My Year of Meats (9 page)

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Authors: Ruth L. Ozeki

Tags: #Fiction, #Literary

BOOK: My Year of Meats
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“That’s the point,” said Grace. “Right, Joy?”
We were in the car and Vern was driving and they were giving me a tour of Askew. Joy rolled her eyes at me and scowled at the back of her mother’s head. “How should I know?” she said. “I didn’t make it up. You guys did.”
Grace turned and looked at me over the seat back.
“It’s one of our primitive Southern customs,” she explained. “Joy just does it to humor us.”
 
“That’s it right there,” Grace said, pointing out the statue to me as Vern drove us slowly around it. “It’s shameful. I don’t know if y’all oughta film it.”
“Elvis and some of the kids at school are trying to get it taken down,” Joy told me.
“It was 1968!” Vern exclaimed. “We were sixteen-year-old white kids, but we just didn’t ...”
“We just didn’t
think
,” Grace concluded, pursing her lips sternly.
“She always had a talent for numbers,” Vern said, smiling at Grace.
Grace frowned. “It used to bother me like crazy!” she exclaimed. “Thinkin’ about all the billions of people on the earth multiplying, having more and more babies—I swear it used to keep me awake at night. It still does. It’s the single most underdiscussed issue in the world.”
“What, having babies?” I asked.
Joy groaned. “Don’t get her started,” she warned in a loud whisper.
Grace ignored her. “I mean, we talk about the environment, the economy, human rights, but no one ever talks about population.”
“She gets totally insane about this,” Joy said ominously.
“Well, it’s the heart of all the other problems,” Grace protested, turning around to face us. “Or it will be. You just wait and see, Joy. You’ll still be alive when the you-know-what hits the fan. Havin’ babies is going to be the big topic of the millennium—who gets to do it, who’s still even capable of doing it.... I mean, it can’t go on like this. The math just doesn’t work out.” She sank back down into her seat. “It’s all these religious nuts,” she muttered darkly. “We can’t even have a sane conversation about abortion.”
CUT TO FAMILY HISTORY CORNER:
 
Grace and Vern got married, and during the next three years their project began to materialize. Alison was born, then Vernon Junior followed two years later. Vern Senior had a talent for food, and Gracie had her talent for numbers. Together they bought a run-down mill outside of town and turned it into one of the most famous Cajun restaurants in Louisiana. When Alison was seven and Vernon Junior just turned five, they bought the old plantation house, opened the gates, and started to fill it with children.
Joy was first. She was five, just a few months younger than Vernon Junior. They found her in a Christian adoption magazine. She was the Amerasian daughter of a GI and a Korean prostitute. She’d been abandoned at the age of three and a half on the steps of a Catholic church with a note attached to her wrist that read, “This girl’s mother is a whore and her father is an American. God, please raise her for me. Thank you very much.” The adoption magazine had this description of her:
Min Jung is an alert and intelligent five-year-old who can be a true delight. She is generally quiet and obedient and shows a sensitivity to sound and music. Because of early institutional neglect and lack of stimulation, she has been slow to develop verbal skills and is prone to occasional outbursts of obstinacy.
“Well?” Vern Senior had opened the floor for discussion.
Their family meeting was a weekly event, when everyone got together and reviewed the events of the week and made all the decisions that would affect them.
“She’s so cute,” said Alison. “She looks like a little doll.”
“I want a brother,” said Vernon Junior.
“Outbursts of obstinacy?” inquired Vern Senior.
“Sensitivity to music,” concluded Gracie, who was by now the assistant leader of the church choir.
They voted to name her Joy. When she first came to live at the large brick house at the end of the drive, she spoke no English and certain things seemed to terrify her: Vern Senior kissing Alison good night, for example, or birthday parties with noisemakers, or blinking Christmas lights. Other things—the sight of the full Louisiana moon or a black child smaller than she was—would set her off in a different way. It was like something inside her heart just snapped. She would turn to face the nearest vertical surface, press her forehead against it, squeeze.her eyes shut, and emit a high-pitched keening that split ears. She would stand like this for hours, humming like a tuning rod to the pitch of her grief.
“Musical?” Vern Senior asked mildly.
Gracie pursed her lips and waited. In the dead of the night under the moon, or in the toy aisle at Wal-Mart, she would pry her strange new daughter away from the supporting wall, crouch, and wrap her arms around her. But the child remained unbending, unable to explain. The wellspring of her rigor was too deep to reach, and normally serene Grace fretted endlessly.
It took the better part of the year, but the episodes diminished. As Joy learned English, the means of expression seemed to assuage her terrors. Her voice was harsh and nasal at first, but as her language developed and she gained confidence and velocity, it softened. Grace realized then that the girl was a soprano and the keening was the first expression of her talent. She brought Joy to choir practices, and before too Long she was singing solo.
Grace regained her composure and called another family meeting. Good-natured Newton came next.
 
