Authors: David Peace
Tags: #Fiction, #Mystery & Detective, #Police Procedural
I go through the top shelf
Penthouse, Playboy, Escort, Razzle, Fiesta
etc.
You got
Spunk?
I ask.
You what? says the Indian or Pakistani.
Magazine called
Spunk?
Never heard of it mate, he says.
Mucky mag, it is.
Never heard of it, he says again, but hes stopped what hes doing and is moving back behind the counter.
I pick up a
Sunday Mirror
that promises photographs from Laureen Bells funeral
I hand him the right money and ask him: You own this place do you?
You what? he says, putting the coins in the till.
Just asking if this is yours? I say, looking round.
Why?
Just asking thats all.
We rent it actually, if you must know.
And the upstairs, you rent that as well?
Hes pissed off is the Indian or Pakistani and he lets me know: Whats it to you?
I take out my warrant card.
Why didnt you just say? he asks me.
You got a licence for that lot? I ask him, nodding at the booze.
Yeah.
Theres no sign.
Sorry. Were getting one.
Thats all right then. I shrug.
He stands there behind the till, looking nervous.
I ask him again: So what about upstairs?
You what?
That yours?
I told you, we just rent it.
Again: The upstairs?
No.
Whos upstairs then?
Dont know do I.
You dont know who lives upstairs? Come on.
I dont.
Who does?
Landlord, I suppose.
Who is?
Mr Douglas.
Fuck
And wheres he?
Other side of Moors somewhere.
You dont have the address, do you?
Not on me, no.
So how do you pay him?
He comes round once a month, doesnt he.
His first name Bob, is it?
Yeah, it is. He was a copper and all you probably know him.
Probably do, I say. Small world.
I take the Bradford Road through Batley and into Dewsbury, then the Wakefield Road up through Ossett and into Wakefield, the radio talking about the Laureen Bell funeral:
A packed village church listened in tears and silence to Laureens favourite record, Simon and Garfunkels
Bridge Over Troubled Water,
before which the vicar had read from St John.
In the centre of Wakefield I park off the Bullring, staring up at the first floor of the Strafford
The first floor of the Strafford still boarded up after all these years
After all these years back again, back in this big black bloody world
This big black bloody world full of a million black and bloody hells
A million black and bloody hells in this big black bloody shrinking world
Where hells collide:
Wakey Fear
January 1975, that second week:
Black snow blowing across the Bullring, blue tape keeping the pavement and the entrance clear
.
Clarkie and I climbed over the tape, Clarkie saying: So half one, just as theyre about to knock off, Craven and Douglas get the call shots fired at the Strafford and, while Wood Street are scratching around for the Specials, Craven and Douglas park right out front and head straight up here.
Call logged 1:28 a.m., anonymous?
Yep, said Clarkie. Anonymous.
We started to climb the stairs to the left of the entrance to the ground floor pub, me saying: And theyre aware that shots have been fired and that the SPG are being deployed, yet still they charge right up here?
Hero cops, remember?
Dumb bastards, morelike.
At the top of the stairs, I pushed open the door
Two weeks on and the room still stank of smoke, still stank of the bad things that had gone on here, still stank of death
The mirror and the optics behind the bar, shattered; the jukebox in the corner, in pieces; the carpets and the furniture in sticks, stained
.
Clarkie said: So in they come and see bodies and men in hoods and its bang! Douglas gets a bullet in the shoulder and thwack! Craven gets a butt to the skull and then the gunmen exit, just minutes before the Specials arrive.
I was nodding, taking out the SPG report, reading out loud: 1:45 a.m., Tuesday 24 December 1974, officers deployed to the Strafford Public House in Wakefield in response to reports of shots fired. On arrival at the scene, officers found the downstairs empty and proceeded up the stairs. On entering the first floor bar, officers found three people dead at the scene and three seriously injured, two with gunshot wounds. There was no sign of the people responsible and calls were made to immediately set up roadblocks. Ambulances were called and arrived at 1:48 a.m.
I stopped reading
Clarkie was squatting down, eyes closed.
What you thinking? I asked him.
He looked up: OK, lets back up a bit?
