'There are bloodstains on the snow,' McIlhenney exclaimed.
'We follow them.' Taking the dead soldiers' rifles, and their night glasses, they started to run, as fast as they were able on the treacherous, slippery pavements. As they moved down The Scores the blood patches became noticeably larger, showing them the way ever more clearly. They turned off the roadway and on to a path that led across the grass, passing the Martyrs Monument on the left.
They had almost reached the Sea Life Centre, when they came upon the body, lying face down and hunched before them. Mindful of a trap, Skinner kept the rifle on the man, as McIlhenney turned him over, but there was no need: the dead eyes of Amet, the younger of the Ramadani brothers, stared up at the night sky, just as the moon appeared from behind a cloud to bathe his face in silver.
'I can see them,' McIlhenney shouted, looking through the night glasses. 'They're on the jetty, by the Centre.'
Skinner snatched up his own binoculars and focused them. He found the boat, a big fast vessel, built for sheer speed; a stocky, bald-headed man was at the wheel. 'Bassam,' he murmured, moving the glasses until he found the others, a group of three.
The figure in the middle was slimmer and much taller than the other two, well over six feet, but they held him firmly on either side, shoving him towards the boat. 'If they get him on board…' the DCC murmured. He dropped the glasses and raised the rifle, feeling a wave of exultation when he found that it, too, had night vision.
He pressed the butt to his shoulder and found the trio again; they seemed larger through the telescopic sight than in the binoculars. He drew a deep breath and held it, fixed the man on the Prince's right with the red laser dot, and squeezed the trigger, gently so that he would not jerk it. There was no recoil from the weapon, and so he saw the Albanian as he rose up on his toes and pitched forward, tumbling into the boat.
He swung the sight to the other kidnapper. Even as he did so, he saw the young Prince swing a powerful punch at him with his newly freed fist, knocking him sideways and out of the weapon's field of vision.
'Run!' he bellowed, but the command was unnecessary, for the tall young man was already sprinting up towards them. Frantically he swung the rifle, searching through the sight for the second Albanian, before he could start shooting. He heard McIlhenney, beside him, firing into the night, and then he saw the man leaping into the boat, even as its engine roared into life and it began to move away from the jetty. He gave a huge sigh of relief and let the weapon relax in his grasp.
The young man was racing up the path, and more than halfway towards them, when Skinner saw a figure step from the shadow of the Sea Life Centre building and into the moonlight. The man raised his arm, and he saw the silenced pistol, as he trained it on the fleeing Prince. In a blur of movement, he swept the carbine back up to his shoulder, sighted and fired. The figure seemed to stiffen; the gun slipped from his grasp, and he toppled backwards.
And then the young man around whom so much revolved was standing before them, tall, blond, and blessed with his mother's looks. 'I really do hope that you're the good guys,' he exclaimed, breathlessly.
'Seventh Cavalry, Edinburgh branch, at your service, sir,' Skinner replied, then turned to McIlhenney. 'Neil, take the Prince to the chopper, and have the pilot fly you back to our headquarters; not the barracks as previously discussed. Make him secure and comfortable there, then contact the assistant commissioner in the Met who's in charge of royal protection and tell him where he is. I repeat, go to Fettes, not Redford. Understood?'
'I'm with you. Who was that down there, that fourth man you just shot?'
'That's what I'm afraid to find out, but I'm going to have to. Now get out of here, fast, and up to North Street.'
As the two moved off into the night, he heard a confident young voice say, 'Neil, this way, along Murray Park. It's quicker.'
Holding his rifle in both hands, the DCC moved down the path to where the fallen man lay, with his head in the centre of a great dark circle of spreading blood. His limbs jerked uncontrollably, and he had a massive head wound, just above his right ear. And yet he was still conscious.
'Wh-when you fired, did you know it was me?' asked Adam Arrow. The words were a shivering whisper; Skinner had to kneel down to hear them. He did so steadily and with care for he was shaking himself and a great cold fist seemed to be grasping the pit of his stomach, threatening to shatter his self-control.
