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Imus, Don, 87, 121, 140

incest porn, 154–57, 159

iN DEMAND, 52

Indiana University, ix

industry of porn.
See
porn industry injury and disease risks to porn performers, xxvii–xxviii, 35, 38

Internet: business models for, 49; child porn on, 56, 144; Club Jenna on, 21, 36; and cyber-sex addiction, 57, 92–94; games on, 49; and
Girls Gone Wild
(
GGW
), 26, 27; and
Hustler,
21; marketing practices for porn sites, 49, 57–58; and
Penthouse,
20–21; and pirated or free porn on, xvii; and
Playboy,
21; porn on generally, xi, xiii, xvii, xviii, 20, 47, 49, 59; search engines for porn, 53; statistics on porn on, 47, 49; teen porn on, xxi, 143, 146–58; and video-sharing Web sites, 49; and virtual sex, 50; and Vivid Entertainment, 43–44.
See also
porn; porn sex;
and
specific Web sites

interracial porn (IP), 122, 129–30, 135–40.
See also
racism

iPods, 49

IVD, 28

Jack Goes Boating,
56

Jameson, Jenna, ix, 21, 34–40, 51, 52, 123

Jansen, Bernard J., 49

Jensen, Robert, 59, 68, 114, 163

Jeremy, Ron, 52

Jhally, Sut, 44

JM Productions, xix–xx

Johnson, Reed, 99

Juniper Research Company, 48

Justice Department, 142

Kagen Research, 51

Katz, Jackson, 45

Kazaa, 48

Kick Ass Pictures, 121

Kimmel, Michael, 2, 114, 117

King Kong,
135–36

Kipnis, Laura, 17

Kirk, Justin, 54

Klein, Calvin, 141–42

Krone, Tony, 145–52

The Ladies of Liberty City
(
GTA
), 62

lad mags, 44–45

Lanning, Kenneth, 151, 158

Lars and the Real Girl,
76

Latina women, 88, 124, 131

Lee, Jack, 133, 134

Lee, Santino, 133

lesbian video series, 27

Let Me Tell Ya ’Bout Black Chicks,
104

Levy, Ariel, 102

Liberty Media group, 52

Lipsitz, George, 10

Lipstick Lesbos (Web site), 27

LodgeNet, 53

Lohan, Lindsay, 111

Long Dong Black Kong,
122, 135

Lords, Traci, 54

MacKinnon, Catharine, 85–86, 88

magazines.
See
men’s magazines; women’s magazines;
and specific magazines

mainstreaming of porn: and
Cosmopolitan,
xii, 100, 107–9, 142;
and fashion industry, 82, 99, 102–3, 141–42, 162; and
Girls Gone Wild,
26–34; and Sasha Grey, ix, 40–41, 54; and Jenna Jameson as porn star, ix, 21, 34–40, 123; and lad mags, 44–45; and music videos, 44, 104, 142; and
Playboy,
Penthouse,
and
Hustler,
xxix, 1–23, 49; and porn industry, 47–58; and porn stars, 25, 34–41, 54–55; and
Sex and the City,
25, 100, 105–7; and Howard Stern, 25, 39, 41, 45–46, 71, 123; and Vivid Entertainment, 27, 41–44, 45

Malamuth, Neil, 95

male sexuality: and addiction to porn, 80, 92–94, 93–94; and African American men, 67, 122, 135–40; and anger toward hookup, 90; and Asian men, 131–35; and child porn, 160–62; and dehumanization of women in porn, 63–68; and difficulty in separating girlfriends from porn performers, 91–92; feelings of sexual inadequacy, 89–90; and hip-hop, 128–29; and hookup sex, 89–91, 114–19; and interracial porn, 122, 129–30, 135–40; and
Maxim,
44–45; and negative reaction to gonzo porn by men, 73–75, 93–94; and porn images intruding on their sex lives, 90–92; porn’s depiction of, xxiv–xxix; porn’s effects on, xi–xii, xiii, xvii–xviii, xxii–xxiii, xxix–xxx, 67–68, 74–98; and porn viewing following sex, 90–91; and pre-Internet days of porn, xi, xvii; and pseudo-child porn (PCP), 158–62; and socialization by culture and porn industry, xxix–xxx, 59–78, 86–88, 98.
See also
men and boys; porn performers

