Our Endless Numbered Days: A Novel
Read Our Endless Numbered Days: A Novel Online
Authors: Claire Fuller
PRAISE FOR
Our Endless Numbered Days
“Graciously written and capriciously imagined,
Our Endless Numbered Days
holds up a magnifying lens to the human spirit and deftly captures both its fragility and its resilience. The brilliant ending, like the best endings do, casts new light on all that comes before it.”
—
CATHY MARIE BUCHANAN
, author of the
New York Times
bestseller
The Painted Girls
“I finished this book and turned right back to the first page to start it again. Like the wilderness into which Claire Fuller’s characters disappear,
Our Endless Numbered Days
is rigged with barbs and poisons, tricks and tragedies. It’s weird and wild and sometimes terrifying, but it’s also beautiful and heartbreaking and breathlessly alive.”
—
AMY STEWART
, author of the
New York Times
bestseller
The Drunken Botanist
“
Our Endless Numbered Days
is suspenseful, utterly riveting, and as dark as midnight in the forest.”
—
REBECCA HUNT
, author of
Everland
and
Mr. Chartwell
“The lasting impression of
Our Endless Numbered Days
, which gracefully seesaws back and forth between two different time periods, is not one of how horrid an experience can be, but of how resourceful and resilient the human psyche can become in order to survive. The result is beautiful. It will keep you turning the pages, and long afterwards it will keep you turning over in your mind the events in this haunting story.”
—
YANNICK MURPHY
, author of
The Call
and
This Is the Water
“Powerfully imagined and written with a dazzlingly effective economy of style, Claire Fuller has mastered beautifully the building of jeopardy that the reader can see while the protagonist cannot. The ending is truly dark and courageous. BRAVA!”
—
MORAG JOSS
, author of
Half Broken Things
“I was utterly gripped by the hypnotic atmosphere.”
—
ESTHER FREUD
, author of
Hideous Kinky
and
Mr. Mac and Me
Copyright © 2015 Claire Fuller
All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission from the publisher except in the case of brief quotations embodied in critical articles or reviews. For information, contact Tin House Books, 2617 NW Thurman St., Portland, OR 97210.
Published by Tin House Books, Portland, Oregon, and Brooklyn, New York
Distributed to the trade by Publishers Group West, 1700 Fourth St., Berkeley, CA 94710,
www.pgw.com
Library of Congress Cataloging-in-Publication Data
Fuller, Claire.
Our endless numbered days : a novel / Claire Fuller.
pages cm
ISBN 978-1-941040-02-7 (ebook)
1. Fathers and daughters—Fiction. 2. Wilderness—Fiction. 3. Family secrets—Fiction. 4. Domestic fiction. I. Title.
PR6106.U45O87 2015
823’.92—dc23
2014037937
First US edition 2015
Interior design by Jakob Vala
For Tim, India, and Henry
Contents
Highgate, London, November 1985
This morning I found a black-and-white photograph of my father at the back of the bureau drawer. He didn’t look like a liar. My mother, Ute, had removed the other pictures of him from the albums she kept on the bottom shelf of the bookcase, and shuffled around all the remaining family and baby snapshots to fill in the gaps. The framed picture of their wedding, which used to sit on the mantelpiece, had gone too.
On the back of the photograph, Ute had written
James und seine Busenfreunde mit Oliver, 1976
in her steady handwriting. It was the last picture that had been taken of my father. He looked shockingly young and healthy, his face as smooth and white as a river pebble.
He would have been twenty-six, nine years older than I am today.
As I peered closer, I saw that the picture included not only my father and his friends but also Ute and a blurred smudge which must have been me. We were in the sitting room, where I stood. Now, the grand piano is at the other end, beside the steel-framed doors which lead to the glasshouse and through to the garden. In the photograph, the piano stood in front of the three large windows overlooking the drive. They were open, their curtains frozen mid-billow in a summer breeze. Seeing my father in our old life made me dizzy, as though the parquet were tipping under my bare feet, and I had to sit down.
After a few moments I went to the piano, and for the first time since I had come home I touched it, running my fingers without resistance across the polished surface. It was much smaller than I remembered, and showed patches of a lighter shade where the sun had bleached it over many years. And I thought that maybe it was the most beautiful thing I had ever seen. Knowing that the sun had shone, and the piano must have been played, and people had lived and breathed while I had been gone, helped steady me.