'I reckoned that it had to be,' he answered, 'when I saw the dead soldiers. I tried to tell myself that it was impossible, but only you knew they were coming. You killed your own men, Adam,' he said, with disgust in his voice as he stared down at him. 'You were here all along, weren't you? When I called you today, and you said you were in the field, you were here.'
'Yesss.'
'What the hell have you done?'
'F-fucked up in the end.'
'You were behind the whole thing? You and Amanda?'
'No.' The whisper seemed to grow stronger. 'Not Amanda: she knew nothing. Rudy Sewell. She reported back to him; never knew he was one of us.'
'One of us? You mean there are more?'
'A few of us; intelligence officers… patriots.'
Skinner sighed. 'How often has that been said by traitors?'
'Not traitors! I've served Queen and country all my life. Queen and country, listen. Rudy and I and the others, we believe that young man mustn't become king or he'll destroy the monarchy, like his mother tried to do.'
'You're crazy. He's his father's son as well, you know.'
'He's an idol. He'll take the throne too close to the people.' Arrow shuddered violently, and for a moment Skinner thought that he was going, but instead he seemed to recover some strength. 'The monarchy can't be u-user-friendly, Bob. It represents authority. It's the symbol that guys like me fight and die for. Make it populist and it will die; this country will be rudderless, and everything it has been will be lost. My friends and I decided that we couldn't let that happen.'
'So you set out to kidnap him?'
'No, to make it look like a kidnap. There's a vessel offshore: that's where the speedboat's headed. He'd have been killed as soon as they got him on board, and his body disposed of effectively. But it would have been blamed on the Albanians.'
'So why did you help me? Why did you give me the helicopter?'
'To make it look good,' Arrow wheezed, his voice beginning to fade once more. 'I didn't plan on getting found out… ever. None of us did. I knew you wouldn't be here on time; my backup plan if you did corner them was for him to be killed in the battle. I almost made sure of it.' He let out a macabre, choking laugh. 'I wish I'd never taught you to handle a bloody carbine,' he whispered.
'I'd have got you with the Glock,' Skinner murmured. 'Why did you choose to try it here?' he asked. 'Why St Andrews, with all these people around?'
'Logical. It was easier to attack than anywhere else, plus we could get him out by sea.'
'And the leak from NATO intelligence? That couldn't have been part of your plan.'
'That was unfortunate. Nobody would have been any the wiser but for that, until it was all over. The good thing was that the tip came to me, so we were able to manage it. We couldn't ignore it, but Rudy tried to put a lid on it, keep the search in-house. He let Amanda think they were drug-dealers and sent her chasing wild geese around the clubs in Edinburgh, but your people tripped over it' Arrow gave another violent shudder, and his face twisted with pain. 'Told him he should have kept off your patch,' he gasped. 'We still held all the cards, though, with Amanda, in all innocence, keeping us informed.'
'Why should I believe that she's not a part of it? She might be one of you; Rudy Sewell might be the innocent one.'
Arrow laughed again, another bizarre, croaking chuckle. 'No chance: she'd never have sacrificed her toy boy.'
'Sean? Him and Amanda?'
'Worst kept secret in MI5.'
The DCC felt his knees growing stiff in the cold: he pushed himself to his feet. 'So what happens now?' the gravely injured soldier whispered.
'You might live,' said Skinner. 'People have survived worse head wounds than that.'
'I know. That's why I asked.'
'I don't want to know. I can't see you standing trial, though. That would be a huge scandal; like you say, very bad for the Queen and country you thought you were protecting.' The policeman scowled, gazing into the night. 'Maybe they'll send you to Cuba, like those other poor bastards.'
'Or somewhere worse, getting names out of us, even when there are no other names to give. I don't want that: I've done it myself, so I know how it'll be.' Arrow looked up at him, into his eyes. 'But that's not what I meant. Bob, there's nobody around. If I could move I'd find my gun, and finish it. You wouldn't do me a favour, would you?'
He gazed back down at the man who had been his friend, the man he had once trusted with his own life, without a moment's doubt or hesitation. 'And why should I do that?' he asked, then turned and headed back towards the college.
'Goodbye, Bob,' the weak voice called after him.
'Oh, shit.' Skinner turned, raised the rifle and shot him dead.
