Tainted Blood

• About the Author
  
• By the Same Author
  
• Title Page
  
• Copyright Page
  
• Epigraph
  
• Maps
  
• A NOTE ON ICELANDIC NAMES
  
• Chapter 1
  
• Chapter 2
  
• Chapter 3
  
• Chapter 4
  
• Chapter 5
  
• Chapter 6
  
• Chapter 7
  
• Chapter 8
  
• Chapter 9
  
• Chapter 10
  
• Chapter 11
  
• Chapter 12
  
• Chapter 13
  
• Chapter 14
  
• Chapter 15
  
• Chapter 16
  
• Chapter 17
  
• Chapter 18
  
• Chapter 19
  
• Chapter 20
  
• Chapter 21
  
• Chapter 22
  
• Chapter 23
  
• Chapter 24
  
• Chapter 25
  
• Chapter 26
  
• Chapter 27
  
• Chapter 28
  
• Chapter 29
  
• Chapter 30
  
• Chapter 31
  
• Chapter 32
  
• Chapter 33
  
• Chapter 34
  
• Chapter 35
  
• Chapter 36
  
• Chapter 37
  
• Chapter 38
  
• Chapter 39
  
• Chapter 40
  
• Chapter 41
  
• Chapter 42
  
• Chapter 43
  
• Chapter 44
  
• Chapter 45
  
• Also Available In Vintage
  
  • Silence of the Grave
    

TAINTED BLOOD

Arnaldur Indridason was born in 1961, the son of an Icelandic author. Having worked for many years as a journalist and reviewer for an Icelandic newspaper, he began writing novels. He won the Nordic Crime Novel Award for
Tainted Blood
(originally published in the UK under the title
Jar City
) and, in the following year, for its sequel,
Silence of the Grave. Tainted Blood
is his first novel to be translated into English.

ALSO BY ARNALDUR INDRIÐASON

Silence of the Grave

ARNALDUR INDRIÐASON

TRANSLATED FROM THE ICELANDIC BY
Bernard Scudder

This eBook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the author's and publisher's rights and those responsible may be liable in law accordingly.

ISBN 9781409078401

Version 1.0

www.randomhouse.co.uk

Published by Vintage 2006

2 4 6 8 10 9 7 5 3 1

Copyright © Arnaldur Indridason 2000, 2004
English translation copyright © Bernard Scudder 2004

Arnaldur Indridason has asserted his right under the Copyright, Designs and Patents Act 1988 to be identified as the author of this work

This electronic book is sold subject to the condition that it shall not by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publisher's prior consent in any form other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser

First published in Great Britain in 2004 with the title
Jar City
by
The Harvill Press
Random House, 20 Vauxhall Bridge Road,
London
SW1V 2SA

First published with the title
Mýrin
by Edda Publishing, Reykjavík, 2000
www.edda.is

www.randomhouse.co.uk/vintage

Addresses for companies within The Random House Group Limited
can be found at:
www.randomhouse.co.uk/offices.htm

The Random House Group Limited Reg. No. 954009

A CIP catalogue record for this book
is available from the British Library

ISBN: 9781409078401

Version 1.0

It's all one great big bloody mire
–
INSPECTOR ERLENDUR SVEINSSON

Icelanders always address each other using first names, since most people have a patronymic rather than a "proper surname", ending in
-son
for a son and
-dóttir
for a daughter. People are listed by first names even in the telephone directory. Strange as it may sound to the English ear, first names are therefore used throughout the police hierarchy and when police and criminals address one another. Erlendur's full name is
Erlendur Sveinsson,
and his daughter is
Eva Lind Erlendsdóttir.
Matronymics are rare, although Audur is specifically said to be
Kolbrúnardóttir,
"Kolbrún's daughter". Some families do have traditional surnames, however, either derived directly from or else modelled on Danish, as a result of the colonial rule which lasted until early in the twentieth century.
Briem
is one of these traditional surnames, and as such it does not reveal the gender of the bearer – in the case of
Marion Briem
the ambiguous first name compounds this secondary mystery.

