Shatter Me Complete Collection (49 page)

BOOK: Shatter Me Complete Collection
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I didn’t respond.

“Mmmmmmm,” he said. “You’re like a sexy, super-scary plant.”

I closed my eyes. Covered my mouth in horror.

“Why is that so wrong?” he said. Bent down to meet my gaze. Tugged on a lock of my hair to get me to look up. “Why does this have to be so horrible? Why can’t you see how
awesome
this is?” He shook his head at me. “You are seriously missing out, you know that? This could be so cool if you would just
own
it.”

Own it.

Yes.

How easy it would be to just clamp down on the world around me. Suck up its life force and leave it dead in the street just because someone tells me I should. Because someone points a finger and says “Those are the bad guys. Those men over there.” Kill, they say. Kill because you trust us. Kill because you’re fighting for the right team. Kill because they’re bad, and we’re good. Kill because we tell you to. Because some people are so stupid that they actually think there are thick neon lines separating good and evil. That it’s easy to make that kind of distinction and go to sleep at night with a clear conscience. Because it’s okay.

It’s okay to kill a man if someone else deems him unfit to live.

What I really want to say is who the hell are you and who are you to decide who gets to die. Who are you to decide who should be killed. Who are you to tell me which father I should destroy and which child I should orphan and which mother should be left without her son, which brother should be left without a sister, which grandmother should spend the rest of her life crying in the early hours of the morning because the body of her grandchild was buried in the ground before her own.

What I really want to say is who the hell do you think you are to tell me that it’s awesome to be able to kill a living thing, that it’s interesting to be able to ensnare another soul, that it’s fair to choose a victim simply because I’m capable of killing without a gun. I want to say mean things and angry things and hurtful things and I want to throw expletives in the air and run far, far away; I want to disappear into the horizon and I want to dump myself on the side of the road if only it will bring me toward some semblance of freedom but I don’t know where to go. I have nowhere else to go.

And I feel responsible.

Because there are times when the anger bleeds away until it’s nothing but a raw ache in the pit of my stomach and I see the world and wonder about its people and what it’s become and I think about hope and maybe and possibly and possibility and potential. I think about glasses half full and glasses to see the world clearly. I think about sacrifice. And compromise. I think about what will happen if no one fights back. I think about a world where no one stands up to injustice.

And I wonder if maybe everyone here is right.

If maybe it’s time to fight.

I wonder if it’s ever actually possible to justify killing as a means to an end and then I think of Kenji. I think of what he said. And I wonder if he would still call it awesome if I decided to make
him
my prey.

I’m guessing not.

TWENTY-SIX

Kenji is already waiting for me.

He and Winston and Brendan are sitting at the same table again, and I slide into my seat with a distracted nod and eyes that refuse to focus in front of me.

“He’s not here,” Kenji says, shoving a spoonful of breakfast into his mouth.

“What?” Oh how fascinating look at this fork and this spoon and this table. “What do y—”

“Not here,” he says, his mouth still half full of food.

Winston clears his throat, scratches the back of his head. Brendan shifts in his seat beside me.

“Oh. I—I, um—” Heat flushes up my neck as I look around at the 3 guys sitting at this table. I want to ask Kenji where Adam is, why he isn’t here, how he’s doing, if he’s okay, if he’s been eating regularly. I want to ask a million questions I shouldn’t be asking but it’s blatantly clear that none of them want to talk about the awkward details of my personal life. And I don’t want to be that sad, pathetic girl. I don’t want pity. I don’t want to see the uncomfortable sympathy in their eyes.

So I sit up. Clear my throat.

“What’s going on with the patrols?” I ask Winston. “Is it getting any worse?”

Winston looks up midchew, surprised. He swallows down the food too quickly and coughs once, twice. Takes a sip of his coffee—tar black—and leans forward, looking eager. “It’s getting weirder,” he says.

“Really?”

“Yeah, so, remember how I told you guys that Warner was showing up every night?”

Warner. I can’t get the image of his smiling, laughing face out of my head.

We nod.

“Well.” He leans back in his chair. Holds up his hands. “Last night? Nothing.”

“Nothing?” Brendan’s eyebrows are high on his forehead. “What do you mean, nothing?”

“I mean no one was there.” He shrugs. Picks up his fork. Stabs at a piece of food. “Not Warner, not a single soldier. Night before last?” He looks around at us. “Fifty, maybe seventy-five soldiers. Last night, zero.”