Maltz, Wendy and Larry, 93

Mann, Christian, 121

Marcus, Mr. (Jesse Spencer), 122–23

Margold, Bill, xxvi

Marriott hotels, 52

Marx, Karl, 101

masculinity.
See
male sexuality; men and boys

mass media.
See
movies; television

Maxim,
41, 44–45, 123

May, Elaine, 10

McRobbie, Angela, 106

media scholarship, 81–88

media technologies, 48–49.
See also
Internet; television

Meet the Fockers,
56

Me Fuck You Long Time (Web site), 125

men and boys: and masculinity as competitive and aggressive, 59–60; rape by, 85–86, 94–98, 116, 117; resistance to porn by, 164–65; socialization of, by culture and porn industry, xxix–xxx, 59–78, 86–88, 98; and societal trends of 1950s, 2–5.
See also
male sexuality; porn performers

men’s magazine(s): and lad mags, 44–45;
Maxim
as, 41, 44–45, 123; in 1940s–1950s, 1, 6, 12.
See also specific magazines

Microsoft, 53

Miller, Russell, 12, 13

Miller-Young, Mireille, 129

minstrel shows, 139

“money shot,” xxvi–xxvii, 59, 67

Mormon Church, 52, 100

Morrison, Jack, 57

Moss, Kate, 111

movies: porn as focus of Hollywood movies, 54–56; racism in, 87, 121; violence in Hollywood movies, 61; and Vivid Entertainment, 27, 41–44, 45.
See also
porn sex;
and specific movies

Moynihan Report, 126

MSEX, 122–23

MTV.
See
music videos

multiple penetrations in porn sex, xviii, xxv–xxviii, 65–66, 137.
See also
porn sex

Murdoch, Rupert, 52

music videos, 44, 104, 142

My Sexy Daughter (Web site), 154, 158

Napolitano, Chris, 22

Nappy Headed Hos,
121

Nazi propaganda, 65

News Corp., 52

New Wave Hookers,
104

NORML (National Organization
for the Reform of Marijuana Laws), 19

Oh No! There’s a Negro in My Mom,
135

Olsen, Mary Kate, 111

O Magazine,
25

Once You Go Black . . . You Never Go Back
series, 138

On-Command, 53

OnlyBestSex (Web site), xix

oral sex: ass-to-mouth sex, xix, 68–69; gagging during, xviii–xx, xxii, xxv–xxvii, 130, 137; injury risks during, in gonzo sex, xxvi, xxviii; in interracial porn, 137, 138; male domination in, xxv; in porn stories, xviii–xx, xxiii, xxv; in pseudo-child porn (PCP), 157.
See also
porn sex

Parker, Sarah Jessica, 105

Paul, Pamela, 89, 160

PCP.
See
pseudo-child porn (PCP)

pedophiles, 159–62.
See also
child sexual abuse

Penthouse,
xvii, 1–2, 12–15, 20–23, 49, 95

Penthouse Films,
54

Penthouse Media Group, 20

people of color.
See
African Americans; racism

Perry, Lincoln Theodore Monroe Andrew, 86–87

Phuck Fu Masters (Web site), 133

Pimp My Black Teen (Web site), 127

Pink Visual studio, 53

pinup magazines, 6

plastic surgery, 82–83

Playboy:
advertising in, 9–14, 17, 20; anti-woman and anti-marriage view of, 4–5; centerfolds of, xvii, xviii, 6–8, 13; circulation of, 2, 11, 12, 13, 14; current businesses related to, 21–23; and Hefner’s public image, 18–20;
Hustler
as competition for, 14–20; and ideology of consumption, 9–11; on Jenna Jameson, 35; literary content of, 8; and mainstreaming of porn, xxix, 1–12, 22–23; original title for, 7;
Penthouse
as competition for, 12–15, 49; playboy as ideal reader of, 6–12, 17; and
Playboy
bunny logo, 1, 12; public image of, as quality lifestyle magazine, 6–12, 14; rape story in, 11–12; research on consumers of, 95; sales statistics for, 2, 20; and societal trends of 1950s, 2–5; target audience for, 2–3, 6–9

Playboy brand, 1, 21, 22

Playboy TV, 21–22, 51

politics, 84–85

pop culture.
See
mainstreaming of porn; television

porn: addiction to, 57, 80, 92–94, 93–94; age at first viewing of, xi, xxi; author’s lectures and slide shows on, xi–xii, 79–81, 88, 92, 96, 99–101, 163–64; child porn, 56, 94, 142–45, 151, 159–62; collective action against, xxx–xxxi, 163–65; counter-ideology to, 98, 164–65; as fantasy, 82, 83–84; and female sexual identity, xii–xiii, xxx, 67–68, 91–92, 99–119; feminists’ views of, xiii, 45, 82, 84–86, 88; and gender socialization, xxix–xxx, 59–78, 86–88, 98, 101–2; gonzo type of, xi, xxii, 43, 123–24; incest porn, 154–57, 159; individual resistance to, 163; interracial porn, 122, 129–30, 135–40; and male sexual identity, xi–xii, xiii, xvii–xviii, xxii–xxiii, xxix–xxx, 67–68, 74–98; and media scholarship, 81–88; niche markets for, xxx, 142; outdated views of, by older population, xiii, xviii; pre-Internet days of, xi, xvii; racist stereotypes in, xxx, 88, 121–40; rape’s connections with, 85–86, 94–98; sex as erroneously equated with, x–xi; and sexism, 87–88, 98; stories of gonzo porn, xxiii–xxix; teen porn, xxi, 143, 146–58.
See also
Internet; mainstreaming of porn; porn industry; porn sex; pseudo-child porn (PCP)

