Authors: Yukio Mishima
Spring Snow (47 page)
42
WHEN
M
ARQUIS
M
ATSUGAE
met with Count Ayakura, he was taken aback to see how little concern the Count evinced at the course of events. But when the Count readily agreed to the proposal he had so strongly urged, high spirits returned. The Count assured him that everything would be done just as he wished. He was immensely heartened, he said, to hear that the Marquise herself would accompany Satoko to Osaka. And as for being able to entrust everything to Dr. Mori in the strictest confidence, this was an undreamed-of blessing. Everything would be carried out in accordance with the Matsugaes’ instructions, and he therefore begged that the Marquis be so gracious as to continue his kind efforts on behalf of the Ayakuras. Such was the tenor of his reply.
The Ayakuras had but one, extremely modest request, which the Marquis could hardly help but grant. This was that Satoko and Kiyoaki be allowed to see each other just before she left for Osaka. There was of course no question of permitting them to be alone together. But if they could meet face to face for a brief moment with their parents at hand, that would satisfy the Ayakuras. And if this request could be granted, the Ayakuras would give every assurance that Satoko would never be allowed to see Kiyoaki again. The request originated with Satoko herself, but, as the Count explained with some embarrassment, he and his wife felt that it would be best to grant her this much.
The circumstance of the Marquise accompanying Satoko to Osaka could now be utilized to give the meeting with Kiyoaki an uncontrived appearance. Nothing would be more natural than a son coming to the station to see his mother off, and at such a time no one would have any cause to look askance if Kiyoaki exchanged a word or two with Satoko.
With matters thus concluded, the Marquis, at the suggestion of his wife, secretly summoned Dr. Mori to Tokyo, even though he was fully occupied with his Osaka practice. The doctor stayed with the Matsugaes for a week prior to Satoko’s departure on November 14, always in reserve in case she should need him. For if a message came from the Ayakuras, he was ready to rush over there at once. It was the danger of a miscarriage, looming from moment to moment, that made these precautions necessary. If such a thing did occur, Dr. Mori himself would have to attend to it and in such a way that no word would escape. Furthermore, he was to be on hand during the long and extremely perilous train trip to Osaka, traveling inconspicuously in another car.
A renowned obstetrician thus surrendered his freedom and put himself at the beck and call of the Matsugaes and Ayakuras, something that only the Marquis’s money could have achieved. And if things progressed as he hoped, the trip to Osaka would itself greatly contribute to keeping the truth hidden from the world. For who would imagine a pregnant woman undertaking any venture such as a train journey?
Although Dr. Mori wore suits tailored in England and was the very model of a Western gentleman, he was a stumpy little man, and there was something about his face that put one in mind of a clerk. Before he examined each of his patients, he spread a fresh layer of high-quality paper over the pillow for her, and would carelessly crumple it up and throw it away afterwards, a practice that enhanced his reputation. He was flawlessly polite and his smile never waned. He had numerous patients among women of the upper class. His skill was unsurpassed and his mouth as tight as an oyster.
He enjoyed talking about the weather, and apart from this, there seemed to be no topic capable of capturing his interest. However, he was able to muster enough charm for his patients merely by remarking how terribly hot it was today or that it was getting warmer after each shower. He was skilled in Chinese poetry and had expressed his impressions of London in twenty Chinese poems in the seven-line form, which he had published privately under the title
London Poems.
He wore a huge, three-carat diamond ring, and before examining a patient he would screw up his face ostentatiously and pull off the ring with apparent difficulty, throwing it brusquely on whatever table was close at hand. However, no one ever noticed him forgetting to pick it up again. His stiff moustache had the subdued luster of a fern after rain.
London Poems.
He wore a huge, three-carat diamond ring, and before examining a patient he would screw up his face ostentatiously and pull off the ring with apparent difficulty, throwing it brusquely on whatever table was close at hand. However, no one ever noticed him forgetting to pick it up again. His stiff moustache had the subdued luster of a fern after rain.
It was incumbent on the Ayakuras to accompany Satoko to the Toinnomiya residence so that she could pay her respects before her trip to Osaka. Since a trip by carriage would increase the risks involved, Marquis Matsugae furnished them with an automobile. Moreover, Dr. Mori accompanied them disguised as a butler, sitting up beside the driver and wearing an old suit of Yamada’s. By a stroke of good fortune, the young prince himself was away on maneuvers. Satoko was able to greet Princess Toin just inside the entranceway and then withdraw. The perilous expedition was thus completed without mishap.
Though the Toinnomiyas planned to dispatch a household official to the station to see Satoko off on November 14, the Ayakuras politely declined this favor. Everything was going exactly according to Marquis Matsugae’s plan. The Ayakuras would meet Marquise Matsugae and her son at the Shimbashi station. Dr. Mori was to board a third-class carriage without so much as a glance in their direction. Since the purpose of the trip was supposedly the perfectly laudable one of paying a farewell visit to the Abbess of Gesshu, the Marquis did not hesitate to reserve the entire observation car for the Ayakuras and his wife. This belonged to a special express bound for Shimonoseki which left Shimbashi station at nine thirty in the morning and arrived at Osaka eleven hours and fifteen minutes later.
Shimbashi station, designed by an American architect, had been built in 1872 at the beginning of the Meiji era. It had a timber frame, but its walls were of dark, speckled stone cut from quarries on the Izu Peninsula. Now, on this clear, bright November morning, the sunshine sharply etched the shadows cast by the projecting cornice onto their austere surface. Marquise Matsugae, rather tense at the prospect of setting out on a trip from which she would have to return on her own, arrived at the station having said hardly a word on the way either to Yamada, who was carrying her baggage with his usual deference, or to Kiyoaki. The three of them climbed the long flight of stone steps that led to the platform.
