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Authors: Michael Gruber

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BOOK: Night of the Jaguar
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At least he stashed it when they got to the commercial part of the Grove. Kevin backed the VW into the delivery slot in front of the library, and Jenny saw that Evangelina Vargos was waiting on the library steps reading a book. She was a small, lightly built woman, with a charming
mop of blond-streaked brown hair, green eyes, skin smooth as ivory and just that color. She wore white jeans, complicated and expensive-looking white sandals, a FPA T-shirt, and a good deal of glittery gold jewelry. Jenny felt a little lift in her heart when she saw her. Geli Vargos was sort of her best friend at this point, she thought, although having moved around a lot as a child and being a foster kid, she did not have much experience with the actuality of best-friendness. Geli listened sympathetically to her hard-luck stories, and she listened to Geli’s, which were all about rich Cubans in her family being mean to one another and to Geli for not getting married to this bozo they wanted her to marry.

Geli saw them, stood up and waved, and then descended to help them unload the display. Greetings: a kiss on the cheek for Jenny, a slightly mocking hail for Kevin, returned with a sarcastic grin. Kevin and Geli did not get along, a phenomenon Jenny had observed in countless television sitcoms (the best friend and the boyfriend trading barbs) and considered normal; in fact, considered it a proof that she was at last living a version of real life. She rejected all advice to stop hanging out with that Cuban bourgeois bitch or dump that phony ass-hole for a decent guy, and was secretly delighted that someone thought enough of her to try to change her life.

They unloaded a long folding table, three folding chairs, and a large four-panel display frame, together with boxes of Forest Planet literature and a miniature stereo-component sound system. Kevin set up the sound system and started a tape of Andean music, breathy bone flutes, ocarinas, and two-headed drums. The women erected the display frame and hung its panels:
SAVE THE RAIN FOREST
; the FPA logo, a blue-green ball with trees sticking out from its circumference like cloves in a pomander; and large laminated photographs of rain forest plants and creatures and some indigenes in feathered headdresses. Nigel Cooksey had taken these photos during his many trips to the region. The remainder of the display comprised a group of brief text panels describing the flora and fauna, and telling how endangered the region was. There were also smaller photos of a despoiled area, bulldozers knocking over trees, and maps and charts showing the accelerating rate of forest loss.

Luna had made the display herself, occasionally under Jenny’s wondering eye. This was the first time Jenny had ever seen anyone make
something original out of nothing before—anything, that is, more complex than fixing a meal, sewing a dress, or pasting pictures in a scrapbook. Luna had thought it up and got the stuff together and used the computer and printer and a laminating machine and ordered the display frame off the Internet and…bang! There it was in real life! How did people just
know
stuff like that? Geli knew stuff, too, she was a grad student at the marine lab, was going to be a marine biologist, and knew lots of stories about what fish got up to when they were alone. She was always encouraging Jenny to go back to school and make something of herself, just as if Jenny was as smart as her, which she wasn’t, but it was nice to have someone who thought so. You’re a good observer, she said, you have a feeling for animals. Jenny was not exactly sure what this meant.

The tables and chairs arranged, the display displayed, the two women sat on the chairs and awaited the suckers, as Kevin called them. It was a fine October morning in Miami, and the center of Coconut Grove was filling up with tourists and young people there to hang out. Geli and Jenny talked to some tourists, with Jenny focusing on the kids. She had always been good with kids, Kevin often observing it was her childlike mind in play. She talked enthusiastically about the various depicted creatures and their interesting lives. Kevin grew bored, as usual, and said he was going to see what was going on in the park. Several police cars and a brown animal-control van from the county were parked at the edge of the grassy area that led down to the bay, and a small crowd had gathered.

Jenny watched him cross the street and disappear into the crowd, feeling faintly sad and worried that Geli would use this opportunity to run Kevin down again. When she looked up again there was the Indian. He was standing in front of the display staring at the charmingly dim face of a sloth. Dressed in a shabby black suit and a white shirt buttoned up to the neck, he had a small string bag slung over his shoulder and a stained and worn cloth suitcase at his feet. He touched the photograph lightly and then brought his fingertip to his nose.

