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Authors: Joy Williams

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Oft denk’ich, sie sind nur ausgegangen
Bald werden sie wieder nach Hause gelangen

 

Jones selects a bright ball and pushes it gently in her direction.

It is Sunday morning and Jones is in the pulpit. The church is very old but the walls of the sanctuary have recently been painted a pale blue. In the cemetery adjoining, some of the graves are three hundred years old. It has become a historical landmark and no one has been buried there since World War I. There is a new place, not far away, which the families now use. Plots are marked not with stones but with small tablets, and immediately after any burial, workmen roll grassed sod over the new graves so that there is no blemish on the grounds, not even for a little while. Present for today’s service are seventy-eight adults, eleven children and the junior choir. Jones counts them as the offertory is received. The church rolls say that there are three hundred fifty members but as far as Jones can see, everyone is here today. This is the day he baptizes the baby. He has made arrangements with one of the ladies to hold her and bring her up to the font at the end of the first hymn. The baby looks charming in a lacy white dress. Jones has combed her fine hair carefully, slicking it in a curl with water, but now it has dried and it sticks up awkwardly like the crest of a kingfisher. Jones bought the dress in Mammoth Mart, an enormous store which has a large metal elephant dressed in overalls dancing on the roof. He feels foolish at buying it there but he had gone to several stores and that is where he saw the prettiest dress. He blesses the baby with water from the silver bowl. He says,
We are saved not because we are worthy. We are saved because we are loved.
It is a brief ceremony. The baby, looking curiously at Jones, is taken out to the nursery. Jones begins his sermon. He can’t remember when he wrote it, but here it is, typed, in front of him.
There is nothing wrong in what one does but there is something wrong in what one becomes.
He finds this questionable but goes on speaking. He has been preaching for thirty-four years. He is gaunt with belief. But his
wife has a red cell count of only 2.3 millions. It is not enough! She is not getting enough oxygen! Jones is giving his sermon. Somewhere he has lost what he was looking for. He must have known once, surely. The congregation sways, like the wings of a ray in water. It is Sunday and for patients it is a holiday. The doctors don’t visit. There are no tests or diagnoses. Jones would like to leave, to walk down the aisle and out into the winter, where he would read his words into the ground. Why can’t he remember his life! He finishes, sits down, stands up to present communion. Tiny cubes of bread lie in a slumped pyramid. They are offered and received. Jones takes his morsel, hacked earlier from a sliced enriched loaf with his own hand. It is so dry, almost wicked. The very thought now sickens him. He chews it over and over again, but it lies unconsumed, like a muscle in his mouth.

Jones is waiting in the lobby for the results of his wife’s operation. Has there ever been a time before dread? He would be grateful even to have dread back, but it has been lost, for a long time, in rapid possibility, probability and fact. The baby sits on his knees and plays with his tie. She woke very early this morning for her orange juice and then gravely, immediately, spit it all up. She seems fine now, however, her fingers exploring Jones’s tie. Whenever he looks at her, she gives him a dazzling smile. He has spent most of the day fiercely cleaning the house, changing the bed-sheets and the pages of the many calendars that hang in the rooms, things he should have done a week ago. He has dusted and vacuumed and pressed all his shirts. He has laundered all the baby’s clothes, soft small sacks and gowns and sleepers which froze in his hands the moment he stepped outside. And now he is waiting and watching his wristwatch. The tumor is precisely this size, they tell him, the size of his clock’s face.

