Summerland: A Novel (3 page)

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Authors: Elin Hilderbrand

Tags: #Fiction, #Family Life, #Contemporary Women, #Fiction / Contemporary Women

BOOK: Summerland: A Novel
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The dirt on Penny’s grave was as moist and black as chocolate cake. Grass would grow over it, but Jake couldn’t decide if that would make things better or worse.

Terminal E. Boston to LAX, LAX to Sydney. After that interminable trip, another six-hour flight to Perth. They were traveling to the other side of the world.

Their gate was filled with jolly Australians. Was there such a thing as a national temperament? Jake wondered. Or were there Australians out there somewhere who
weren’t
open and friendly and affable? Jake’s mother perked up as soon as she heard the accent. It was as if she had been transported into an episode of
Home and Away,
the Australian soap opera that she watched incessantly on the bootlegged DVDs sent to her by her sister May. She swung her hair around gracefully and said, “I’m going for a coffee. You want?”

“No, thank you,” Jake’s father whispered.

Jake shook his head.

His mother gave him a genuine smile, an event that was so rare it actually spooked him. She was the unhappiest person Jake knew, though she hadn’t always been that way. Before Jake’s infant brother, Ernie, had died, Ava had been normal and momlike, maybe a little annoying, maybe a little uptight and preoccupied with giving Jake a sibling. But there were pictures of Ava in the red
photo album where she was making silly faces and kissing baby Jake and Jake’s father. There were pictures of her before Jake was born where she was deeply tanned and wearing a bikini, her golden-brown hair braided down her back. There were pictures of her surfing and kayaking and one of her leaping in midair, getting ready to pummel a volleyball. Jake used to stare at these pictures. That was the woman he wanted to claim as his mother. But since Ernie had died in his crib at eight weeks old, Ava had become jagged and shrill half the time, and mute and despondent the other half. Anger and bitterness—which were really sadness and deep, deep grief, his father said—lived inside her like a monster. Jake’s father pleaded with Jake to try and forgive her for the way she sometimes acted. But it was too much to ask, Jake thought. Jake had grown calluses over his nerve endings where his mother was concerned.

Ernie had a tombstone in the cemetery, just as Penny now did. Jake’s mother tended the plot at Ernie’s grave; she bought bouquets of supermarket flowers every week. When Ava was home, she sequestered herself in the room where Ernie had—for no good or explicable reason—stopped breathing. Ava either watched episodes of
Home and Away
or reread passages of her favorite book, which was, shockingly, not an Australian classic but rather that most American of novels,
Moby-Dick,
because her father had read it to her when she was a child. Ernie’s grave, the soap opera,
Moby-Dick:
these comprised 90 percent of the life of Ava Randolph. It was the other 10 percent, her interactions with the outside world, that glinted like shards of broken glass on the side of the road. There was her anger, which could take anyone’s eye out like an errant arrow. And there was her venom, which she seemed to save solely for Jake’s father.

Ava was present for the important stuff at school, such as Jake’s induction into the National Honor Society and the final night of the musical. This past year, the musical had been
Grease,
with Jake playing Danny and Penny playing Sandy. His mother had
taken a shower and brushed out her hair. She had put on makeup and perfume. She had entered the auditorium with her head held high and her eyes defiant, his father trailing three steps behind her like a loyal servant. Jake had peered at them from behind the heavy stage curtain. He could hear the audience murmuring: Ava Randolph was out. Sightings of her were as rare as comets, and everyone knew why, so everyone kept a respectful distance—except Lynne Castle, his mother’s only stalwart friend. Lynne plopped herself down next to Ava and kissed the side of her face as though nothing were amiss, as though Ava weren’t capable of lashing out even at her, or of standing up and walking out of the auditorium for no reason at all.

Ava had seemed to enjoy the musical. She had clapped at the end, and when Jake and Penny took their final bows, she had joined in the standing ovation.

The only person who sought out Ava Randolph’s company was Penny. Some afternoons, after Jake had stayed late at school working on
Veritas,
the student newspaper, or at a Student Council meeting, he would come home to find Penny in his mother’s room, lying across the foot of her bed, the two of them watching
Home and Away,
Ava dutifully explaining the intricacies of the plot lines. Jake would be lying if he said this hadn’t worried him.

