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Authors: John Domini

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Talking Heads (29 page)

BOOK: Talking Heads
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*

Kit was thinking of the dead. By now he'd washed his face, splashing away a renewed spasm of moaning and near tears. He'd made more tea and reread the printout, or reread in patches while peeling away the borders and separating the pages. And he'd fought down an impulse to go searching for her again. Bette had faced enough hard cases for one day. She was coming out of this in her own good time, in her own chosen places. Patience, husband. Limit yourself to these few rooms and tools—a half-empty yellow legal pad, a decent black pen. Kit ended up back at the kitchen table, where he'd set the printout under the phone and swept the memo sheets out of the way with one lank robed arm. Thinking of the dead.

Junior was dead. Junior's victims. Bette's baby.

Corinna had a sister who'd been shot by a boyfriend. The women's center across from
Sea Level
had lost a member to an overdose. A skeleton had turned up at the excavations for the new T station. Then there was Kit's father, upright beside his cockpit, hard-muscled and sure. Dead.

Leaving the pad and pen untouched, Kit replugged the phone. Uncle Les picked up on the second ring. Les, the other one.

“Listen,” Kit asked as soon as he could, “where's Mom?”

Silence. More than likely Les had been expecting something about his out-of-the-closet brother.

“Mom,” Kit said. “I, ah, I'd like to talk to my Mom.”

The uncle worked up to his answer, beginning with: “The church.” Eventually Kit understood that his mother was making spaghetti for the Loaves & Fishes dinner at Blue Earth Presbyterian. Thanks to her fundraising, her knack for organization, the church now put on these dinners three nights a week. Lots of folks in need, Les said.

Kit was nodding. It took a long moment to recall that his uncle couldn't see him, to work up to his own responses. He admitted he'd forgotten. He hadn't even stopped to think what time it was out West. And for another few minutes Kit commiserated about the day's bombshell from brother Pete. It came easy—he knew what the man wanted to hear. Les, Pete's still the same guy he's always been. Les, he wouldn't have told you if he didn't care about you. He needs you.

What the man wanted to hear, though, was the best Kit could manage. There over the waiting yellow page, he had a lot of work waiting, drafting longhand till midnight or beyond. All he could spare for Uncle Les was a brisk wrap-up, but this did mean he didn't have to say another word about wanting his mother.

Yet even once he was off the phone Kit went on staring, thinking of the dead. If the phone hadn't rung again, and if it hadn't been another crank call—a serious jolt even though the caller made no noise, no groan—Kit might never have gotten started on his testimony.

Chapter 10

How about this—an actual newspaper. The pages crackling as he turned them, the ink getting into his fingers. The voices remained the same, too, column after column: declarative voices, conservative, every sentence squaring another to help box in some squirming cell of evidence. An actual mainstream newspaper. Kit had swung out of bed early, fired up about his draft, his finished testimony. In thick boot-socks he'd shuffled down to the freezing stoop to meet the boy with the morning
Globe
. Beside his unplugged kitchen phone he took time to read, while coffee reopened the nerve-ends in his bruises.

Nobody had anything new on Monsod. Grand Jury subpoenas so far were straight out of
Casablanca:
Round up the usual suspects. Fire and emergency personnel, prison security, those clowns Ad and Amby. Kit saw his own name on the list again. Attached, the tag “unavailable for comment.” The Jury had called a couple of prison inmates as well. These weren't the howlers down in solitary, the steel-shivered voices who'd turned Kit round and round. Rather the Jury would cross-examine “convicts assigned to the penitentiary workshop at the time of the disturbance.” And that was some progress, at least. That meant big media realized Monsod's trouble had started in the workshop. They'd learned something since Thursday night, the garbage Kit had seen on TV. Nonetheless, so far the closest the investigation had come to the root problem—guys, the
walls
are caving in—was a subpoena for the standards supervisor on the original project. Aw, the guy was a family hire. Responsibility for keeping Monsod up to code had been foisted off on an emeritus professor at Boston College whose last construction experience had come after the hurricane of 1938.