I nodded
.
Weve got to sort out what happened before Craven and Douglas, before the Specials.
Me: Go on.
Well, looking at the sketches and the photographs, he said, doing just that. Weve got the barmaid Grace Morrison, dead behind here, and he walked behind the bar, putting the photograph down next to the till
Then weve got the three men: Bell dead here, and Clarkie put a photo down on the sofa that ran along the window
Box there, he pointed, handing me a photo to put down on the floor in front of the bar. And Booker, bleeding to death next to him.
Four photographs
Four black and white photographs
Stood there in the centre of the wreckage, Clarkie and me staring at the four black and white photographs laid out across the room.
Order? he asked me
.
Well, I said. Weve got three guns: a shotgun, a Webley, and an L39 rifle.
An L39? Thats the new police rifle, said Clarkie
.
Yep. Popular weapon these days.
So who got what?
Box, Booker, and Douglas get the shotgun; Bell the L39 and the barmaid the pistol, the Webley.
Well, Craven reckoned on a four-man team. We got three guns.
Still cant get the order clear, can you? I said
.
This is what I reckon, said Clarkie, back over by the door. Night before Christmas Eve, everywhere quiet waiting for the big night tomorrow; gone one, the downstairs closed. Strafford a well-known afterhours, bit of brass. Car pulls up outside, they hit the stairs running, burst in, shouting for the till but theres buttons, its a fuck up. They turn on the public except this public is Derek fucking Box, professional villain and hardman, and his mate Paul. And theyre fucked if theyre going to hand over their big posh new watches to some crew of out of town nonces.
Out of town?
No-one locals going to do the Strafford, Pete.
Kids?
Come on, an L39? This is some heavy bloody ordnance theyve got here.
I stared over at the sofa, at the hole in the back of the chair, the hole that went through into the wall
The hole where 01 Billy Bell had been sitting, his broken glass still on the floor
.
Clarkie was saying: So Derek and Paul are giving them bollocks and one of them lets Derek have it, then Paul, and then its in for a penny in for a pound, bye-bye Billy, bye-bye Grade whos been screaming her fucking tits off anyway.
I was nodding along, glancing at the photo on the bar
.
Then theyre doing the till and their pockets, when in come our hero cops, and its thwack, bang, thank you Wakefield.
Me: Thanks for nothing.
Four dead, two wounded coppers and all for the change in their pockets.
Cant see it, I said. Cant see it.
You will, said George Oldman, in through the back door with Maurice Jobson. You will.
Millgarth, Leeds
Sunday 21 December 1980:
Murphy, McDonald, Hillman, Marshall.
Wheres Bob Craven? I ask
Everyone shrugs their shoulders.
Well, I say. This ones me.
Eyes down
Silence in the dark room for the ritual of the dead
Thinking,
is this how the dead live:
At 6:30 a.m. on Saturday 19 May last year the body of Joanne Clare Thornton, a 19-year-old bank clerk, was found in Lewisham Park, Morley. She was not a prostitute nor was her
moral character
questionable. She was last seen alive when she left her aunts house at 11:55 p.m. on Friday 18 May to walk to her own home, a distance of just over one mile. Death was estimated to have occurred between 12:15 a.m. and 12:30 a.m. on Saturday 19 May 1979.
That death came from two blows to the back of the head as she walked through the park and was instantaneous, her skull fractured from ear to ear. Her killer then dragged her onto the grass, repositioned her clothes and stabbed her twenty-one times in the abdominal area, six times in the right leg, and three times on and in the vagina. When he had finished he placed one shoe between her thighs and her own raincoat over her.
Joanne lay like that until 6:30 when she was initially spotted by a bus driver who believed it was a bundle of rags and reported it as such when he returned to his depot. By that time, however, a local woman on her way to work had already realised what exactly that pile of rags was and reported it to the police.
George Oldman issued the following statement:
If this is connected with the previous Ripper killings, then he has made a terrible mistake. As with Rachel Johnson, the dead girl is perfectly respectable. It appears he has changed his method of attack and this is concerning me; now in a non-red light area and attacking innocents. All women are at risk, even in areas not recognised as Ripper Country.
