Lucrezia Borgia: Life, Love and Death in Renaissance Italy (36 page)

Alfonso had sent Antonio Costabili for Ippolito who arrived accompanied by Count Lodovico Pico della Mirandola and had supper with Alfonso in his
camerini
. Subsequently Alfonso sent Hieronymo Ziliolo to Giulio to tell him of his great desire that he and the cardinal should be reconciled, and that he hoped Giulio would accede to this. At their meeting, Alfonso spoke first of the repentance felt by the cardinal and of his regret and of the goodwill in which he would hold Giulio, ‘whereupon the Cardinal added in most kindly and repentant words of how he would in future be a good and loving brother and other words of similar tenor’. Giulio then spoke a few words, addressing himself to Alfonso: ‘My Lord, you see how I am’, and then, turning to the cardinal, he said that he had to thank God and Our Blessed Lady who had granted him his sight. ‘And although my case has been most cruel and inhuman and done to me with no fault of mine, nonetheless I pardon Your Lordship and will not cease to be to you that good brother I have always been’, to which Ippolito replied pleasantly. Alfonso was seen to be deeply moved and ‘incapable of many words except to say that he prayed them to love each other and to enjoy this State with him’, warning them that if they did not do so he would be obliged to force them to comply. Unable to go on, he turned to Niccolò da Correggio to speak on his behalf. Finally, Ippolito and Giulio exchanged a formal kiss of peace. ‘God grant that things go from good to better,’ intoned the ever-optimistic di Prosperi.
²²

Lucrezia, who had been warned by Alfonso to cease any attempts at mediation that summer, had kept out of these Este family quarrels which were uncomfortably dangerous and still, as it was to turn out, far from settled. Her first year as Duchess of Ferrara had, apart from her romance with Francesco, not been a happy one. Her state of mind regarding her own fertility cannot have been enhanced by the news that Isabella had been safely delivered of a second son, Ercole, in November. And bitterest of all, perhaps, was her concern for Cesare’s continuing captivity.

12. The
Congiura

‘May God put his hand in these things and discords’

– Bernardino di Prosperi to Isabella during the unravelling of the Este Conspiracy, 24 May 1506

After the supposed peacemaking between Giulio and Ippolito, Lucrezia and Alfonso celebrated carnival with dancing at the Castello. It was noted that Alfonso was particularly gaily dressed, although the official year’s mourning for Ercole was not yet over. He wore a long robe in the Turkish style down to mid-calf, lined with sable and wolf, a Spanish cape and an elaborately tailored tunic ornamented with silken strips, ‘showing himself very gallantly and with more joy in his heart than usual’, according to di Prosperi. It may have been that he was relieved that his difficult first year as Duke was over and the rift in his family apparently healed.

Di Prosperi, however, noted ominously on 6 January 1506 that since the reconciliation neither Alfonso nor Ippolito had spoken of or seen Giulio, ‘nor had any more provision, considering his condition, been made for him than he had before’. Giulio, he said, resented this. Ippolito deigned to send his secretary to visit Giulio but did not go in person and Giulio, probably mortified by his disfigurement, kept to his rooms. Yet, di Prosperi reported, at court there were masques every day, ‘as if they were in the greatest state of happiness in the world’. An eclogue was performed, composed by Niccolò da Correggio, with
moresche.
Lucrezia ordered comedies ‘of three kinds of lovers’, one of them based on Boccaccio’s
Cento Novelle
and in di Prosperi’s opinion ‘very improper’, and there was dancing till dawn in the castle. There was a Battle of the Eggs on 13 February and in the piazza men with long staves and blindfolded competed with each other, to the sound of trumpets, to kill a tethered pig. ‘The Gypsy’, ‘il Cingano’, a favoured member of Alfonso’s household, walked blindfolded with irons on his feet on a tightrope across the piazza. Lucrezia frequently rode round the streets masked, accompanied by il Barone or Niccolò da Correggio.