Nothing new. Nothing better. To judge from the Tuesday wrap-up, Kit's own eight- and ten-week-old research still had him a step ahead of the pack.

My. Are we proud? Are we?

Not particularly. Kit sat reading in his last clean suit. His trenchcoat hung over a chair, belt-tip on the linoleum, the reassembled gun bulky in one pocket. He was returning to the office as soon as he was done with his reading, his thinking. He needed to negotiate something different with Leo, and after that with Louie-Louie, but neither of them would be in before ten. Kit would have time even to turn the gun in to the police in Central Square. They took weapons no questions asked.

No, what Kit read this morning didn't make him proud. Rather he still felt the way he had since finishing up last night, flarey and quick, bristling with ideas.

The
Globe
, much as he'd rushed to get it, to read it, also looked like just another paper sampler. On this table, at least. Kit turned the wide, crackling pages across the loose pink tongues of phone-memos, and across Bette's black-&-white printout. If you saw the letter out of the corner of an eye, and against the staid design of the
Globe
to boot, Bette's work appeared all ratty line breaks and hyperactive punctuation. Plus there was Kit's work, his statement for Asa Popkin. A draft in the blocky mix of script and print he'd been using since he was a teenager, it was the most vivid thing on the table. Blue fountain pen on yellow legal paper.

Eyewitness testimony, far tougher going than the morning news. Kit had only made it through four of the five W's, before his handwriting broke down sometime after midnight. It wasn't fatigue that stopped him, though. It was that fifth W itself. Who, What, When, Where—he got through those in plenty of time, with energy to spare. But then came the fifth, Why. Then came Kit's heady return to the Cottage beach, the moil of the Wood's Hole crossing. As he'd told Bette, on that beach, first he had to direct the question towards himself. Why? Why had this happened, who did he think he was? In the winter fog that was his testimony, a good six or eight possible Kit Viddichs flickered. Kit the cowboy, there was one. The cowboy who couldn't adjust to city life, indoor life. Or there was Kit the caveman throwback, never more than a hot evolutionary minute away from bloody murder. The new women's magazines would like that one. Kit the crazy man flickered out there, too—an easy guy to spot, lately. And there was always, of course, Kit the klutz.

Oh
, Bette said now, in his coffee-brightened head.
Kit the wit
.

He'd trusted none of them, finally. How could he trust these ghost rationale, ghost selves, fluttering in and out of his mind's eye like a newspaper flying apart in a storm? In the end, as his handwriting broke down, Kit had dummied his fifth W. He'd fallen back on a mockup testimony, with mockup words like “self-defense” and “in the confusion.” Of course he admitted what he'd done. He admitted he'd hit the man a second time. When, Where. The coroner's report, Kit wrote, would corroborate. And he went on to point out what else the coroner would corroborate. The city media had gotten Junior's death wrong, Kit wrote, and they'd been perpetuating their mistake since last Thursday.

He went on to nail every bad guy in sight. The overhead pipes for instance, the way Garrison and the inspectors pussyfooted around any mention of the overhead pipes, that was no mystery. That was as simple as gravity: Water doesn't run uphill. As simple as muscle power: Junior couldn't possibly have pulled out an iron chain bolted to the wall, not even on drugs—unless the bolts were weak to begin with. The BBC inspection had actively avoided the real problem. They'd invited Kit along to make it look otherwise, CYA. But the real problem remained, the seepage from overhead, seepage that had loosened connections and softened materials all over E Level. And the faulty plumbing ran back up through D Level. Through the workshop. Conditions must've gotten so bad that, last Thursday morning, one of the cons had finally done something desperate.

No mystery, none of it. Kit named as well the man behind the entire bogus operation, Forbes Croftall. The Senate majority whip had the means. He had deep connections with both the construction industry and the Building Commission. And Monsod had gone up during his tenure, a project of the ‘60s.

The inspection was a sham
, Kit wrote,
and the motive no doubt goes back to the original contracts
.

Strong words. And then this morning, Kit found the Senator in the
Globe
. In the “State House Notebook,” Kit found an item that some muckrakers would've taken for corroboration. Croftall had announced he was getting a divorce. Calling it quits after a marriage of twenty-eight years, the majority leader had read a prepared statement.

