Shadow and claw (6 page)

The space about it had been a garden in summer, but not such a one as our necropolis, with half-wild trees and rolling, meadowed lawns. Roses had blossomed here in kraters set upon a tessellated pavement. Statues of beasts stood with their backs to the four walls of the court, eyes turned to watch the canted dial: hulking barylambdas; arctothers, the monarchs of bears; glyptodons; smilodons with fangs like glaives. All were dusted now with snow. I looked for Triskele's tracks, but he had not come here.

The walls of the court held high, narrow windows. I could see no light through them, and no motion. The spear-towers of the Citadel rose on every side, so that I knew I had not left it - instead, I seemed to be somewhere near its heart, where I had never been. Shaking with cold I crossed to the nearest door and pounded on it. I had the feeling that I might wander forever in the tunnels below without ever finding another way to the surface, and I was resolved to smash one of the windows if need be rather than return that way. There was no sound within, though I beat my fist against the door panels again and again. There is really no describing the sensation of being watched. I have heard it called a prickling at the back of the neck, and even a consciousness of eyes that seem to float in darkness, but it is neither - at least, not for me. It is something akin to a sourceless embarrassment, coupled with the feeling that I must not turn around, because to turn will be to appear a fool, answering the promptings of baseless intuition. Eventually, of course, one does. I turned with the vague impression that someone had followed me through the hole at the base of the dial.

Instead I saw a young woman wrapped in furs standing before a door at the opposite side of the court. I waved to her and began to walk toward her (hurriedly, because I was so cold). She advanced toward me then, and we met on the farther side of the dial. She asked who I was and what I was doing there, and I told her as well as I could. The face circled by her fur hood was exquisitely molded, and the hood itself, and her coat and fur-trimmed boots, were soft-looking and rich, so that I was miserably conscious as I spoke to her of my own patched shirt and trousers and my muddy feet.

Her name was Valeria. "We do not have your dog here," she said. "You may search, if you do not believe me."

"I never thought you did. I only want to go back where I belong, to the Matachin Tower, without having to go down there again."

"You're very brave. I have seen that hole since I was a little girl, but I never dared go in."

"I'd like to go in," I said. "I mean, inside there." She opened the door through which she had come and led me into a tapestried room where stiff, ancient chairs seemed as fixed in their places as the statues in the frozen court. A diminutive fire smoked in a grate against one wall. We went to it, and she took off her coat while I spread my hands to the warmth.

"Wasn't it cold in the tunnels?"

"Not as cold as outside. Besides, I was muning and there was no wind."

"I see. How strange that they should come up in the Atrium of Time." She looked younger than I, but there was an antique quality about her metal-trimmed dress and the shadow of her dark hair that made her seem older than Master Palaemon, a dweller in forgotten yesterdays.

"Is that what you call it? The Atrium of Time? Because of the dials, I suppose."

"No, the dials were put there because we call it that. Do you like the dead languages? They have mottoes. 'Lux dei vitae viam monstrat,' that's 'The beam of the New Sun lights the way of life.' 'Felicibus brevis, miseris hora longa.'

'Men wait long for happiness.' 'Aspice ut aspiciar.' " I had to tell her with some shame that I knew no tongue beyond the one we spoke, and little of that.

Before I left we talked a sentry's watch or more. Her family occupied these towers. They had waited, at first, to leave Urth with the autarch of their era, then had waited because there was nothing left for them but waiting. They had given many castellans to the Citadel, but the last had died generations ago; they were poor now, and their towers were in ruins. Valeria had never gone above the lower floors.

"Some of the towers were built more strongly than others," I said. "The Witches'

Keep is decayed inside too."

"Is there really such a place? My nurse told me of it when I was little - to frighten me - but I thought it was only a tale. There was supposed to be a Tower of Torment too, where all who enter die in agony."

I told her that, at least, was a fable.

"The great days of these towers are more fabulous to me," she said. "No one of my blood carries a sword now against the enemies of the Commonwealth, or stands hostage for us at the Well of Orchids."

"Perhaps one of your sisters will be summoned soon," I said, for I did not want, for some reason, to think of her going herself.