Lucrezia also had in her household a number of young Ferrarese girls of good family –
donzelle –
whom she trained and for whom she found husbands. New recruits must not have passed the age of twelve: ‘And they will be brought up otherwise than the usual,’ di Prosperi wrote, ‘in work [embroidery] and in learning virtue.’ The prospective husbands of these
donzelle
often proved recalcitrant and had to be dragooned by Lucrezia into keeping their promises. ‘Today the marriage of La Dalara to the son of Hieronymo Ariminaldo should have been made public,’ di Prosperi told Isabella, ‘but the husband could not be found, perhaps as a young man he has repented of the word he had given the Lady Duchess. However, Her Excellency will not permit herself to be disobeyed. She has had the consent of both him and his parents and I understand this evening a Commandment will be sent to the house, by which he must appear to be married to the girl under pain of a fine of a thousand ducats.’ Carnival, preceding Lent, was the time of year for Lucrezia to oversee marriages for her damsels, including the daughter of Federico Maffei and La Violante. ‘And thus My Lady attends to find homes for her ladies,’ di Prosperi wrote. ‘Every day My Lady makes a marriage for one of her ladies,’ he reported on 8 February, ‘but she has not yet found anyone for La Napoletana.’ Hector Berlinguer was dispatched to Francesco Gonzaga to negotiate the marriage of Ercole Bentivoglio’s daughter by Barbara Torelli to Ercole Strozzi’s brother, Count Lorenzo.

On 2 February 1506, Lucrezia busied herself with the marriage of the errant Angela Borgia to Alessandro Pio da Sassuolo, a minor local lord and faithful adherent of the Este family. There was the question of the dowry: after the death of Alexander the Borgia family fortunes were no longer what they had been. Lucrezia wrote to Angela’s brother, Cardinal Ludovico Borgia, with meagre results; the Este had to top up Angela’s dowry and Lucrezia to provide her with clothes, as she had generously done hitherto. It was an intimate, comical occasion: Lucrezia summoned the happy pair and had them shut up together to consummate the relationship (‘
fare la copula
’) after which they emerged two hours later laughing. The marriage had to be kept secret, as the fate of Angela’s unfortunate child had been. Alessandro Pio’s domineering mother, a daughter of Giovanni Bentivoglio, would have opposed it and only learned of the affair when a formal ‘marriage’ took place in December. Angela meanwhile (and later) remained in Ferrara, where she was joined at the Palazzo del Corte by Alessandro Pio in May, taking part in Lucrezia’s court life as she was accustomed to.