Jones has the baby on his lap and he is feeding her. The evening meal is lengthy and complex. First he must give her vitamins, then, because she has a cold, a dropper of liquid
aspirin. This is followed by a bottle of milk, eight ounces, and a portion of strained vegetables. He gives her a rest now so that the food can settle. On his hip, she rides through the rooms of the huge house as Jones turns lights off and on. He comes back to the table and gives her a little more milk, a half jar of strained chicken and a few spoonfuls of dessert, usually cobbler, buckle or pudding. The baby enjoys all equally. She is good. She eats rapidly and neatly. Sometimes she grasps the spoon, turns it around and thrusts the wrong end into her mouth. Of course there is nothing that cannot be done incorrectly. Jones adores the baby. He sniffs her warm head. Her birth is a deep error, an abstraction. Born in wedlock but out of love. He puts her in the playpen and tends to the dog. He fills one dish with water and one with horsemeat. He rinses out the empty can before putting it in the wastebasket. The dog eats with great civility. He eats a little meat and then takes some water, then meat, then water. When the dog has finished, the dishes are as clean as though they’d been washed. Jones now thinks about his own dinner. He opens the refrigerator. The ladies of the church have brought brownies, venison, cheese and apple sauce. There are turkey pies, pork chops, steak, haddock and sausage patties. A brilliant light exposes all this food. There is so much of it. It must be used. A crust has formed around the punctures in a can of Pet. There is a clear bag of chicken livers stapled shut. There are large brown eggs in a bowl. Jones stares unhappily at the beads of moisture on cartons and bottles, at the pearls of fat on the cold cooked stew. He sits down. The room is full of lamps and cords. He thinks of his wife, her breathing body deranged in tubes, and begins to shake. All objects here are perplexed by such grief.

Now it is almost Christmas and Jones is walking down by the river, around an abandoned house. The dog wades heavily through the snow, biting it. There are petals of ice on the tree limbs and when Jones lingers under them, the baby puts out her hand and her mouth starts working because she would like to have it, the ice, the branch, everything. His wife will be
coming home in a few days, in time for Christmas. Jones has already put up the tree and brought the ornaments down from the attic. He will not trim it until she comes home. He wants very much to make a fine occasion out of opening the boxes of old decorations. The two of them have always enjoyed this greatly in the past. Jones will doubtlessly drop and smash a bauble, for he does every year. He tramps through the snow with his small voyager. She dangles in a shoulder sling, her legs wedged around his hip. They regard the rotting house seriously. Once it was a doctor’s home and offices but long before Jones’s time, the doctor, who was very respected, had been driven away because a town girl accused him of fathering her child. The story goes that all the doctor said was, “Is that so?” This incensed the town and the girl’s parents, who insisted that he take the child as soon as it was born. He did and he cared for the child very well even though his practice was ruined and no one had anything to do with him. A year later the girl told the truth—that the actual father was a young college boy whom she was now going to marry. They wanted the child back, and the doctor willingly returned the infant to them. Of course it is a very old, important story. Jones has always appreciated it, but now he is annoyed at the man’s passivity. His wife’s sickness has changed everything for Jones. He will continue to accept but he will no longer surrender. Surely things are different for Jones now.

For insurance purposes, Jones’s wife is brought out to the car in a wheelchair. She is thin and beautiful. Jones is grateful and confused. He has a mad wish to tip the orderly. Have so many years really passed? Is this not his wife, his love, fresh from giving birth? Isn’t everything about to begin? In Mexico, his daughter wanders disinterestedly through a jewelry shop where she picks up a small silver egg. It opens on a hinge and inside are two figures, a bride and groom. Jones puts the baby in his wife’s arms. At first the baby is alarmed because she cannot remember this person very well and she reaches for Jones, whimpering. But soon she is soothed by his wife’s soft voice
and she falls asleep in her arms as they drive. Jones has readied everything carefully for his wife’s homecoming. The house is clean and orderly. For days he has restricted himself to only one part of the house so that his clutter will be minimal. Jones helps his wife up the steps to the door. Together they enter the shining rooms.

 

JOY WILLIAMS

 

Joy Williams is the author of four novels, three short story collections, and a history of the Florida Keys. She has received the Rea Award for the short story and the Strauss Living Award from the American Academy of Arts and Letters. Her most recent novel,
The Quick and the Dead
, was a finalist for the Pulitzer Prize.

