May We Borrow Your Husband? (2 page)

BOOK: May We Borrow Your Husband?
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Time for a few days was hanging as heavily on my hands as on Lord Rochester's. He was staying at Mrs Foucard's baths in Leather Lane, receiving mercury treatment for the pox, and I was awaiting a whole section of my notes which I had inadvertently left in London. I couldn't release him till they came, and my sole distraction for a few days was those two. As they packed themselves into the Sprite of an afternoon or an evening I liked to guess from their clothes the nature of their excursion. Always elegant, they were yet successful, by the mere exchange of one
tricot
for another, in indicating their mood: they were just as well dressed in the sailors' bar, but a shade more simply; when dealing with a Lesbian antique dealer at St Paul, there was a masculine dash about their handkerchiefs. Once they disappeared altogether for the inside of a week in what I took to be their oldest clothes, and when they returned the older man had a contusion on his right cheek. They told me they had been over to Corsica. Had they enjoyed it? I asked.
‘Quite barbaric,' the young man, Tony, said, but not, I thought, in praise.
He saw me looking at Stephen's cheek and he added quickly, ‘We had an accident in the mountains.'
It was two days after that, just at sunset, that Poopy arrived with her husband. I was back at work on Rochester, sitting in an overcoat on my balcony, when a taxi drove up – I recognized the driver as someone who plied regularly from Nice airport. What I noticed first, because the passengers were still hidden, was the luggage, which was bright blue and of an astonishing newness. Even the initials – rather absurdly PT – shone like newly-minted coins. There were a large suitcase and a small suitcase and a hat-box, all of the same cerulean hue, and after that a respectable old leather case totally unsuited to air travel, the kind one inherits from a father, with half a label still left from Shepheard's Hotel or the Valley of the Kings. Then the passenger emerged and I saw Poopy for the first time. Down below, the interior-decorators were watching too, and drinking Dubonnet.
She was a very tall girl, perhaps five feet nine, very slim, very young, with hair the colour of conkers, and her costume was as new as the luggage. She said,
‘Finalmente,'
looking at the undistinguished façade with an air of rapture – or perhaps it was only the shape of her eyes. When I saw the young man I felt certain they were just married; it wouldn't have surprised me if confetti had fallen out from the seams of their clothes. They were like a photograph in the
Tatler
; they had camera smiles for each other and an underlying nervousness. I was sure they had come straight from the reception, and that it had been a smart one, after a proper church wedding.
They made a very handsome couple as they hesitated a moment before going up the steps to the reception. The long beam of the Phare de la Garoupe brushed the water behind them, and the floodlighting went suddenly on outside the hotel as if the manager had been waiting for their arrival to turn it up. The two decorators sat there without drinking, and I noticed that the elder one had covered the contusion on his cheek with a very clean white handkerchief. They were not, of course, looking at the girl, but at the boy. He was over six feet tall and as slim as the girl, with a face that might have been cut on a coin, completely handsome and completely dead – but perhaps that was only an effect of his nerves. His clothes, too, I thought, had been bought for the occasion, the sports-jacket with a double slit and the grey trousers cut a little narrowly to show off the long legs. It seemed to me that they were both too young to marry – I doubt if they had accumulated forty-five years between them – and I had a wild impulse to lean over the balcony and warn them away – ‘Not this hotel. Any hotel but this.' Perhaps I could have told them that the heating was insufficient or the hot water erratic or the food terrible, not that the English care much about food, but of course they would have paid me no attention – they were so obviously ‘booked', and what an ageing lunatic I should have appeared in their eyes. (‘One of those eccentric English types one finds abroad' – I could imagine the letter home.) This was the first time I wanted to interfere, and I didn't know them at all. The second time it was already too late, but I think I shall always regret that I did not give way to that madness . . .
It had been the silence and attentiveness of those two down below which had frightened me, and the patch of white handkerchief hiding the shameful contusion. For the first time I heard the hated name: ‘Shall we see the room, Poopy, or have a drink first?'
