Peter Pan (25 page)

The Serpentine begins near here. It is a lovely lake, and there is a drowned forest at the bottom of it. If you peer over the edge you can see the trees all growing upside down, and they
say that at night there are also drowned stars in it. If so, Peter Pan sees them when he is sailing across the lake in the Thrush’s Nest. A small part only of the Serpentine is in the Gardens, for soon it passes beneath a bridge to far away where the island is on which all the birds are born that become baby boys and girls. No one who is human, except Peter Pan (and he is only half human), can land on the island, but you may write what you want (boy or girl, dark or fair) on a piece of paper, and then twist it into the shape of a boat and slip it into the water, and it reaches Peter Pan’s island after dark.

We are on the way home now, though of course, it is all pretence that we can go to so many of the places in one day. I should have had to be carrying David long ago, and resting on every seat like old Mr. Salford. That was what we called him, because he always talked to us of a lovely place called Salford where he had been born. He was a crab-apple of an old gentleman who wandered all day in the Gardens from seat to seat trying to fall in with somebody who was acquainted with the town of Salford, and when we had known him for a year or more we actually did meet another aged solitary who had once spent Saturday to Monday in Salford. He was meek and timid, and carried his address inside his hat, and whatever part of London he was in search of he always went to Westminster Abbey first as a starting-point. Him we carried in triumph to our other friend, with the story of that Saturday to Monday, and never shall I forget the gloating joy with which Mr. Salford leapt at him. They have been cronies ever since, and I notice that Mr. Salford, who naturally does most of the talking, keeps tight grip of the other old man’s coat.

The two last places before you come to our gate are the Dog’s Cemetery
¹²
and the chaffinch’s nest, but we pretend not to know what the Dog’s Cemetery is, as Porthos is always with us. The nest is very sad. It is quite white, and the way we found it was wonderful. We were having another look among the bushes for David’s lost worsted ball, and instead of the ball we found a lovely nest made of the worsted, and containing four eggs, with scratches on them very like David’s handwriting, so we think they must have been the mother’s love-letters to the
little ones inside. Every day we were in the Gardens we paid a call at the nest, taking care that no cruel boy should see us, and we dropped crumbs, and soon the bird knew us as friends, and sat in the nest looking at us kindly with her shoulders hunched up. But one day when we went there were only two eggs in the nest, and the next time there were none. The saddest part of it was that the poor little chaffinch fluttered about the bushes, looking so reproachfully at us that we knew she thought we had done it; and though David tried to explain to her, it was so long since he had spoken the bird language that I fear she did not understand. He and I left the Gardens that day with our knuckles in our eyes.

The fairies of the Serpentine.

If you ask your mother whether she knew about Peter Pan when she was a little girl, she will say, “Why, of course I did, child”; and if you ask her whether he rode on a goat in those days, she will say, “What a foolish question to ask; certainly he did.” Then if you ask your grandmother whether she knew about Peter Pan when she was a girl, she also says, “Why, of course I did, child,” but if you ask her whether he rode on a goat in those days, she says she never heard of his having a goat. Perhaps she has forgotten, just as she sometimes forgets your name and calls you Mildred, which is your mother’s name. Still, she could hardly forget such an important thing as the goat. Therefore there was no goat when your grandmother was a little girl. This shows that, in telling the story of Peter Pan, to begin with the goat (as most people do) is as silly as to put on your jacket before your vest.

Of course, it also shows that Peter is ever so old, but he is really always the same age, so that does not matter in the least. His age is one week, and though he was born so long ago he has never had a birthday, nor is there the slightest chance of his ever having one. The reason is that he escaped from being a human when he was seven days old; he escaped by the window and flew back to the Kensington Gardens.

If you think he was the only baby who ever wanted to escape, it shows how completely you have forgotten your own young days. When David heard this story first he was quite certain that he had never tried to escape, but I told him to think back hard, pressing his hands to his temples, and when he had done this hard, and even harder, he distinctly remembered a
youthful desire to return to the tree tops, and with that memory came others, as that he had lain in bed planning to escape as soon as his mother was asleep, and how she had once caught him half-way up the chimney. All children could have such recollections if they would press their hands hard to their temples, for, having been birds before they were human, they are naturally a little wild during the first few weeks, and very itchy at the shoulders, where their wings used to be. So David tells me.

I ought to mention here that the following is our way with a story: first I tell it to him, and then he tells it to me, the understanding being that it is quite a different story; and then I retell it with his additions, and so we go on until no one could say whether it is more his story or mine. In this story of Peter Pan, for instance, the bald narrative and most of the moral reflections are mine, though not all, for this boy can be a stern moralist; but the interesting bits about the ways and customs of babies in the bird-stage are mostly reminiscences of David’s, recalled by pressing his hands to his temples and thinking hard.