I looked at the picture in my hand. At the piano my father leaned forward, his left arm stretched out
languidly while his right hand tinkered with the keys. I was surprised to see him sitting there. I have no recollection of him ever sitting at the piano or playing it, although of course it was my father who taught me to play. No, the piano was always Ute’s instrument.
“The writer, he holds his pen and the words flow; I touch the keyboard and out my music comes,” she says with her hard German vowels.
On that day, at that tiny moment in time, my father sat uncharacteristically relaxed and handsome in his long-haired, thin-faced way, while Ute, wearing an ankle-length skirt and a white blouse with leg-of-mutton sleeves, was striding out of shot, as if she could smell the dinner burning. She held my hand and her face was turned away from the camera, but something in the way she carried herself made her look displeased, irritated to be caught with the rest of us. Ute was always well built—big-boned and muscular—though in the last nine years she’s become fat, her face wider than in my memory, and her fingers so puffed, her wedding ring is locked in position. On the telephone, she tells her friends that her weight gain has been due to the agony she lived with for so many years; that she ate her way through it. But late at night, when I can’t sleep, and creep downstairs in the dark, I have seen her eating in the kitchen, her face illuminated by the fridge’s interior
light. Looking at the photograph, I realized it was the only one I’d ever seen with the three of us in it together.
Today, two months after I’d come back home, Ute had been confident enough to leave me alone for half an hour before breakfast while she took Oskar to a Cub Scout meeting. And so, with one ear listening for the sound of the front door opening and Ute returning, I rummaged through the other drawers in the bureau. Already it was easy to cast aside pens, notepaper, unwritten luggage labels, catalogues for labour-saving household devices, and key rings of European buildings—the Eiffel Tower jostling against Buckingham Palace. In the bottom drawer, I found the magnifying glass. I kneeled on the rug, a different one from that in the photograph—when was it changed?—and held the glass over my father, but was disappointed to discover that enlarging him didn’t show me anything new. His fingers were uncrossed; the corner of his mouth was not turned up; there was no secret tattoo I had missed.
Going one by one, from left to right, I focused on the five men in front of him. Three of them were squashed together on the leather sofa, while another sat back on the sofa’s arm, his hands behind his head. These men wore their beards scruffy and their hair long; none of them smiled. They looked so similar they could have been brothers,
but I knew they were not. Confident, relaxed, mature—like born-again Christians, they said to the camera, “We have seen the future and disaster is coming, but we are the saved.” They were members of the North London Retreaters. Every month they met at our house, arguing and discussing strategies for surviving the end of the world.
The fifth man, Oliver Hannington, I recognized instantly although I hadn’t seen him for many years, either. The camera had caught him sprawling across an armchair, his legs in flared trousers dangling over one side. Smoke curled through his yellow hair from a cigarette he held in the hand that propped up his head. Like my father, this man was clean-shaven, but he smiled in a way that suggested he thought everything was ridiculous; as though he wanted posterity to know he wasn’t really interested in the group’s plans for self-sufficiency and stockpiling. He could have been a spy who had infiltrated them, or an undercover journalist producing news stories which would one day expose them all, or a writer, going home after meetings and working all the mad characters into a comic novel. Even now, his strong-jawed self-confidence seemed exotic and foreign—American.
But then I realized there must have been someone else in the room—the photographer. I stood where the person holding the camera must have stood, and with a
corner of the photograph between my lips, I positioned my hands and fingers to form a square frame. The angle was all wrong; he or she must have been much taller than me. I put the magnifying glass back in the drawer, then surprised myself by sitting on the piano stool. I raised the key lid, transfixed by the neat white row of keys, like polished teeth, and put my right hand over them—so smooth and cool—where my father’s had been. I leaned to the left, stretched my arm out across the top, and something moved inside me, a nervous fluttering, low down in my stomach. I stared at the photograph, still in my hand. The face of my father stared back, even then so innocent he
must
have been guilty. I went again to the bureau, took the scissors from the pen holder, and snipped around my father’s face so he became a light grey mole on the tip of my finger. Careful not to drop him and lose him under the furniture, to be vacuumed up by Ute’s cleaner, and with my eyes fixed on his head, I reached up under my dress with the scissors and chopped through the silky fabric in the middle of my bra. The two cups which had irritated and scratched fell apart, and my body was freed, like it always had been. I tucked my father under my right breast so that the warm skin held him in place. I knew if he stayed there, everything would be all right and I would be allowed to remember.