Sister Assassin (3 page)

FIA'S MAD. I CAN FEEL IT IN THE WAY HER FINGERS
squeeze mine. She doesn't usually take my hand unless I hold it out to her first; she knows it annoys me, that I can find my way well enough. Besides which, we're sitting down. I don't know what she's freaking out about.

The school representative continues in his fluid voice. It sounds cultured and smart. It sounds like a future. “Annabelle will, of course, be on full scholarship. The Keane Foundation provides a generous living for all our students in world-class dormitories, everything on-site that they could need, and each girl gets one-on-one curriculum consulting to ensure the best possible education and secure the brightest career path imaginable. We believe that there are no disabilities, merely different abilities, and that our students have a core of strength untapped by traditional education.”

Aunt Ellen coos, flipping through brochures that sound thick and expensive. In truth, she's probably just as relieved as I am that I'll be out from under her roof. Inheriting two sad, strange girls from her half sister was never in her life plan. But . . . I can't leave Fia. How could I leave Fia?

No. This is too good an opportunity to pass up. Maybe Fia's life will be easier if I'm not around. If she doesn't have to worry about all the things I don't see—and, worse, the things I do. Maybe a life without me is exactly what Fia needs.

And I could use a fresh start. I haven't had a vision in months. Maybe it's over. If I move away from people who know about me, maybe I can really be done with the seeing.

I don't know if I want to be, though. Because without the visions, I don't see anything at all. I still haven't figured out if they make the darkness better or worse, but that doesn't stop me from craving them.

The first one, the worst one, runs through my mind. Two years ago now. I was twelve, sitting on the couch. And then I was in a car somehow, my parents in the front seats, the radio on softly in the background with too much static—how was I in the car? What was going on?
How could I see?
I tried to open my mouth, to tell my parents I was there, I could see, I was seeing for the first time in eight years! But nothing happened. And then everything happened—there was a horrible noise of metal twisting and groaning, glass flying everywhere, the whole world turning and spinning and smashing the car.

And my parents.

When I opened my eyes, I was back in the darkness, screaming. My parents were gone, out on a date. Fia tried to calm me down, figure out what I was talking about. I freaked the babysitter out so much she called my parent's cell for them to come right home. They never made it.

And the worst part of all, the part that haunts me the most, is wondering if seeing what I saw
caused
the accident.

Since then it's happened a few more times—sight suddenly flooding my midnight world. Broken snatches of the future, the present, or I don't even know. I don't want to know. My eyes are worthless.

“Annie,” Fia whispers, startling me as our aunt talks with the man—John? Daniel? I've forgotten his name already. She whispers low enough that she knows only I'll hear. “There's something wrong with this. Something bad.”

“What are you talking about?”

“He's not—I can't explain it. Don't do it. This is wrong.”

“Excuse me, girls? Do you have a question?” I can hear his smile. It sounds like confidence. I wonder if he's handsome. I think he is. I wonder if I'm beautiful. Fia says I am, but she is the best liar in the world.

“Yes, actually.” Fia answers him, her voice filled with fists. “I have a lot of questions. Aunt Ellen, can you wait outside?”

“I don't think that's necessary,” she says, her voice pinched with disapproval. She's worried Fia will mess this up for her, that the school will realize I'm not just blind, I'm also crazy, and then they won't want me.

“No, it's no problem,” Daniel/John answers. “I'm more than happy to answer Sofia's questions privately. Why don't you go meet with my assistant and get some of the preliminary forms filled out? That's the one downside to all this—so much paperwork!” He laughs and my aunt pads out of the room, closing the door with a soft snick.

“So.” He sounds less professional and more amused. “What is it you have questions about?”

“This is a load of crap.”

“Fia!” I hiss.

“Why would you say that?” he asks.

