The Ellis family, indeed, had questions about the pregnancy. They had many questions. And demands. How had this come to pass? Who was responsible for this disaster? But Ruth Thomas’s grandmother, obedient though she generally was, told them nothing except one detail.
“He is Italian,” she said.
Italian?
Italian?
Outrageous! What were they to surmise? Obviously, the man responsible was one of the hundreds of Italian immigrant workers in the Ellis Granite Company’s quarries on Fort Niles. This was incomprehensible to the Ellis family. How had Jane Smith-Ellis found her way to the quarries? Even more bewildering, how had a worker found his way to
her?
Had Ruth’s grandmother visited the peanut houses, where the Italians lived, in the middle of the night? Or—horrors!—had an Italian worker visited the Ellis House? Unthinkable. Had there been other encounters? Perhaps years of encounters? Had there been other lovers? Was this a lapse, or had Jane been living a perverse double life? Was it a rape? A whim? A love affair?
The Italian quarry workers spoke no English. They were constantly being replaced, and, even to their immediate supervisors, they were nameless. As far as the quarry foremen were concerned, the Italians may as well have had interchangeable heads. Nobody thought of them as individuals. They were Catholic. They had no social commerce with the local island population, no less with anyone connected to the Ellis family. The Italians were largely ignored. They were noticed, really, only when they came under attack. The newspaper of Fort Niles Island, which folded soon after the granite industry left, had run occasional editorials fulminating against the Italians.
From
The Fort Niles Bugle
in February 1905: “These Garibaldians constitute the poorest, the most vile, creatures of Europe. Their children and wives are crippled and bent by the depravities of the Italian men.”
“These Neapolitans,” reads a later editorial, “give shocks to our children, who must pass them as they chatter and bark frightfully on our roads.”
It was unthinkable that an Italian, a Garibaldian, a Neapolitan, could have gained access to the Ellis household. Still, when interrogated by the Ellis family about the father of her child, Ruth Thomas’s grandmother would reply only, “He is Italian.”
There was some talk of action. Dr. Jules Ellis wanted Jane to be immediately dismissed, but his wife reminded him that it would be difficult and a trifle rude to dismiss a woman who was, after all, not an employee but a legal member of the family.
“Disown her, then!” thundered Vera Ellis’s brothers, but Vera would not hear of it. Jane had lapsed, and Vera felt betrayed, but, still, Jane was indispensable. No, there was no way around it: Jane must stay with the family because Vera Ellis could not live without her. Even Vera’s brothers had to admit this was a good point. Vera, after all, was impossible, and without the constant tending of Jane, she would have been a murderous little harpy. So, yes, Jane should stay.
What Vera did demand, instead of punishment for Jane, was a measure of punishment for the Italian community on Fort Niles. She was probably unfamiliar with the expression “lynch mob,” but that was not far from what she had in mind. She asked her father whether it would be too much trouble to round up some Italians and have them beaten, or have a peanut house or two burned down, don’t you know. But Dr. Jules Ellis wouldn’t hear of it. Dr. Ellis was far too shrewd a businessman to interrupt work at the quarry or injure his good laborers, so it was decided to hush up the entire matter. It would be handled as discreetly as possible.
Jane Smith-Ellis remained with the Ellis family during her pregnancy, performing her chores for Miss Vera. Her baby was born on the island in June of 1926, on the very night the Ellis family arrived on Fort Niles for the summer. No one had considered altering the schedule to accommodate the hugely pregnant Jane. Jane shouldn’t have been anywhere near a boat in her condition, but Vera had her travel out there, nine months pregnant. The baby was practically delivered on the Fort Niles dock. And the little girl was named Mary. She was the illegitimate daughter of an orphan and an immigrant, and she was Ruth’s mother.
Miss Vera gave Ruth’s grandmother one week’s respite from her duties after the difficult delivery of Mary. At the end of the week, Vera summoned Jane and said, almost tearfully, “I need you, darling. The baby is lovely, but I need you to help me. I simply can’t do without you. You’ll have to tend to
me
now.”
Thus Jane Smith-Ellis began her schedule of staying up all night to care for her baby and working all day for Miss Vera—sewing, dressing, plaiting hair, drawing baths, buttoning and unbuttoning gown after gown. The servants of Ellis House tried to look after the baby during the day, but they had their own chores to attend to. Ruth’s mother, although legally and rightfully an Ellis, spent her infancy in the servants’ quarters, pantries, and root cellars, passed from hand to hand, quietly, as though she were contraband. It was just as bad in the winter, when the family returned to Concord. Vera gave Jane no relief.
