Miss Grief and Other Stories (8 page)

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Authors: Constance Fenimore Woolson

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“‘I never thought to marry, Maria Ann,' says he.

“‘O, please do, Samuel,' says I, ‘I'm a real good housekeeper, I am, and we can have a little land of our own, and everything nice—'

“‘But I wanted to go away. My father was a sailor,' he began, a-looking away off toward the ocean.

“‘O, I can't stand it,—I can't stand it,' says I, beginning to cry again. Well, after that he 'greed to stay at home and marry me, and the folks they had to give in to it when they saw how I felt. We were married on Thanksgiving day, and I wore a pink delaine, purple neck-ribbon, and this very breastpin that sister Abby gave me,—it cost four dollars, and came 'way from Boston. Mother kissed me, and said she hoped I'd be happy.

“‘Of course I shall, mother,' says I. ‘Samuel has great gifts; he isn't like common folks.'

“‘But common folks is a deal comfortabler,' says mother. The folks never understood Samuel.

“Well, we had a chirk little house and bit of land, and baby came, and was so cunning and pretty. The visions had begun to appear then, and Samuel said he must go.

“‘Where?' says I.

“‘Anywhere the spirits lead me,' says he.

“But baby couldn't travel, and so it hung along; Samuel left off work, and everything ran down to loose ends; I did the best I could, but it wasn't much. Then baby died, and I buried him under the thorn-tree, and the visions came thicker and thicker, and Samuel told me as how this time he must go. The folks wanted me to stay behind without him; but they never understood me nor him. I could no more leave him than I could fly; I was just wrapped up in him. So we went away; I cried dreadfully when it came to leaving the folks and Robin's little grave, but I had so much to do after we got started, that there wasn't time for anything but work. We thought to settle in ever so many places, but after a while there would always come a vision, and I'd have to sell out and start on. The little money we had was soon gone, and then I went out for days' work, and picked up any work I could get. But many's the time we were cold, and many's the time we were hungry, gentlemen. The visions kept coming, and by and by I got to like 'em too. Samuel he told me all they said when I came home nights, and it was nice to hear all about the thousand years of joy, when there'd be no more trouble, and when Robin would come back to us again. Only I told Samuel that I hoped the world wouldn't alter much, because I wanted to go back to Maine for a few days, and see all the old places. Father and mother are dead, I suppose,” said Roxana, looking up at us with a pathetic expression in her small dull eyes. Beautiful eyes are doubly beautiful in sorrow; but there is something peculiarly pathetic in small dull eyes looking up at you, struggling to express the grief that lies within, like a prisoner behind the bars of his small dull window.

“And how did you lose your breastpin?” I said, coming back to the original subject.

“Samuel found I had it, and threw it away soon after we came to the Flats; he said it was vanity.”

“Have you been here long?”

“O yes, years. I hope we shall stay here always now,—at least, I mean until the thousand years of joy begin,—for it's quiet, and Samuel's more easy here than in any other place. I've got used to the lonely feeling, and don't mind it much now. There's no one near us for miles, except Rosabel Lee and Liakim; they don't come here, for Samuel can't abide 'em, but sometimes I stop there on my way over from the mainland, and have a little chat about the children. Rosabel Lee has got lovely children, she has! They don't stay there in the winter, though; the winters
are
long, I don't deny it.”

“What do you do then?”

“Well, I knit and cook, and Samuel reads to me, and has a great many visions.”

“He has books, then?”

“Yes, all kinds; he's a great reader, and he has boxes of books about the spirits, and such things.”

“Nine of the night. Take thou thy rest. I will lay me down in peace and sleep; for it is thou, Lord, only, that makest me dwell in safety,” chanted the voice in the hall; and our evening was over.

At dawn we attended the service on the roof; then, after breakfast, we released Captain Kidd, and started out for another day's sport. We had not rowed far when Roxana passed us, poling her flat-boat rapidly along; she had a load of fish and butter, and was bound for the mainland village. “Bring us
back a Detroit paper,” I said. She nodded and passed on, stolid and homely in the morning light. Yes, I was obliged to confess to myself that she
was
commonplace.

A glorious day we had on the moors in the rushing September wind. Everything rustled and waved and danced, and the grass undulated in long billows as far as the eye could see. The wind enjoyed himself like a mad creature; he had no forests to oppose him, no heavy water to roll up,—nothing but merry, swaying grasses. It was the west wind,—“of all the winds, the best wind.” The east wind was given us for our sins; I have long suspected that the east wind was the angel that drove Adam out of Paradise. We did nothing that day,—nothing but enjoy the rushing breeze. We felt like Bedouins of the desert, with our boat for a steed. “He came flying upon the wings of the wind,” is the grandest image of the Hebrew poet.

Late in the afternoon we heard the bugle and returned, following our clew as before. Roxana had brought a late paper, and, opening it, I saw the account of an accident,—a yacht run down on the Sound and five drowned; five, all near and dear to us. Hastily and sadly we gathered our possessions together; the hunting, the fishing, were nothing now; all we thought of was to get away, to go home to the sorrowing ones around the new-made graves. Roxana went with us in her boat to guide us back to the little lighthouse. Waiting Samuel bade us no farewell, but as we rowed away we saw him standing on the house-top gazing after us. We bowed; he waved his hand; and then turned away to look at the sunset. What were our little affairs to a man who held converse with the spirits!

We rowed in silence. How long, how weary seemed the way! The grasses, the lilies, the silver channels,—we no longer
even saw them. At length the forward boat stopped. “There's the lighthouse yonder,” said Roxana. “I won't go over there to-night. Mayhap you'd rather not talk, and Rosabel Lee will be sure to talk to me. Good by.” We shook hands, and I laid in the boat a sum of money to help the little household through the winter; then we rowed on toward the lighthouse. At the turn I looked back; Roxana was sitting motionless in her boat; the dark clouds were rolling up behind her; and the Flats looked wild and desolate. “God help her!” I said.

