Life Times (76 page)

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Authors: Nadine Gordimer

BOOK: Life Times
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A descendant in the male line, Frederick Morris bears his surname, of course. Walter Benjamin Morris apparently was always called Ben, perhaps because he was the Benjamin indeed of the brood of brothers who did not, like him, emigrate to Africa. No one seems to know why he did; just an adventurer, or maybe the ambition to be rich which didn't appear to be achievable anywhere other than a beckoning Elsewhere. He might have chosen the Yukon. At home in London he was in line to inherit the Hampstead delicatessen shop, see it full of cold cuts and pickles, he was managing for another one of the fathers in the family line, name lost. He was married for only a year when he left. Must have convinced his young bride that their future lay in his going off to prospect for the newly discovered diamonds in a far place called Kimberley, from where he would promptly return rich. As a kind of farewell surety for their love, he left inside her their son to be born.
Frederick surprises his mother by asking if she kept the old attaché case – a battered black bag, actually – where once his father had told him there was stuff about the family they should go through some time; both had forgotten this rendezvous, his father had died before that time came. He did not have much expectation that she still kept the case somewhere, she had moved from what had been the home of marriage and disposed of possessions for which there was no room, no place in her life in a garden complex of elegant contemporary-design cottages. There were some things in a communal storeroom tenants had use of. There he found the bag and squatting among the detritus of other people's pasts he blew away the silverfish moths from letters and scrap jottings, copied the facts recorded above. There are also photographs, mounted on board, too tough for whatever serves silverfish as jaws, which he took with him, didn't think his mother would be sufficiently interested in for him to inform her. There is one portrait in an elaborate frame.
The great-grandfather has the same stance in all the photographs whether he is alone beside a photographer's studio palm or among piles of magical dirt, the sieves that would sift from the earth the rough stones that were diamonds within their primitive forms, the expressionless blacks and half-coloured men leaning on spades. Prospectors from London and Paris and Berlin – anywhere where there are no diamonds – did not themselves race to stake their claims when the starter's gun went off, the hired men who belonged on the land they ran over were swifter than any white foreigner, they staked the foreigners' claims and wielded the picks and spades in the open-cast mining concessions these marked. Even when Ben Morris is photographed sitting in a makeshift overcrowded bar his body, neck tendons, head are upright as if he were standing so immovably confident – of what? (Jottings reveal that he unearthed only small stuff. Negligible carats.) Of virility. That's unmistakable, it's untouched by the fickleness of fortune. Others in the picture have become slumped and shabbied by poor luck. The aura of sexual virility in the composure, the dark, bright, on-the-lookout inviting eyes: a call to the other sex as well as elusive diamonds. Women must have heard, read him the way males didn't, weren't meant to. Dates on the scraps of paper made delicately lacy by insects show that he didn't return promptly, he prospected with obstinate faith in his quest, in himself, for five years.
He didn't go home to London, the young wife, he saw the son only once on a single visit when he impregnated the young wife and left her again. He did not make his fortune; but he must have gained some slowly accumulated profit from the small stones the black men dug for him from their earth, because after five years it appears he went back to London and used his acquired knowledge of the rough stones to establish himself in the gem business, with connections in Amsterdam.
The great-grandfather never returned to Africa. Frederick's mother can at least confirm this, since her son is interested. The later members of the old man's family – his fertility produced more sons, from one of whom Frederick is descended – came for other reasons, as doctors and lawyers, businessmen, conmen and entertainers, to a level of society created from profit of the hired fast-runners' unearthing of diamonds and gold for those who had come from beyond the seas, another kind of elsewhere.
And that's another story. You're not responsible for your ancestry, are you.
But if that's so, why have you marched under banned slogans, got yourself beaten up by the police, arrested a couple of times; plastered walls with subversive posters. That's also the past. The past is valid only in relation to whether the present recognises it.
How did that handsome man with the beckoning gaze, the characteristic slight flare of the nostrils as if picking up some tempting scent (in every photograph), the strong beringed hands (never touched a spade) splayed on tight-trousered thighs, live without his pretty London bedmate all the nights of prospecting? And the Sunday mornings when you wake, alone, and don't have to get up and get out to educate the students in the biological facts of life behind their condomed cavortings – even a diamond prospector must have lain a while longer in his camp bed, Sundays, known those surges of desire, and no woman to turn to. Five years. Impossible that a healthy male, as so evidently this one, went five years without making love except for the brief call on the conjugal bed. Never mind the physical implication; how sad. But of course it wasn't so. He obviously didn't have to write and confess to his young wife that he was having an affair – this is the past, not the sophisticated protocol of suburban sexual freedom – it's unimaginably makeshift, rough as the diamonds. There were those black girls who came to pick up prospectors' clothes for washing (two in the background of a photograph where, bare-chested, the man has fists up, bunched in a mock fight with a swinging-bellied mate at the diggings) and the half-black girls (two coffee one milk the description at the time) in confusion of a bar-tent caught smiling, passing him carrying high their trays of glasses. Did he have many of these girls over those years of deprived nights and days? Or was there maybe a special one, several special ones, there are no crude circumstances, Frederick himself has known, when there's not a possibility of tenderness coming uninvited to the straightforward need for a fuck. And the girls. What happened to the girls if in male urgencies there was conception? The foreigners come to find diamonds came and went, their real lives with women were Elsewhere, intact far away. What happened? Are there children's children of those conceptions on the side engendered by a handsome prospector who went home to his wife and sons and the gem business in London and Amsterdam – couldn't they be living where he propagated their predecessors?
