Authors: Saul Bellow
Letters (56 page)
As for the rest of the scene, half my dogs are sleeping and lying. The Chicago half however is bowing and wowing in courtrooms and lawyers’ offices. It’s still a struggle unto the nothing. But Daniel’s sweetness only increases and his cleverness too. This cuts my losses by a great deal.
I shan’t come to New York without calling you. I haven’t been there since September 1st. To which some of my cheerfulness must be ascribed.
Love,
To Hannah Arendt
December 1, 1970 Chicago
Dear Hannah,
Many students have shown great interest in the Kant seminar and David [Grene] and I feel that you would find it worth your while to visit Chicago this winter. Under the circumstances we would not of course wish to press you. I don’t know how you feel about leaving New York now. I ran into Hans Morgenthau recently and he said that you don’t much enjoy going out. Chicago in winter can be grim but perhaps the students would compensate for the grimness.
In any case we would be delighted to have you.
Sincerely yours,
Arendt’s husband, Heinrich Blücher, Bellow’s much-admired colleague during the years at Bard, had died in October. Stiff collegial courtesies between Arendt and Bellow evidently continued, despite his attack on her
Eichmann in Jerusalem
in
Mr. Sammler’s Planet.
He was writing here in his capacity as chairman of the Committee on Social Thought.
Eichmann in Jerusalem
in
Mr. Sammler’s Planet.
He was writing here in his capacity as chairman of the Committee on Social Thought.
To Nicolas Nabokov
December 19, 1970 Chicago
Dear Mr. Nabokov,
Of course I remember you well. The long years mean nothing—at least certain faculties are not affected by the calendar. The invitation is not merely attractive, it is positively fascinating. It so happens that I know little about the Aspen Institute. I know only the beautiful Mrs. Walter Paepcke whom I used to meet in Chicago’s last salon, now closed alas by the death of our aged hostess, Mrs. Epstein, whose walls were hung with paintings by Botticelli, Rembrandt and Goya. No, I’ve never visited Aspen. At the moment I have only sketchy summer plans and before I can be more definite I must learn what the mothers of my children have in mind for the holidays. I would like to come to the Institute, but what would I be asked to do? I am putting together a singular sort of book and it gives my life a certain oddity; not altogether agreeable, but what can one do? Let me say then that I’d like to come, I may very well be with you in Aspen next July; but I need to know what would be expected of me. With many thanks for your kind letter.
Very sincerely,
Nicolas Nabokov (1903-1978) was for many years resident composer at the Aspen Institute for Humanistic Studies. He is best remembered for his opera based on Shakespeare’s
Love’s Labour’s Lost
(libretto by W. H. Auden and Chester Kallman), which premiered in 1973.
Love’s Labour’s Lost
(libretto by W. H. Auden and Chester Kallman), which premiered in 1973.
1971
To Norman Podhoretz
March 11, 1971 Chicago
Dear Norman,
Thanks for your note [about “Culture Now: Some Animadversions, Some Laughs”]. It seems that I have a feeling for polemics—evidently I’ve been holding it down, sitting on it. I’ve never wanted to become an infighter. Probably this article ought to have appeared in
Commentary
but I wanted Rahv to have it for old times’ sake. The old
Partisan
was very generous to Isaac and me when we arrived green and sincere from Chicago. William [Phillips] had no sort of character at all but Philip [Rahv] had a solid Roman-Russian personality, dignified, weighty, and even (there were signs of it) affectionate.
Commentary
but I wanted Rahv to have it for old times’ sake. The old
Partisan
was very generous to Isaac and me when we arrived green and sincere from Chicago. William [Phillips] had no sort of character at all but Philip [Rahv] had a solid Roman-Russian personality, dignified, weighty, and even (there were signs of it) affectionate.
I don’t know if I will write anything else like this again, unless provoked. When I was in Paris, I was told that Mary McCarthy was screaming for my blood. Then, at nightfall, in London, who should turn up at a bus stop but Leslie Fiedler, his beard looking rather plucked about the chin. He was very friendly and proposed that we should have a friendly conversation next day. But I said No. And then Katie Carver also materialized and said I was in the wrong. I can never understand why revolutionaries try to hold on to liberal friendly relations with me.
Yours with good wishes,
To Margaret Staats
April 30, 1971 Chicago
Dear Maggie—
Your birthday was not forgotten. On the 16th I was in New York and vainly twenty times dialed your number. Since then I’ve tried also from Chicago, but you seem no longer to live on 15th St. Wherever you reside now, you are remembered by me.
My own condition isn’t too bad, but my sister’s husband [Charles Kauffman] has had a stroke again, and this time is partly paralyzed. He lies in the hospital, all the sweetness of his character showing in the new softness of his face. Forgiving everyone. Coming into the intensive-care room, I’m moved by Charlie. And my sister is still pretty, high-school Janey at the eyes—otherwise withered.
So it goes.
And, these weeks, I am on jury-duty and spend many days in a jury-box.