In early July of 1927, when Mary was just over a year old, Miss Vera Ellis became ill with the measles and developed a high fever. A doctor, who was one of the family’s summer guests on Fort Niles, treated Vera with morphine, which eased her discomfort and caused her to sleep for long hours each day. These hours provided Jane Smith-Ellis with the first period of rest she had since coming to Ellis House as a child. This was her first taste of leisure, her first reprieve from duty.
And so, one afternoon, while Miss Vera and baby Mary were both sleeping, Ruth’s grandmother strolled down the steep cliff path on the eastern shore of the island. Was this her first outing? The first free hours of her life? Probably. She carried her knitting with her, in a black bag. It was a lovely clear day, and the ocean was calm. Down at the shore, Jane Smith-Ellis climbed up on a large rock jutting into the sea, and there she perched, quietly knitting. The waves rose and fell evenly and mildly far below her. Gulls circled. She was alone. She continued to knit. The sun shone.
Back at Ellis House, after several hours, Miss Vera awoke and rang her bell. She was thirsty. A housemaid came to her room with a tumbler of water, but Miss Vera would not have it.
“I want Jane,” she said. “You are a
darling,
but I want my sister Jane. Will you summon her? Wherever could she be?”
The housemaid passed the request to the butler. The butler sent for a young assistant gardener and told him to fetch Jane Smith-Ellis. The young gardener walked along the cliffs until he saw Jane, sitting below on her rock, knitting.
“Miss Jane!” he shouted down, and waved.
She looked up and waved back.
“Miss Jane!” he shouted. “Miss Vera wants you!”
She nodded and smiled. And then, as the young gardener later testified, a great and silent wave rose from the sea and completely covered the enormous rock on which Jane Smith-Ellis was perched. When the gigantic wave receded, she was gone. The tide resumed its easy motion, and there was no sign of Jane. The gardener called for the other servants, who rushed down the cliff path to search for her, but they found not so much as a shoe. She was gone. She had simply been removed by the sea.
“Nonsense,” Miss Vera Ellis declared when she was told that Jane had vanished. “Of course she has not vanished. Go and find her. Now. Find her.”
The servants searched and the citizens of Fort Niles Island searched, but nobody found Jane Smith-Ellis. For days, the search parties scoured the shores, but no trace was discovered.
“Find her,” Miss Vera continued to command. “I need her. No one else can help me.”
And so she continued for weeks, until her father, Dr. Jules Ellis, came to her room with all four of her brothers and carefully explained the circumstances.
“I’m very sorry, my dear,” Dr. Ellis said to his only natural-born daughter. “I’m sorry indeed, but Jane is gone. It is pointless for anyone to search further.”
Miss Vera set her face in a stubborn scowl. “At the very least, can’t someone find her
body?
Can’t someone
dredge
for it?”
Miss Vera’s youngest brother scoffed. “One cannot
dredge
the sea, Vera, as though it were a
fishpond.
”
“We shall postpone the funeral service as long as we can,” Dr. Ellis assured his daughter. “Perhaps Jane’s body will emerge in time. But you must stop telling the servants to find Jane. It’s a waste of their time, and the household must be tended.”
“You see,” explained Vera’s eldest brother, Lanford, “they will not find her. Nobody will ever find Jane.”
The Ellis family held off on a funeral service for Jane Smith-Ellis until the first week of September. Then, because they had to return to Concord within a few days, they could delay the event no further. There was no talk of waiting until they returned to Concord, where they could put a marker on the family plot; there was no place for Jane there. Fort Niles seemed to be as good a place as any for Jane’s funeral. With no corpse to bury, Ruth’s grandmother’s funeral was more a memorial service than a funeral. Such a service is not uncommon on an island, where drowning victims often are not recovered. A stone was placed in the Fort Niles cemetery, carved from Fort Niles black granite. It read:
JANE SMITH-ELLIS
? 1884-JULY 10, 1927
SORELY MISSED
Miss Vera resignedly attended the service. She did not yet accept that Jane had abandoned her. She was, in fact, rather angry. At the end of the service, Miss Vera asked some of the servants to bring Jane’s baby to her. Mary was just over a year old. She would grow up to be Ruth Thomas’s mother, but at this time she was a tiny little girl. Miss Vera took Mary Smith-Ellis in her arms and rocked her. She smiled down at the child and said, “Well, little Mary. We shall now turn our attention to you.”