REYKJAVÍK

2001

The words were written in pencil on a piece of paper placed on top of the body. Three words, incomprehensible to Erlendur.

It was the body of a man of about 70. He was lying on the floor on his right side, against the sofa in a small sitting room, wearing a blue shirt and fawn corduroy trousers. He wore slippers on his feet. His hair was starting to thin, almost completely grey. It was stained with blood from a large wound on his head. On the floor not far from the body was a big glass ashtray with sharp corners. It too was covered in blood. The coffee table had been overturned.

This was a basement flat in a two-storey house in Nordurmýri. It stood in a small garden enclosed on three sides by a stone wall. The trees had shed their leaves, which carpeted the garden and covered the ground, and the knotty branches stretched up towards the darkness of the sky. Along a gravel drive which led to the garage, Reykjavík CID were arriving at the scene. The District Medical Officer was expected, he would sign the death certificate. The body had been reported found about 15 minutes earlier. Erlendur, Detective Inspector with the Reykjavík police, was one of the first on the scene. He expected his colleague Sigurdur Óli any minute.

The October dusk spread over the city and the rain slapped around in the autumn wind. Someone had switched on a lamp which stood on a table in the sitting room and cast a gloomy light on the surroundings. In other respects nothing at the scene had been touched. The forensics team were setting up powerful fluorescent lights on a tripod to illuminate the flat. Erlendur noticed a bookcase and a worn suite of furniture, the overturned coffee table, an old desk in one corner, a carpet on the floor, blood on the carpet. The sitting room opened into the kitchen and another door led from it to the den and on to a small corridor where there were two rooms and a toilet.

The police had been notified by the upstairs neighbour. He had come home that afternoon after collecting his two boys from school and it struck him as strange to see the basement door wide open. He could see inside his neighbour's flat and called out to discover whether he was in. There was no answer. He peered inside the flat and called his name again, but there was no response. They'd been living on the upper floor for several years but did not know the old man in the basement well. The elder son, 9 years old, was not as cautious as his father and quick as a flash he was in the neighbour's sitting room. A moment later the child came back and said there was a dead man in the flat, and he really didn't seem too perturbed by it.

"You watch too many movies," the boy's father said and cautiously made his way into the flat where he saw his neighbour lying dead on the sitting-room floor.

Erlendur knew the dead man's name. It was on the doorbell. But to avoid the risk of making an idiot of himself he put on some thin rubber gloves and fished the man's wallet out of a jacket hanging on a peg by the front doorway and found a payment card with a photograph on it. The man's name was Holberg, 69 years old. Dead in his home. Presumed murdered.

Erlendur walked around the flat and pondered the simplest questions. That was his job: investigating the obvious. Forensics handled the mysterious. He could see no signs of a break-in, neither on the windows nor the doors. On first impression the man seemed to have let his assailant into the flat himself. The upstairs neighbours had left footprints all over the front hallway and sitting-room carpet when they came in out of the rain and the attacker must have done the same. Unless he took off his shoes by the front door. It looked to Erlendur as if he had been in too much of a rush to have had the chance to take off his shoes.

The forensic team had brought along a vacuum cleaner to collect the tiniest particles and granules from which to produce clues. They searched for fingerprints and mud that did not belong in the house. They looked for something extraneous. Something that had left destruction in its wake.

For all Erlendur could see, the man had shown his visitor no particular hospitality. He hadn't made coffee. The percolator in the kitchen had apparently not been used in the past few hours. There were no signs of tea having been drunk, no cups taken out of the cupboards. Glasses stood untouched where they belonged. The murdered man had been the orderly type. Everything neat and tidy. Perhaps he did not know his assailant well. Perhaps the visitor had attacked him without any preamble, the moment the door opened. Without taking off his shoes.

Can you murder someone in your socks?

Erlendur looked all around and told himself that he really must organise his thoughts better.