Dong Chul has a cleft palate, but he Laughs easily and babbles well. His good nature, cooing, and laughing endears everyone to him.
 
And then bold Cici:
Ha Young is a baby who shows good response to Light and sound, holds her head up well.
And big Elvis:
Young Bum is a Loving, healthy, happy baby with a good strong cry.
And calm Page:
Nam Hee watches TV well.
And then came restless Jake:
Now isn’t that a winning smile? This energetic baby explores his surroundings by creeping all over the room.
And curious Emily May:
Mee Ree is sensitive and entertains herself by playing with her fingers and toes.
And wise Duncan:
Ho Young makes good eye contact with his caretakers.
And sweet Joey:
This little winner had polio, but now he is walking well and doing his best, if not to run, to move very quickly.
And finally dark, conflicted Chelsea:
This bright-eyed orphan from São Paulo is missing fingers from both hands. She may have been mutilated during a round-up of homeless children by the police, but she is responding well to tender loving care.
As the reputation of the Beaudroux restaurant grew, adoption became a yearly event. Once a year, at Christmas, Gracie and Vern called a special family meeting to decide whether to expand the family and, if so, to choose a new sibling. They started by adopting children from one country, with the hope that eventually, in a town with a population of just over a thousand, the adopted kids would form a majority of their own. Several of the children were biologically related. Elvis was Joy’s younger brother, who was six months old when Joy was abandoned. Joy was beside herself when, after an arduous and expensive search in Korea, seven-year-old Young Bum was discovered cleaning rooms at the brothel where their mother had worked before she died. His father was African-American, and his skin was darker and his hair curlier than the rest of the Korean siblings. Joy would beat up anyone who teased him about either his color or his name. Later Elvis was the one who picked Chelsea out of the catalog and Lobbied to adopt her, despite her different racial background. Chelsea, for her part, stuck to Elvis like a burr, Locking the thumb and forefinger of one hand around his belt Loop and sucking the remaining fingers of the other. At number twelve, Chelsea made an even dozen. The family came to a consensus that she would be the final sibling.
“Some things never change,” said Grace. We were sitting in the living room, waiting for the family to congregate.
“Shut up, Mom,” replied Joy. She pointed to the old adoption magazine, holding it up so I could see. “‘True delight. Quiet and obedient.’ She always leaves out those parts.”
“You guys keep all your descriptions?” I asked the kids. They screamed with laughter.
“Yeah, man. It’s cool. ‘Good strong cry ... ,’ ” said Elvis.
“We had to go through a lot,” said Newton quietly. “I guess we’re proud.”
“I bring mine to show-and-tell at school,” Joey said. “I am a winner. I move fast!”
Chelsea burrowed her head into Elvis’s side. He put his arm around her. “I didn’t mean it,” he said to her. “It’s not so cool, really. It’s just some stupid thing someone said about you. They didn’t even know ...”
Joy leaned over. “She doesn’t know what ‘mutilated’ means yet,” she whispered, “but she doesn’t like the word ‘homeless.’”
“But now there’s Alison,” said Grace with a sigh. “She’s due any day now. Her boyfriend ran off on her and it doesn’t look like he’s coming back. I shouldn’t be so conservative, but I’m havin’ trouble supporting her decision to have this baby by herself. It’s damn hard to raise kids, and it’s just not the time for ambivalent breeding, you know? In this day and age ...”
We were walking around the rear of the main plantation house, down by Vern’s large kitchen garden, looking at the former slave cabins, which Vern and the boys were renovating, one by one. My boys were packing up the equipment in the van, getting ready to go.
“Do you have any kids?” Grace asked.
I shook my head. “I tried. I was married once, but it just didn’t work out....”
“Well, you’re still young. You got plenty of time. Are you seeing anyone now?”