They decided to see the room, and the two glasses of Dubonnet clicked again into action.
I think she had more idea of how a honeymoon should be conducted than he had, because they were not seen again that night.
2
I was late for breakfast on the terrace, but I noticed that Stephen and Tony were lingering longer than usual. Perhaps they had decided at last that it was too cold for a bathe; I had the impression, however, that they were lying in wait. They had never been so friendly to me before, and I wondered whether perhaps they regarded me as a kind of cover, with my distressingly normal appearance. My table for some reason that day had been shifted and was out of the sun, so Stephen suggested that I should join theirs: they would be off in a moment, after one more cup. . . . The contusion was much less noticeable today, but I think he had been applying powder.
‘You staying here long?' I asked them, conscious of how clumsily I constructed a conversation compared with their easy prattle.
‘We had meant to leave tomorrow,' Stephen said, ‘but last night we changed our minds.'
‘Last night?'
‘It was such a beautiful day, wasn't it? “Oh”, I said to Tony, “surely we can leave poor dreary old London a little longer?” It has an awful staying power – like a railway sandwich.'
‘Are your clients so patient?'
‘My dear, the clients? You never in your life saw such atrocities as we get from Brompton Square and like venues. It's always the same. People who pay others to decorate for them have ghastly taste themselves.'
‘You do the world a service then. Think what we might suffer without you. In Brompton Square.'
Tony giggled, ‘I don't know how we'd stand it if we had not our private jokes. For example, in Mrs Clarenty's case, we've installed what we call the Loo of Lucullus.'
‘She was enchanted,' Stephen said.
‘The most obscene vegetable forms. It reminded me of a harvest festival.'
They suddenly became very silent and attentive, watching somebody over my shoulder. I looked back. It was Poopy, all by herself. She stood there, waiting for the boy to show her which table she could take, like a new girl at school who doesn't know the rules. She even seemed to be wearing a school uniform: very tight trousers, slit at the ankle – but she hadn't realized that the summer term was over. She had dressed up like that, I felt certain, so as not to be noticed, in order to hide herself, but there were only two other women on the terrace and they were both wearing sensible tweed skirts. She looked at them nostalgically as the waiter led her past our table to one nearer the sea. Her long legs moved awkwardly in the pants as though they felt exposed.
‘The young bride,' Tony said.
‘Deserted already,' Stephen said with extreme satisfaction.
‘Her name is Poopy Travis, you know.'
‘It's an extraordinary name to choose. She couldn't have been
christened
that way, unless they found a very liberal vicar.'
‘He is called Peter. Of an undefined occupation. Not Army, I think, do you?'
‘Oh no, not Army. Something to do with land perhaps – there's an agreeable
herbal
smell about him.'
‘You seem to know nearly all there is to know,' I said.
‘We looked at their police
carnet
before dinner.'
‘I have an idea,' Tony said, ‘that PT hardly represents their activities last night.' He looked across the tables at the girl with an expression extraordinarily like hatred.
‘We were both taken,' Stephen said, ‘by the air of innocence. One felt he was more used to horses.'
‘He mistook the yearnings of the rider's crotch for something quite different.'
Perhaps they hoped to shock me, but I don't think it was that. I really believe they were in a state of extreme sexual excitement; they had received a
coup de foudre
last night on the terrace and were quite incapable of disguising their feelings. I was an excuse to talk, to speculate about the desired object. The sailor had been a stop-gap: this was the real thing. I was inclined to be amused, for what could this absurd pair hope to gain from a young man newly married to the girl who now sat there patiently waiting, wearing her beauty like an old sweater she had forgotten to change? But that was a bad simile to use: she would have been afraid to wear an old sweater, except secretly, by herself, in the playroom. She had no idea that she was one of those who can afford to disregard the fashion of their clothes. She caught my eye and, because I was so obviously English, I suppose, gave me half a timid smile. Perhaps I too would have received the
coupe de foudre
if I had not been thirty years older and twice married.
