Mantrapped (3 page)

A few of Mrs Kovac's best girls had got away to good jobs in the fashion industry in Paris, where they commanded good wages. Now they had learned the route, too many others followed. Lately the bottom had fallen out of the Far East market: girls from Malaysia, Indonesia and Thailand were earning their living at home, their national economies were better. Times were better. Eastern Europe and Russia was the new market for girls. Soon that too would dry up and she would be left with the British, who were too disdainful to exert themselves at such mundane and badly-paid tasks. Poles were hopeless at sewing but good cleaners. It was a Communist upbringing mixed up with Catholic guilt that did it, in Mrs Kovac's opinion. They scrubbed both to cleanse their sins and benefit the community. But she could see that someone like Trisha, who had let slip about her past in embroidery, and was clearly in reduced circumstances, might be persuaded to join the mending army.

What Trisha had liked about the flat on her earlier brief inspection of it was that it had its own side entrance. You didn't have to go through the shop to get to it. It was private. She could make it nice. A few throws, some cushions and a scented candle or two and it would be just fine. She'd turn it into a little love nest. The area was marginally worrying. There was a Starbucks just around the corner, true - a sign that the district was going up in the world; but there was also a pile of broken syringes outside Kleene Machine waiting for a street-cleaner who never came to sweep them up in his little machine. Touch and go, Trisha thought, but she wouldn't be there for long. This was just a staging post between one good life and the next - with any luck. First, Mrs Kovac had to be persuaded.

'Please, please,' said Trisha, 'I don't know what I'm going to do; I've got no one to be there for me, nowhere to live. I don't know how my life has come to this but it has.' And so forth.

Mrs Kovac said she couldn't change her mind, she always kept her word, and besides, the new tenant was prepared to do bits and pieces of mending and sewing in part return for rent.

'I can do that!' said Trisha. 'It's just up my street!' and indeed this was true. She had been to the London College of Embroidery for a term, between school and Drama College. She'd written this on the statutory form provided by the Rental Accommodation Office, which she'd given Mrs Kovac, and which gave the life details everyone seemed to want these days.

'If it means all that to you,' said Mrs Kovac, grudgingly, 'I'll put the other person off.' So that was that, arranged. Fate took away with one hand and gave it back with the other, albeit finding the recipient a little more shop-soiled by age and experience each time it happened. Trisha didn't suppose her mending duties would be onerous, since Mrs Kovac was prepared to reduce the rent by only five pounds a week. She would meet that problem when she came to it.

On her way to her new home, riding in the front of the van with the removal man and her bits and pieces behind, she felt exhilarated, if a little as if she were the Fool in the Tarot pack, about to walk jauntily over the cliff edge into thin air. She tried to remember little Spencer's face and somehow couldn't quite envisage it. He belonged to some woman who had won a fortune in a lottery and lost it all in a decade. Through her inattention, drink and gambling, he now belonged to his father. That was justice. Men should remember they are fathers too.

It is easy enough to forget children in their absence. The bonding process works best when the child is within earshot. Birds and humans are designed to go foraging for their young and to return to the nest when the offspring is needy and calls out. If the call can't be heard the parent forgets. Other creatures need proximity of touch. Take a cow from a calf and in a couple of hours the cow forgets and the tormented lowing stops. After half a day the cat without kittens stops prowling. Why should we be different? But sometimes Trisha feels bad because she gives so little thought to her absent child.

The mattress turned out to be bigger than Trisha supposed, or else the bedroom was smaller than she remembered. You had to choose which one you wanted to open properly -the bedroom or the wardrobe door - you couldn't have both. Trisha chose the bedroom door. Clothes were henceforth to be unimportant to her new life. She would take all her little fur-lined jackets to the charity shop: she would go to work in dark skirts and white shirts. She would be plain and useful. She was full of dreams of redemption, of absolution. She would have to clamber over the mattress, no doubt, for the odd feather stole and silky chemise, but at least her back would not hurt, only her pride. She would earn her own money and keep away from men. She would live quietly and lick her wounds until she felt stronger. She would try never again to weep in front of the likes of Mrs Kovac, never to be humiliated, never be reduced to inchoate self-pity.

Trisha's soul was much like her mattress: soiled but comfortable.

Novels are not enough

Novels alone are not enough. Self-revelation is required. Readers these days demand to know the credentials of their writers, and so they should. Too often readers cry out for bread and are given stones: writers fail them, fob them off with thrillers, good guys on the political left, the bad guys on the right, or chick lit, first-person tales in the present tense leavened by wisecracks, feeble emotions if nifty enough plots. Writers have to get published somehow: living in garrets is out of fashion. Who would take them seriously if they did? Once writers alone in all the world had privileged information: they could read the human mind and pass the knowledge on. But these days their USP, their Unique Selling Proposition, is wearing thin. Such knowledge is no longer arcane: everyone knows everything. Freud and Jung and a host of psychotherapists have laid out the road map of the mind for all to see: the mechanics of intellectual and emotional reaction have been made clear. From
Meet Yourself as You Really Are; I'm Okay, You're Okay; Men are from Mars, Women are from Venus; The Cinderella Complex
and their like, to
Help Yourself to Contentment
programmes on TV, everyone is now their own expert. Since Meg Ryan faked an orgasm in public, what is there left to be disclosed? It is not better and it is not worse: it is just different.

We are not short of stories, not at all. We wallow in beginnings, middles and ends: if we grow blase we are shocked into response. Once a severed finger was alarming, now volleys of decapitated heads fly about our screens and no one flinches. Our whole existence is threaded through with cheapo TV fiction: it is script editors, trained in counselling techniques, not writers, who dictate the lines the actors say, the tears they weep, the homosexual kisses they exchange. Our children grow up as heroes of their own lives, believing there will always be a happy ending. Even those wear thin. We would rather have reality TV.