“I don't know.” She sounds angry, frustrated with herself. “If I knew why, I'd tell you. Annie, please, listen to me. This is a bad idea. I feel sick. We should leave. We'll be fine. The school can bring in more braille texts, and we're doing okay, right? Together? We need to stay together. Please.”

I open my mouth to answer her—because now I feel sick, too, only I feel sick because I want to go to this school more than I've ever wanted anything. I have nothing here. I will only ever be the blind sister, the poor blind orphan. At a school like this, I could be Annie. I could figure out who Annie is besides the blindness. But I can't leave Fia behind. Ever.

Before I say anything, John/Daniel speaks. “You feel sick about this? Can you describe the feeling?”

“No, I can't describe the feeling,” she snaps. “All I know is that this is a bad idea and you're a liar and I should keep Annie far, far away from you and your stupid school.”

He stands, and I can hear the smile slide back into his voice. “You're twelve, correct? You know, Sofia, we like girls with independent spirits. I can see that you two are a package deal. How would you feel about joining your sister? And I should tell you that the Keane Foundation has a lot of ties in the medical community; we would immediately start researching to see if there is a way to reverse Annabelle's retinopathy—the condition that caused her blindness.”

I squeeze Fia's hand, my heart stopped. A school. A new chance. And maybe, just maybe, new eyes that would see only what they were supposed to. “Please, please, oh please, come with me. Please come with me. You felt sick about it because we were going to be separated, but now we won't! It's perfect.”

“It's still wrong,” she whispers, but I don't let go of her hand. I won't. I already know I'll win this, because she always lets me win, and we'll go together, and our lives will really start.

I CHECK THE THREE MEN—ALL ARE DOWN. WE NEED
to go now. “Come on.”

I walk toward the other end of the alley, but Adam doesn't follow. “What just happened?” he asks.

“Please,” I say through gritted teeth. “We need to get out of here. One of those guys was calling someone and I can't fight anyone else.”

Adam still hesitates. He looks at the men and then at me, over and over again, like he is trying to put together a complicated puzzle.

“Please,” I say again. “They're going to kill you. They already shot me. Please.”

And then, his eyes wide with shock, he runs to catch up with me. He doesn't walk right next to me, but rather a few feet away and behind, wary. He's decided I'm his best option. I hope he's right.

“We need to call the cops.”

“No, we can't. You need to be dead, Adam.”

“I—what?”

“I don't know what those guys wanted with you. But the guys I work for want you dead. And if you aren't dead, they'll keep coming after you, and they'll kill the only person I love in the whole world to punish me for not doing what they told me to. So as far as anyone is concerned, you are dead.”

He stops again. Please stop stopping, Adam, we don't have time for this. “So you really were going to kill me?” He's reacting calmly—too calmly, he's probably in shock. He regards me with a strange sort of analytical intelligence in his face. I am still a puzzle. A violent puzzle.

I want to grab my arm, I know I need to slow the bleeding, but it will hurt so much more if I touch it. “Yes. Well, no. I was sent here to kill you. But I wouldn't have. Couldn't have. Obviously. Which is why we are both in this mess now.” I take a deep breath (it hurts, even breathing hurts, I wish I would pass out but I don't have time to) and look straight up into his eyes. “I work for very, very bad people. And I am going to do whatever I can to keep you safe from them. I need you to help me keep you alive, okay?”

He looks back to the alley and I can see in the lines of his body that he is still completely torn. Then his shoulders settle and angle toward me and I've won him, at least for now and
now
is where I do my best work.

“Okay,” he says. “But you'll have to answer some questions.”

“Believe me, I have more than you do. We need a car.”

“I have a car—”

“You're dead, remember? This means no car, no ATM, no using anything that can be traced back to you.” My head is spinning. I can't hear my instincts if my head's not clear. I'm already so scared that I don't know how to listen to just myself. “The other guys. They have a car waiting. We can use that.”

There are so many problems. There will be no body because Adam isn't dead. But no! Cole in the alley! A whole new avenue is opening up to save me and Annie and Adam, too. North really was the right choice. Maybe my instincts aren't totally broken.