On 21 February another Pio of a different branch of the family, Alberto Pio da Carpi, came to Ferrara for carnival, bringing with him Cesare’s son, Girolamo, who had been entrusted to him by Lucrezia. Lucrezia’s choice of Alberto Pio da Carpi as guardian for Cesare’s son was understandable. Alberto Pio was eminently suited to the guardianship of Girolamo Borgia. Apart from his intellectual and social standing, he was a member of Lucrezia and Francesco Gonzaga’s circle and his mother was a Gonzaga. Lucrezia’s friendship with Alberto Pio demonstrated the independence with which she chose her friends, for Alberto Pio was very far from being a friend of Alfonso’s and later that year at times actively opposed him and intrigued against him. Indeed, for some years there had been a running feud between Alberto Pio and Lodovico Pico della Mirandola, who was related to the Este and protected by Alfonso. Alberto Pio tried to stir up trouble between Francesco Gonzaga and Alfonso, urging Gonzaga to write to Alfonso pointing out that his (Pio’s) affairs were his business not Alfonso’s: ‘And show him that you do not want him to think that he can make himself cock of Italy, Your Excellency being older than him, a prince as he is and in military virtues and achievement worthy of comparison with him . . . and that the duke is not the ‘
maestro di scuola
’ [master of the school] in these times, nor is Messer Niccolò da Correggio, his mouthpiece.’ Alberto Pio’s objective was to declare independence from Ferrara for Carpi, and for that he would need Gonzaga’s support. Gonzaga, however, was too wily to be drawn in; much as he despised Alfonso, he did not intend to go to war with him on Alberto Pio’s behalf. In March 1506 trouble between Alberto Pio and Mirandola escalated into open war. Alfonso sent a number of light horse from the company commanded by Masino del Forno to the aid of Mirandola while Gonzaga sent troops to Alberto Pio, but in the end the differences between Pio and Mirandola were settled through Gonzaga’s mediation.
¹
Rancour, however, remained; later that summer Francesco Gonzaga’s harbouring of Giulio and prevarication about handing him over showed that he had seen him as a weapon to use against Alfonso, as well as indicating his contempt for his ducal brother-in-law. In these complicated enmities and concealed hatreds, Lucrezia had chosen, however secretly, to favour two men, Alberto Pio and Francesco Gonzaga, who were no friends to her husband. During his carnival visit to Ferrara, Alberto Pio forged a closer link between Giulio and Francesco Gonzaga, reporting on 23 February that he had visited Giulio to assure him of Francesco’s friendship and that Giulio had sworn that he was more a servant of Gonzaga ‘than of the duke my lord and brother’. ‘The most reverend cardinal,’ he added, ‘has not yet visited him [Giulio] being day and night occupied in pleasures and masking.’
²

The Este carnival celebrations, taking place within earshot, but in which he, with his ravaged looks and damaged sight, could not take part, fuelled the wretched Giulio’s resentment. He had not forgiven Alfonso for his failure to punish Ippolito or for his continuing favour towards him, any more than, despite the sham reconciliation, he had forgiven Ippolito. Even as Alfonso and Lucrezia enjoyed the carnival of 1506, Giulio became involved in a fratricidal conspiracy, the
Congiura,
with Ferrante, who was motivated by ambition to succeed his brother. They were joined against Alfonso and, to a lesser extent, Ippolito, by some minor lords, Gherardo de’Roberti and Albertino and Roberto Boschetti, who feared losing their states. According to the subsequent interrogation of the conspirators, at the time of Alfonso’s absence abroad in 1504 Gherardo de’Roberti had suggested to Ferrante, whose head had already been turned by ambition to succeed his father, that he should provide a band of assassins to waylay and kill Alfonso. A year later, Gherardo de‘Roberti and Albertino Boschetti had proposed to Ferrante that they should assassinate Alfonso during the carnival of 1506. Also involved in the conspiracy was Alfonso’s favourite singer, Gian de Artigianova (Gian Cantore): the singer’s motives seem inexplicable unless he hoped for even greater favours from the passionately musical Giulio. Ferrante and de’Roberti visited Giulio in his apartments in the Corte: the idea was to kill Alfonso and replace him with Ferrante. Ippolito would also have to be disposed of. One suggestion was that Alfonso should be murdered while off guard in some whorehouse.

The plotters could not, however, agree among themselves and appeared singularly incompetent in executing their intentions. Ferrante wanted Alfonso killed first; Giulio preferred Ippolito. Gherardo and Sigismondo, son of Albertino, acting on information from the treacherous Gian Cantore, waited for the Duke with poisoned daggers by night in the streets of Ferrara. Twice they missed him and twice they lacked the courage to carry out their mission. Alfonso was a big man and skilled in the practice of arms; moreover, he wore chain mail beneath his doublet. The conspirators quarrelled among themselves, renewed the poison on their daggers, and prevaricated.