“That’s a sloth,” Jenny said. “They live in the trees.”

At her words, he turned his head and regarded her. She saw the tattoos on his face, three lines on each cheek and two short vertical marks on his forehead, and their eyes met. Involuntarily, her glance moved to
a large photograph of some Yanomami tribesmen, and then back to the Indian. He was still staring at her. A small thrill traveled through her body and she felt the hair stand up on her arms, and she had to drop her eyes. She watched the man move down the display, looking at each photograph in turn. He spent a long time in front of each one, and longest before the picture of a jaguar.

“Geli,” she said in a hushed voice, “check out that guy in the black outfit. He’s just like those guys in our picture.”

Geli glanced up from the petition she had just got some tourists to sign. She looked the man over. “God, I think you’re right. What the hell’s he doing in Miami?”

“You could ask him. I don’t think he speaks any English.”

But the man had left the display and now approached the two women. He said something to them, and it was a moment before Geli understood that the language he was speaking was her cradle tongue. In Spanish she replied, “Forgive me, sir, I didn’t understand you.”

The man said, “I have go to Consuela Holdings. To talk to men. I have say, not…not…” A look of frustration crossed his face, and he went to the display and tapped on the photograph of the logging operation. “Not this in Puxto Reserve.”

“You’re from the
Puxto
?”

His face brightened and he showed filed teeth. “Yes, Puxto! Consuela not…is
siwix
to do like this. Forbid.”

“What’s he saying?” asked Jenny.

“I’m not sure. He says he’s from the Puxto Reserve. It’s in Colombia. God, how in
hell
did he get here? He sounds like he wants us to stop someone logging the Puxto.”

“Well, then he sure came to the right people,” said Jenny confidently.

“Yeah, but, God, this is so weird.” In halting Spanish then she interrogated the man. He said his name was Juan Bautista and he lived in a village near a river Geli had never heard of. They had killed Father Perrin but after he was dead Father Perrin had told him that Consuela Holdings was going to cut all the forest on the Puxto so the dead people could buy many machetes and bottles of pisco. So Jaguar said he must go, and he came down the river to a bigger river in his canoe and thence
to the sea, where
Guyana Castle
had carried him and Jaguar to Miami America and now the woman must take him to Consuela Holdings because he had the men to talk to tied in a string and would talk and then go back to the Runiya, because being in the land of the dead people was very hard on his
something.

“I don’t understand that word,” she said.

“Ryuxit,”
the Indian repeated. He gestured to the sky, to the earth, and dashed over and tapped on all the pictures of animals and plants, then touched his heart, clenched his fist, and pressed the fist firmly against Jenny’s breastbone. “Like those…all like that,” he said. “Here in Miami not…” He made a flowing motion with his hand.

“What? What’s he saying?” said Jenny. There was a strange feeling in her chest where he had touched her.

“It’s a little vague just now. Wait here for a second, I’m going to check something out.”

With that she dashed up the steps and into the library. Jenny smiled at Juan Bautista, who looked sadly after Geli.

“She’ll be right back. We really, really want to help you, man.” She got up and pointed to the map of Amazonia. “Can you show me where you come from?”

No reaction. Jenny pointed to herself and said, “I’m Jenny. Can you say ‘Jenny’?” A blank look, but Jenny was not discouraged. Many of the foster children she had lived with had been retards, and she’d got along just fine with them. You just had to take it real slow. She pointed to one of the pictures. “This is an orchid. Say
oarrr-kidd
!” She gestured to his mouth and made opening and closing motions with her hand. She saw light dawn in his eyes.

“The Little Brother of the Blood,” he said in his own language, and continued, “This is a very useful plant. We grind the tubers and soak the mash in cane alcohol and then boil it down into a syrup. We use it to treat arthritis, diarrhea, headache, temperature, cough, digestion diseases, and to help to heal wounds and boils.”

“Good,” said Jenny with a smile. “And we call it an
or-chid.
Now this is a monkey. Can you say
mon-key
?”