In any case, the visitor had been in a hurry. He hadn't bothered to close the door behind him. The attack itself showed signs of haste, as if it had come out of the blue and without warning. There were no signs of a scuffle in the flat. The man had apparently fallen straight to the floor, struck the coffee table and overturned it. On first impression everything else seemed untouched. Erlendur could see no sign that the flat had been robbed. All the cupboards were firmly closed, the drawers too, a fairly new computer and an old stereo where they belonged, the man's jacket on a peg by the front doorway still contained his wallet, in it one 2,000-crown note and two payment cards, one debit and the other credit.

It was as if the attacker had grabbed the first thing at hand and hit the man on the head. The ashtray was made of thick, green glass and weighed at least a kilo and a half, Erlendur thought. A murder weapon there for the taking. The assailant would hardly have brought it with him and left it behind on the sitting-room floor, covered in blood.

These were the obvious clues: The man had opened the door and invited his visitor in or at least walked with him into the sitting room. Probably he knew his visitor, but not necessarily. He was attacked with an ashtray, one hard blow and the assailant quickly made his getaway, leaving the front door open. As simple as that.

Apart from the message.

It was written on a sheet of ruled A4 paper that looked as if it had been torn from a spiral-bound exercise book and was the only clue that a premeditated murder had been committed here; it suggested that the visitor had entered the house with the express purpose of killing. The visitor hadn't been seized suddenly by a mad urge to murder as he stood there on the sitting-room floor. He had entered the flat with the intention of committing a murder. He had written a message. Three words Erlendur could make neither head nor tail of. Had he written the message before going to the house? Another obvious question that needed answering. Erlendur went over to the desk in the corner of the sitting room. It was a sprawl of documents, bills, envelopes and papers. On top of them all lay a spiral-bound exercise book, the corner ripped from one page. He looked for a pencil that could have been used to write the message but couldn't see one. Looking around the desk, he found one underneath. He did not touch anything. Looked and thought.

"Isn't this your typical Icelandic murder?" asked Detective Sigurdur Óli who had entered the basement without Erlendur noticing him and was now standing beside the body.

"What?" said Erlendur, engrossed in his thoughts.

"Squalid, pointless and committed without any attempt to hide it, change the clues or conceal the evidence."

"Yes," said Erlendur. "A pathetic Icelandic murder."

"Unless he fell onto the table and hit his head on the ashtray," Sigurdur Óli said. Their colleague Elínborg was with him. Erlendur had tried to limit the movements of the police, forensics team and paramedics while he strode around the house, his head bowed beneath his hat.

"And wrote an incomprehensible message as he fell?" Erlendur said.

"He could have been holding it in his hands."

"Can you make anything of the message?"

"Maybe it's God," Sigurdur Óli said. "Maybe the murderer, I don't know. The emphasis on the last word is intriguing. Capital letters for
HIM
."

"It doesn't look hurriedly written to me. The last word's in block capitals but the first two are cursive. The visitor wasn't hurried when he was writing this. But he didn't close the door behind him. What does that mean? Attacks the man and runs out, but writes a cryptic note on a piece of paper and takes pains to emphasise the final word."

"It must refer to him," Sigurdur Óli said. "The body, I mean. It can't refer to anyone else."

"I don't know," Erlendur said. "What's the point in leaving that sort of message behind and putting it on top of the body? What's he trying to say by doing that? Is he telling us something? Is the murderer talking to himself? Is he talking to the victim?"

"A bloody nutter," Elínborg said, reaching down to pick up the message. Erlendur stopped her.

"There may have been more than one of them," Sigurdur Óli said. "Attackers, I mean."

"Remember your gloves, Elínborg," Erlendur said, as if talking to a child. "Don't ruin the evidence."

"The message was written out on the desk over there," he added, pointing at the corner. "The paper was torn out of an exercise book owned by the victim."

"There may have been more than one of them," Sigurdur Óli repeated. He thought he had hit on an interesting point.

"Yes, yes," Erlendur said. "Maybe."

"A bit cold-hearted," Sigurdur Óli said. "First you kill an old man and then you sit down to write a note. Doesn't that take nerves of steel? Isn't it a total bastard who does that sort of thing?"

"Or a fearless one," Elínborg said.

"Or one with a Messiah complex," Erlendur said.

He stooped to pick up the message and studied it in silence.

One huge Messiah complex, he thought to himself.