There was a big response, I continue, glancing at Helen Marshall. And witnesses came forward providing us with one solid description plus three motors
At about nine on the Friday night, a man had attempted to pick up a Jamaican woman as she walked along Fountain Street in the centre of Morley. He was driving a dark-coloured Ford Escort and was described as being about thirty years of age with dirty blond collar-length hair, which was greasy and worn over his ears. He had what was described as a Jason King moustache which ended halfway between the corners of his mouth and chin, with a square face and jaw and was generally described as being of a scruffy appearance. He was wearing a brown-brushed cotton shirt with a tartan check, open at the neck, under a tartan lumber jacket with a beige or white fur collar.
The same man was spotted at about midnight parked in the same Ford Escort outside a café on the Middleton Road, across from Lewisham Park. The witness described the Escort as being made between 1968 and 1975, which would make it something between a G and N redg.
A photofit of this man was shown to Linda Clark, who was the woman whod been attacked in Bradford in June 1977, and has to date provided us with the best description of the Ripper.
Assuming she was attacked by Ripper, that is, says Murphy.
Yep, I sigh. Assuming she was attacked by the Ripper.
Sorry, says Murphy, palms up
No John, youre right; we cant assume anything. However, I continue: When she was shown the photofit of the Morley man, Linda Clark said: Thats him, Dave. The man who attacked me. According to Oldman.
Dave? says Helen Marshall.
Thats the name the man who picked her up had given her.
Sorry, she says. I didnt know that.
That car was a Cortina, yeah? asks Murphy.
Mark II, white or yellow, adds Hillman.
Anyway, I say. Other Morley motors that have yet to be eliminated are a dark-coloured Datsun saloon, parked by the park with its lights off, and a tan or orange-coloured Rover 2.5 or 2.6 litre that was also seen passing the park on two occasions just before midnight. Neither of the drivers of these two vehicles have ever come forward.
Theyre taking notes, getting ready to check their files, their lists
Hillman looks up: Going back a bit, the positioning of the shoe, thats similar to Clare Strachan and the boot.
Good point, I say. And thats obviously another thing keeping Strachan in the frame.
Marshall: Its also similar to the piece of wood found on Joan Richards.
Yes, I nod, then: One other odd thing.
They stop writing and look up.
A woman of Joannes age and description was seen walking close to the park in the direction of her home with a man described as being in his early twenties, five foot eight, with mousy-coloured greasy hair brushed right to left and a little wavy. He had stubble and prominent cheekbones, sunken cheeks, and was wearing a three-quarter-length dark-coloured coat and jeans.
If this wasnt Joanne and the Ripper, then this couple have yet to come forward. If it was Ripper and victim, then the description is at odds with previous ones.
Unless there were two of them, whispers Marshall.
Thats what I said, winks Murphy.
No, not two separate Rippers. Two of them together doing the killings together.
What? A bloody tag-team?
Yes, she says. A
bloody
tag-team.
No-one speaks, eyes moving from her to me and back again until
Until theres a knock on the door and a uniform says: Mr Hunter, Detectives Prentice and Alderman are here.
Thank you, I say, looking at my watch. One last thing
they pulled a size eight boot print from the park very similar to the ones also found on Joan Richards and on Tracey Livingston.
Taking notes, getting ready to check their files, their lists
Finished, I close my notebook and stand up.
John, I say to Murphy. Im going to have a chat with Jim Prentice and Dickie Alderman; would you mind sitting in?
Not at all, he says, getting up.
OK, Ill see the rest of you back at the hotel tonight, if not before. Tomorrow well do Dawn Williams after the morning briefing and Ill also update you on Laureen Bell.
If theres anything to update, says Hillman.
Yeah, if there is anything.
*
Dick Alderman and Jim Prentice are waiting for us downstairs.
Dick doesnt even say hello
Jim says: Where do you want to do this?
Its your Nick, I say
But its your show, he says.
Interview room? offers Murphy
The fucking Belly? laughs Alderman.
Lead on, I say.
Aldermans grinning as we follow him and Prentice down the stairs to their interview rooms; to the Belly
Alderman opens a heavy door and we step inside one of their well-scrubbed bright rooms
Just get another chair, says Prentice and goes next door.