He could, and so on through the other pictures. At the jaguar, he said, “You know, that is very dangerous. I don’t think Jaguar would like
you capturing his soul like that. A bad thing could happen.” Jenny smiled and nodded. At least he was talking.

Kevin returned looking hectic. “Hey, they found a coon’s head in a tree and blood all around, guts and all. The cops think it was a wild dog pack, that or homeless guys out hunting. Who’s this?” pointing at the Indian.

“His name’s Juan Bautista. He comes from the Amazon, and we’re going to help him keep this company from cutting down his rain forest.”

“You’re shitting me! Where’d you find him?”

“He just showed up. It’s sort of like fate.”

“Oh, right, fate. Did you tell him we don’t do shit?” He addressed the Indian. “Wrongo outfit, man. We no stoppo no cutto down treeso, only talko talko, hando out brochureso.”

“Well, we have a chance, now, Kevin. I don’t see why you have to always be so fucking down on everything. This little guy’s got the name of the company that’s doing it, and he says they’re right here in Miami.”

Geli Vargos returned, her face alight. “I looked it up and it checks out. There
is
a company called Consuela Holdings in Miami, and they have an office on North Miami Avenue, 540 North Miami. And I looked up the Puxto Reserve on the Net. There’s not supposed to be any logging at all there, so it has to be an illegal cut. God, Rupert’s going to go crazy over this.”

“Yeah, he’ll write a letter to the papers, that’s how crazy he’ll get,” Kevin said. “Or maybe if he’s really fired up he’ll try to get an interview on NPR. Hey, I got an idea. Let’s fucking go up there right now. Confront the bastards with what’s-his-face here, the evidence of their crimes. We got the address.”

“I don’t think that’s smart—” said Geli.

“Oh, fuck smart!” He turned to the Indian. “Look, man, we go now, right. To Consuela, tell them no choppo my trees, okay? You come with me now, yes?
Pronto,
Consuela,
con me.

“Consuela,
pronto, sí,
” said the Indian, making a peculiar twisting motion of his head that seemed to mean affirmation.

Kevin began leading the Indian to the VW. Geli said, “Kevin, come on, don’t be an asshole. We have all this stuff here. How in hell
are we supposed to pack it up if you take the truck? And you can’t speak Spanish—you won’t know what’s going on.”

“I had a year of it in school.
Hasta la vista,
baby!” He placed the Indian in the shotgun seat and jumped behind the wheel.

“Kevin, damn it, hold on!” said Jenny. “This is stupid. We should pack this all up and go together, and like plan it out with Rupert and all.”

Kevin cranked it up hard, sending clouds of acrid smoke into the air. “Girls, now be sure to get those petitions signed,” he crowed, “me and Tonto here gonna whip some ass at the despoilers’ headquarters.
¡Viva la revolución!

With that he was out in the street and tooling away before they could get out another word.

 

Moie sits in the van quietly, feeling content. This is the first time he has been in an enclosed motor vehicle, but he is neither frightened nor impressed. He knows the
wai’ichura
machines are strong and quick, but he thinks they don’t give the
wai’ichura
much beauty. Jaguar had said he would find allies among the dead people, and allies had been provided. The dead person next to him has his death clasped deep inside him, even though he is very young. Moie senses that he wishes to make each moment dead as well, never still, making monkey noise with his mouth all the time. Now he touches a part of his machine and loud noise fills the inside of it, a painful buzzing with more monkey noises mixed in and also a drum, but the drum isn’t speaking any sense, like the drums his people used. He is a little sorry that the woman is not here, the one with the fire-colored hair, not the one who can talk Spanish, although either of them would have been preferable to this monkey. The Firehair Woman is not entirely dead, a little like Father Tim really, he can almost see the shadow of her death behind her in its usual place, and he wonders what she has done to be even that much alive in the land of the dead.

I
n the lobby of the office building, Kevin looked at the list of tenants spread under glass before the guard’s station and was conscious of the guard looking at him. He found a hopeful line on the board and said to his companion, “You have those guys’ names, right?” Blank look. Oh, yeah, Spanish.