The train had not yet pulled in. The slanting rays of the morning sun poured down on the broad platform and the tracks to either side of it, and motes of dust stirred in the brilliant air. The Marquise was in such a state of anxiety about the trip that confronted her that she heaved deep sighs at frequent intervals.
“I don’t see them yet, I wonder if something has happened?” she said from time to time, but she could get no response from Yamada but a reverent and meaningless “Ah!” Although she had known what to expect, she could not refrain from her question.
Kiyoaki realized how disturbed his mother was, but being in no mood to alleviate her distress, he stood some distance away. He felt faint, and his stiff posture was expressive of the effort he was making to keep a grip on himself. It seemed as if he might topple over still rigid like a statue, cast in one piece but lacking any vital strength to sustain it. The air on the platform was chilly but he threw out his chest under his braided uniform jacket. The bleak distress of waiting seemed to have frozen him to the marrow.
The train backed into the station with ponderous dignity while the sun streaked the tops of the cars with brilliant ribbons and flashed from the rail at the rear of the observation car. Just at this moment, the Marquise picked out Dr. Mori by his neat moustache, in the midst of a group waiting some way down the platform. She felt a measure of relief. It had been agreed that, barring some emergency, the doctor would keep to himself throughout the trip to Osaka.
The three of them climbed into the observation car, Yamada carrying the Marquise’s luggage. While she was giving Yamada further instructions, Kiyoaki stared out of the window at the platform. He was watching Countess Ayakura and Satoko approaching through the crowd. Satoko was wearing a rainbow shawl wrapped around her shoulders. When she reached the bright flood of sunlight that poured past the edge of the platform roof, her expressionless face looked as white as curds.
His heart beat wildly both with distress and joy. And as he watched her, with her mother at her side, drawing steadily closer but moving at a slow and measured pace, he was taken for a moment with the fancy that he was the bridegroom waiting there to receive his bride. And the solemn ceremonial march, like a cumulative weariness that settled over him particle by particle, stirred a joy that was painfully intense and left him quite enervated.
Countess Ayakura stepped up into the car, and, leaving the servant to carry Satoko’s luggage, offered her apologies for being late. Kiyoaki’s mother naturally greeted her with the utmost courtesy, but a certain contraction still visible in her forehead gave adequate expression to the haughty displeasure she felt.
Satoko covered her mouth with her rainbow shawl and kept herself hidden behind her mother. She exchanged the normal greetings with Kiyoaki and then, urged by the Marquise, sat down promptly in one of the deep scarlet upholstered chairs which furnished the car.
Kiyoaki then realized why she had arrived so late. She must have delayed her arrival at the station for no other reason than to shorten, even by a fraction, the length of their parting. In the light of this November morning, clear as bitter medicine, they would have no time to say anything to each other. While their mothers were talking, he stared down at her as she sat with bowed head, and in so doing, he began to be concerned about the rising intensity of passion that must be evident in his gaze. His whole heart was in it, but he feared that, like too powerful sunlight, it might scorch Satoko’s fragile pallor. The forces at work within him, the emotion he wanted to communicate, had to have subtlety and grace, and he realized how crude a shape his passion had given it. He now felt something that had never touched him before, and he wanted to beg her forgiveness.
As for her body, now covered by her kimono, he knew all there was to know about it, even its tiniest recesses. He knew where her white flesh would first flush crimson with embarrassment, where it would yield, where it would throb with the wingbeat of a snared swan. He knew where it would express joy and where it would express sorrow. Because he knew it in its totality, it seemed to give off a faint glow which could be sensed even through her kimono. But now something he didn’t recognize within that body, deep within her very heart, which she seemed to be protecting with the flowing sleeves of her kimono, was pushing its way into life. His nineteen-year-old imagination could not deal with a phenomenon such as that of a child, something that, however intimately bound up with dark, hot blood and flesh, seemed altogether metaphysical.
But even so, the only thing of his that had entered Satoko and become part of her had to be a child. Soon, however, this part would be torn from her and their flesh would become separate once again. And since he had no means whatever of preventing this, there was nothing to do but stand by and let it happen. In a way the child involved here was Kiyoaki himself, for he was still lacking in the power to act independently. He trembled with the bereft loneliness and bitter frustration of a child forced to stay at home as a punishment for a misdeed while the rest of the family went happily off on a picnic.
She raised her eyes and stared vacantly out of the window on the platform side of the train. She seemed entirely absorbed in the vision of what would be cast out from her and he was sure that there was no hope he would ever be reflected in them again.
A piercing whistle sounded a warning. She stood up. It seemed to him that her action was a decisive effort that had demanded all her strength. Her anxious mother reached out and seized her arm.
“The train’s about to leave. You’ll have to get off,” Satoko said to him. Her voice sounded almost cheerful, but it was a trifle shrill.
Inevitably there ensued a hurried conversation between him and his mother, consisting of the usual admonitions and good wishes exchanged between mother and son before she goes off, leaving him behind. He wondered at the skill he was able to bring to supporting his role in this little skit.
When he had finally freed himself from his mother, he turned to the Countess and quickly ran through the correct formulas of farewell with her. Then, as though nothing could be more casual, he said to Satoko, “Well, take care of yourself now.” At that moment he felt able to lend lightness to his words, and this was reflected in an impulse to put out his hand and lay it on her shoulder. But at the next moment, his arm seemed stricken with paralysis and hung useless at his side, for he had met her gaze in its full intensity.
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