He’d said to Penny, “You don’t have to hang out with my mother, you know.”

And Penny had said, “Oh, I know. But I like her.”

Like
her? Jake loved his mother—she was his
mother,
after all—but even he didn’t
like
her. He was afraid of her. On her best days, she was like a ghost that lived in the house with his father and him, occasionally haunting the dinner table and eating a few bites of whatever they were having. (They ate a lot of pizza and Thai takeout.) Ava floated around the house—mostly in the predawn hours—dealing with the cut flowers for Ernie’s grave. She slept alone in Ernie’s nursery.

Jake didn’t think his parents ever had sex. They didn’t touch; they barely even spoke, though there were nights when Jake would be awakened by the sound of the two of them screaming at each other.

HIS MOTHER
:   I want out of here, Jordan!

HIS FATHER
:   You’re free to go, Ava, you know that.

HIS MOTHER
:   I want to go for good, and I’m not going without Jake. Or you.

HIS FATHER
:   My family has owned and run the paper since 1870, Ava. Six generations of Randolphs. It’s my birthright, and guess what else? I love it. You knew this when you married me. You knew my life had to be here.

HIS MOTHER
:   My life doesn’t matter. My life has never mattered.

HIS FATHER
:   If you want to go, go. For God’s sake, just go. Go by yourself, stay as long as you want! You used to have no problem doing that.

HIS MOTHER
:   But everything is different now. Isn’t it?

HIS FATHER
:   [No response.]

HIS MOTHER
:   Isn’t it?

HIS FATHER
:    Yes.

HIS MOTHER
:   Ernie is dead! Say it! I want to hear you say it, Jordan!

HIS FATHER
:    Ernie is dead.

Now, in Terminal E, Ava reappeared with her steaming latte and her sesame bagel. Jake checked with his father to see if Jordan found this behavior as remarkable as he did, but Jordan was staring into the middle distance, thinking about something, and Jake knew not to interrupt him. Used to be that he’d be thinking up headlines or lead-ins, or maybe trying to figure out how to justify
raising ad rates or how to fire the sports writer, or where to find a new sports writer from among such a limited pool of candidates. Or he’d be pondering the death of newspapers in general. But what would he be thinking about now? He was thinking backward and not forward. Jake could tell by the glazed look in his eyes.

Ava blew across her latte and picked a tiny piece off her bagel and popped it into her mouth. Jordan had told Jake that Ava didn’t eat much because after Ernie died, it was one of the many things she had stopped taking pleasure in.

Now, however, she seemed to be savoring her snack. Sip of latte, bite of bagel. She even opened a tiny container of cream cheese and dragged the bagel through it.

Jake was as angry as he’d ever been in his life. His heart was a trash fire. We are leaving Nantucket because of you! he thought. He wanted to splash Ava’s latte in her face. He wanted to choke her with her bagel. But the moment passed, followed by an immense ocean of self-pity.

They were leaving Nantucket because of
him
.

DEMETER

T
hey took her to the hospital even though there was nothing wrong with her. Nothing wrong with her except that she couldn’t stop shivering. Penny was dead. The car had gone up over the embankment at Cisco Beach, where the drop was… eight feet? ten feet? The car had seemed to fly at first, they had been going wicked fast, but Demeter was loving it, it was a carnival ride, scary and thrilling, right up until the very end, right up until she realized that Penny wasn’t slowing down, Penny was on some kind of rampage, and they were going to crash.

There were police at the hospital. Demeter was confused. Doctors, nurses, police—but where were her parents? Maybe they hadn’t come, though surely someone had called them. Demeter’s fake Louis Vuitton bag had been in the car, and her license was in her wallet, and—sickening thought—there was a nearly empty fifth of Jim Beam in the bag, too. Demeter had drunk some of it in her bedroom alone while the rest of those guys went to the graduation party at Patrick Loom’s house. Demeter hadn’t been invited to Patrick Loom’s party—or rather, she
had
been invited, but only through her parents, who got asked to everything because her father was a selectman. She hadn’t been invited in earnest, on her own merit. She never was.

