Meridian (27 page)

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Authors: Alice Walker

Tags: #Contemporary, #Classics, #Feminism

BOOK: Meridian
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Alice and Melvyn with their daughter, Rebecca, who would also grow up to become a writer, in 1970. Alice had just published her debut novel,
The Third Life of Grange Copeland
, which garnered significant praise and prompted these perceptive words from critic Kay Bourne: “Most poignant is the relating of the lives of black women, who were ready and strong and trusted, only to so often be abused by the conditions of their oppressed lives and the misdirected anger of their men.” Alice characterized it as “an incredibly difficult novel to write,” since it forced her to confront the violence African Americans inflicted on each other in the face of white oppression.

Alice and her partner of thirteen years, Robert L. Allen, a noted scholar of American history, pose for a portrait. The picture was taken at a celebration the couple hosted after the publication of
I Love Myself When I Am Laughing
, an anthology of Zora Neale Hurston’s writings that Alice edited.

Walker being taken into custody at a 1980s demonstration against weapons shipments sent from Concord, California, to Central and South America. Her shirt reads: “Remember Port Chicago.” This is a reference to an explosion that killed hundreds of sailors stationed in Concord during World War II—most of them black—while they were loading munitions onto a cargo vessel. Walker has remained a dedicated political activist since the 1960s, when she returned to the South after graduating from Sarah Lawrence to help register black voters. Recently, she was arrested with fellow California-based author Maxine Hong Kingston in Washington, DC, during a protest against the U.S. invasion of Iraq. “My activism—cultural, political, spiritual—is rooted in my love of nature and my delight in human beings,” Walker explains.

Walker with celebrated historian Howard Zinn, who taught one of her classes at Spelman College, in the 1960s. Walker developed a lifelong friendship with Zinn and considered him one of her mentors. The two shared a passion for political activism and a desire to shed light on the conditions of the oppressed. “I was Howard’s student for only a semester,” she says, “but in fact, I have learned from him all my life. His way with resistance—steady, persistent, impersonal, often with humor—is a teaching I cherish.”

A photograph of Walker taken in 2007 at a ceremony for her dog, Marley, and her cat, Surprise. “Marley appeared,” she says, but “Surprise slept through it!”

Walker at her country home in Northern California, where she has lived since the early 1980s. “What attracted me to this part of the world—Northern California—is really the resemblance to Georgia that it has,” she once told an interviewer. “This has been a very good place for me,” she went on, “a very good place for dreaming.”

Walker writing on the front porch of her California home. She has lived in many different places throughout the world—including Africa, Hawaii, and Mexico—and finding a place to write has always been a matter of utmost importance for her. She once said that “books and houses” are what she “longed for most as a child.” Years after her tenant farming childhood, Walker is happy to have a place she can truly call home.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook onscreen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of the publisher.

This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.

The quotation from
Poems of Akhmatova
, selected, translated, and introduced by Stanley Kunitz with Max Hayward, copyright © 1973 by Stanley Kunitz and Max Hayward, are reprinted by permission of Little, Brown and Company, in association with the Atlantic Monthly Press. The lines from “We Shall Overcome,” new words and music arrangement by Zilphia Horton, published by TRO, copyright © 1960, 1963 by Ludlow Music, New York, NY, are used by permission.

copyright © 1976 by Alice Walker

cover design by Milan Bozic

978-1-4532-2396-3

This edition published in 2011 by Open Road Integrated Media

180 Varick Street

New York, NY 10014

www.openroadmedia.com

EBOOKS BY ALICE WALKER

FROM OPEN ROAD MEDIA

Available wherever ebooks are sold

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