“Did you tell Castle about this?” Kenji isn’t eating anymore. He’s staring at Winston with a focused, too-serious look on his face. It’s worrying me.

“Yeah.” Winston nods as he takes another sip of his coffee. “I turned in my report about an hour ago.”

“You mean you haven’t gone to sleep yet?” I ask, eyes wide.

“I slept yesterday,” he says, waving a haphazard hand at me. “Or the day before yesterday. I can’t remember. God, this coffee is disgusting,” he says, gulping it down.

“Right. Maybe you should lay off the coffee, yeah?” Brendan tries to grab Winston’s cup.

Winston slaps at his hand, shoots him a dark look. “Not all of us have electricity running through our veins,” he says. “I’m not a freaking powerhouse of energy like you are.”

“I only did that once—”

“Twice!”

“—and it was an emergency,” he says, looking a little sheepish.

“What are you guys talking about?” I ask.

“This guy”—Kenji jerks a thumb at Brendan—“can, like,
literally
recharge his own body. He doesn’t need to sleep. It’s insane.”

“It’s not fair,” Winston mutters, ripping a piece of bread in half.

I turn to Brendan, jaw unhinged. “No way.”

He nods. Shrugs. “I’ve only done it once.”

“Twice!” Winston says again. “And he’s a freaking fetus,” he says to me. “He’s already got way too much energy as it is—shit, all of you kids do—and yet he’s the one who comes with a rechargeable battery life.”

“I am not a
fetus
,” Brendan says, spluttering, glancing at me as heat colors his cheeks. “He’s—that’s not—you’re
mad,
” he says, glaring at Winston.

“Yeah,” Winston says, nodding, his mouth full of food again. “I am mad. I’m pissed off.” He swallows. “And I’m cranky as hell because I’m tired. And I’m hungry. And I need more coffee.” He shoves away from the table. Stands up. “I’m going to go get more coffee.”

“I thought you said it was disgusting.”

He levels a look at me. “Yes, but I am a sad, sad man with very low standards.”

“It’s true,” Brendan says.

“Shut up, fetus.”

“You’re only allowed one cup,” Kenji points out, looking up to meet Winston’s eyes.

“Don’t worry, I always tell them I’m taking yours,” he says, and stalks off.

Kenji is laughing, shoulders shaking.

Brendan is mumbling “I am
not
a fetus” under his breath, stabbing at his food with renewed vigor.

“How old
are
you?” I ask, curious. He’s so white-blond and pale-blue-eyed that he doesn’t seem real. He looks like the kind of person who could never age, who would remain forever preserved in this ethereal form.

“Twenty-four,” he says, looking grateful for a chance at validation. “Just turned twenty-four, actually. Had my birthday last week.”

“Oh, wow.” I’m surprised. He doesn’t look much older than 18. I wonder what it must be like to celebrate a birthday at Omega Point. “Well, happy birthday,” I say, smiling at him. “I hope—I hope you have a very good year. And”—I try to think of something nice to say—“and a lot of happy days.”

He’s staring back at me now, amused, looking straight into my eyes. Grinning. He says, “Thanks.” Smiles a bit wider. “Thanks very much.” And he doesn’t look away.

My face is hot.

I’m struggling to understand why he’s still smiling at me, why he doesn’t stop smiling even when he finally looks away, why Kenji keeps glancing at me like he’s trying to hold in a laugh and I’m flustered, feeling oddly embarrassed and searching for something to say.

“So what are we going to do today?” I ask Kenji, hoping my voice sounds neutral, normal.

Kenji drains his water cup. Wipes his mouth. “Today,” he says, “I’m going to teach you how to shoot.”

“A gun?”

“Yup.” He grabs his tray. Grabs mine, too. “Wait here, I’m gonna drop these off.” He moves to go before he stops, turns back, glances at Brendan and says, “Put it out of your head, bro.”

Brendan looks up, confused. “What?”

“It’s not going to happen.”

“Wha—”

Kenji stares at him, eyebrows raised.

Brendan’s mouth falls closed. His cheeks are pink again. “I know that.”

“Uh-huh.” Kenji shakes his head, and walks away.

Brendan is suddenly in a hurry to go about his day.

TWENTY-SEVEN

“Juliette? Juliette!”