Happy birthday and blessings,
To the cast of the Circle in the Square production of
The Last Analysis
The Last Analysis
June 25, 1971 Aspen Institute for Humanistic Studies
To the entire cast:
Bless you all, you’ve done the thing and done it marvelously! At the first preview, I knew that you could and would make the play go, that you saw life in the thing despite its many faults and that you would surely succeed with it. The blood of the art is still circulating. Not only is the play giving much pleasure to audiences but it is breaking down a stony professional prejudice against novelists in the theater. Six years ago this professionalism broke my back but I hobbled out again for another try [ . . . ] I can now set my crutch on fire and trade in my wheelchair for a motorcycle.
A lady writing me about
The Last Analysis
says it has to do with “getting it all back from the butchers.” That is exactly what the play is about—and for me, personally, you have also redeemed it from the butchers.
The Last Analysis
says it has to do with “getting it all back from the butchers.” That is exactly what the play is about—and for me, personally, you have also redeemed it from the butchers.
I am grateful to you all.
The Last Analysis
, negatively reviewed upon its Broadway premiere in 1964, enjoyed a better reception when Circle in the Square revived it off-Broadway seven years later under the direction of Theodore Mann and starring Joseph Wiseman.
, negatively reviewed upon its Broadway premiere in 1964, enjoyed a better reception when Circle in the Square revived it off-Broadway seven years later under the direction of Theodore Mann and starring Joseph Wiseman.
To Edward Shils
June 26, 1971 Aspen
My dear Edward—
[ . . . ] Here in the mountains I feel a decided improvement in my state. But there’s so much room for improvement. I hope,
just once
, to do the thing which would justify my survival for so many decades. I seem not to be ready just yet, though my spirit is beginning to clear somewhat. Here at least I am not troubled by ladies. No dear creature offers me love or even a stable daily existence. I live alone, now that Adam has gone, in a large house with splendid views. Aspen is fashionable, like the summer place in which Prince Myshkin fell to pieces.
just once
, to do the thing which would justify my survival for so many decades. I seem not to be ready just yet, though my spirit is beginning to clear somewhat. Here at least I am not troubled by ladies. No dear creature offers me love or even a stable daily existence. I live alone, now that Adam has gone, in a large house with splendid views. Aspen is fashionable, like the summer place in which Prince Myshkin fell to pieces.
I refused to go to New York for the revival of my revised farce. It seems to be having a
succès fou
. You don’t approve of it, I know, but it has a few Aristophanic moments.
succès fou
. You don’t approve of it, I know, but it has a few Aristophanic moments.
Bless you.
Please keep in touch.
Love,
To John and Kate Berryman
June 27, 1971 Aspen
Dear Kate and John—
This is to greet and bless Sarah Berryman on her arrival in this gorgeous wicked world which has puzzled and delighted my poor soul for fifty-six years. I expect the planet will go on a few billion years yet and she will thrive on it.
Love to you all,
1972
To David Holbrook
January 4, 1972 Chicago
Dear Mr. Holbrook:
[ . . . ] I have an idea that we are all far too susceptible to fashionable ideas and that our power to discriminate has been seriously damaged in this consciousness-explosion of ours. An old Yiddish proverb crops up in my thoughts more and more frequently. It goes like this: A fool throws a stone into the water; then sages knock themselves out trying to recover it. (Very free translation.) The sages evidently are no cleverer than the fool.
There are by now enough fool-cast stones in the water to keep us silly sages going for quite a long time.
I shall try to get a copy of your “Human Hope” book. Sorry I missed you in Chicago.
Sincerely yours,
David Holbrook is the author of many books including
Human Hope and the Death Instinct
(1971).
Human Hope and the Death Instinct
(1971).
To Robert Hivnor
January 24, 1972 Chicago
Dear Bob—
I often wondered whether he would. I guessed that he wouldn’t. I seldom guess right.
Not many of his sort left, and he was a dear friend.
Thanks for the note. I’ll turn up in NY one of these days.
On January 7, 1972, John Berryman had leaped to his death from the Washington Avenue Bridge in Minneapolis.
To Grace Wade
March 7, 1972 Chicago
Dear Mrs. Wade:
In 1956 I spent many months at Pyramid Lake, Nevada, and there I knew several elderly women who lived at mountain sides and in lonely canyons. According to some odd intuitive method of my own I put together
something
. It was a year or two later that I wrote “The Yellow House,” moved by my memory of those old women and the Nevada desert. One of the old girls, now dead, was my landlady. From her I rented a shack built of old railroad ties. It was at the water’s edge and I dream sometimes of going back for a look. But I am told that the Lake has become a tourist attraction and I’m afraid of returning to cherished memories and finding only Disneyland.
something
. It was a year or two later that I wrote “The Yellow House,” moved by my memory of those old women and the Nevada desert. One of the old girls, now dead, was my landlady. From her I rented a shack built of old railroad ties. It was at the water’s edge and I dream sometimes of going back for a look. But I am told that the Lake has become a tourist attraction and I’m afraid of returning to cherished memories and finding only Disneyland.
Thank you for writing.
Sincerely yours,
To Nadine Nimier
March 29, 1972 Miami
Dear Nadine,
I’m not moribund. I’m simply as usual—not pulled-together sufficiently. To cure myself, I’ve come down to Florida with Adam and Daniel and
voilà!
