Selected Tales and Sketches (60 page)

“Beatrice,” asked he abruptly, “whence came this shrub?”

“My father created it,” answered she, with simplicity.

“Created it! created it!” repeated Giovanni. “What mean you, Beatrice?”

“He is a man fearfully acquainted with the secrets of nature,” replied Beatrice; “and, at the hour when I first drew breath, this plant sprang from the soil, the offspring of his science, of his intellect, while I was but his earthly child. Approach it not!” continued she, observing with terror that Giovanni was drawing nearer to the shrub. “It has qualities that you little dream of. But I, dearest Giovanni,—I grew up and blossomed with the plant, and was nourished with its breath. It was my sister, and I loved it with a human affection: for—alas! hast thou not suspected it? there was an awful doom.”

Here Giovanni frowned so darkly upon her that Beatrice paused and trembled. But her faith in his tenderness reassured her, and made her blush that she had doubted for an instant.

“There was an awful doom,” she continued,—“the effect of my father's fatal love of science-which estranged me from all society of my kind. Until Heaven sent thee, dearest Giovanni, Oh! how lonely was thy poor Beatrice!”

“Was it a hard doom?” asked Giovanni, fixing his eyes upon her.

“Only of late have I known how hard it was,” answered she tenderly. “Oh, yes; but my heart was torpid, and therefore quiet. ”

Giovanni's rage broke forth from his sullen gloom like a lightning-flash out of a dark cloud.

“Accursed one!” cried he, with venomous scorn and anger. “And finding thy solitude wearisome, thou hast severed me, likewise, from all the warmth of life, and enticed me into thy region of unspeakable horror!”

“Giovanni!” exclaimed Beatrice, turning her large bright eyes upon his face. The force of his words had not found its way into her mind; she was merely thunder-struck.

“Yes, poisonous thing!” repeated Giovanni, beside himself with passion. “Thou hast done it! Thou hast blasted me! Thou hast filled my veins with poison! Thou hast made me as hateful, as ugly, as loathsome and deadly a creature as thyself,-a world's wonder of hideous monstrosity! Now-if our breath be happily as fatal to ourselves as to all others—let us join our lips in one kiss of unutterable hatred, and so die!”

“What has befallen me?” murmured Beatrice, with a low moan out of her heart. “Holy Virgin pity me, a poor heart-broken child!”

“Thou! Dost thou pray?” cried Giovanni, still with the same fiendish scorn. “Thy very prayers, as they come from thy lips, taint the atmosphere with death. Yes, yes; let us pray! Let us to church, and dip our fingers in the holy water at the portal! They that come after us will perish as by a pestilence. Let us sign crosses in the air! It will be scattering curses abroad in the likeness of holy symbols!”

“Giovanni,” said Beatrice calmly, for her grief was beyond passion, “why dost thou join thyself with me thus in those terrible words? I, it is true, am the horrible thing thou namest me. But thou!—what hast thou to do, save with one other shudder at my hideous misery, to go forth out of the garden and mingle with thy race, and forget that there ever crawled on earth such a monster as poor Beatrice?”

“Dost thou pretend ignorance?” asked Giovanni, scowling upon her. “Behold! This power have I gained from the pure daughter of Rappaccini!”

There was a swarm of summer-insects flitting through the air, in search of the food promised by the flower-odors of the fatal garden. They circled round Giovanni's head, and were evidently attracted towards him by the same influence which had drawn them, for an instant, within the sphere of several of the shrubs. He sent forth a breath among them, and smiled bitterly at Beatrice, as at least a score of the insects fell dead upon the ground.

“I see it! I see it!” shrieked Beatrice. “It is my father's fatal science! No, no, Giovanni; it was not I! Never, never! I dreamed only to love thee, and be with thee a little time, and so to let thee pass away, leaving but thine image in mine heart. For, Giovanni-believe it-though my body be nourished with poison, my spirit is God's creature, and craves love as its daily food. But my father!—he has united us in this fearful sympathy. Yes; spurn me!—tread upon me!—kill me! Oh, what is death, after such words as thine? But it was not I! Not for a world of bliss would I have done it!”