Frederick knows as everyone in a country of many races does that from such incidents far back there survives proof in the appropriation, here and there, of the name that was all the progenitor left behind him, adopted without his knowledge or consent out of – sentiment, resentment, something owed? More historical fall-out. It was not in mind for a while, like the rendezvous with the stuff in the black bag, forgotten with his father. There was a period of renewed disturbances at the university, destruction of equipment within the buildings behind their neo-classical columns; not in the Department of Biology, fortunately.
The portrait of his great-grandfather in its oval frame under convex glass that had survived unbroken for so long stayed propped up where the desk moved to his new apartment was placed when he and his ex-wife divided possessions. Photographs give out less meaning than painted portraits. Open less contemplation. But
he
is there, he is – a statement.
One-sixteenth black.
In the telephone directory for what is now a city where the diamonds were first dug, are there any listings of the name Morris? Of course there will be, it's not uncommon and so has no relevance.
As if he has requested her to reserve cinema tickets with his credit card he asks his secretary to see if she can get hold of a telephone directory for a particular region. There are Morrises and Morrisons. In his apartment he calls up the name on the internet one late night, alone. There's a Morris who is a theatre director now living in Los Angeles and a Morris a champion bridge player in Cape Town. No one of that name in Kimberley worthy of being noted in this infallible source.
Now and then he and black survivors of the street marches of blacks and whites in the past get together for a drink. ‘Survivors' because some of the black comrades (comrades because that form of address hadn't been exclusive to the communists among them) had moved on to high circles in cabinet posts and boardrooms. The talk turned to reform of the education system and student action to bring it about. Except for Frederick, in their shared seventies and eighties few of this group of survivors had the chance of a university education. They're not inhibited to be critical of the new regime their kind brought about or of responses to its promises unfulfilled. ‘Trashing the campus isn't going to scrap tuition fees for our kids too poor to pay. Yelling freedom songs, toyi-toying at the Principal's door isn't going to reach the Minister of Education's big ears. Man! Aren't there other tactics now? They're supposed to be intelligent, getting educated, not so, and all they can think of is use what we had, throw stones, trash the facilities – but the buildings and the libraries and laboratories whatnot are
theirs
now, not whitey's only – they're rubbishing what we fought for,
for
them.'
Someone asks, your department OK, no damage?
Another punctuates with a laugh. ‘They wouldn't touch you, no way.'
Frederick doesn't know whether to put the company right, the students don't know and if they do don't care about his actions in the past, why should they, they don't know who he
was
, the modest claim to be addressed as comrade. But that would bring another whole debate, one focused on himself.
When he got home rather late he was caught under another focus, seemed that of the eyes of the grandfatherly portrait. Or was it the mixture, first beer then whisky, unaccustomedly downed.
The Easter vacation is freedom from both work and the family kind of obligation it brought while there was marriage. Frederick did have children with the second wife but it was not his turn, in the legal conditions of access, to have the boy and girl with him for this school holiday. There were invitations from university colleagues and an attractive Italian woman he'd taken to dinner and a film recently, but he said he was going away for a break. The coast? The mountains? Kimberley.
What on earth would anyone take a break there for. If they asked, he offered, see the Big Hole, and if they didn't remember what that was he'd have reminded it was the great gouged-out mouth of the diamond pipe formation.
He had never been there and knew no one. No one, that was the point, the negative. The man whose eyes, whose energy of form remain open to you under glass from the generations since he lived five years here, staked his claim. One-sixteenth. There certainly are men and women, children related thicker than that in his descendant's bloodstream. The telephone directory didn't give much clue to where the cousins, collaterals, might be found living on the territory of diamonds; assuming the addresses given with the numbers are white suburban rather than indicating areas designated under the old segregation which everywhere still bear the kind of euphemistic flowery names that disguised them and where most black and colour-mixed people, around the cities, still live. And that assumption? An old colour/class one that the level of people from whom came the girls great-grandpapa used must still be out on the periphery in the new society? Why shouldn't ‘Morris, Walter J.S.' of ‘Golf Course Place' be a shades-of-black who had become a big businessman owning a house where he was forbidden before and playing the game at a club he was once barred from?
Scratch a white man, Frederick Morris, and find trace of the serum of induced superiority; history never over. But while he took a good look at himself, pragmatic reasoning set him leaving the chain hotel whose atmosphere confirmed the sense of anonymity of his presence and taking roads to what were the old townships of segregation. A public holiday, so the streets, some tarred and guttered, some unsurfaced dirt with puddles floating beer cans and plastic, were cheerful racetracks of cars, taxis and buses, avoiding skittering children and men and women taking their right and time to cross where they pleased.
No one took much notice of him. His car, on an academic's salary, was neither a newer model nor a more costly make than many of those alongside, and like them being ousted from lane to lane by the occasional Mercedes with darkened windows whose owner surely should have moved by now to somesuch Golf Course Place. And as a man who went climbing at weekends and swam in the university pool early every morning since the divorce, he was sun-pigmented, not much lighter than some of the men who faced him a moment, in passing, on the streets where he walked a while as if he had a destination.

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