We sit around the empty table, me and John Murphy on one side, Alderman on the other, Prentice sitting down beside him when he comes back in
Weve got our notebooks out, me and Murphy.
All right if we smoke? asks Prentice.
Go ahead, I say, declining the open pack.
Murphy takes one and the three of them light up.
Got any sandwiches? laughs Alderman.
No, I say, flicking through my notes. No beer either.
Just pulling your leg, he says.
Right, I say, finding my place. Lets get started.
All ears, winks Alderman.
First of all, many thanks for making yourselves available. As you know, weve been asked to review all aspects of the Ripper Inquiry and to make any recommendations we might find, based on what we see.
And what do you see? asks Alderman.
Please, I smile. We arent at that stage yet; thats why were grateful that youve agreed to have this talk with us.
Like we had a choice? he sniffs.
I ignore him: Both of you have been involved with the inquiry from the off, and are still involved, so obviously you both have a tremendous amount of knowledge about the different investigations, the methods and procedures.
I pause, glancing their way
Prentice is stubbing out his cig, eyes on me; Alderman jumpy, not like him.
Lets start at the beginning: Theresa Campbell.
Thats not the beginning, says Alderman. What about Joyce Jobson and Anita Bird?
Sorry, I didnt realise either of you were involved with those attacks.
We werent, says Prentice, looking at Alderman.
Just saying that Campbell wasnt the first, thats all, says Alderman.
OK then, I nod. The first murder.
Thatd be a bit more accurate, smiles Alderman.
Both Campbell and Richards were the same team?
Prentice nods: Chief Superintendent Jobson, out of here.
And you two were the senior detectives?
Yes, says Alderman. Still are.
Other detectives involved then were John Rudkin and Bob Craven?
Jim Prentice nods.
I spoke with Maurice last Tuesday, he spoke very highly of this set-up.
Prentice is still nodding, Alderman staring straight at me now
I say: Impression I got was that Maurice thinks that, had this team been kept together, youd have caught the Ripper by now.
Silence
So, I continue. Im obviously interested in what you both think, given youve worked under both Maurice and George Oldman, and now Pete Noble?
What? laughs Alderman. Youre asking us whether we think if Maurice had been kept on, whether wed have got the Ripper by now?
Im just interested
You drag me in here on a Sunday, my first fucking Sunday off in three months, to ask me that? Is that your best fucking question Mr Hunter? he says, standing up
Sit down, I say. And dont fucking try this on me.
Try what?
You sit down and you hear me out.
Hes staring at me, my heart fucking pounding
Superintendent, I say, nodding at the chair
He sits down.
Thank you, I say. Now, Id like to know about the differences in the styles of the various operations, if you dont mind.
Prentice coughs and says: Everything was different, yeah? I mean, youve got to remember this was five years ago, much smaller inquiry.
Who put them together?
Campbell and Richards?
I nod.
Maurice did, but it was obvious minute we saw her.
Murphy: Richards?
He nods: But we didnt have Preston in. Not Strachan at this stage.
Me: And when was that then?
77, after the blood tests and the letters, says Alderman, smiling: Like you dont know.
Youd been over there though? In 76?
Not us personally, but wed sent people over and theyd sent some of their lot here.
John Rudkin and Bob Craven right?
Alderman shrugs: In 75?
I nod.
Sounds right, he says. But weve been back and forth across them sodding Moors so many times, you tell us; youre one with it all written down in front of you.
Ignoring him: So then Rudkin and Bob Fraser went back in 77?
Prentice nods.
Me: But by this time its George and Pete Noble?
Theyre both nodding.
Prostitute Murder Squad?
Yes, says Prentice.
I ask him: So Strachan was in and out for quite some time?
Initially, yeah.
And thats also been true of a number of the other murders and attacks?
Like who? says Alderman.
Well, Strachan, Janice Ryan, Liz McQueen, Tracey Livingston?
Alderman smiles: Well youd have to ask John here about Liz McQueen.
Thanks, says Murphy.
No offence, mate, says Alderman. But that was you, not us.