He stood there for a while, not noticing the ground around him darken as the moon retreated behind the cloud cover. He was grief-stricken, not for the traitor but for times past, for unswerving loyalty turned to betrayal. Finally he shook himself into action, and walked through the crisp, icy night towards the Martyrs Monument. He heard sirens in the town, as the Fife police contingent, headed, he supposed, by Chief Constable Clarence Tallent, arrived to take control, and as the emergency services began to remove the wounded. Then, rising over all the din, came the roar of a helicopter taking off; he sighed with relief.
He stopped at the great obelisk, numb not just with cold but with everything that had happened that night, took out his cell-phone and switched it on. He found his stored numbers; selected the first on the alphabetical list, and called it. 'Aileen,' he said, when she answered. 'Where are you?'
'I'm at the flat. I've just got in from the office.'
He had lost track of time; he checked his watch and saw to his surprise that it was only seven twenty. The night seemed to have been endless. 'Is your nice new Fiat there?' he asked, making an effort to sound calm and collected.
'Yes.'
'Then, if you would, I'd like you to do something for me. I'm in St Andrews, I've got no transport, I'm freezing and I'm in a slight state of shock. I wonder if you'd come and get me, for right now there's nobody in the world I need to see as badly as I need to see you.'
'Bob, of course I'll come, but you're scaring me.'
'Don't be afraid: the panic's over. When you get here, I'll be with the chief constable, in St Salvator's College. We'll probably have TV crews here by then so comb your hair before you get out of the car. It'll look good, you being here, I promise you.'
'What's been happening?'
'A small war, but we won. It's safe; I wouldn't have you here otherwise. However, before you leave, there's something you have to do, and it's very important. You're the Justice Minister, so I guess you're able to call the Home Secretary in person, about something really urgent.'
'Yes, I suppose so, although I never have.'
'Well, I want you to do so, although by now you might find he's not surprised to hear from you. When you contact him, tell him to contact the Commissioner of the Met and have him arrest a man called Rudolph Sewell. He's an assistant director of MI5. Tell him that it's very important and that he has to do this tonight.'
'And if he asks me why?'
'You could tell him he's upset your boyfriend. If he doesn't buy that, tell him it involves a plot against the state; that should get his attention.'
Eighty-two
Danielle Martin was cutting teeth; she had given her mother a difficult day, and so when Andy had arrived home, he had found himself concentrating on her and her vocally expressed needs.
Finally, the infant had settled down to sleep, and her parents had settled down to supper. Karen could see that he was distracted; as an ex-police officer, she knew the signs. 'CID, is it?' she asked, eventually. 'Have you got a stalled investigation?'
He blinked, fork in hand and looked at her. 'Uh?'
'You were back in Dundee, Andy.'
'I'm sorry, love,' he said. 'I don't like bringing it home with me. But this is a thing I've been working on for Bob, and I'm keen to talk to him about it.'
'I see. That's what these hush-hush meetings have been about, is it? Your forces have a cross-territory job on and you two are sticking your noses in. Honest to God, the one of you's as bad as the other. You're both deputy chief constables, you have perfectly competent criminal investigation departments, but can you leave them to get on with their work? Can you hell.'
Andy smiled at her lecture. 'No, Kar, you're wrong, honestly. This has nothing to do with either of our forces… not directly at any rate. We have a political problem, one that needs careful handling or it could affect all of us.'
She shrugged as she poured him more wine. 'If it's that important, what are you waiting for? Call him.'
'I tried earlier on, but I couldn't get hold of him anywhere. He even had his mobile switched off and that's a rarity.'
'Maybe Sarah's come home and they're having a passionate reunion. That'd be nice.'
'You may wish, but don't hold your breath. Anyway, what makes you think he'd turn his phone off for that?'
She laughed, then reached across to the sideboard from her seat at the table, picked the cordless telephone from its socket, and handed it to him. 'Go on,' she urged him. 'Try again, and then maybe you can appreciate the dinner that I went to some trouble to cook for you.'
He took it from her and dialled Skinner's cell-phone; this time it rang out.
'Yes?'
There was a weariness about his closest friend's voice that set him on edge at once; he had known him in many moods, but he had never heard him sound like that. 'Bob, it's Andy. Are you okay?'