It fit, sure. Corroboration, some would say. This was 1978, and the wives of sleazeball politicians could dump their husbands more freely than in the past.

It fit—but Kit wasn't putting together that puzzle. He wasn't working on the bad guy around the home, but on the public figure in high office. Wasn't trying to hang out the dirty laundry, but to hammer out the whole truth.

Even now in his clean suit, with a long and thoughtful draft before him, with a half-decent breakfast in his belly and a plan for getting rid of the gun—even now, Kit could feel the worm on his back. The doubt. That too was part of the alacrity he'd woken up with, the energy that had rocked out of solving a small mystery or two. For starters, Kit fretted over explaining what he still had to do. It wasn't going to be easy, once he got to the office. But worse than that, harder on him, were these ghostly vagues in his testimony. To him the work remained a mockup. Words words words. Popkin might accept it, maybe even the Grand Jury, but someone in his own line of work could put their finger on the weak spots in a minute.

MEMO

To:
Kit the Employee
From:
Kit the Editor

One, what's this “no doubt” in your close? “No doubt” the Senator's covering up some peccadillo from years ago? Original sin? So, you got a paper trail on that? You got the apple? Don't you know, you're not going to find a cancelled check? Haven't you heard, paying off pols is strictly a cash business?

Get rid of it.

Two, what's this “in the confusion” crap in the fourth graph? By then, wasn't the con too weak to do any serious damage? Weren't you safe against the wall? Hadn't the guard come back into the area? So, what “confusion?” Why does that smell to me like hooey? Like more original sin?

Rewrite.

An actual paper, how about it. Kit had broken off reading when the apartment buzzer sounded and, back out on the freezing stoop, he found Charley Garrison.

*

“Ten minutes. I drop you off and goodbye.”

“Forget it. I'll ride the T.”

“The T? Leo's not at the office, I told you.”

“I can find him.”

“Leo, he's at the
new
station, I told you. The new one the T's putting in. Ain't no stop anywhere near there.”

“I can walk.”

“Oh, whoa. Come on, I ride you, it's warm. Ten minutes, and you won't never have to see me again your whole life.”

“Goodbye, Garrison. I'm going back inside now.”

“Viddich. Leo, I told you—Leo's got what you want. He's got what you asked for.”

“I don't want it any more.”

Garrison pouted, Irish, young. “Well, I don't know anything about it. ‘Course. Don't know anything about any business between you two. But you ask me, if you're like changing the plan between you two? Changing the arrangement? Then you owe the guy. You got some explaining to do.”

Kit tried to relax, against his building's closed front door. He'd been standing like a Cossack, chest up, arms crossed. He'd stiffened himself against the disappointment of rushing back downstairs only to discover this wasn't Bette.

“Viddich. You know you got some explaining to do.”

The Monsod guard fit remarkably well into the rush-hour world. He wore college gear, a down parka, a flannel shirt.

“The guy just wants to help. Leo. He's just thinking, where else you and me ever going to get to talk?”

Of course if Garrison was a college boy, he was on the varsity. His muscular butt bulged almost as wide as his parka. Nonetheless, he wouldn't have looked out of place over on the steps of Widener Library. The only prop that didn't belong was that bait-shop baseball cap. You wouldn't find a college kid in a baseball cap, not unless they were totally unhip. Nonetheless the guard was showing Kit something, playing the diplomat. He'd kept his distance, backing down the stoop steps.

“But, ten minutes in the truck—Viddich, it's not like we're engaged or anything.”

Garrison kept his voice down, even when the busses roared by on Mass Ave, a block away.

“You ask me,” he said, “it might be the most important ten minutes of your life.”

“The most important ten minutes of my life? I think that was yesterday when I talked to my lawyer.”

“Whoa. Tough guy.”

In fact Kit's role-playing felt stale. Out here, coatless and pumped up, with the soft spots in his testimony behind him—stale. And he was the one who'd left Leo the note, after all. Kit touched his neck.

BOOK: Talking Heads
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