Round the Fire Stories (16 page)

“What is it? In Heaven's name, what is it?”

“A horse. I saw it when the door opened. But Mrs. Delamere—?”

“We must fetch her out. Come on, Markham; the longer we wait the less we shall like it.”

He flung open the door and we rushed in. She was there on the ground amidst the splinters of her chair. We seized her and dragged her swiftly out, and as we gained the door I looked over my shoulder into the darkness. There were two strange eyes glowing at us, a rattle of hoofs, and I had just time to slam the door when there came a crash upon it which split it from top to bottom.

“It's coming through! It's coming!”

“Run, run for your lives!” cried the Frenchman.

Another crash, and something shot through the riven door. It was a long white spike, gleaming in the lamplight. For a moment it shone before us, and then with a snap it disappeared again.

“Quick! Quick! This way!” Harvey Deacon shouted. “Carry her in! Here! Quick!”

We had taken refuge in the dining room, and shut the heavy oak door. We laid the senseless woman upon the sofa, and as we did so, Moir, the hard man of business, drooped and fainted across the hearthrug. Harvey Deacon was as white as a corpse, jerking and twitching like an epileptic. With a crash we heard the studio door fly to pieces, and the snorting and stamping were in the passage, up and down, up and down, shaking the house with their fury. The Frenchman had sunk his face on his hands, and sobbed like a frightened child.

“What shall we do?” I shook him roughly by the shoulder. “Is a gun any use?”

“No, no. The power will pass. Then it will end.”

“You might have killed us all—you unspeakable fool—with your infernal experiments.”

“I did not know. How could I tell that it would be frightened? It is mad with terror. It was his fault. He struck it.”

Harvey Deacon sprang up. “Good heavens!” he cried.

A terrible scream sounded through the house.

“It's my wife! Here, I'm going out. If it's the Evil One himself I am going out!”

He had thrown open the door and rushed out into the passage. At the end of it, at the foot of the stairs, Mrs. Deacon was lying senseless, struck down by the sight which she had seen. But there was nothing else.

With eyes of horror we looked about us, but all was perfectly quiet and still. I approached the black square of the studio door, expecting with every slow step that some atrocious shape would hurl itself out of it. But nothing came, and all was silent inside the room. Peeping and peering, our hearts in our mouths, we came to the very threshold, and stared into the darkness. There was still no sound, but in one direction there was also no darkness. A luminous, glowing cloud, with an incandescent center, hovered in the corner of the room. Slowly it dimmed and faded, growing thinner and fainter, until at last the same dense, velvety blackness filled the whole studio. And with the last flickering gleam of that baleful light the Frenchman broke into a shout of joy.

“What a fun!” he cried. “No one is hurt, and only the door broken, and the ladies frightened. But, my friends, we have done what has never been done before.”

“And as far as I can help it,” said Harvey Deacon, “it will certainly never be done again.”

And that was what befell on the 14th of April last at No. 17, Badderly Gardens. I began by saying that it would seem too grotesque to dogmatize as to what it was which actually did occur; but I give my impressions,
our
impressions (since they are corroborated by Harvey Deacon and John Moir), for what they are worth. You may if it pleases you imagine that we were the victims of an elaborate and extraordinary hoax. Or you may think with us that we underwent a very real and a very terrible experience. Or perhaps you may know more than we do of such occult matters, and can inform us of some similar occurrence. In this latter case a letter to William Markham, 146M, The Albany, would help to throw a light upon that which is very dark to us.

M
y particular friend Ward Mortimer was one of the best men of his day at everything connected with Oriental archæology. He had written largely upon the subject, he had lived two years in a tomb at Thebes, while he excavated in the Valley of the Kings, and finally he had created a considerable sensation by his exhumation of the alleged mummy of Cleopatra in the inner room of the Temple of Horus, at Philæ. With such a record at the age of thirty-one, it was felt that a considerable career lay before him, and no one was surprised when he was elected to the curatorship of the Belmore Street Museum, which carries with it the lectureship at the Oriental College, and an income which has sunk with the fall in land, but which still remains at that ideal sum which is large enough to encourage an investigator, but not so large as to enervate him.