I pull out my phone with my good hand and lean heavily against the wall of the building we're in front of.

“Someone's going to see us.” Adam looks around nervously. “You're bleeding. A lot.” He stares at my arm, not blinking, like he's entranced. Then he shakes his head, closes his eyes, and opens them. I can see in his face he's made a decision, decided not to be freaked out. It's not what most people would do right now. I kind of love him for it. “Let me take care of your arm.” He drops to a knee and pulls his backpack off his shoulder. “I have a kit in here.”

“It has to look like something I could have done myself.”

He nods and opens a compact first aid kit (why does he have that in his backpack? I should have one of those), pulls out scissors, and cuts away my sleeve above the wound. I don't look. I hate blood.

“I'm going to call someone. Be totally silent. He can't hear you.” I push the 1 on my phone and it rings twice before James answers.

“Fia, beautiful, are you done? Do you need me to arrange a flight home?” His voice is light and easy, but there are questions there. He's worried about me; he didn't want me to do this job in the first place. I want to read into it, but I can't let myself.

“Ambushed,” I say, gasping in pain at something Adam does. “I got shot.”

“Where? How bad?” James tries to sound like he is all business, but I hear an undercurrent of genuine concern. Maybe I'm just pretending I do. I don't know.

“In the shoulder.” I grit my teeth, then swear loudly. Adam's hands are steady and sure, and I wonder why he can be this calm over something a gun did when he was so terrified by the gun itself. “I'll live. Three guys, don't know who they were with. They weren't ours.”

“Of course they weren't ours!”

“You never know. I left all three down but alive.”

“And the mark?” He asks this more carefully. He knows what this will do to me. He knows, but he still couldn't stop his father from sending me.

The
mark
is carefully applying tape and gauze to keep me from bleeding too much. The mark has gentle hands that are stained with blood now, though not in the same way mine will always be. The mark is a person, and he has beautiful eyes and he helps puppies and he trusts girls he really, really shouldn't. The mark is breathing very deeply and evenly, deliberately. The mark is silently mouthing something to himself and I want to know what it is. I want to know what this boy who has to be scared out of his mind is mouthing to keep himself calm while he patches up my arm.

“Dead. Body in an alley with the three guys. I'm guessing they'll do cleanup duty since there's a lot of their own blood there and they don't want to get fingered.”

“Can you get back?”

“I'll manage.”

“Are you sure?”

“Yes.”

I almost hang up when he talks again. “Fia?”

“What?”

“I'm glad you're okay. I'm sorry this happened.”

I want to believe him. So much. “Sure you are.” I end the call. Adam puts the finishing touches on my bandage, then looks up into my face. “Congratulations,” I say, smiling weakly. “You're officially dead.”

He frowns, then unbuttons his black shirt and puts it around my shoulders so it covers up the bandage. He's wearing just his thin white tee now. “Can we talk?”

“Just as soon as we steal their car.” I stand, wobble slightly, which is humiliating because I do not wobble, then walk quickly in the direction Cole said the car was. Adam follows, a half step behind. There's a car idling, a black sedan, with a driver. No one else. I wish I hadn't been shot, because this would be much easier.

I should go for stealth or something, anything, but I'm too tired. I walk straight up, reach down and open the driver's door (should have locked it, that was phenomenally stupid of them), and am surprised to see a woman, midtwenties, behind the wheel. She has brown hair and brown eyes and a kind face that is frozen in shock.

“You,” she says, like she knows me.

I answer by grabbing the stun gun out of my purse and using it on her.

“Pull her out,” I say. Adam doesn't move, so I say it again. “Pull her out.”

He does, gently setting her on the sidewalk. She isn't unconscious, but she's curled up against the pain and I almost feel sorry for her.

“I should drive,” Adam says, looking at my arm.

“You don't know where to go.”

“Do you?”