5
The popularity of the lobster extends far beyond the limits of our island, and he travels about all parts of the known world, like an imprisoned spirit soldered up in an airtight box.
—
Crab, Shrimp, and Lobster Lore
W. B. Lord 1867
CALCOOLEY made the arrangements for Ruth Thomas to visit her mother in Concord. He made the arrangements and then called Ruth and told her to be on her porch, with her bags packed, at six o’clock the next morning. She agreed, but just before six o’clock that morning, she changed her mind. She had a short moment of panic, and she bolted. She didn’t go far. She left her bags on the porch of her father’s house and ran next door to Mrs. Pommeroy.
Ruth guessed that Mrs. Pommeroy would be up and guessed that she might get breakfast out of the visit. Indeed, Mrs. Pommeroy was up. But she wasn’t alone and she wasn’t making breakfast. She was painting her kitchen. Her two older sisters, Kitty and Gloria, were helping her. All three were wearing black garbage bags to protect their clothes, their heads and arms pushed through the plastic. It was immediately obvious to Ruth that the three women had been up all night. When Ruth stepped into the house, the women lunged toward her at the same time, crushing her between them and leaving paint marks all over her.
“Ruth!” they shouted. “Ruthie!”
“It’s six o’clock in the morning!” Ruth said. “Look at you!”
“Painting!” Kitty shouted. “We’re painting!”
Kitty swiped at Ruth with a paintbrush, streaking more paint across Ruth’s shirt, then dropped to her knees, laughing. Kitty was drunk. Kitty was, in fact, a drunk. (“Her grandmother was the same kind of person,” Senator Simon had once told Ruth. “Always lifting the gas caps off old Model Ts and sniffing the fumes. Staggered around this island in a daze her whole life.”) Gloria helped her sister to stand. Kitty put her hand over her mouth, delicately, to stop laughing, then put her hands to her head, in a ladylike motion, to fix her hair.
All three Pommeroy sisters had magnificent hair, which they wore piled on their heads in the same fashion that had made Mrs. Pommeroy such a famous beauty. Mrs. Pommeroy’s hair grew more silvery every year. It had silvered to the point that, when she turned her head in the sunlight, she gleamed like a swimming trout. Kitty and Gloria had the same gorgeous hair, but they weren’t as attractive as Mrs. Pommeroy. Gloria had a heavy, unhappy face, and Kitty had a damaged face; there was a burn scar on one cheek, thick as a callus, from an explosion at a canning factory many years earlier.
Gloria, the oldest, had never married. Kitty, the next one, was off-and-on married to Ruth’s father’s brother, Ruth’s reckless Uncle Len Thomas. Kitty and Len had no children. Mrs. Pommeroy was the only one of the Pommeroy sisters to have children, that huge batch of sons: Webster and Conway and Fagan and so on and so on. By now, 1976, the boys were grown. Four had left the island, having found lives elsewhere on the planet, but Webster, Timothy, and Robin were still at home. They lived in their old bedrooms in the huge house next to Ruth and her father. Webster, of course, had no job. But Timothy and Robin worked on boats, as sternmen. The Pommeroy boys only found temporary work, on other people’s boats. They had no boats of their own, no real means of livelihood. All signs pointed to Timothy and Robin being hired hands forever. That morning, both were already out fishing; they’d been gone since before daylight.
“What are you doing today, Ruthie?” Gloria asked. “What are you doing up so early?”
“Hiding from somebody.”
“Stay, Ruthie!” said Mrs. Pommeroy. “You can stay and watch us!”
“Watch
out
for you is more like it,” Ruth said, pointing to the paint on her shirt. Kitty dropped to her knees again at this joke, laughing and laughing. Kitty always took jokes hard, as if she’d been kicked by them. Gloria waited for Kitty to stop laughing and again helped her to stand. Kitty sighed and touched her hair.
Every object in Mrs. Pommeroy’s kitchen was piled on the kitchen table or hidden beneath sheets. The kitchen chairs were in the living room, tossed on the sofa, out of the way. Ruth got a chair and sat in the middle of the kitchen while the three Pommeroy sisters resumed painting. Mrs. Pommeroy was painting windowsills with a small brush. Gloria was painting a wall with a roller. Kitty was scraping old paint off another wall in absurd, drunken lunges.