Low Midnight (Kitty Norville Book 13) (4 page)

The word “Manitou” comes from the Algonquin tribe of Indians,
she murmured. Cormac thought she might have been talking to herself, repeating old lore.
It refers to a kind of nature spirit, as I understand it, although I’ve read some authors who insist that
manitou
refers to gods. There was so much argument, a hundred years ago, about whether the Indians even had gods. Mostly among missionaries, I imagine. Does anyone still argue about such things? I should do some reading on it. At any rate, I’m certain the word has nothing at all to do with local legends or native spirits. I’ve even heard tell someone got the name from Longfellow, as if that was the only relevant lore any of them had encountered—unacademic drivel, hardly worth speaking of. Really, the Algonquin are an eastern tribe and have nothing to do with this part of the country.

She was distracting herself from more concrete memories, he realized.

The tour progressed to a certain street, and Amelia grew quieter, until she stopped talking at all.

“Next I’m going to tell you what’s probably the most gruesome story on this tour—don’t say I didn’t warn you,” Judi said, with a wink and a grin, and approached one of the gingerbread Victorians at the end of the block. It was two stories tall with dormer windows in the attic, and a porch wrapped around two sides of the house, all of it painted blue with white trim, hooks over the porch where planters would hang in summer, brass light fixture by the door, the works.

Judi drew a key from a pocket and gestured them up. “I have permission from the owner to bring you inside, if you’ll step up this way.”

Cormac stopped at the foot of the porch’s stairs.

I know this house,
Amelia whispered.
It’s different—it stood alone, then. The street’s been built up. I would have walked right past it. But I know it.…

Judi began her lecture. “In 1900, this house witnessed a terrible murder. A beautiful young woman, Lydia Harcourt, beloved by the whole town, met her end here, murdered in what can only be described as a demonic ritual by the most unlikely perpetrator imaginable—an English noblewoman. Let’s go inside.”

Gathered on the porch, the rest of the tour-goers murmured with interest. Cormac tried to take a step—and couldn’t move. A freezing dread had traveled down his legs, and Amelia’s presence overwhelmed him.

I remember. I can smell the blood.

Her memory gave him the scent of it, like the smell of a butcher shop, tangy and foreboding.

That was over a hundred years ago, he thought at her. Let’s go in.

Their partnership worked because he kept possession of his body. Unless they were explaining or working magic—and often, even then, when Amelia fed him instructions rather than performing the movements herself—Cormac was in control. Her fear had overridden his control. She wasn’t going to let him move.

An anger grew up in him, his thoughts turning hard: Do they say “Get back on the horse” where you’re from? Just let me go in and get it over with.

The rest of the tour was already in the house, and Judi waited at the front door, looking out. “Is everything all right? I promise, it isn’t too scary for a big tough guy like you.” She wore an amused smile.

Gritting his teeth, Cormac made an angry shove at himself, and his legs moved. They scuffed on the walkway, but they moved.

Judi described the day in 1900 when the door burst open and people saw the bloody corpse of Lydia Harcourt lying on the floor, and Lady Amelia Parker bending over her, kneeling in a pool of blood, perpetrating some ungodly ritual on the body. A circle had been drawn on the floor in chalk, incense burned, lit candles flared, the whole nine yards. Like something out of a horror movie with all the usual clichés.

The house had been restored since then, and the story clashed with the Victorian parlor setting: clean hardwood floor, a rug at the base of a staircase, padded straight-backed chairs, a mirror and table against one wall, nondescript paintings of flowers hanging at intervals. It looked like a dozen other restored houses in town. But Judi painted a picture, and Amelia’s memories rose up.

It was such a horrible crime,
she murmured, recovering, her explorer’s mind returning.
This all looks so … polite, compared to when I last saw this place.

Through her, he saw that scene. It was more than déjà vu, this feeling Amelia’s perspective gave him. He had two memories in one body, and her memories of this place were strong, filled with emotion—regret, anger, despair.

