Supermen: Tales of the Posthuman Future (31 page)

Gray complimented those tribesmen who worshiped their ancestors and thought them always close at hand, ready to deliver judgments upon the living. Such people, be felt, had fully mastered an elementary truth of human existence: that the dead were not entirely gone, but lived on, intruding upon memory and dream, both when they were bidden and when they were not. He approved of the idea that the dead should have a voice, and must be entitled to speak, and that the living had a moral duty to listen. Because
these ancient tribes were as direly short of history as they were of medicine, he argued, they were entirely justified in allowing their ancestors to live on in the minds of living people, where the culture those ancestors had forged similarly resided.

Some reviewers complimented Gray on the breadth of his research and the comprehensiveness of his data, but few endorsed the propriety of his interpretations. He was widely advised to be more dispassionate in carrying forward his project.

5

I was sixty when I married again. This time, it was a singular marriage, to Sharane Fereday. We set up home in Avignon, and lived together for nearly twenty years. I won't say that we were exceptionally happy, but I came to depend on her closeness and her affection, and the day she told me that she had had enough was the darkest of my life so far— far darker in its desolation than the day Emily Marchant and I had been trapped in the wreck of the
Genesis
, although it didn't mark me as deeply.

"Twenty years is a long time, Mortimer," she told me. "It's time to move on— time for you as well as for me."

She was being sternly reasonable at that stage; I knew from experience that the sternness would crumble if I put it to the test, and I thought that her resolve would crumble with it, as it had before in similar circumstances, but it didn't.

"I'm truly sorry," she said, when she was eventually reduced to tears, "but I have to do it. I have to go. It's
my
life, and your part of it is over. I hate hurting you, but I don't want to live with you anymore. It's my fault, not yours, but that's the way it is."

It wasn't anybody's fault. I can see that clearly now, although it wasn't so easy to see it at the time. Like the Great Coral Sea Catastrophe or Grizel's drowning, it was just something that
happened
. Things do happen, regardless of people's best-laid plans, most heartfelt wishes, and intensest hopes.

Now that memory has blotted out the greater part of that phase of my life— including, I presume, the worst of it— I don't really know why I was so devastated by Sharane's decision, nor why it should have filled me with such black despair. Had I cultivated a dependence so absolute that it seemed irreplaceable, or was it only my pride that had suffered a sickening blow? Was it the imagined consequences of the rejection or merely the fact of rejection itself that sickened me so? Even now, I can't tell for certain. Even then, my neo-Epicurean conscience must have told me over and over again to pull myself together, to conduct myself with more decorum.

I tried. I'm certain that I tried.

*

Sharane's love for the ancient past was even more intense than mine, but her writings were far less dispassionate. She was an historian of sorts, but she wasn't an
academic
historian; her writings tended to the lyrical rather than the factual even when she was supposedly writing nonfiction.

Sharane would never have written a mute book, or one whose pictures
didn't move. Had it been allowed by law at that time, she'd have fed her readers designer psychotropics to heighten their responses according to the schemes of her texts. She was a VR scriptwriter rather than a textwriter like me. She wasn't content to know about the past; she wanted to re-create it and make it solid and
live
in it. Nor did she reserve such inclinations to the privacy of her E-suit. She was flamboyantly old-fashioned in all that she did. She liked to dress in gaudy pastiches of the costumes represented in Greek or Egyptian art, and she liked decor to match. People who knew us were mildly astonished that we should want to live together, given the difference in our personalities, but I suppose it was an attraction of opposites. Perhaps my intensity of purpose and solitude had begun to weigh rather heavily upon me when we met, and my carefully cultivated calm of mind threatened to become a kind of toiling inertia.

On the other hand, perhaps that's all confabulation and rationalization. I was a different person then, and I've since lost touch with that person as completely as I've lost touch with everyone else I once knew.

But I
do
remember, vaguely.…

I remember that I found in Sharane a certain precious
wildness
that, although it wasn't entirely spontaneous, was unfailingly amusing. She had the happy gift of never taking herself too seriously, although she was wholehearted enough in her determined attempts to put herself imaginatively in touch with the past.

From her point of view, I suppose I was doubly valuable. On the one hand, I was a fount of information and inspiration; on the other a kind of anchorage whose solidity kept her from losing herself in her flights of the imagination. Twenty years of marriage ought to have cemented her dependence on me just as it had cemented my dependence on her, but it didn't.

"You think I need you to keep my feet on the ground," Sharane said as the break between us was completely and carefully rendered irreparable, "but I don't. Anyhow, I've been weighted down long enough. I need to soar for a while, to spread my wings."

*

Sharane and I had talked for a while, as married people do, about the possibility of having a child. We had both made deposits to the French national gamete bank, so that if we felt the same way when the time finally came to exercise our right of replacement— or to specify in our wills how that right was to be posthumously exercised— we could order an ovum to be unfrozen and fertilized.

I had always known, of course, that such flights of fancy were not to be taken too seriously, but when I accepted that the marriage was indeed over, there seemed to be an extra dimension of tragedy and misery in the knowledge that our genes never would be combined— that our separation cast our legacies once again upon the chaotic sea of irresolution.

Despite the extremity of my melancholy, I never contemplated suicide. Although I'd already used up the traditional threescore years and ten, I was in no doubt at all that it wasn't yet time to remove myself from the crucible of human evolution to make room for my successor, whether that successor
was to be born from an ovum of Sharane's or not. No matter how black my mood was when Sharane left, I knew that my
History of Death
remained to be completed, and that the work would require at least another century. Even so, the breaking of such an intimate bond filled me with intimations of mortality and a painful sense of the futility of all my endeavors.