There was only one reason which made Ward Mortimer's position a little difficult at the Belmore Street Museum, and that was the extreme eminence of the man whom he had to succeed. Professor Andreas was a profound scholar and a man of European reputation. His lectures were frequented by students from every part of the world, and his admirable management of the collection intrusted to his care was a commonplace in all learned societies. There was, therefore, considerable surprise when, at the age of fifty-five, he suddenly resigned his position and retired from those duties which had been both his livelihood and his pleasure. He and his daughter left the comfortable suite of rooms which had formed his official residence in connection with the museum, and my friend, Mortimer, who was a bachelor, took up his quarters there.

On hearing of Mortimer's appointment Professor Andreas had written him a very kindly and flattering congratulatory letter. I was actually present at their first meeting, and I went with Mortimer round the museum when the Professor showed us the admirable collection which he had cherished so long. The Professor's beautiful daughter and a young man, Captain Wilson, who was, as I understood, soon to be her husband, accompanied us in our inspection. There were fifteen rooms, but the Babylonian, the Syrian, and the central hall, which contained the Jewish and Egyptian collection, were the finest of all. Professor Andreas was a quiet, dry, elderly man, with a clean-shaven face and an impassive manner, but his dark eyes sparkled and his features quickened into enthusiastic life as he pointed out to us the rarity and the beauty of some of his specimens. His hand lingered so fondly over them, that one could read his pride in them and the grief in his heart now that they were passing from his care into that of another.

He had shown us in turn his mummies, his papyri, his rare scarabs, his inscriptions, his Jewish relics, and his duplication of the famous seven-branched candlestick of the Temple, which was brought to Rome by Titus, and which is supposed by some to be lying at this instant in the bed of the Tiber. Then he approached a case which stood in the very center of the hall, and he looked down through the glass with reverence in his attitude and manner.

“This is no novelty to an expert like yourself, Mr. Mortimer,” said he, “but I dare say that your friend Mr. Jackson will be interested to see it.”

Leaning over the case I saw an object, some five inches square, which consisted of twelve precious stones in a framework of gold, with golden hooks at two of the corners. The stones were all varying in sort and color, but they were of the same size. Their shapes, arrangement, and gradation of tint made me think of a box of watercolor paints. Each stone had some hieroglyphic scratched upon its surface.

“You have heard, Mr. Jackson, of the urim and thummim?”

I had heard the term, but my idea of its meaning was exceedingly vague.

“The urim and thummim was a name given to the jeweled plate which lay upon the breast of the high priest of the Jews. They had a very special feeling of reverence for it—something of the feeling which an ancient Roman might have for the Sibylline books in the Capitol. There are, as you see, twelve magnificent stones, inscribed with mystical characters. Counting from the left-hand top corner, the stones are carnelian, peridot, emerald, ruby, lapis lazuli, onyx, sapphire, agate, amethyst, topaz, beryl, and jasper.”

I was amazed at the variety and beauty of the stones.

“Has the breastplate any particular history?” I asked.

“It is of great age and of immense value,” said Professor Andreas. “Without being able to make an absolute assertion, we have many reasons to think that it is possible that it may be the original urim and thummim of Solomon's Temple. There is certainly nothing so fine in any collection in Europe. My friend, Captain Wilson here, is a practical authority upon precious stones, and he would tell you how pure these are.”

Captain Wilson, a man with a dark, hard, incisive face, was standing beside his fiancée at the other side of the case.

“Yes,” said he, curtly, “I have never seen finer stones.”

“And the goldwork is also worthy of attention. The ancients excelled in—” He was apparently about to indicate the setting of the stones, when Captain Wilson interrupted him.

