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Authors: Philippa Gregory

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Philippa Gregory's Tudor Court 6-Book Boxed Set (402 page)

BOOK: Philippa Gregory's Tudor Court 6-Book Boxed Set
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“Well, you can’t be,” she says flatly. “I am the oldest. I chose first. I am the Queen of England and Edward is in love with me.”

I am wordless with rage at her claiming of everything, her sudden enforcing of seniority, our sudden plunge from happy play to rivalry. I stamp my foot and my face flushes with temper; I can feel hot tears in my eyes. “England! I am Queen!”

“You always spoil everything because you are such a baby,” she says, turning away as the door behind us opens and Margaret comes into the room.

“Time you were both asleep, my ladies. Gracious! What have you done to your bedspread?”

“Isabel won’t let me . . .” I start. “She is being mean. . . .”

“Never mind that,” Margaret says briskly. “Into bed. You can share whatever it is tomorrow.”

“She won’t share!’ I gulp down salt tears. “She never does. We were playing but then . . .”

Isabel laughs shortly as if my grief is comical, and she exchanges a look with Margaret as if to say that the baby is having a temper tantrum again. This is too much for me. I let out a wail and I throw myself facedown on the bed. No one cares for me, no one will see that we were playing together, as equals, as sisters, until Isabel claimed something which was not hers to take. She should know that she should share. It is not right that I should come last, that I always come last. “It’s not right!” I say brokenly. “It’s not fair on me!”

Isabel turns her back to Margaret, who unlaces the fastening of her gown and holds it low so that she can step out of it, disdainfully, like the queen she was pretending to be. Margaret hangs the gown, ready for powdering and brushing tomorrow, and Isabel pulls a nightgown over her head and lets Margaret brush her hair and plait it up.

I lift my flushed face from the pillow to watch the two of them, and Isabel glances across at my big tragic eyes and says shortly, “You should be asleep anyway. You always cry when you’re tired. You’re such a baby. You shouldn’t have been allowed to come to dinner.” She looks at Margaret and says, “Tell her.”

“Go to sleep, Lady Anne,” Margaret says gently. “There’s nothing to carry on about,” and I roll on my side and turn my face to the wall. Nobody treats me with any respect, and my own sister hates me. I hear the ropes of the bed creak as she gets in beside me. Nobody makes her say her prayers, though she will certainly go to hell. Margaret says, “Good night, sleep well, God bless,” and then blows out the candles and goes out of the room.

We are alone together in the firelight. I feel Isabel heave the covers over to her side, and I lie still. She whispers, sharp with malice, “You can cry all night if you want, but I shall still be Queen of England and you will not.”

“I am a Neville!” I squeak.

“Margaret is a Neville,” Isabel proves her point, “but illegitimate, Father’s acknowledged bastard. So she serves as our lady-in-waiting. Now I think of it, you are probably illegitimate too and you will have to be my lady-in-waiting.”

I feel a sob rising up in my throat, but I put both my hands over my mouth. I will not give her the satisfaction of hearing me cry, I will stifle my sobs. If I could stop my own breath, I would; and then they would write to my father and say that I was quite cold and dead, and then she would be sorry that I was suffocated because of her unkindness, and my father—far away tonight—would blame her for the loss of his little girl that he loved above any other. At any rate, he ought to love me above any other. At any rate, I wish he did.

CHANGELING

AVAILABLE NOW FROM SIMON PULSE

CASTLE SANT’ ANGELO, ROME, JUNE 1453

The hammering on the door shot him into wakefulness like a handgun going off in his face. The young man scrambled for the dagger under his pillow, stumbling to his bare feet on the icy floor of the stone cell. He had been dreaming of his parents, of his old home, and he gritted his teeth against the usual wrench of longing for everything he had lost: the farmhouse, his mother, the old life.

The thunderous banging sounded again, and he held the dagger behind his back as he unbolted the door and cautiously opened it a crack. A dark-hooded figure stood outside, flanked by two heavyset men, each carrying a burning torch. One of them raised his torch so the light fell on the slight dark-haired youth, naked to the waist, wearing only breeches, his hazel eyes blinking under a fringe of dark hair. He was about seventeen, with a face as sweet as a boy, but with the body of a young man forged by hard work.

“Luca Vero?”

“Yes.”

“You are to come with me.”

They saw him hesitate. “Don’t be a fool. There are three of us and only one of you, and the dagger you’re hiding behind your back won’t stop us.”

“It’s an order,” the other man said roughly. “Not a request. And you are sworn to obedience.”

Luca had sworn obedience to his monastery, not to these strangers, but he had been expelled from there, and now it seemed he must obey anyone who shouted a command. He turned to the bed, sat to pull on his boots, slipping the dagger into a scabbard hidden inside the soft leather, pulled on a linen shirt and then threw his ragged woolen cape around his shoulders.

“Who are you?” he asked, coming unwillingly to the door.

The man made no answer, but simply turned and led the way as the two guards waited in the corridor for Luca to come out of his cell and follow.

“Where are you taking me?”

The two guards fell in behind him without answering. Luca wanted to ask if he was under arrest, if he was being marched to a summary execution, but he did not dare. He was fearful of the very question; he acknowledged to himself that he was terrified of the answer. He could feel himself sweating with fear under his woolen cape, though the air was icy and the stone walls were cold and damp.