Well, Peter Pan got out by the window, which had no bars. Standing on the ledge he could see trees far away, which were doubtless the Kensington Gardens, and the moment he saw them he entirely forgot that he was now a little boy in a nightgown, and away he flew, right over the houses to the Gardens. It is wonderful that he could fly without wings, but the place itched tremendously, and—and—perhaps we could all fly if we were as dead-confident-sure of our capacity to do it as was bold Peter Pan that evening.

He alighted gaily on the open sward, between the Baby’s Palace and the Serpentine, and the first thing he did was to lie on his back and kick. He was quite unaware already that he had ever been human, and thought he was a bird, even in appearance, just the same as in his early days, and when he tried to catch a fly he did not understand that the reason he missed it was because he had attempted to seize it with his hand, which, of course, a bird never does. He saw, however, that it must be past Lock-out Time, for there were a good many fairies about, all too busy to notice him; they were getting breakfast ready, milking their cows, drawing water, and so on, and the sight of
the water-pails made him thirsty, so he flew over to the Round Pond to have a drink. He stooped and dipped his beak in the pond; he thought it was his beak, but, of course, it was only his nose, and therefore, very little water came up, and that not so refreshing as usual, so next he tried a puddle, and he fell flop into it. When a real bird falls in flop, he spreads out his feathers and pecks them dry, but Peter could not remember what was the thing to do, and he decided rather sulkily to go to sleep on the weeping beech in the Baby Walk.

The fairies have their tiffs with the birds.

At first he found some difficulty in balancing himself on a branch, but presently he remembered the way, and fell asleep. He awoke long before morning, shivering, and saying to himself, “I never was out on such a cold night”; he had really been out on colder nights when he was a bird, but, of course, as everybody knows, what seems a warm night to a bird is a cold night to a boy in a nightgown. Peter also felt strangely uncomfortable,
as if his head was stuffy; he heard loud noises that made him look round sharply, though they were really himself sneezing. There was something he wanted very much, but, though he knew he wanted it, he could not think what it was. What he wanted so much was his mother to blow his nose, but that never struck him, so he decided to appeal to the fairies for enlightenment. They are reputed to know a good deal.

There were two of them strolling along the Baby Walk, with their arms round each other’s waists, and he hopped down to address them. The fairies have their tiffs with the birds, but they usually give a civil answer to a civil question, and he was quite angry when these two ran away the moment they saw him. Another was lolling on a garden chair, reading a postage-stamp which some human had let fall, and when he heard Peter’s voice he popped in alarm behind a tulip.

To Peter’s bewilderment he discovered that every fairy he met fled from him. A band of workmen, who were sawing down a toadstool, rushed away, leaving their tools behind them. A milkmaid turned her pail upside down and hid in it. Soon the Gardens were in an uproar. Crowds of fairies were running this way and that, asking each other stoutly who was afraid; lights were extinguished, doors barricaded, and from the grounds of Queen Mab’s palace came the rub-a-dub of drums, showing that the royal guard had been called out. A regiment of Lancers came charging down the Broad Walk, armed with holly-leaves, with which they jag the enemy horribly in passing. Peter heard the little people crying everywhere that there was a human in the Gardens after Lock-out Time, but he never thought for a moment that he was the human. He was feeling stuffier and stuffier, and more and more wistful to learn what he wanted done to his nose, but he pursued them with the vital question in vain; the timid creatures ran from him, and even the Lancers, when he approached them up the Hump, turned swiftly into a side-walk, on the pretence that they saw him there.

Despairing of the fairies, he resolved to consult the birds, but now he remembered, as an odd thing, that all the birds on the weeping-beech had flown away when he alighted on it, and
though this had not troubled him at the time, he saw its meaning now. Every living thing was shunning him. Poor little Peter Pan! He sat down and cried, and even then he did not know that, for a bird, he was sitting on his wrong part. It is a blessing that he did not know, for otherwise he would have lost faith in his power to fly, and the moment you doubt whether you can fly, you cease for ever to be able to do it. The reason birds can fly and we can’t is simply that they have perfect faith, for to have faith is to have wings.

When he heard Peter’s voice he popped in alarm behind a tulip.

Now, except by flying, no one can reach the island in the Serpentine, for the boats of humans are forbidden to land there, and there are stakes round it, standing up in the water, on each of which a bird-sentinel sits by day and night. It was to the island that Peter now flew to put his strange case before old Solomon Caw, and he alighted on it with relief, much heartened to find himself at last at home, as the birds call the island. All of them were asleep, including the sentinels, except Solomon, who was wide awake on one side, and he listened quietly to Peter’s adventures, and then told him their true meaning.