And, I continue. There are a number of other murders and assaults that at one time or another have been linked to the inquiry and are now considered separate.
Alderman: Like who?
I flick forward: Vera Megson, Bradford, February 1975; Rachel Vaughan, Leeds, March 1977; Debbie Evans, Shipley, also 1977?
What about Mary Wilkie? asks Alderman.
What about her?
Prostitute, battered to death by Leeds Cathedral in 1970.
April ninth, I say and look at him, waiting
Unsolved, he says.
Like all the others, I say.
Him: So whats your point?
My point is, whats in and whats not and who decides?
Theres silence again, silence until Prentice sighs and says: Any murder or assault of a woman in the North of England has to go through here. You know that.
Yes, I say. I know that.
So, grins Alderman. You want me and Jim to go through every fucking unsolved murder in Yorkshire?
A lot are there? winks Murphy.
Alderman ignores him, but the grins gone: And you want us to tell you why or why theyre not Ripper cases?
Not every one, I say. Just one.
Silence
Then: Just Janice Ryan.
Bulls eye
Eye to eye with Alderman across the table
Hate, naked fucking hate
You could cut it with a knife, the fucking hate in this room
The fucking hate across this table down here in the Belly
Cut big slices, big fucking slices off the bone until
So what do you want to know about Janice? asks Prentice, playing the Smart Man.
Well from what weve read, the two of you were put in charge after Bradford passed it to the Ripper Room. But neither of you thought it was the Ripper until that letter turned up at the
Telegraph & Argus.
Sounds like youve got everything, says Alderman and stands up
Sit down, I say, quietly.
Prentice reaches up and pulls him down into his seat.
I say to them both: I want you to tell us why you thought Janice Ryan wasnt murdered by the Yorkshire Ripper.
Prentice: The injuries; there were no stab wounds.
Same as Strachan, I say.
Prentice shrugs.
Look, I say. Youre both senior detectives, good at your jobs some folks reckon. But the way this looks to me, pair of you didnt recognise a Ripper job when you saw one losing days and days trying to fit up Bob Fraser, another bleeding copper.
Aldermans on his feet again: Fuck off! You can fucking talk, fitting up coppers, you hypocritical fucking cunt
Bulls eye
But Prentice is again pulling him back down, again playing the Smart Man: Sit down, Dick.
But Im leaning across the table, into Dicks face: So what were you doing, letting him get away?
Fuck you!
No, fuck you Dick! says Murphy, between us. Were asking you how come you didnt think it was Ripper. Youd worked on enough
Fuck off!
Bit of a balls up, all in all, I smile
Hes red-faced is Alderman
Red-faced and ready to fucking pop
Lucky he fucking wrote that letter, I say. Else youd never have put it together. Shed have just been another one of those many unsolved
And hes across the table again, shouting: Because it wasnt the fucking Ripper, was it. It was fucking Fraser, everyone knows that. Tell him Jim.
Bulls eye
Shut up, Dick. Shut up, Prentice is saying, the last of the Smart Men
Dick Alderman out of his tree and control: No, you fuck off. Im not having this fucking piece of shit stroll into here and tell me I cant
Murphy: Jim? Jim? Whats he talking about?
Prentice: Hes talking bollocks, course it was Ripper.
Alderman: Fuck off!
No, you fuck off Dick!
I stand up and say: I think wed better leave you gentlemen to it.
They stop arguing, staring up at me
Well come back another time, I say. When youve got your stories straight.
Im sat in our room, the one next to the Ripper Room
Hillman and Marshall are cross-checking cars from the Joanne Thornton inquiry.
The door opens, no knock
Its Peter Noble, a face of bloody black thunder.
Pete? I say.
Can I see you in my office?
Sure, I say. Give us a minute, will you?
He nods and slams the door
Hillman and Marshall are looking at me.
Whats all that about? asks Hillman.
Cant imagine, I smile and stand up.
I knock on Nobles door
Come, he says and I do.
Pete, I say. What can I do for you?
You spoke with Dick Alderman and Jim Prentice, right?
Thats right.
What happened?
What do you mean,
what happened?