He knew that he was in the most serious trouble of his young life. Only yesterday four dark-hooded men had taken him from his monastery and brought him here, to this prison, without a word of explanation. He did not know where he was or who was holding him. He did not know what charge he might face. He did not know what the punishment might be. He did not know if he was going to be beaten, tortured or killed.

“I insist on seeing a priest, I wish to confess . . .” he said.

They paid no attention to him at all, but pressed him on, down the narrow stone-flagged gallery. It was silent, with the closed doors of cells on either side. He could not tell if it was a prison or a monastery, it was so cold and quiet. It was just after midnight, and the place was in darkness and utterly still. Luca’s guides made no noise as they walked along the gallery, down the stone steps, through a great hall and then down a little spiral staircase into a darkness that grew more and more black as the air grew more and more cold.

“I demand to know where you are taking me,” Luca insisted, but his voice shook with fear.

No one answered him, but the guard behind him closed up a little.

At the bottom of the steps, Luca could just see a small arched doorway and a heavy wooden door. The leading man opened it with a key from his pocket and gestured that Luca should go through. When he hesitated, the guard behind him simply moved closer until the menacing bulk of his body pressed Luca onward.

“I insist . . .” Luca breathed.

A hard shove thrust him through the doorway, and he gasped as he found himself flung to the very edge of a high, narrow quay, a boat rocking in the river a long way below, the far bank a dark blur in the distance. Luca flinched back from the brink. He had a sudden dizzying sense that they would be as willing to throw him over, onto the rocks below, as to take him down the steep stairs to the boat.

The first man went light-footed down the wet steps, stepped into the boat and said one word to the boatman who stood in the stern, holding the vessel against the current with the deft movements of a single oar. Then he looked back up to the handsome white-faced young man.

“Come,” he ordered.

Luca could do nothing else. He followed the man down the greasy steps, clambered into the boat and seated himself in the prow. The boatman did not wait for the guards but turned his craft into the middle of the river and let the current sweep them around the city wall. Luca glanced down into the dark water. If he were to fling himself over the side of the boat, he would be swept downstream—he might be able to swim with the current and make it to the other side and get away. But the water was flowing so fast he thought he was more likely to drown, if they did not come after him in the boat and knock him senseless with the oar.

“My lord,” he said, trying for dignity. “May I ask you now where we are going?”

“You’ll know soon enough,” came the terse reply. The river ran like a wide moat around the tall walls of the city of Rome. The boatman kept the little craft close to the lee of the walls, hidden from the sentries above; then Luca saw ahead of them the looming shape of a stone bridge and, just before it, a grille set in an arched stone doorway of the wall. As the boat nosed inward, the grille slipped noiselessly up and, with one practiced push of the oar, they shot inside, into a torch-lit cellar.

With a deep lurch of fear, Luca wished that he had taken his chance with the river. There were half a dozen grim-faced men waiting for him, and as the boatman held a well-worn ring on the wall to steady the craft, they reached down and hauled Luca out of the boat, to push him down a narrow corridor. Luca felt, rather than saw, thick stone walls on either side, smooth wooden floorboards underfoot; heard his own breathing, ragged with fear; then they paused before a heavy wooden door, struck it with a single knock and waited.

A voice from inside the room said, “Come!” and the guard swung the door open and thrust Luca inside. Luca stood, heart pounding, blinking at the sudden brightness of dozens of wax candles, and heard the door close silently behind him.

A solitary man was sitting at a table, papers before him. He wore a robe of rich velvet in so dark a blue that it appeared almost black, the hood completely concealing his face from Luca, who stood before the table and swallowed down his fear. Whatever happened, he decided, he was not going to beg for his life. Somehow, he would find the courage to face whatever was coming.

THE CASTLE OF LUCRETILI, JUNE 1453

At about the time that Luca was being questioned, a young woman was seated in a rich chair in the chapel of her family home, the Castle of Lucretili, about twenty miles northeast of Rome, her dark blue eyes fixed on the rich crucifix, her fair hair twisted in a careless plait under a black veil, her face strained and pale. A candle in a rose crystal bowl flickered on the altar as the priest moved in the shadows. She knelt, her hands clasped tightly together, praying fervently for her father, who was fighting for his life in his bedchamber, refusing to see her.

The door at the back of the chapel opened and her brother came in quietly, saw her bowed head and went to kneel beside her. She looked sideways to him, a handsome young man, dark-haired, dark-browed, his face stern with grief. “He’s gone, Isolde, he’s gone. May he rest in peace.”

Her white face crumpled and she put her hands over her eyes. “He didn’t ask for me? Not even at the end?”

“He didn’t want you to see him in pain. He wanted you to remember him as he had been, strong and healthy. But his last words were to send you his blessing, and his last thoughts were of your future.”

She shook her head. “I can’t believe he would not give me his blessing.”

Giorgio turned from her and spoke to the priest, who hurried at once to the back of the chapel. Isolde heard the big bell start to toll; everyone would know that the great crusader, the Lord of Lucretili, was dead.

“I must pray for him,” she said quietly. “You’ll bring his body here?”

He nodded.

“I will share the vigil tonight,” she decided. “I will sit beside him now that he is dead, though he didn’t allow it while he lived.” She paused. “He didn’t leave me a letter? Nothing?”

“His will,” her brother said softly. “He planned for you. At the very end of his life he was thinking of you.”

She nodded, her dark blue eyes filling with tears, then clasped her hands together and prayed for her father’s soul.

BOOK: Philippa Gregory's Tudor Court 6-Book Boxed Set
9.85Mb size Format: txt, pdf, ePub
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