“Please wake up—”

I gasp as I sit straight up in bed, heart pounding, eyes blinking too fast as they try to focus. I blink blink blink. “What’s going on? What’s happening?”

“Kenji is outside,” Sonya says.

“He says he needs you,” Sara adds, “that something happened—”

I’m tripping out of bed so fast I pull the covers down with me. I’m groping around in the dark, trying to find my suit—I sleep in a pajama set I borrowed from Sara—and making an effort not to panic. “Do you know what’s going on?” I ask. “Do you know—did he tell you anything—”

Sonya is shoving my suit into my arms, saying, “No, he just said that it was urgent, that something happened, that we should wake you up right away.”

“Okay. I’m sure it’s going to be okay,” I tell them, though I don’t know why I’m saying it, or how I could possibly be of any reassurance to them. I wish I could turn on a light but all the lights are controlled by the same switch. It’s one of the ways they conserve power—and one of the ways they manage to maintain the semblance of night and day down here—by only using it during specific hours.

I finally manage to slip into my suit and I’m zipping it up, heading for the door when I hear Sara call my name. She’s holding my boots.

“Thank you—thank you both,” I say.

They nod several times.

And I’m tugging on my boots and running out the door.

I slam face-first into something solid.

Something human. Male.

I hear his sharp intake of breath, feel his hands steady my frame, feel the blood in my body run right out from under me. “Adam,” I gasp.

He hasn’t let go of me. I can hear his heart beating fast and hard and loud in the silence between us and he feels too still, too tense, like he’s trying to maintain some kind of control over his body.

“Hi,” he whispers, but it sounds like he can’t really breathe.

My heart is failing.

“Adam, I—”

“I can’t let go,” he says, and I feel his hands shake, just a little, as if the effort to keep them in one place is too much for him. “I can’t let go of you. I’m trying, but I—”

“Well, it’s a good thing I’m here then, isn’t it?” Kenji yanks me out of Adam’s arms and takes a deep, uneven breath. “Jesus. Are you guys done here? We have to go.”

“What—what’s going on?” I stammer, trying to cover up my embarrassment. I really wish Kenji weren’t always catching me in the middle of such vulnerable moments. I wish he could see me being strong and confident. And then I wonder when I began caring about Kenji’s opinion of me. “Is everything okay?”

“I have no idea,” Kenji says as he strides down the dark halls. He must have these tunnels memorized, I think, because I can’t see a thing. I have to practically run to keep up with him. “But,” he says, “I’m assuming some kind of shit has officially hit the fan. Castle sent me a message about fifteen minutes ago—said to get me and you and Kent up to his office ASAP. So,” he says, “that’s what I’m doing.”

“But—now? In the middle of the night?”

“Shit hitting the fan doesn’t work around your schedule, princess.”

I decide to stop talking.

We follow Kenji to a single solitary door at the end of a narrow tunnel.

He knocks twice, pauses. Knocks 3 times, pauses. Knocks once.

I wonder if I need to remember that.

The door creaks open on its own and Castle waves us in.

“Close the door, please,” he says from behind his desk. I have to blink several times to readjust to the light in here. There’s a traditional reading lamp on Castle’s desk with just enough wattage to illuminate this small space. I use the moment to look around.

Castle’s office is nothing more than a room with a few bookcases and a simple table that doubles as a workstation. Everything is made of recycled metal. His desk looks like it used to be a pickup truck.

There are heaps of books and papers stacked all over the floor; diagrams, machinery, and computer parts shoved onto the bookcases, thousands of wires and electrical units peeking out of their metal bodies; they must either be damaged or broken or perhaps part of a project Castle is working on.

In other words: his office is a mess.

Not something I was expecting from someone so incredibly put-together.

“Have a seat,” he says to us. I look around for chairs but only find two upside-down garbage cans and a stool. “I’ll be right with you. Give me one moment.”

We nod. We sit. We wait. We look around.

Only then do I realize why Castle doesn’t care about the disorganized nature of his office.

He seems to be in the middle of something, but I can’t see what it is, and it doesn’t really matter. I’m too focused on watching him work. His hands shift up and down, flick from side to side, and everything he needs or wants simply gravitates toward him. A particular piece of paper? A notepad? The clock buried under the pile of books farthest from his desk? He looks for a pencil and lifts his hand to catch it. He’s searching for his notes and lifts his fingers to find them.

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