So she had drunk some of the Jim Beam in her bedroom, and then she’d locked the door and climbed out her window. She’d scooted on her butt down the sloping roof to just above the garage, where she was able to leap to soft grass. Her parents would never have believed Demeter capable of doing this, because she was overweight and the least coordinated human being alive. She would never be able to execute her escape in reverse, because how would she climb the drainpipe to the roof?
Someone
could—Hobby could, Jake could, possibly even Penny could—but not Demeter. She was too heavy. She would rip the drainpipe right off the side of the house. She would wait until her parents were home from their evening out—they had no less than four graduation parties to attend—and when she was sure they were asleep, she would walk right back in the house, and pop the lock on her bedroom door with a pin.

Demeter was being largely ignored at the hospital. There was a flurry of urgent-sounding business swirling around her like a tornado. She heard the letters
D.O.A.,
and she knew that that must be Penny. Penny had been dead on arrival. Demeter knew this, and she knew she was supposed to feel something, but she didn’t feel anything. The room was warm, but Demeter couldn’t stop shivering.

She heard the incoming helicopter. Medflight. Someone was being flown off-island. Someone was really hurt. Was it Penny? Penny was D.O.A. Did they fly dead people to Boston? Certainly not. So it must be someone else: Jake or Hobby. The Castles’ house was on the flight path of the air ambulance, and every time Demeter’s mother, Lynne, heard it incoming, she would genuflect and say, “God bless the patient. God bless the mother of the patient.” In this way, Demeter had learned that it was even worse to be the mother of the hurt person that it was to be the hurt person herself.

A nurse approached Demeter and lifted up her chin. Demeter was convulsing into the pillow she held against her chest.

“I think she’s in shock,” the nurse said aloud to herself.

Shock? Probably certainly correct. When the Jeep smashed into the sand, there had been an impact like the apocalypse, a world-ending smash. A horrible shattering noise, an acrid smell. And then the Jeep had tipped over, and Demeter had gotten that roller coaster feeling in her stomach. She had tucked her head to her chest. One hand had gripped the door handle, one hand had pressed against the seat in front of her, the seat where Jake was sitting. The Jeep tilted to the left, and Demeter might have crushed Hobby with her oppressive weight, but she was literally dangling from the harness that was her seat belt.

At that moment she had seen the unnatural angle of Penny’s head.

All of a sudden, everything that had happened in those seconds became unthinkable. Demeter’s mind shut off. Dark screen. Was this shock?

To the nurse, Demeter whispered, “Are my parents here?”

The nurse wasn’t familiar to Demeter. She said, “Yes. But I can’t let them see you just yet. We have to examine you. And you have to talk to the police.”

They had the bottle of Jim Beam, for sure.

She said, “Did someone get flown to Boston? Someone from the car?”

The nurse was taking her pulse. She looked levelly at Demeter. “Yes.”

“Who was it?”

“I can’t tell you that.”

“Is it bad?” Demeter asked.

“Yes,” the nurse said. “It’s bad.”

The nurse took her blood pressure, checked her eyes, her ears, her nose, her throat. Asked her to stand up, asked her to move her limbs, her digits. Asked her to say the alphabet backward, asked her her home address, her date of birth, and the date of Valentine’s Day.

“February fourteenth,” Demeter said. “Not a favorite.”

The nurse gave a dry laugh. “Does anything hurt?”

“Not really,” Demeter said, though there was something in her mind like a coin at the bottom of a well. Something shiny that she wanted to pick up but couldn’t quite grasp. She closed her eyes and tried to concentrate. Then she realized that the shiny thing was Penny, but Penny was D.O.A. Dead. Demeter leaned forward and vomited all over the floor.

The nurse jumped out of the way, but she wasn’t quite fast enough; she got splattered. Her turquoise scrubs, her nice white sneakers. Demeter vomited again. All that Jim Beam and the bag of cheese puffs that she’d eaten by big, guilty handfuls in her room, but not too guilty because cheese puffs were mostly air.

The nurse made a noise of disgust, which she then tried to cover up with gestures of concern and practical care. She reached for a shallow dish and called for someone to clean up Demeter’s mess.

The nurse asked, “Have you been drinking tonight?”

Demeter gagged and spit in the shallow bowl. Should she lie and say no, or should she tell the truth? The truth didn’t always
help. This was a lesson Demeter had learned that very night: some truths should never see the light of day.

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