¿
Quienes los hombres de Consuela?”
More blank. He cursed, and the guard looked at him a little more sharply. “No, ah—¿
Como se llaman los hombres malos, los jefes de la
Consuela Holdings?”

The brown face registered comprehension and the Indian took from his bag a piece of knotted fiber. As he untied each knot he said a name: Fuentes, Calderón, Garza, Ibanez. Kevin looked at the board. “Okay, there’s an Antonio Fuentes here. Let’s go make some trouble, Tonto.”

They rode up in the elevator to the twenty-third floor. The Indian was very still. Kevin was dancing on the balls of his feet and making a tuneless breathy whistle. When the car stopped, they got out and walked down the hall, looking at doors until they found one that read
CONSUELA HOLDINGS
,
LLC
in raised gilded letters. Inside, Kevin looked around and was disappointed in the amenities. His familiarity with world-bestriding firms was limited to what he’d observed in the movies. This place looked cheesier than his father’s office at the bank: a small carpeted area faced by a reception counter. A pretty Cuban secretary with long lavender
nails was on the phone when they entered. She looked up and said something into the phone and pressed a button.

“Can I help you?”

“Yeah,” said Kevin, “we want to see Fuentes.” And then the usual business about appointments, and then some shouting and nasty language from Kevin and the threat to call security, and then Kevin grabbed the Indian and went through a door while the receptionist frantically punched numbers into her phone. There was a little hall and at the end of the corridor another door and behind that a large corner office with a view of Biscayne Bay through windows on two sides and a large mahogany desk, behind which sat a small, dark man with dense silver hair and thick horn-rimmed glasses. Kevin got in this man’s face and said what he had come to say, about how they knew what they were doing down in the rain forest, how they were illegally logging the Puxto Reserve, and they were going to let everyone know and make them stop it, and that this man (here he gestured toward the silent Indian) was the proof, he knew all about the illegal logging and they would go to the UN if they had to, they’d boycott, they’d demonstrate….

After three minutes of this, which included a lesson on why people and the fate of the planet were more important than corporate profits, Kevin ran down. The man had not said a word; he just looked at the two of them expressionlessly, his dark eyes showing nothing but a faint ennui, as if he were waiting for a train. Then three big men in blue-gray uniforms came into the office and said they had to leave. Kevin said he wouldn’t leave without a written guarantee that all illegal operations on the Puxto would cease as of this moment, at which point one of the guards grabbed his right elbow and wrist and did something that caused Kevin so much pain that he sank to his knees and had to concentrate to keep from wetting himself. None of the guards touched the Indian, who meekly allowed himself to be led away, while just in front of him, Kevin howled and threatened a host of violent retributions, all of which were beyond his power to accomplish.

He drove back to Coconut Grove in a good deal of pain. His wrist ached, and one of the guards had given him a couple of shots to the kidney in the elevator. Still, he felt good in a way he hadn’t in a long while. The fascists had shown their true colors at last, he had been met
with the violence and brutality he had expected, justifying his own fantasies of violence. He observed his wrist on the steering wheel and was gratified to see it red and swelling slightly; he only regretted that no blood had been shed, as he thought there was nothing like a bashed face to elicit the sympathy he considered the key to real political action. As he drove, his clever mind reassembled the events of the recent past into a pattern more favorable to him. He summoned up fear in the face of Fuentes where there had been only contemptuous boredom. In his mind’s ear he heard the man trying to justify his crimes in a whining voice. These Kevin had destroyed in a series of brilliant retorts, which he now composed and polished. The guards had tried to subdue him, but he had used martial arts to send them sprawling; oh, yeah, and the Indian, they had tried to mess with the Indian and
he
had avoided their fascistic grasp by means of strange jungle moves, and they had strolled out of there heads high, like a couple of action heroes. He glanced over at the small man sitting silent next to him. That was a problem, if he brought him back to the property they would talk to him, Luna knew Spanish and so did the Professor, which might screw things up. But why bring him back? Who knew what an Indian would do?