Giovanni's passion had exhausted itself in its outburst from his lips. There now came across him a sense, mournful, and not without tenderness, of the intimate and peculiar relationship between Beatrice and himself. They stood, as it were, in an utter solitude, which would be made none the less solitary by the densest throng of human life. Ought not, then, the desert of humanity around them to press this insulated pair closer together? If they should be cruel to one another, who was there to be kind to them? Besides, thought Giovanni, might there not still be a hope of his returning within the limits of ordinary nature, and leading Beatrice—the redeemed Beatrice—by the hand? Oh, weak, and selfish, and unworthy spirit, that could dream of an earthly union and earthly happiness as possible, af ter such deep love had been so bitterly wronged as was Beatrice's love by Giovanni's blighting words! No, no; there could be no such hope. She must pass heavily, with that broken heart, across the borders of Time—she must bathe her hurts in some fount of Paradise, and forget her grief in the light of immortality—and there be well!

But Giovanni did not know it.

“Dear Beatrice,” said he, approaching her, while she shrank away, as always at his approach, but now with a different impulse—“ dearest Beatrice, our fate is not yet so desperate. Behold! There is a medicine, potent, as a wise physician has assured me, and almost divine in its efficacy. It is composed of ingredients the most opposite to those by which thy awful father has brought this calamity upon thee and me. It is distilled of blessed herbs. Shall we not quaff it together, and thus be purified from evil?”

“Give it me!” said Beatrice, extending her hand to receive the little silver phial which Giovanni took from his bosom. She added, with a peculiar emphasis: “I will drink—but do thou await the result. ”

She put Baglioni's antidote to her lips; and, at the same moment, the figure of Rappaccini emerged from the portal, and came slowly towards the marble fountain. As he drew near, the pale man of science seemed to gaze with a triumphant expression at the beautiful youth and maiden, as might an artist who should spend his life in achieving a picture or a group of statuary, and finally be satisfied with his success. He paused—his bent form grew erect with conscious power, he spread out his hands over them, in the attitude of a father imploring a blessing upon his children. But those were the same hands that had thrown poison into the stream of their lives! Giovanni trembled. Beatrice shuddered nervously, and pressed her hand upon her heart.

“My daughter,” said Rappaccini, “thou art no longer lonely in the world! Pluck one of those precious gems from thy sister shrub, and bid thy bridegroom wear it in his bosom. It will not harm him now! My science, and the sympathy between thee and him, have so wrought within his system, that he now stands apart from common men, as thou dost, daughter of my pride and triumph, from ordinary women. Pass on, then, through the world, most dear to one another, and dreadful to all besides!”

“My father,” said Beatrice, feebly—and still, as she spoke, she kept her hand upon her heart—“wherefore didst thou inflict this miserable doom upon thy child?”

“Miserable!” exclaimed Rappaccini. “What mean you, foolish girl? Dost thou deem it misery to be endowed with marvellous gifts, against which no power nor strength could avail an enemy? Misery, to be able to quell the mightiest with a breath? Misery, to be as terrible as thou art beautiful? Wouldst thou, then, have preferred the condition of a weak woman, exposed to all evil, and capable of none?”

“I would fain have been loved, not feared,” murmured Beatrice, sinking down upon the ground.—“But now it matters not; I am going, father, where the evil, which thou hast striven to mingle with my being, will pass away like a dream—like the fragrance of these poisonous flowers, which will no longer taint my breath among the flowers of Eden. Farewell, Giovanni! Thy words of hatred are like lead within my heatt-but they, too, will fall away as I ascend. Oh, was there not, from the first, more poison in thy nature than in mine?”

To Beatrice-so radically had her earthly part been wrought upon by Rappaccini's skill—as poison had been life, so the powerful antidote was death. And thus the poor victim of man's ingenuity and of thwarted nature, and of the fatality that attends all such efforts of perverted wisdom, perished there, at the feet of her father and Giovanni. Just at that moment, Professor Pietro Baglioni looked forth from the window, and called loudly, in a tone of triumph mixed with horror, to the thunder-stricken man of science:

“Rappaccini! Rappaccini! And is this the upshot of your experiment?”