Her perspective shifted the setting, overlaying what had happened with how the room looked now, and the double vision gave him vertigo. He almost put his hand out to steady himself. There was the body of the girl Amelia had been accused of murdering, her throat cut deeply, her head bent back unnaturally; there was the pool of blood around her; there were the candles and mirror of the spell Amelia worked to try to question the victim from beyond the grave. That was how the locals had found her, bent over the bloody scene, a witch out of a nightmare.

“This is where the body lay when the local constabulary burst through the door,” the guide said, pointing to the side of the room near the staircase. “There was a struggle as the murderer threw her tools at them and made to flee out the back door, but she wasn’t fast enough. She didn’t escape.”

Amelia was looking at a different spot. The memories played out.

“No,” Cormac said. He pointed to an area four feet over, more in the center of the room than to the side. “The body was there. They came in—Amelia had to turn to see them. She didn’t struggle. She knew what it looked like, knew they weren’t going to listen to anything she had to say to defend herself.” His voice faded; he wasn’t sure if he’d been passing along her words, or if he was trying to explain the emotions she was showing him.

The other half dozen people on the tour stared. Rather than apologize or try to explain what he knew, he frowned back and stayed quiet.

Judi studied him while picking up her spiel and carrying on. “The horror of it ensured the crime would make all the newspapers.…”

If Amelia had a body, she might have been holding a breath that she now released. The memory faded, along with the scent of blood, and the reality of the present won out. This was a competently restored house, a moderately accurate historical tour, and the emotional hooks that dug into their skin eased away.

Judi had still more story to tell: “As you might imagine, many stories about this house have grown up over the years. Screams on certain nights, pools of blood appearing at midnight. Many people are convinced that poor Lydia’s ghost haunts the place where she was killed. Some people say that Amelia Parker’s ghost also lingers here, still stalking her victim after death.…”

Well, we know
that’s
wrong,
Amelia thought with a huff.

I don’t know—you’re here, aren’t you? Maybe we should knock over a chair, just for fun.

She was indignant.
I don’t think so.

Finally, they left the house.

You all right? Cormac asked that corner of his mind.

I—yes. I think I am. It’s better, now that I’ve seen it. I needed to see it. You were right.

I’m sorry, he thought stiffly, unaccustomed to the sentiment. It was stupid luck that they caught you.

I’m not one to say that all things happen for a reason. But, well, here I am. I’m not inclined to argue. Let’s move on.

The guide led them down the street, the circular tour curving back to the park where they’d started, and she shared a couple more stories of lurid suicides and Native American magic. Cormac started to think about how he was going to approach Judi. The tour she led was full of supernatural weirdness, but how much of it was just stories for her? How much did she really believe? Amy Scanlon had listed her as a mentor—how much did the woman really know about magic?

The tour ended back at the park. The tourists drifted off, but Judi lingered, like he thought she might, regarding Cormac with curiosity. He waited for her to ask the questions she so obviously had.

“Did you enjoy the tour?” she asked.

He smirked, amused at the roundabout lead-in. “I did. Thanks.” Another beat of waiting.

“You’re very interested in the Harcourt murder, I take it,” she said finally, leading to the real question. “Why?”

He nodded, acknowledging. “I’m interested in Amelia Parker. She didn’t kill the girl. She was innocent.”

“Then who did kill her?”

There wasn’t a subtle way to say it. “The demon Amelia was hunting.”

The tour guide’s eyes narrowed. “You know what? I’ve always thought it was something like that. What makes you think so?”

“I’ve talked to Amelia,” Cormac said, just to see the reaction.

Her eyes widened in wonder. Not skepticism, which would have prompted a shutting down of expression, not an opening up, like this. He kept his expression still.

After a moment she said, “Would you like to come back to my shop for some tea?”

He said yes.

Chapter 4

T
URNED OUT,
Judi and her partner owned a gift shop on Canon Avenue, just off the highway, part of a row of restored nineteenth-century storefronts. The
MANITOU
WISHING
WELL
, according to the sign. The tour guiding was a sideline; Judi was interested in the history and liked to tell stories.

“Frida really knows more about things like talking to ghosts,” she said. “When it comes to the more esoteric topics like that, I’m really only a dabbler.”