Kevin turned off Bayshore onto McFarlane, and almost as soon as he did so, he saw that the display and the rest of the FPA stuff was gone from in front of the library. Clearly the girls had called Scotty, and he’d come by with the truck. He parked anyway and got out of the van. To the Indian he said, “
Vámanos, tenemos buscar las mujeres.
” He went around and opened the passenger door.

“Come on, man,
vamos,
you go around that side.
Busca allí.
” He gestured so the stupid Indian would know to go around the east side of the library. When he was gone, Kevin went inside the building and looked around for about thirty seconds. Then he got back in the van. Shit, I don’t know where he is, he explained to the people in his head, I went back to the library and you guys were gone and we looked and looked and then he was nowhere, man. He just disappeared. Kevin started the truck and drove off.

 

They all came running out to meet him when he pulled into the property, although his reception was considerably dampened when they
discovered he had lost the Indian. Nor were they much impressed by his story. Luna was especially furious, and she had a mouth on her, too, to which she did not ordinarily give full vent when Rupert was around, but now let fly. He was an irresponsible moron, a lazy, lying, hopeless, sub-asshole piece of shit, who had just wasted practically the best piece of luck they had ever had, an actual witness from the rain forest, someone they could have written articles about, someone who could have appeared with them on
television,
for God’s sake, a man travels three thousand miles, most of it in a canoe, to save his forest and his people, avoiding untold dangers and who should he run into but the fuckup of the Western world! Thus it went on for what seemed like a long time, with Rupert trying to get a word in edgewise, and Kevin screaming back mindless obscenities, and Scotty looking contemptuous and self-satisfied, and the Professor looking stunned, and the tears running slowly down Jenny’s face until he couldn’t stand it anymore and threw a flowerpot against the wall. In the stunned silence following this act he stomped back to their cottage cursing. Then the sound of the slammed door.

“He has to go, Rupert,” said Luna in the echo of that sound. “I mean it. He’s a lazy son of a bitch, he does nothing but lay around and smoke dope, he’s a disaster politically, and this last stunt is completely unforgivable. Jesus! We could have learned so much from him, we could have given him shelter….” She raised her eyes to heaven and clenched her fists in frustration, not a pretty sight. To Rupert she said, “So? Can we
please
get rid of him?”

“What about Jen?” This from Scotty, earning a sharp look from Luna, who said quickly, “Oh, Jenny’s fine. No one has anything against Jenny.”

Jenny snuffled and said sulkily, “I’m not staying here without Kevin.”

“Whatever was meant to happen will happen, Luna,” said Rupert in his calm, maddening way. “And if the few of us can’t live here together peacefully, what hope is there for the world at large? Isn’t that right, Nigel?”

After a brief pause, Professor Cooksey said, “Quite,” excused himself, and went back to his workroom.

“Well,” said Rupert, “let’s all take some time to calm down, shall we? Jenny, could you…ah…deal with that plant?” And they all disappeared to their various lairs, leaving Jenny alone on the patio, staring at the shattered pot and the smear of earth on the bloodred tiles.

 

Night. Moie lies in his hammock high up in a great fig tree in Peacock Park in Coconut Grove. He watches the moon come up from the sea. He sees that Jaguar has nearly returned from his mother, and by this sign he calculates how long it has been since he left Home. He recalls the word
lonely,
feels the feeling it represents, wonders if he will return there, and also wonders a little about the Firehair Woman, and if he will see her again. He has her smell in his nose and can easily find her, he thinks, even in this place of unbearable stench. If it is necessary.

But now he tests the air for another scent, one he acquired earlier in this strange day, that of the man Fuentes. He had not understood what the Monkey Boy had said to Fuentes, but the meaning was perfectly clear, as was the response of Fuentes. He feels Jaguar’s anger building in him and feels a faint sadness for the man, as he sometimes did when they gave a little girl to the god. Some things are necessary, however. It is not for him to judge. He chews some more of the paste he has prepared; after a few minutes he feels the god start to take hold of his body. Moie has never discussed this event with anyone. He has never known anyone who carried Jaguar except for his old teacher, who has been dead for years, and even when he was alive it was not something they discussed, any more than they concerned themselves with the circulation of their blood.

