual typewriter, I wrote
Key West Connection
in nine days. On a Monday morning, I waited for the post office to open to send it to New York.

Joanie sounded a little dazed when she telephoned on Friday. Was I willing to try a second book on spec?

Hell, yes.

God, I was beginning to
love
New York's can-do attitude.

The other three writers (if they ever existed) were fired, and I became to sole proprietor of Capt. Dusky MacMorgan—although Signet owned the copyright and all other rights after I signed Joanie's “standard” contract. (This injustice was later made right by a willing and steadfast publisher and my brilliant agent.)

If Joanie (a fine editor) feels badly about that today, she shouldn't. I would've signed for less.

I wrote seven of what I would come to refer to as “duck and fuck” books because in alternating chapters Dusky would duck a few bullets, then spend much-deserved time alone with a heroine.

Seldom did a piece of paper go into my old typewriter that was ripped out and thrown away, and I suspect that's the way the books read. I don't know. I've never reread them. I do remember using obvious clichés, a form of self-loathing, as if to remind myself that I should be doing my
own
writing, not this job-of-work.

The book you are now holding, and the other six, constituted a training arena for a young writer who took seriously the discipline demanded by his craft and also the financial imperatives of being a young father.