BARTRAM, the lime-burner, a rough, heavy-looking man, begrimed with charcoal, sat watching his kiln, at nightfall, while his little son played at building houses with the scattered fragments of marble; when, on the hill-side below them, they heard a roar of laughter, not mirthful, but slow, and even solemn, like a wind shaking the boughs of the forest.

“Father, what is that?” asked the little boy, leaving his play, and pressing betwixt his father's knees.

“Oh, some drunken man, I suppose,” answered the lime-burner; —“some merry fellow from the bar-room in the village, who dared not laugh loud enough within doors, lest he should blow the roof of the house off. So here he is, shaking his jolly
sides,
at the foot of Graylock.”

“But, father,” said the child, more sensitive than the obtuse, middle-aged clown, “he does not laugh like a man that is glad. So the noise frightens me!”

“Don't be a fool, child!” cried his father, gruffly. “You will never make a man, I do believe; there is too much of your mother in you. I have known the rustling of a leaf startle you. Hark! Here comes the merry fellow now. You shall see that
there
is no harm in him.”

Bartram and his little son, while they were talking thus, sat watching the same lime-kiln that had been the scene of Ethan Brand's solitary and meditative life, before he began his search for the Unpardonable Sin. Many years, as we have seen, had now elapsed, since that portentous night when the Idea was first developed. The kiln, however, on the mountain-side, stood unimpaired, and was in nothing changed, since he had thrown his dark thoughts into the intense glow of its furnace, and melted them, as it were, into the one thought that took possession of his life. It was a rude, round, tower-like structure, about twenty feet high, heavily built of rough stones, and with a hillock of earth heaped about the larger part of its circumference; so that blocks and fragments of marble might be drawn by cart-loads, and thrown in at the top. There was an opening at the bottom of the tower, like an oven-mouth, but large enough to admit a man in a stooping posture, and provided with a massive iron door. With the smoke and jets of flame issuing from the chinks and crevices of this door, which seemed to give admittance into the hill-side, it resembled nothing so much as the private entrance to the infernal regions, which the shepherds of the Delectable Mountains were accustomed to show to pilgrims.

There are many such lime-kilns in that tract of country, for the purpose of burning the white marble which composes a large part of the substance of the hills. Some of them, built years ago, and long deserted, with weeds growing in the vacant round of the interior, which is open to the sky, and grass and wild flowers rooting themselves into the chinks of the stones, look already like relics of antiquity, and may yet be overspread with the lichens of centuries to come. Others, where the lime-burner still feeds his daily and night-long fire, afford points of interest to the wanderer among the hills, who seats himself on a log of wood or a fragment of marble, to hold chat with the solitary man. It is a lonesome, and, when the character is inclined to thought, may be an intensely thoughtful occupation; as it proved in the case of Ethan Brand, who had mused to such strange purpose, in days gone by, while the fire in this very kiln was burning.

The man, who now watched the fire, was of a different order, and troubled himself with no thoughts save the very few that were requisite to his business. At frequent intervals he flung back the clashing weight of the iron door, and, turning his face from the insufferable glare, thrust in huge logs of oak, or stirred the immense brands with a long pole. Within the furnace, was seen the curling and riotous flames, and the burning marble, almost molten with the intensity of heat; while, without, the reflection of the fire quivered on the dark intricacy of the surrounding forest, and showed, in the foreground, a bright and ruddy little picture of the hut, the spring beside its door, the athletic and coal-begrimed figure of the lime-burner, and the half-frightened child, shrinking into the protection of his father's shadow. And when, again, the iron door was closed, then re-appeared the tender light of the half-full moon, which vainly strove to trace out the indistinct shapes of the neighboring mountains; and, in the upper sky, there was a flit
ting
congregation
of clouds, still faintly tinged with the rosy sunset, though, thus far down into the valley, the sunshine had vanished long and long ago.

The little boy now crept still closer to his father, as footsteps were heard ascending the hill-side, and a human form thrust aside the bushes that clustered beneath the trees.

“Halloo! who is it?” cried the lime-burner, vexed at his son's timidity, yet half-infected by it. “Come forward, and show yourself, like a man; or I'll fling this chunk of marble at your head!”