Moie feels numbness begin in his hands, his feet; the waves of numbness flow toward his center and meet in a certain spot in his belly. Sounds and smells fade; his vision grows dim, contracts, goes to black. Now he is out of his body and can see again, if dimly. He sees his body there on the tree limb, perfectly inert, its arms and legs hanging down. He regards it with only mild interest, no different from the interest he takes in the bark of the tree, its leaves, the little insects of the night
crawling among them, the motion of the moon through the clouds. He is free in nature, indifferent to and perfectly accepting of its benevolence, its horrors. In this state of profound detachment he observes Jaguar unmake nature. First there is a man in a tree, and then there is some kind of
event
(not really, because event implies duration, and this occurs outside of normal time), and then the same place is occupied by a golden cat spotted with black rosettes, a creature with about four times the mass of the man. Inside this being is Moie, held like a memory in the consciousness of the god. He will recall what is about to happen as we recall dreams.

With the waxing moon high in the clear heavens, Jaguar descends from the fig tree. Like a slice of solid moonlight he flows out of the park and goes south, slipping through the sleeping yards, over walls and fences, to a chorus of frantic dog-barks. He encounters finger canals, and either works around them to the west or swims across. He is a good swimmer. There are few people out in these neighborhoods this late at night; they sleep secure behind their alarms and guard services. Jaguar stops at a canal bank and sniffs the air.

 

Antonio Fuentes is restless in his bed, in his fine house on the canal at Leucedendra. He can’t get the
Indio
out of his mind. The screaming American was nothing, but the
Indio
was
not
nothing, should not have been there at all, and the American should not have known about the Puxto cut, and should not have known that Consuela Holdings was behind the Colombian timber operation doing the cutting. There were several dummy corporations designed specifically to cloud that connection, so how could an ignorant
Indio
and a tree-hugging
pendejo
have worked it out? Answer: they could not, and therefore someone was trying to fuck them over, someone with connections down there in Colombia. That was the problem when you dealt with Colombians: there was no law at all, not even corrupt law; you never knew if you had paid off everyone who could screw up your deal, which is why they had a man like Hurtado involved.

He slips out of bed and into a robe and walks to the French windows of his bedroom. His wife stirs but does not wake. They both take sleeping
pills, and he hopes he will not need another one tonight. It would make him groggy all morning, which he cannot really afford. He has called a meeting of the other principals of Consuela to discuss the threat represented by the incident in his office. He hopes they can resolve it without bringing the Colombian into it directly. Fuentes has squeezed the law many times during his career, but this is the first time he has ever done business with an actual
narcolista
. Although officially, on paper, there is no connection. He doesn’t like it, but the profits are potentially enormous, and it is not like they are actually in the drug business themselves. Probably not actually, but the important thing is, he doesn’t have to know anything about it. And to make sure the insulation is still intact, or if not, to repair it. He thinks that the screaming boy should not be hard to find, if it should come to that.

Fuentes opens the French window and steps out onto the little balcony. The air is fresh and scented by night-blooming jasmine and the marine tang of the bay. He is on the second floor here and he can look out at the expanse of water. It is a clear night with a fat moon riding high above a single line of cloud. He can just make out the lights of Key Biscayne and Cape Florida to the east. Sometimes, he has found, a little pacing back and forth on this balcony will tire him enough so that he will sleep.

He takes a few steps and stops short. There is something wrong. What is it? Something he has forgotten to do? He glances back to the bedroom wall: the emerald gleam of the security light is on, the house is sealed. He hears a scratching sound overhead and starts violently, then allows himself a secret, self-deprecating laugh. Raccoons. He will have to have the man out with the traps again. But this whole incident has made him uncharacteristically jumpy. I’m nervous as a cat, he thinks to himself, and begins to pace.

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