"I am all the sisters we breed," she answered. "And all the sons." An old servant brought us tea and small, hard cakes. Not real tea, but the maté

of the north, which we sometimes give our clients because it is so cheap. Valeria smiled. "You see, you have found some comfort here. You are worried about your poor dog because he is lame. But he, too, may have found hospitality. You love him, so another may love him. You love him, so you may love another." I agreed, but secretly thought that I would never have another dog, which has proved true.

I did not see Triskele again for almost a week. Then one day as I was carrying a letter to the barbican, he came bounding up to me. He had learned to run on his single front leg, like an acrobat who does handstands on a gilded ball. After that I saw him once or twice a month for as long as the snow lasted. I never knew whom he had found, who was feeding him and caring for him; but I like to think it was someone who took him away with him in the spring, perhaps north to the cities of tents and the campaigns among the mountains.

CHAPTER FIVE - THE PICTURE-CLEANER AND OTHERS

The Feast of Holy Katharine is the greatest of days for our guild, the festival by which we are recalled to our heritage, the time when journeymen become masters (if they ever do) and apprentices become journeymen. I will leave my description of the ceremonies of that day until I have occasion to tell of my own elevation; but in the year I am recounting, the year of the fight by the graveside, Drotte and Roche were elevated, leaving me captain of apprentices. The full weight of that office did not impress itself on me until the ritual was nearly over. I was sitting in the ruined chapel enjoying the pageantry and only just conscious (in the same pleasant way I was anticipating the feast) that I would be senior to all the rest when the last of it was done. By slow degrees, however, a feeling of disquiet seized me. I was miserable before I knew I was no longer happy, and bowed with responsibility when I did not yet fully understand I held it. I remembered how much difficulty Drotte had encountered in keeping us in order. I would have to do it now without his strength, and with no one to be to me what Roche had been to him - a lieutenant of his own age. When the final chant crashed to a close and Master Gurloes and Master Palaemon in their gold-traced masks had slow-stepped through the door, and the old journeymen had hoisted Drotte and Roche, the new journeymen, on their shoulders (already fumbling in the sabretaches at their belts for the fireworks they would set off outside), I had steeled myself and even formed a rudimentary plan.

We apprentices were to serve the feast, and before we did so were to doff the relatively new and clean clothes we had been given for the ceremony. After the last cracker had popped and the matrosses, in their annual gesture of amity, had torn the sky with the largest piece of ordinance in the Great Keep, I hustled my charges -already, or so I thought, beginning to look at me resentfully - back to our dormitory, closed the door, and pushed a cot against it. Eata was the oldest except for myself, and fortunately for me I had been friendly enough in the past that he suspected nothing until it was too late to make effective resistance. I got him by the throat and banged his head half a dozen times against the bulkhead, then kicked his feet from under him. "Now," I said, "are you going to be my second? Answer!"

He could not speak, but he nodded.

"Good. I'll get Timon. You take the next biggest." In the space of a hundred breaths (and very quick breaths they were) the boys had been kicked into submission. It was three weeks before any of them dared to disobey me, and then there was no mass rebellion, only individual malingering. As captain of apprentices I had new functions, as well as more freedom than I had ever enjoyed before. It was I who saw that the journeymen on duty got their meals hot, and who supervised the boys who toiled under the stacks of trays intended for our clients. In the kitchen I drove my charges to their tasks, and in the classroom I coached them in their studies; I was employed to a much greater degree than previously in carrying messages to distant parts of the Citadel, and even in a small way in conducting the guild's business. Thus I became acquainted with all the thoroughfares and with many an unfrequented corner-granaries with lofty bins and demonic cats; wind-swept ramparts overlooking gangrenous slums; and the pinakotheken, with their great hallway topped by a vaulted roof of window-pierced brick, floored with flagstones strewn with carpets, and bound by walls from which dark arches opened to strings of chambers lined - as the hallway itself was - with innumerable pictures. Many of these were so old and smoke-grimed that I could not discern their subjects, and there were others whose meaning I could not guess - a dancer whose wings seemed leeches, a silent-looking woman who gripped a double-bladed dagger and sat beneath a mortuary mask. After I had walked at least a league among these enigmatic paintings one day, I came upon an old man perched on a high ladder. I wanted to ask my way, but he seemed so absorbed in his work that I hesitated to disturb him.