The way her niece talked about her, Cormac doubted that. Thoughts? he asked Amelia.

I’m reserving judgment.

A soft bell rang when she opened the door, and Judi led him inside. The shop was exactly what he expected: racks of T-shirts, sweatshirts, mugs, knickknacks; shelves full of ceramic hummingbirds, so-called collectibles; bags of Rocky Mountain–themed candy, neo-antiques, and the like. The place had a vibe to it, though. The further back they went into the shop, the deeper into that world, the less fake and commercial it seemed, until they reached the shelves of crystals, books on ley lines, and weird tarot cards.

There’s magic here,
Amelia said.
I can see some of the signs, charms on the wall there and there. Protection. But also encouraging generosity. Interesting.

“Frida, I’ve brought company,” Judi called.

A woman appeared through a doorway behind the counter running along the side of the store. She had Native American heritage: long, straight black hair streaked with some gray hanging loose down her back, sandstone-brown skin, dark eyes. Shorter than Judi, she was round, matronly, and wore a blue tunic shirt with jeans. Like Judi, she wasn’t in her prime—maybe midsixties—but still gave off an air of energy and determination.

“Who is it?”

Judi presented him, and he resisted an urge to shove his hands in his pockets and duck his head sheepishly. “My name’s Cormac Bennett.”

“He took the tour, and he says he’s spoken to Amelia Parker, the Lydia Harcourt murderer,” Judi said. “I thought it might be nicer if we could all sit together over tea. Or coffee, Mr. Bennett?”

Tea,
Amelia proposed, predictably. “Tea’s fine.”

Frida didn’t bother being at all circumspect when she said to Judi, “Do you know he has two auras?”

“No, but I can’t say I’m surprised,” Judi said. “Let me go plug the kettle in.” She skirted around the counter to the back room while Frida studied him. Cormac ignored her, absently looking at stained glass butterfly ornaments hanging from a rack without really seeing them. Eventually, she followed Judi to the back, and they had a hushed conversation.

They’re suspicious.

Of course they are, he thought. He didn’t even blame them. He was a surly-looking guy who’d spent his whole life working on being intimidating. Hadn’t been a handicap until now.

Perhaps we should have invited Kitty along after all.

Well, too late now. They’d have to make this work somehow.

A faint patter sounded, then a thud as a cat jumped from behind the counter to the glass surface. It should have slid, but the animal braced, stopped, and elegantly arranged itself to a sitting position, looking like an Egyptian statue. The animal was hairless, probably bred that way, but that didn’t make it any less bizarre, with huge ears, knobby feet, and velvety wrinkly skin. The tail wrapped around its legs was a skinny stick. It had big green eyes and an accusing stare. Even the cat was suspicious.

Good God, what’s wrong with it?
Amelia exclaimed.

It’s supposed to be that way, I think. He held his hand out to the creature. The cat’s nose wrinkled, but it didn’t offer to sniff, much less approach for petting. Just kept that glare focused on him.

“Esther is generally a good judge of character,” Judi said, emerging from the back room holding two mugs.

“That so?” He accepted one of the mugs.

“She sees it—you have two auras.” Frida said it as an accusation as she reappeared with a mug of her own.

“So I’ve been told.” Cormac sipped. It was a green tea with something else mixed in.

Ginger,
Amelia offered.
Lovely.
Amelia appreciated the tea more than he did; since he didn’t really have an opinion about tea one way or another, he drank it. At least it was in a solid mug and not some dainty china cup.

“The two auras thing doesn’t surprise you?” Judi said. A prompt.

He was happy enough not having to mention Amy Scanlon right away. “No, not really. So what exactly does two auras look like?”

Frida pursed her lips, considered. Cormac tensed under the scrutiny, but held his ground. Sipped tea calmly. “It’s double vision, like you’re out of focus. Though I’m thinking part of that is just you, yeah? But there’s one strong layer, then another layer under that. A lot of red, a lot of blue, and they’re not merged at all like they should be—two auras instead of one with many colors. And it’s clouded, like you’re not too sure about things. Can’t say I’ve ever seen anything like it. You have an explanation?”