“Sort of. But it’s pretty casual.”
“I guess you don’t have a lot of time, huh?” Grace smiled. “Is it rude for me to ask all these questions?”
“Not at all. It’s only fair. I know all about you, after all.”
Most of the little cabins were dilapidated and sagging and overrun with kudzu, but two were renovated, and they were charming. Alison would live in one of them with her baby.
“Joy has dibs on the second cabin,” Grace said. “It’s a privacy thing. She’s at that age....” She smiled at me. “You really made a big impression on her.”
“It’s the tattoo.” I’d shown her the delicate tiger, my Chinese birth sign, that I’d had tattooed on my shoulder blade in Kyoto. Joy was born in the Year of the Tiger too.
“Well, I guess that’s part of it. But it’s also that y’all are cool, you know? Good role models. They really took to all of you. Suzuki and Oh too.”
“Well, that goes both ways,” I said.
I’d never seen Suzuki and Oh so engaged with a family before. It all started with the kudzu. We’d shot Grace and Vern working in the kitchen garden and then had moved on to the cabin renovation. Vern and his sons were pulling up the kudzu vine, ripping it from the roof and walls so they could get at the wood underneath. When we’d finished shooting the scene, Suzuki put down the camera, dumbfounded. He hadn’t realized that in the South, kudzu was a weed—the whole time he was shooting it, he’d thought it was Vern’s prized crop.
Suzuki stashed the camera in the van and returned with a tire iron, which he used to dig up an armload of the tubers. Back at the house, he showed Vern how to turn them into starch, then how to use the starch to thicken sauces and batters. He made a salad with the shoots and the flowers, and even a hangover medicine that resembled milk of magnesia. Vern was astounded. He’d never thought of the plant as anything but an invasive weed.
It was an interesting story, I thought, especially for a Japanese audience.
CUT TO DOCUMENTARY INTERLUDE:
Kudzu, honored by Japanese farmers for generations, is the most infamous exotic to shoot its root through the thin mantle of American soil. This humble member of the pea family is native to many parts of Asia. It was introduced at the Centennial Exposition in Philadelphia in 1876, when the alien twiner was touted as “The Miracle Plant” and praised for its versatility, hardiness, and speed of growth. It could shade a bower in a matter of days and feed a herd of cows and pigs to boot. But this was just the beginning.
By the early part of the century, decades of careless cotton and tobacco farming had depleted Southern soil, and bankrupt farmers were fleeing their barren fields. In 1933, desperate to keep the South from washing away, Congress established the Soil Erosion Service, and kudzu, with its deep, binding roots and its ability to reintroduce nitrogen into the soil, was seen as Dixie’s savior. It could survive drought. It would grow anywhere, even where other plants couldn’t. It could rehabilitate the land. The government paid farmers up to $8.00 an acre to plant the vine.
But kudzu was predaceous, opportunistic, grew rampant, and was soon out of control. By the end of World War II, the invasive Asian weed had overrun an estimated 500,000 acres of the southeastern United States. It engulfed the indigenous vegetation, smothered shrubs and trees, and turned telephone poles and houses into hulking, emerald-green ghosts.
Under ideal conditions it will grow a foot a day. You can measure its growth in miles per hour, say embittered farmers. Drop it and run. Mothers threaten to toss their naughty children into the kudzu patch, where they’ll strangle and drown. Its economic and practical uses have been forgotten. Mostly, nowadays, its only use is metaphoric, to describe the inroads of Japanese industry into the nonunionized South.
“We’re real glad y’all came,” said Vern. “And not just because of the kudzu, either.” He shook Suzuki’s hand.
Grace put her arm around me and walked me to the van. “Y’all come back now anytime, you hear?”

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