A steamer passed the lighthouse and took us off within the hour.

Years rolled away, and I often thought of the grassy sea, and intended to go there; but the intention never grew into reality. In 1870, however, I was travelling westward, and, finding myself at Detroit, a sudden impulse took me up to the Flats. The steamer sailed up the beautiful river and crossed the little lake, both unchanged. But, alas! the canal predicted by the captain fifteen years before had been cut, and, in all its unmitigated ugliness, stretched straight through the enchanted land. I got off at the new and prosaic brick lighthouse, half expecting to see Liakim and his Rosabel Lee; but they were not there, and no one knew anything about them. And Waiting Samuel? No one knew anything about him, either. I took a skiff, and, at the risk of losing myself, I rowed away into the wilderness, spending the day among the silvery channels, which were as beautiful as ever. There were fewer birds; I saw no grave herons, no sombre bitterns, and the fish had grown shy. But the water-lilies were beautiful as of old, and the grasses as delicate and luxuriant. I had scarcely a hope of finding the old house on the island, but late in the afternoon, by a mere
chance, I rowed up unexpectedly to its little landing-place. The walls stood firm and the roof was unbroken; I landed and walked up the overgrown path. Opening the door, I found the few old chairs and tables in their places, weather-beaten and decayed, the storms had forced a way within, and the floor was insecure; but the gay crockery was on its shelf, the old tins against the wall, and all looked so natural that I almost feared to find the mortal remains of the husband and wife as I went from to room to room. They were not there, however, and the place looked as if it had been uninhabited for years. I lingered in the doorway. What had become of them? Were they dead? Or had a new vision sent them farther toward the setting sun? I never knew, although I made many inquiries. If dead, they were probably lying somewhere under the shining waters; if alive, they must have “folded their tents, like the Arabs, and silently stolen away.”

I rowed back in the glow of the evening across the grassy sea. “It is beautiful, beautiful,” I thought, “but it is passing away. Already commerce has invaded its borders; a few more years and its loveliness will be but a legend of the past. The bittern has vanished; the loon has fled away. Waiting Samuel was the prophet of the waste; he has gone, and the barriers are broken down. Farewell, beautiful grass-water! No artist has painted, no poet has sung your wild, vanishing charm; but in one heart, at least, you have a place, O lovely land of St. Clair!”

SOLOMON


S
OLOMON

IS AN EXCELLENT EXAMPLE OF WOOL
son's belief that literature should strive to make the humanity of those who are overlooked and marginalized known to readers. The story also introduced into her works the theme of the frustrated or failed artist, which would reappear throughout her career. “Solomon” takes place in the German separatist community Zoar, founded in 1817 on the banks of the Tuscarawas River in eastern Ohio, a region rich in coal. Zoar was named for the Biblical town that God spared when he sent fire and brimstone to destroy Sodom and Gomorrah. The separatist community's first residents fled Württemberg, Germany, due to oppression for their refusal to acknowledge religious authorities. The village that grew up in Zoar resembled a traditional German town and became a popular tourist attraction in the late nineteenth century. Like the women in the
story, Woolson had often visited the Zoar community during her young adulthood. “Solomon” was Woolson's first story published in the prestigious
Atlantic Monthly
(October 1873), and it was reprinted in
Castle Nowhere: Lake-Country Sketches
(1875).

 

SOLOMON

….

M
IDWAY IN THE EASTERN PART OF OHIO LIES THE
coal country; round-topped hills there begin to show themselves in the level plain, trending back from Lake Erie; afterwards rising higher and higher, they stretch away into Pennsylvania and are dignified by the name of Alleghany Mountains. But no names have they in their Ohio birthplace, and little do the people care for them, save as storehouses for fuel. The roads lie along the slow-moving streams, and the farmers ride slowly over them in their broad-wheeled wagons, now and then passing dark holes in the bank from whence come little carts into the sunshine, and men, like
silhouettes
, walking behind them, with glow-worm lamps fastened in their hat-bands. Neither farmers nor miners glance up towards the hilltops; no doubt they consider them useless mounds, and, were it not for the coal, they would envy their neighbors of the grain-country, whose broad, level fields stretch unbroken through Central Ohio; as, however, the canal-boats go away full, and long lines of coal-cars go away full, and every man's coal-shed is full, and money comes back from the great iron-mills
of Pittsburgh, Cincinnati, and Cleveland, the coal country, though unknown in a picturesque point of view, continues to grow rich and prosperous.

Yet picturesque it is, and no part more so than the valley where stands the village of the quaint German Community on the banks of the slow-moving Tuscarawas River. One October day we left the lake behind us and journeyed inland, following the water-courses and looking forward for the first glimpse of rising ground; blue are the waters of Erie on a summer day, red and golden are its autumn sunsets, but so level, so deadly level are its shores that, at times, there comes a longing for the sight of distant hills. Hence our journey. Night found us still in the “Western Reserve.” Ohio has some queer names of her own for portions of her territory, the “Fire Lands,” the “Donation Grant,” the “Salt Section,” the “Refugee's Tract,” and the “Western Reserve” are names well known, although not found on the maps. Two days more and we came into the coal country; near by were the “Moravian Lands,” and at the end of the last day's ride we crossed a yellow bridge over a stream called the “One-Leg Creek.”

“I have tried in vain to discover the origin of this name,” I said, as we leaned out of the carriage to watch the red leaves float down the slow tide.

“Create one, then. A one-legged soldier, a farmer's pretty daughter, an elopement in a flat-bottomed boat, and a home upon this stream which yields its stores of catfish for their support,” suggested Erminia.

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