porn-as-fantasy argument, 82, 83–84

Pornified
(Paul), 89

porn industry: and Adult Entertainment Expo, xv–xvii; and
Ashcroft v. Free Speech Coalition,
142–43; as big business, x, xvi–xvii, 46–58; business activities of, 50–51; and business models, 49; economic connections between mainstream industries and, 51–53; as highly competitive, xvi–xvii; history of, 1–20; and
Hustler,
1–2, 14–23, 28, 95, 104; Jenna Jameson’s relationship to, 37–39; lobbying by, 142; and mainstream films and television, 54–56; mainstreaming of, 47–58; marketing devices for, 49; and media technologies, 48–49; and
Penthouse,
xvii, 1–2, 12–15, 20–23, 49, 95; and pirated or free material on Internet, xvii; and
Playboy,
xvii, xviii, xxix, 1–23, 49, 95; pornographic magazines before
Playboy,
1, 6; and psychology of consumer behavior, 57–58; public relations for, 53–54; racism of, xxx, 88, 121–40; revenue from, 47, 48, 51, 52; and self-regulation, 56; socially responsible image for, 56–57; statistics on, 47, 48, 51; and video game industry, 49–50; women producers in, xxii.
See also
mainstreaming of porn

pornographic magazines. See
specific magazines

porn performers: African Americans men as, 67, 122, 133, 135–40; African American women as, xv–xvi, 42, 121, 123–24, 126–30; Arab women as, 131; Asian men as, 131–35; Asian women as, 124–26, 131, 134; awards for, 35, 37; body appearance of, 91, 123; dehumanization of, 63–75; Sasha Grey as, ix, 40–41, 54; Max Hardcore as, 45, 70–75, 99, 157–58;
Hardcore
documentary on, 72; injury and disease risks to, xxvii–xxviii, 35, 38; Jenna Jameson as, ix, 21, 34–40, 123; Latina women as, 131; mainstreaming of, 25, 34–41, 54–55; male fantasy of, as highly sexual and loving rough sex, 35, 37–38, 63–68, 125; men’s difficulty separating girlfriends from, 91–92; of pseudo-child porn (PCP), 147–48, 150–51; recruitment of, 40; salary of, 126; Howard Stern’s interviews with, 39, 45, 52, 71, 123; treatment of female performers, 38–39; of Vivid Entertainment, 41–42; women of color as, xv–xvi, 42, 88, 121–31

porn sex: ass-to-mouth sex, xix, 68–69; in black porn, 126–30; boring and predictable nature of, 68–75; “cum swapping” in, xxvi; dehumanization of women in, 63–75; and desensitization to women’s pain, 63, 74–75, 93–94, 159–60; and destruction of intimacy, xviii–xxiii, 68; examples of, xviii–xxi; hookup sex as, 114–19; impact of, on female sexuality, xii–xiii, xxx, 67–68, 91–92, 99–119; impact of, on male sexuality, xi–xii, xiii, xvii–xviii, xxii–xxiii, xxix–xxx, 67–68, 74–98; and interracial porn, 122, 129–30, 135–40; and male power, xxv–xxix; “money shot” in, xxvi–xxvii, 59, 67; multiple penetrations in, xviii, xxv–xxviii, 65–66, 137; and negative, dehumanizing terms referring to women, xxii, xxiv, 64, 75, 121; physical and verbal abuse of female performers in, xxii, xxiv, 64; and puke scenes, xviii, xix, 71, 74, 130; racist stereotypes of, xxx, 88, 121–40; research on content of, xxi–xxii; and sex dolls, 75–78; as sexual assault, xxvii–xxviii, 68–75; socialization for acceptance of, xxix–xxx, 59–78, 86–88, 98; violence of gonzo porn, xi, xiii, xviii–xxiii, 43, 68–75, 88, 93–94, 130; virtual sex, 50; wall-to-wall porn, xxii; Web sites for, xix–xxi.
See also
anal sex; oral sex; vaginal sex

BOOK: Pornland
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