Fiction drifts backwards into once upon a time: it is an industry, its raw material dug up where the market dictates, hammered into shape by editorial teams and committee, and each writer these days is perforce his own committee -
what will the publisher think, what will my friends think, what do I dare say
? The computer sniffs at swear words and underlines them with red. Thus the Stalinist Within triumphs, the free expression of thought is stifled. The Committee Without is there to pick off stragglers: can this be safely published? Will this make a profit?
(The Satanic Verses
would not stand a snowflake's chance in hell today.) Since the touchstone is what has done well in the past nothing new can happen, or only by accident. But prudence does not pay off. The readers begin to yawn and close their books.

Best put your faith then in the new reality novel. Reality TV is real life lived out in a fictional context (the House): the reality novel threads the life through the fiction. Have my fiction, have me.

That off my chest, on with the story of my own life. Trisha's is going to have to wait a bit. As she wept, pained and humiliated, so did her writer.

Times I have cried in public

I cried when I was fourteen turning fifteen and I left my father on the quayside at Wellington, New Zealand, a tall, dark figure getting smaller and smaller as the ship departed, knowing I would never see him again. Nor did I. I was off, unwillingly, to England with my brave and wilful mother. That was 1946.

I cried when I was sixteen turning seventeen and the headmistress told me that I alone of all the Upper Sixth had not been elected prefect. That was South Hampstead School for Girls and only this morning I had a letter from the current headmistress asking me to address the school on any subject of my choosing.
If My Friends Could See Me Now
. Some could, if they were interested, but too many have died. That was 1948, the year I realised there was no magic to protect me from misfortune.

It was a shock when I realised my school days were five years behind me. The degree of shock, if this is any consolation, remains much the same now the gap amounts to fifty-five years. The terrible realisation that the present is not always with us is a one-time event and not subject, thank God, to perpetual renewal.

Better to be grateful for the time one has, and the time one has had than lament that there is little left. If I look out of the window where I write this early morning I see the sun rising over the pollarded lime trees of what were once the gardens of the most powerful abbey in England. The trees look the same as in the sixteenth-century print someone showed me recently - the old gnarled trunks, the spurt of new, thwarted if determined foliage, like the drawing of an inexpert child. It is autumn, the most colourful autumn for years after a hot, dry summer, and the trees are coming to life with the dawn, in a kind of greeny-pink haze. A woman walks a little dog. It should be on a lead and is not. People, delinquent and otherwise, have walked here for centuries. The monument to the dead of the First World War comes into relief as sunlight breasts the wall of the church and stripes the dark grass withlight. Beyond the trees the ground falls away from the old castle ramparts, and you can see right across a wide landscape to the next ridge of hills and the little airfield which flashes its light as confidently as if it were Canary Wharf.

The Abbey was torn down by Henry VIII, in a fervour of asset-stripping, and the stone parcelled out to nobles in London to build their fine houses. But a lot was stolen in dead of night, and many old houses in these parts have chunks of Abbey stone built into their fabric. And we still have the trees, and the past showing through into the present, if you have a mind to look.

I will put a tree or two in Wilkins Parade and Wilkins Square where the addicts gather, to cheer the place up, to share my good fortune in being able to see what I have seen this morning, the old and the new, the past and the present, all merging into one another. Good fortune must be passed on.

Look thy last on all things lovely, every hour

Let no night,

Steal thy sense in deathly slumber

'Til to delight

Thou hast paid thy utmost blessing,

Since that all things thou would'st praise,

Beauty took from those that loved them,

In other days.

My mother would quote that at the drop of a hat. She never went to school but she had a head full of poetry, and passed the knowledge on to me. Just before she died, at the age of ninety-five, we remembered together at least two consecutive pages of Tennyson's
Lady of Shalott
.

Four grey walls and four grey towers,

Overlook a space of flowers .
. .

What else are the Abbey gardens? My grandchildren's heads are full of pop lyrics, in the same way, but I think we had the best of it.

I cried when I was seventeen turning eighteen and my father died. I had just come home from France, where I had been working in a Youth Aliyah camp for Jewish children on their way to what was then known as the Holy Land, and was staying with my aunt and uncle, Mary and Michael Stewart in Amen Court, in the shadow of St Paul's. I was to be there for a week before taking the night train to St Andrews University. Home had vanished in my absence. My mother had left London to live in her Wild Meg cottage on the Cornish moors. Once again, I had only my suitcase and memories I preferred to forget - lost landscapes, lost friends.

Michael and Mary were Labour Party activists and were to end up in the House of Lords, he an ex-Foreign Secretary, she a very worthy Baroness. A telegram came. Mary opened it and said 'Bad news, your father has died' and put it down on the hall stand. She cried a little, my father being her brother, and I cried too, to keep her company. We did not touch; we were not a touching family.

'We have grim news,' say
The Sunday Times
and others when they ring up to tell you some public figure or friend has died, 'we have grim news.' And you reply quickly, 'who?' And they give you the name and it either shocks you to the core or you remain oddly and guiltily indifferent. Sometimes it is those apparently closest to you whose death does not seem to impinge much upon your own life, while the death of those you scarcely know and rarely see can strike you to the quick. Grief comes bidden or unbidden, and there is little you can do about it. It is as if the circles of acquaintance given to one in life are flawed: off-key, they overlap but do not coincide. You can spend a lot of time with others, and take very little notice. Or spend a little time, and be devastated.

I had not seen my father for three years and I think I had struck him from my psychic address book. We went to
Oklahoma
! that night - we did not cancel, and it was my birthday treat. Life, my aunt said, must not be disturbed by death. That was 1949: there had been a war. Amen Court stood alone amidst rubble. The times were drastic, and still out of joint.