“You will see a finer example of their goldwork in this candlestick,” said he, turning to another table, and we all joined him in his admiration of its embossed stem and delicately ornamented branches. Altogether it was an interesting and a novel experience to have objects of such rarity explained by so great an expert; and when, finally, Professor Andreas finished our inspection by formally handing over the precious collection to the care of my friend, I could not help pitying him and envying his successor whose life was to pass in so pleasant a duty. Within a week Ward Mortimer was duly installed in his new set of rooms, and had become the autocrat of the Belmore Street Museum.

About a fortnight afterward my friend gave a small dinner to half-a-dozen bachelor friends to celebrate his promotion. When his guests were departing he pulled my sleeve and signaled to me that he wished me to remain.

“You have only a few hundred yards to go,” said he—I was living in chambers in the Albany. “You may as well stay and have a quiet cigar with me. I very much want your advice.”

I relapsed into an armchair and lit one of his excellent Matronas. When he had returned from seeing the last of his guests out, he drew a letter from his dress jacket and sat down opposite to me.

“This is an anonymous letter which I received this morning,” said he. “I want to read it to you and to have your advice.”

“You are very welcome to it for what it is worth.”

“This is how the note runs: ‘Sir,—I should strongly advise you to keep a very careful watch over the many valuable things which are committed to your charge. I do not think that the present system of a single watchman is sufficient. Be upon your guard, or an irreparable misfortune may occur.'”

“Is that all?”

“Yes, that is all.”

“Well,” said I, “it is at least obvious that it was written by one of the limited number of people who are aware that you have only one watchman at night.”

Ward Mortimer handed me the note, with a curious smile. “Have you an eye for handwriting?” said he. “Now, look at this!” He put another letter in front of me. “Look at the
c
in ‘congratulate' and the
c
in ‘committed.' Look at the capital
I
. Look at the trick of putting in a dash instead of a stop!”

“They are undoubtedly from the same hand—with some attempt at disguise in the case of this first one.”

“The second,” said Ward Mortimer, “is the letter of congratulation which was written to me by Professor Andreas upon my obtaining my appointment.”

I stared at him in amazement. Then I turned over the letter in my hand, and there, sure enough, was “Martin Andreas” signed upon the other side. There could be no doubt, in the mind of anyone who had the slightest knowledge of the science of graphology, that the Professor had written an anonymous letter warning his successor against thieves. It was inexplicable, but it was certain.

“Why should he do it?” I asked.

“Precisely what I should wish to ask you. If he had any such misgivings, why could he not come and tell me direct?”

“Will you speak to him about it?”

“There again I am in doubt. He might choose to deny that he wrote it.”

“At any rate,” said I, “this warning is meant in a friendly spirit, and I should certainly act upon it. Are the present precautions enough to insure you against robbery?”

“I should have thought so. The public are only admitted from ten till five, and there is a guardian to every two rooms. He stands at the door between them and so commands them both.”

“But at night?”

“When the public are gone, we at once put up the great iron shutters, which are absolutely burglarproof. The watchman is a capable fellow. He sits in the lodge, but he walks round every three hours. We keep one electric light burning in each room all night.”

“It is difficult to suggest anything more—short of keeping your day watchers all night.”

“We could not afford that.”

“At least, I should communicate with the police, and have a special constable put on outside in Belmore Street,” said I. “As to the letter, if the writer wishes to be anonymous, I think he has a right to remain so. We must trust to the future to show some reason for the curious course which he has adopted.”

So we dismissed the subject, but all that night after my return to my chambers I was puzzling my brain as to what possible motive Professor Andreas could have for writing an anonymous warning letter to his successor—for that the writing was his was as certain to me as if I had seen him actually doing it. He foresaw some danger to the collection. Was it because he foresaw it that he abandoned his charge of it? But if so, why should he hesitate to warn Mortimer in his own name? I puzzled and puzzled until at last I fell into a troubled sleep, which carried me beyond my usual hour of rising.