—suddenly I am able to reply to your note. Evidently I come back to life when I voyage. Next month I’m off to Japan. I don’t know a word of
le japonais
—
pas un seul mot
. But I’m fairly good at pantomimes of all sorts. In July I’m going to Aspen, Colorado, and in August I’ll be in Europe. Perhaps we shall actually meet in France. I intend to stay until mid-September. I feel sometimes like a novel written by the ghost of Jules Verne and revised by Tutankhamen and Wm. Faulkner—about a Prince of Egypt reincarnated in the twentieth century, fond of southern whiskey and doomed to jet about the earth.
voilà!
—suddenly I am able to reply to your note. Evidently I come back to life when I voyage. Next month I’m off to Japan. I don’t know a word of
le japonais
—
pas un seul mot
. But I’m fairly good at pantomimes of all sorts. In July I’m going to Aspen, Colorado, and in August I’ll be in Europe. Perhaps we shall actually meet in France. I intend to stay until mid-September. I feel sometimes like a novel written by the ghost of Jules Verne and revised by Tutankhamen and Wm. Faulkner—about a Prince of Egypt reincarnated in the twentieth century, fond of southern whiskey and doomed to jet about the earth.
Yours ever,
To Samuel S. Goldberg
[n. d.]
When Mark Twain returned from a visit with Harriet Beecher Stowe and found he had called on her without a necktie, he posted the tie to her and wrote, “Sorry we couldn’t both be there at the same time.” Thus with this check. On Saturday, I’m off to Tokyo. There I expect to find some excellent second-hand book stores unraided and undespoiled by S. S. Goldberg. I may find something to your liking. Perhaps one of those sexual scrolls to cheer your lonely hours in the office and strengthen you in honorable dealings with Man and Government.
The pickled trout at Max’s was better than ever. I left half a buck for the reddish pudgy woman and went back along Fifth Ave. hoping we might meet.
Yours ever,
I’ll settle for the [Lawrence] Binyan Dante, volumes I and II. I have the
Paradiso.
Paradiso.
Among Bellow’s great friends, Samuel S. Goldberg was a Yiddish-speaking lawyer and bibliophile. The two of them could sometimes be spotted in New York’s used bookshops, particularly the Gotham and the Strand.
To Frances Gendlin
May [?], 1972 [Chicago]
Dear Frances:
There are many reasons why I didn’t write. For one thing, the jet lag was awful. It took more than ten days to recover. For another, I turned out to be a real or perhaps imaginary celebrity, and immediately began to do seminars, lectures, interviews, radio programs and Japanese semi-state dinners, sitting on the floor, using chopsticks and eating raw fish, or trying to eat it. I drank a good deal of sake to help myself sleep, but I kept waking at four A.M., utterly wretched most of the time. My system is sound enough, for a man of my age, but even it was not able to cope with the terrific time and space changes. After two weeks of this I was allowed to rest in Kyoto, where it was relatively tranquil. Kyoto I thoroughly enjoyed, staying in a Japanese inn, old-style, sleeping on the straw mat and lying on the floors half the day, admiring the little moss garden. Being on the floor was childhood again, and childhood is still the most pleasant part of life. A confession of adult failure. Well, I’d better own up. I haven’t done too hot, as the old Chicago phrase runs. For three weeks I didn’t hear from you at all, and I was quite put out about it. If you wrote a letter you didn’t send, I did, too. And then I was disheartened—
appalled
is a probably more accurate word—to find that I had crab-lice. I felt peculiarly shaky and stupid to make that discovery. I’d had nothing at all to do with women here, except to smile at them over the raw fish held in chopsticks. Going to the doctor was awful. Thinking about it all was awful. Cured now, I feel lousy still. Anti-self, anti-others, but above all the old fool. The world seems to expect that I will do all kinds of good things, and I spite it by doing all kinds of bad ones. They’re not terribly
bad
, either. Striking sins are out of reach. I try to break into the next sector, or find the next development, but nothing comes of this except unhappiness for myself and others. The unhappiness to myself I don’t much mind. The effect on others is a curse to me night and day. It’s true I haven’t taken a shot at [George] Wallace, but there isn’t much else I can take credit for. At the end of all this, I can say that I think of you a great deal and lovingly.
appalled
is a probably more accurate word—to find that I had crab-lice. I felt peculiarly shaky and stupid to make that discovery. I’d had nothing at all to do with women here, except to smile at them over the raw fish held in chopsticks. Going to the doctor was awful. Thinking about it all was awful. Cured now, I feel lousy still. Anti-self, anti-others, but above all the old fool. The world seems to expect that I will do all kinds of good things, and I spite it by doing all kinds of bad ones. They’re not terribly
bad
, either. Striking sins are out of reach. I try to break into the next sector, or find the next development, but nothing comes of this except unhappiness for myself and others. The unhappiness to myself I don’t much mind. The effect on others is a curse to me night and day. It’s true I haven’t taken a shot at [George] Wallace, but there isn’t much else I can take credit for. At the end of all this, I can say that I think of you a great deal and lovingly.
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