My first divorce had come about because a cruel accident had ripped apart the delicate fabric of my life, but my second— or so it seemed to me— was itself a horrid rent shearing my very being into ragged fragments. I hope that I tried with all my might not to blame Sharane, but how could I avoid it? And how could she not resent my overt and covert accusations, my veiled and naked resentments?

"Your problem, Mortimer," she said to me, when her lachrymose phase had given way to bright anger, "is that you're
obsessed
. You're a deeply morbid man, and it's not healthy. There's some special fear in you, some altogether exceptional horror which feeds upon you day and night, and makes you grotesquely vulnerable to occurrences that normal people can take in their stride, and that ill befit a self-styled Epicurean. If you want my advice, you ought to abandon that history you're writing, at least for a while, and devote yourself to something brighter and more vigorous."

"Death is my life," I informed her, speaking metaphorically, and not entirely without irony. "It always will be, until and including the end."

I remember saying that. The rest is vague, but I really do remember saying that.

6

The third volume of Mortimer Gray's
History of Death
, entitled
The Empires of Faith
, was published on 18 August 2954. The introduction announced that the author had been forced to set aside his initial ambition to write a truly comprehensive history, and stated that he would henceforth be unashamedly eclectic, and contentedly ethnocentric, because he did not wish to be a mere archivist of death, and therefore could not regard all episodes in humankind's war against death as being of equal interest. He declared that he was more interested in interpretation than mere summary, and that insofar as the war against death had been a moral crusade, he felt fully entitled to draw morals from it.

This preface, understandably, dismayed those critics who had urged the author to be more dispassionate. Some reviewers were content to condemn the new volume without even bothering to inspect the rest of it, although it was considerably shorter than the second volume and had a rather more fluent style. Others complained that the day of mute text was dead and gone, and that there was no place in the modern world for pictures that resolutely refused to move.

Unlike many contemporary historians, whose birth into a world in which religious faith was almost extinct had robbed them of any sympathy for the imperialists of dogma, Gray proposed that the great religions had been one of the finest achievements of humankind. He regarded them as a vital stage in the evolution of community— as social technologies which had permitted
a spectacular transcendence of the limitation of community to the tribe or region. Faiths, he suggested, were the first instruments that could bind together different language groups, and even different races. It was not until the spread of the great religions, Gray argued, that the possibility came into being of gathering all men together into a single common enterprise. He regretted, of course, that the principal product of this great dream was two millennia of bitter and savage conflict between adherents of different faiths or adherents of different versions of the same faith, but thought the ambition worthy of all possible respect and admiration. He even retained some sympathy for jihads and crusades, in the formulation of which people had tried to attribute more meaning to the sacrifice of life than they ever had before.

Gray was particularly fascinated by the symbology of the Christian mythos, which had taken as its central image the death on the cross of Jesus, and had tried to make that one image of death carry an enormous allegorical load. He was entranced by the idea of Christ's death as a force of redemption and salvation, by the notion that this person died
for others
. He extended the argument to take in the Christian martyrs, who added to the primal crucifixion a vast series of symbolic and morally significant deaths. This, he considered, was a colossal achievement of the imagination, a crucial victory by which death was dramatically transfigured in the theater of the human imagination— as was the Christian idea of death as a kind of reconciliation: a gateway to Heaven, if properly met, a gateway to Hell, if not. Gray seized upon the idea of absolution from sin following confession, and particularly the notion of deathbed repentance, as a daring raid into the territories of the imagination previously ruled by fear of death.

Gray's commentaries on the other major religions were less elaborate but no less interested. Various ideas of reincarnation and the related concept of
karma
he discussed at great length, as one of the most ingenious imaginative bids for freedom from the tyranny of death. He was not quite so enthusiastic about the idea of the world as illusion, the idea of nirvana, and certain other aspects of Far Eastern thought, although he was impressed in several ways by Confucius and the Buddha. All these things and more he assimilated to the main line of his argument, which was that the great religions had made bold imaginative leaps in order to carry forward the war against death on a broader front than ever before, providing vast numbers of individuals with an efficient intellectual weaponry of moral purpose.

7

After Sharane left, I stayed on in Avignon for a while. The house where we had lived was demolished, and I had another raised in its place. I resolved to take up the reclusive life again, at least for a while. I had come to think of myself as one of nature's monks, and when I was tempted to flights of fancy of a more personal kind than those retailed in virtual reality, I could imagine myself an avatar of some patient scholar born fifteen hundred years before, contentedly submissive to the Benedictine rule. I didn't, of course, believe in the possibility of reincarnation, and when such beliefs became fashionable again I found it almost impossible to indulge any more fantasies of that kind.

In 2960, I moved to Antarctica, not to Amundsen City— which had become the world's political center since the United Nations had elected to set up headquarters in "the continent without nations" —but to Cape Adare on the Ross Sea, which was a relatively lonely spot.

I moved into a tall house rather resembling a lighthouse, from whose upper stories I could look out at the edge of the ice cap and watch the penguins at play. I was reasonably contented, and soon came to feel that I had put the torments and turbulences of my early life behind me.

I often went walking across the nearer reaches of the icebound sea, but I rarely got into difficulties. Ironically enough, my only serious injury of that period was a broken leg, which I sustained while working with a rescue party attempting to locate and save one of my neighbors, Ziru Majumdar, who had fallen into a crevasse while out on a similar expedition. We ended up in adjacent beds at the hospital in Amundsen City.

*

"I'm truly sorry about your leg, Mr. Gray," Majumdar said. "It was very stupid of me to get lost. After all, I've lived here for thirty years; I thought I knew every last ice ridge like the back of my hand. It's not as if the weather was particularly bad, and I've never suffered from summer rhapsody or snow blindness."