The picture he was cleaning showed an armored figure standing in a desolate landscape. It had no weapon, but held a staff bearing a strange, stiff banner. The visor of this figure's helmet was entirely of gold, without eye slits or ventilation; in its polished surface the deathly desert could be seen in reflection, and nothing more.

This warrior of a dead world affected me deeply, though I could not say why or even just what emotion it was I felt. In some obscure way, I wanted to take down the picture and carry it - not into our necropolis but into one of those mountain forests of which our necropolis was (as I understood even then) an idealized but vitiated image. It should have stood among trees, the edge of its frame resting on young grass.

"-and so," a voice behind me said, "they all escaped. Vodalus had what he had come for, you see."

"You," snapped the other. "What are you doing here?" I turned and saw two armigers dressed in bright clothes that came as near to exultants' as they dared have them. I said, "I have a communication for the archivist," and held up the envelope.

'Very well," said the armiger who had spoken to me. "Do you know the location of the archives?"

"I was about to ask, sieur."

"Then you are not the proper messenger to take the letter, are you? Give it to me and I'll give it to a page."

"I can't, sieur. It is my task to deliver it."

The other armiger said, "You needn't be so hard on this young man, Racho."

"You don't know what he is, do you?"

"And you do?"

The one called Racho nodded. "From what part of this Citadel are you, messenger?"

"From the Matachin Tower. Master Gurloes sends me to the archivist." The other armiger's face tightened. "You are a torturer, then."

"Only an apprentice, sieur."

"I don't wonder then that my friend wants you out of his sight. Follow the gallery to the third door, make your turn and continue about a hundred paces, climb the stair to the second landing and take the corridor south to the double doors at the end."

"Thank you," I said, and took a step in the direction he had indicated.

"Wait a bit. If you go now, we'll have to look at you." Racho said, "I'd as soon have him ahead of us as behind us." I waited nonetheless, with one hand resting on the leg of the ladder, for the two of them to turn a corner.

Like one of those half-spiritual friends who in dreams address us from the clouds, the old man said, "So you're a torturer, are you? Do you know, I've never been to your place." He had a weak glance, reminding me of the turtles we sometimes frightened on the banks of Gyoll, and a nose and chin that nearly met.

"Grant I never see you there," I said politely.

"Nothing to fear now. What could you do with a man like me? My heart would stop like that!" He dropped his sponge into his bucket and attempted to snap his wet fingers, though no sound came. "Know where it is, though. Behind the Witches'

Keep. Isn't that right?"

"Yes," I said, a trifle surprised that the witches were better known than we.

"Thought so. Nobody never talks about it, though. You're angry about those armigers and I don't blame you. But you ought to know how it is with them. They're supposed to be like exultants, only they're not. They're afraid to die, afraid to hurt, and afraid to act like it. It's hard on them."

"They should be done away with," I said. "Vodalus would set them quarrying. They're only a carryover from some past age - what possible help can they give the world?"

The old man cocked his head. "Why, what help was they to begin? Do you know?" When I admitted I did not, he scrambled down from the ladder like an aged monkey, seeming all arms and legs and wrinkled neck; his hands were as long as my feet, the crooked fingers laced with blue veins. "I'm Rudesind the curator. You know old Ultan, I take it? No, course not. If you did, you'd know the way to the Iibrary."

I said, "I've never been in this part of the Citadel before."

"Never been here? Why, this is the best part. Art, music, and books. We've a Fechin here that shows three girls dressing another one with flowers that's so real you expect the bees to come out of it. A Quartillosa, too. Not popular anymore, Quartillosa isn't, or we wouldn't have him here. But the day he was born he was a better draughtsman than the drippers and spitters they're wild for today. We get what the House Absolute don't want, you see. That means we get the old ones, and they're the best, mostly. Come in here dirty from having hung so long, and I clean them up. Sometimes I clean them again, after they've hung here a time. We've got a Fechin here. It's the truth! Or you take this one now. Like it?"