In April Alfonso left for Venice, apparently with the intention of informing the Signory of his plan to go on a pilgrimage to Compostela, and in the meantime to obtain their protection for his state. It was to be a short visit: he intended to leave later for Spain. Lucrezia was to be left in charge as Governor of the city, giving audiences and issuing orders, not merely attending to the examination of petitions. It was an indication not only of her administrative talents but a demonstration of trust. Otherwise, of all his relations, Alfonso confided only in Ippolito, who remained in Ferrara, and Niccolò da Correggio, who accompanied him to Venice. Moreover, said di Prosperi, Alfonso had told Lucrezia that he did not wish her to consult him about anything while he was away ‘except for something of such importance that it bore on the maintenance and conservation of the State’. For greater security in Alfonso’s absence, Lucrezia was to move into Alfonso’s rooms in the Palazzo del Corte, while hired
lanzknechts
and men-at-arms were moved in to guard the Castello. On the day scheduled for Alfonso’s departure, Lucrezia went to stay in Corpus Domini, as was her wont in Holy Week, and there she fell ill with a fever and chills. According to di Prosperi her illness developed into ‘
el terzo termine de terzana
’—the third stage of tertian fever – and Alfonso deferred his departure, as usual keeping everyone in the dark as to the day he actually planned to leave. He eventually left on 19 April, characteristically at dawn so as to avoid the attentions of the populace who would wish to kiss his hand. He returned at the end of the month to be greeted by Lucrezia and Ippolito who dined with him in his garden. He was off again in mid May to Venice and the Adriatic.

Giulio remained in his palace in the Via degli Angeli, observing experiments with poison on cats, dogs and doves. At the end of April, Lucrezia, who had been fond of Giulio, might have had some inkling of what was going on and, for this reason and perhaps for fear of what Ippolito might do to him, attempted, without success, to make Giulio leave Ferrara. Alfonso, perhaps at her prompting, also sent Gian Luca Pozzi to order him to leave but he again refused and was still there when Alfonso left in May. Di Prosperi, who had reported optimistically to Isabella that Alfonso was able to leave untroubled, ‘because My Lady and your brothers are all disposed for the good’, then curiously remarked of Giulio that he could come and go as he pleased but as yet had not ventured out by day, spending all his time in his palazzo, in his garden or with his horses.

Ippolito and his spies had indeed picked up some information as to what was going on. On 24 May, di Prosperi reported the arrest, on the cardinal’s orders, of one of Giulio’s servants, one Hieronymo, ‘a flycatcher –
pigliamosche—
of a sad sort’. He did not know the reason and was not going to try and find out, assuming that it was yet another episode in the enmity between the brothers—‘May God put his hand in these things and discords.’ On 13 June it was reported that a servant of Don Ferrante, Andrea della Matta, had been arrested in the Romagna on Ippolito’s commission and brought to Ferrara, while Giulio’s servant Hieronymo had been sent to the Castello. ‘May God, once and for all, place his hand on us with peace and love’ was di Prosperi’s despairing reaction. As well as Giulio’s servant and Ferrante’s Andrea, another man involved in the mechanics of the conspiracy, one Tuttobono, was arrested; both Andrea and Tuttobono were shortly afterwards released. The arrest of the latter, for some reason, had terrified Ferrante who wrote to Isabella pleading with her to get Giulio out of Ferrara to safety in Mantua. The historian of the
Congiura
suspected Tuttobono of being an
agent provocateur,
presumably of Ippolito, his function having been to spy on the conspirators. His release and that of Andrea were intended to lull Giulio into an illusion of security. On the 19th di Prosperi reported that crossbowmen had been sent to arrest Gian Cantore – ‘the cause, I understand, being that he refused to go on the ship with the Duke, excusing himself on the grounds that the sea made him ill. And that he had fled without telling anyone, which disturbed the Duke. Others,’ he added, ‘judge that his flight proceeds from those troubles and discords between the cardinal and Don Giulio, which have reached such terms that I doubt that there can ever be love or peace between them.’ It seems that Gian Cantore’s original mission in accompanying Alfonso on his voyage had been to poison him: his nerve had, however, failed him and he disappeared for fear that the conspirators might try to silence him.