Tony detected the smile. ‘A regular body-snatcher,' he said. My breakfast and the young man arrived at the same moment before I had time to reply. As he passed the table I could feel the tension.
‘Cuir de Russie,'
Stephen said, quivering a nostril. ‘A mistake of inexperience.'
The youth caught the words as he went past and turned with an astonished look to see who had spoken, and they both smiled insolently back at him as though they really believed they had the power to take him over . . .
For the first time I felt disquiet.
3
Something was not going well; that was sadly obvious. The girl nearly always came down to breakfast ahead of her husband – I have an idea he spent a long time bathing and shaving and applying his
Cuir de Russie.
When he joined her he would give her a courteous brotherly kiss as though they had not spent the night together in the same bed. She began to have those shadows under the eyes which come from lack of sleep – for I couldn't believe that they were ‘the lineaments of gratified desire'. Sometimes from my balcony I saw them returning from a walk – nothing, except perhaps a pair of horses, could have been more handsome. His gentleness towards her might have reassured her mother, but it made a man impatient to see him squiring her across the undangerous road, holding open doors, following a pace behind her like the husband of a princess. I longed to see some outbreak of irritation caused by the sense of satiety, but they never seemed to be in conversation when they returned from their walk, and at table I caught only the kind of phrases people use who are dining together for the sake of politeness. And yet I could swear that she loved him, even by the way she avoided watching him. There was nothing avid or starved about her; she stole her quick glances when she was quite certain that his attention was absorbed elsewhere – they were tender, anxious perhaps, quite undemanding. If one inquired after him when he wasn't there, she glowed with the pleasure of using his name. ‘Oh, Peter overslept this morning.' ‘Peter cut himself. He's staunching the blood now.' ‘Peter's mislaid his tie. He thinks the floor-waiter has purloined it.' Certainly she loved him; I was far less certain of what his feelings were.
And you must imagine how all the time those other two were closing in. It was like a medieval siege: they dug their trenches and threw up their earthworks. The difference was that the besieged didn't notice what they were at – at any rate, the girl didn't; I don't know about him. I longed to warn her, but what could I have said that wouldn't have shocked her or angered her? I believe the two would have changed their floor if that would have helped to bring them closer to the fortress; they probably discussed the move together and decided against it as too overt.
Because they knew that I could do nothing against them, they regarded me almost in the role of an ally. After all, I might be useful one day in distracting the girl's attention – and I suppose they were not quite mistaken in that; they could tell from the way I looked at her how interested I was, and they probably calculated that my interests might in the long run coincide with theirs. It didn't occur to them that, perhaps, I was a man with scruples. If one really wanted a thing scruples were obviously, in their eyes, out of place. There was a tortoiseshell star mirror at St Paul they were plotting to obtain for half the price demanded (I think there was an old mother who looked after the shop when her daughter was away at a
boîte
for women of a certain taste); naturally, therefore, when I looked at the girl, as they saw me so often do, they considered I would be ready to join in any ‘reasonable' scheme.
‘When I looked at the girl' – realize that I have made no real attempt to describe her. In writing a biography one can, of course, just insert a portrait and the affair is done: I have the prints of Lady Rochester and Mrs Barry in front of me now. But speaking as a professional novelist (for biography and reminiscence are both new forms to me), one describes a woman not so much that the reader should see her in all the cramping detail of colour and shape (how often Dickens's elaborate portraits seem like directions to the illustrator which might well have been left out of the finished book), but to convey an emotion. Let the reader make his own image of a wife, a mistress, some passer-by ‘sweet and kind' (the poet required no other descriptive words), if he has a fancy to. If I were to describe the girl (I can't bring myself at this moment to write her hateful name), it would be not to convey the colour of her hair, the shape of her mouth, but to express the pleasure and the pain with which I recall her – I, the writer, the observer, the subsidiary character, what you will. But if I didn't bother to convey them to her, why should I bother to convey them to you,
hypocrite lecteur
?
BOOK: May We Borrow Your Husband?
12.47Mb size Format: txt, pdf, ePub
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