What I say I mean,
what happened?
Nothing, I shrug.
Nothing?
Look, no offence, but Im not obliged to report to you on interviews conducted for a Home Office review.
Bad move
Hes furious, absolutely seething, fucking livid: No, but you are obliged to disclose information you might have that would assist in an on-going investigation.
And who told you that?
The Chief Constable, just after hed got off the phone with Philip Evans, the man who drew up the parameters of your review.
Well firstly, Id have to check that myself with Mr Evans and, secondly, its an academic argument anyway seeing as we dont have any information that is not already available to your inquiry.
Bollocks, he shouts.
Theres no need for that, I say.
No need for that, he laughs. What about this?
And he tosses a copy of
Spunk
across the table,
Issue 13
.
I ask him: Where did you get this?
Manchester, who tell me youve had it at least two bloody days.
So what? Youve had it best part of three bloody years.
What?
Ask George and Maurice.
Ask George and Maurice what?
Copies were given to them by Eric Halls widow.
Hes shaking his head: You should have said something.
I thought you knew.
He lights a cigarette: This still doesnt mean you can come in here and intimidate my officers.
Intimidate your officers? I say. Like who?
Prentice and Alderman.
Intimidate Dick Alderman? Now that is bollocks, Pete.
No its bloody not, says Noble, gathering steam again. Ive had Dick in here threatening to resign, saying you insulted him, insulted his reputation.
Look, I say. Dick lost his temper. He said things Im sure he regrets and we will need to speak to him again. But thats as far as it went.
Not according to Dick and Jim.
What did they say?
Said you made insinuations about their handling of the Janice Ryan inquiry.
Yep, I did. And Dick Alderman refuted those
insinuations
, saying he didnt believe Janice Ryan was in fact killed by the same man responsible for the other Ripper murders.
Come on Peter, thats rubbish.
Is it?
In my opinion, absolute rubbish.
I shrug: What do you want me to say?
Nothing, he says, furious again.
OK, I nod.
Nothing until we speak to the Chief Constable tomorrow.
Fine, I say and leave him to it.
The Griffin, the bar downstairs
Its late and everyone else has gone to bed, everyone but me and Helen Marshall and the bloke behind the bar who wishes we would:
Id have liked to have seen the look on his face, shes laughing
Priceless, Im saying, miles away no idea who or what were talking about.
Shes drunk I think, saying: They dont like us, do they?
Listen, I say. Its late. You should go up.
What about you?
Ive got some things to do.
What? she laughs, looking at her watch.
Just going for a drive, thats all.
Can I come? she says, not looking so drunk anymore.
If you want, I say and stand up, my hand out.
Its gone midnight
We walk through the deserted city centre, freezing.
Horrible place, she says, looking up at the ugly black buildings, then down at the dirty pavement.
I nod and lead the way through the Kirkgate Market, grateful for the cold and the night.
Minutes later, we pull out of the Millgarth car park and are away.
Where are we going? she asks as I switch on Radio 2.
Batley, I say.
Batley?
Yeah, I say and then I tell her about Janice Ryan and Eric Hall, about Eric Hall and Jack Whitehead, about Jack Whitehead and Bob Douglas, about Bob Douglas and Richard Dawson, about Richard Dawson and MJM Limited, about MJM Limited and Richard Dawson and Bob Douglas and Jack Whitehead and Eric Hall and Janice Ryan
About murder and lies, lies and murder
War.
And after all that she just sits and stares out of the window until she says again: Horrible place.
Parked on the Bradford Road, the light on in the car, I show her the magazine
I say
And she flicks through the pages until she comes to Janice Ryan.
Helen Marshall, ex-Vice Squad, glances at the photo and nods and hands it back.
You heard of it? I ask
No, she says.
Wait here, I say and get out of the car, hard.
Ive not put on the torch yet as I stumble around in the alley behind RD News
There are cardboard boxes and piles of rubbish heaped up in front of the back-gate to the shop
And its locked, the gate
I jump up and hoist myself far enough over to slip the bolt at the top of the gate
And I jump back down, but the gate still wont open
So I jump back up and hoist myself over and down the other side and into the tiny yard