“No, but my guess is always better than yours.” My guess is always better than anyone's.

He gets in and I do, too. The seat is leather and still warm. I pull out, calmly, driving exactly the speed limit as I head east—no more north for me, thank you very much—out of the city. We're lucky. I flew here, but it's only a five-hour drive back to Chicago.

I look for OnStar, but I don't see anything. And I don't feel like the car will be traced. I don't think they'll call the police, either. I have a good feeling about this car.

“Fia.” His voice is flat and I glance over to see him staring intently at me. I wish we were at a deli, eating and laughing and feeding Chloe. I miss Chloe. I wish she were my dog and I had an alcoholic father and I were the type of girl that Adam could date and rescue and fall in love with. I wish my left arm didn't hurt so much I wanted to die, because it also means I can't tap tap tap my leg, and without that fidget I don't know how to stop the thoughts and feelings flooding through me.

So much blood today.

“What do you do?” I ask, scanning the road. “You're just a student, right? I can't figure out why they want you dead. Do you have important parents?”

He leans back and rubs his forehead. “My dad is a dentist and my mom runs a day care.” He swears softly. “They're going to think I'm dead, aren't they?”

“You can't contact them.”

“This will kill them.”

“You'll probably get listed as missing. They'll have hope. And you aren't really dead, which is the best part of their hope. It'll be okay.” I want to reach over and take his hand. But I can't.

“How exactly do you define okay?”

I laugh, my real laugh, or at least the only real laugh I have anymore. It is short and harsh and it scrapes my throat.

He sighs. “I'm not a student. I'm a doctor.”

“How old
are
you?” I shouldn't be hurt that he lied about his age, but I am. And also bothered that I hadn't been able to tell he was lying. That's bad.

“I'm nineteen.” (Ha! I was right. He's not a liar.) “I just did everything faster. I moved here to finish up a research project on tracking and diagnosing brain disorders through a combination of chemical analysis and MRI mapping.”

I make a noncommittal noise. I have no idea what any of that means or why it makes him need to die. I need to focus on driving.

I almost pass out on the freeway on-ramp.

We pull over and I let Adam drive. I'll figure out a place for him to hide in Chicago. I have to go home so they don't suspect something is wrong. I don't know the rest of what to do yet, but it consists of kidnapping Annie and then all of us running away together. (Stop thinking about it. No thinking.) Assuming
they
don't already know what I am planning. I could be dead as soon as I get back. I hope Annie doesn't see it, hasn't seen it, won't see it. I don't want her to see it.

But if they kill her first, I will kill as many of them as I possibly can before I go down.

“Who are you?” Adam asks after a few minutes' calm. I don't usually like riding in the passenger seat, but today it feels nice. Adam gave me something from his first aid kit that has dulled the pain enough for me to handle it. It feels nice to be dulled. Dull, dull, dull. Usually I am sharp. Being sharp all the time is exhausting. I want to take all the rest of the pills from his case.

“I'm Fia. I told you.”

“I saw you back in that alley. You were crazy. You took out three guys, and you're this small girl. You look so nice and so pretty”—he blushes and I smile, oh he is adorable I wish, I wish, I am not nice—“and I don't understand what you were—what you are—any of this.”

He doesn't understand. He can't. “I have to do what they tell me to. I have no choices. As far as the alley, I happen to have very good instincts.” I yawn, pulling my legs up and resting my head against the seat. I am safe with Adam, for now.

“Three big guys with weapons. That's more than very good instincts.”

“Okay,” I say, closing my eyelids because they are heavy, heavy, heavy. “I have
perfect
instincts. And my sister can see the future. And my boss's secretary can read minds. And my ex-roommate can feel other people's emotions.”

“Please don't lie to me.” He sounds sad. I don't ever want to make him sad.

I feel heavy and light at the same time and I just want to sleep. I'll sleep. “Who said I was lying?” I mumble before letting go.