 

Books by Joy Williams

 

Novels
State of Grace
The Changeling
Breaking and Entering
The Quick and the Dead

 

Short Stories
Taking Care
Escapes
Honored Guest

 

Nonfiction
The Florida Keys: A History and Guide
Ill
Nature

 
 
B
OOKS BY
J
OY
W
ILLIAMS
 

THE QUICK AND THE DEAD

Misanthropic Alice is a budding eco-terrorist; Corvus has dedicated herself to mourning; Annabel is desperate to pursue an ordinary American life of indulgences. Misfit and motherless, they share an American desert summer of darkly illuminating signs and portents. In locales as mirrored strange as a nursing home where the living dead are preserved, to a wildlife museum where the dead are presented as living, the girls attend to their future. A remarkable attendant cast of characters, including a stroke survivor whose soulmate is a vivisected monkey, an aging big-game hunter who finds spiritual renewal in his infatuation with an eight-year-old—the formidable Emily Bliss Pickles—and a widower whose wife continues to harangue him, populate this gloriously funny and wonderfully serious novel where the dead are forever infusing the living, and all creatures strive to participate in eternity

Fiction/978-0-375-72764-1

 

STATE OF GRACE

Nominated for the National Book Award in 1974, this haunting, profoundly disquieting novel manages to be at once sparse and lush, to combine Biblical simplicity with Gothic intensity and strangeness. It is the story of Kate, despised by her mother, bound to her father by ties stronger and darker than blood. It is the story of her attempted escapes—in detached sexual encounters, at a Southern college populated by spoiled and perverse beauties, and in a doomed marriage to a man who cannot understand what she is running from. Witty, erotic, and searingly acute,
State of Grace
bears the inimitable stamp of one of our finest and most provocative writers.

Fiction/978-0-679-72619-7

 

ILL NATURE

Most of us watch with mild concern the fast-disappearing wild spaces or the recurrence of pollution-related crises such as oil spills, toxic blooms in fertilizer-enriched forests, and violence both home and abroad. Joy Williams does more than watch. In this collection of condemnations and love letters, revelations and cries for help, she brings to light the price of complacency with scathing wit and unexpected humor. Sounding the alarm over the disconnection from the natural world that our consumer culture has created, she takes on subjects as varied as the culling of elephants, electron-probed chimpanzees, vanishing wetlands, and the determination of American women to reproduce at any cost. Controversial, opinionated, at times exceptionally moving,
Ill Nature
is a clarion call for us to step out of our cars and cubicles, and do something to save our natural legacy.

Nature/Essays/978-0-375-71363-7

 

HONORED GUEST

With her singular brand of gorgeous dark humor, Joy Williams explores the various ways—comic, tragic, and unnerving—we seek to accommodate diminishment and loss. A masseuse breaks her rich client’s wrist bone, a friend visits at the hospital long after she is welcome, and a woman surrenders her husband to a creepily adoring student. From one of our most acclaimed writers,
Honored Guest
is a rich examination of our capacity for transformation and salvation.

Fiction/Short Stories/978-1-4000-9552-0

 

ALSO AVAILABLE
Taking Care
, 978-0-394-72912-1

VINTAGE CONTEMPORARIES
Available at your local bookstore, or visit
www.randomhouse.com

 

Copyright © 1972, 1973, 1974, 1976, 1977, 1980, 1981, 1982 by Joy Williams

All rights reserved under International and Pan-American Copyright Conventions.

Published in the United States by Random House, Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto.

Originally published by Random House, Inc., in 1982.

“The Farm” was first published in
Antaeus.

“Summer” was first published in
The New Yorker.

“The Excursion” originally appeared in
Partisan Review,
Vol. 43, no. 2, 1976.

Other stories in this work, some in different form, have been previously published in
Audience,
the
Carolina Quarterly, Esquire, Ms., Northern Ohio Live,
the
Paris Review,
and
Viva.

Library of Congress Cataloging in Publication Data

Williams, Joy.

Taking care.

(Vintage contemporaries)

I. Title.

[PS3573.14496T3 1985] 813’.54 85-40150

eISBN: 978-0-307-76384-6

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