The Baroque Cycle: Quicksilver, the Confusion, and the System of the World (157 page)
Read The Baroque Cycle: Quicksilver, the Confusion, and the System of the World Online
Authors: Neal Stephenson
Tags: #Fiction
APRIL
1690
NEWTON would have us believe that Time is stepped out by the ticking of God’s pocket-watch, steady, immutable, an absolute measure of all sensible movements. LEIBNIZ inclines toward the view that Time is nothing more nor less than the change of objects’ relationships to one another—that movements, observed, enable us to detect Time, and not the other way round. NEWTON has laid out his system to the satisfaction, nay, amazement of the world, and I can find no fault in it; yet the system of LEIBNIZ, though not yet written out, more aptly describes my own subjective experience of Time. Which is to say that during the autumn of last year, when I and all around me were in continual motion, I had the impression that much Time was passing. But once I reached Versailles, and settled into lodgings at my cottage on the domain of La Dunette, on the hill of Satory above Versailles, and got my household affairs in order, and established a routine, suddenly four months flew by.
The purpose for which I was sent to Versailles, early in December, was accomplished before Christmas, and all since then has been tending to details. I should probably return to Dunkerque, where I could be more useful. But I am held here by various ties which only grow stronger with time. Every morning I ride down the hill through a little belt of woods,
just to the south of the
Pièce d’eau des Suisses,
that separates the land of the Lavardacs from the royal domain of Versailles. This takes me down into the old hamlet of Versailles, outside the walls of the palace, which is growing up into a village. Diverse monasteries, nunneries, and a parish church have taken root there since the King moved his court to this place some eight years ago, and in one of them, the Convent of Sainte-Genevieve, my little “orphan” boy makes his home. If weather is good, I take him for a perambulation around the King’s vegetable-garden: a limb of the gardens of Versailles that is thrust forth into the middle of the town. Being a working garden, whose purpose is to produce food, this is not as formal or as fashionable as the parterres west of the Château. But there is more here for little eyes to see and little hands to grasp, especially now that spring is coming. The gardeners are forever mending their trellises in expectation that peas and beans will climb up them in a few months; and to judge by the thoughtful way that little Jean-Jacques gazes upon these structures, he will be clambering up them like a little squirrel even before he has learned how to walk. Sometimes too we will go a little farther, into the Orangerie, which is an immense vaulted gallery wrapped around three sides of a rectangular garden, and open to the south so that its glazed walls can capture the warmth of the winter sun, and store it in stone. Tiny orange trees grow here in wooden boxes, waiting for summer to come so that the gardeners can move them out of doors, and Jean-Jacques is fascinated by the green globes that are to be found among their dark leaves.
In due time I bring him back to Ste.-Genevieve’s for an appointment with a wet-nurse. You might think that I would then go directly to the Château to immerse myself in Court doings. But more often than not I turn around and ride back up through the Bois de Satory to La Dunette, where I tend to various affairs. In my early months here, these were of a financial, but now they are more of a social, nature. Note, however, that La Dunette is no farther away from the King’s great Château than is the Trianon Palace or many other parts of the royal domain, and so it does not feel like a separate place from Versailles, but more of an out-building of the King’s estate. This illusion is strengthened by the architecture, which was done by the same fellow who designed the King’s Château.
The grounds of La Dunette spread across the Plateau of Satory, a hilltop that extends southwards from the wooded
brow of a rise that overlooks the
Pièce d’eau des Suisses
and the south wing of the King’s Château. This land is hidden by the woods from direct view of the Dauphin, the Dauphine, and other royals who dwell in the palace’s south wing. But once that screen of trees has been penetrated, the domain of the de Lavardacs resembles in every way the much larger Royal gardens down the hill. This means that it is divided up, here and there, by great pompous stone walls, with massive iron grilles set into them from place to place; and those walls terminate in brick cottages, which I suppose are meant to recall guardhouses. In fact they have no practical purpose whatever that I can discern. They are there because they look good, like the knobs on the ends of a banister. The domaine of La Dunette contains four such cottages. Two are unfinished on the inside, and one is having its roof replaced. I live in the fourth. There is just enough room in it for my little household. It is tucked in under the eave of the woods of Satory so that I can duck out the back door and ride down into Versailles whenever I please without having to traverse any of the gravel paths that radiate from the main château of La Dunette. I do so frequently, going down to the palace for a dinner-party or to attend the couchée of some Duchess or Princess. And so my existence here is independent of the de Lavardacs for the most part. However, at least once a week I go to the main residence to have dinner with Étienne under the supervision of Madame la duchesse d’Arcachon.
M. le duc d’Arcachon I have never met. During my earlier life at Versailles, as a governess, I saw him from a distance a few times, surrounded by other big-wigs, but my social standing was so mean that there was no circumstance under which I could have met him. Later my status was elevated; but he was in “the South” tending to business of some nature. He was at Versailles through much of 1689, while I was absent; then he went back into “the South” a few weeks before I came there in December. He was supposed to be back for Christmas; but one thing and then another has kept him away. A few times a week Madame la duchesse receives a letter from Marseille, where M. le duc is looking after the galleys of the Mediterranean fleet; or Lyon, where he is meeting with the King’s money-men, and acquiring victuals, powder, &c; or Arcachon, where he is looking after Lavardac family affairs; or Brest, where he is responsible for shipment of men and matériel to the forces in Ireland. Madame la duchesse always replies on the same day,
hoping her letter shall catch him before he has moved on to some other port. This has happened often enough that M. le duc has learned a little bit about me and my activities, or lack thereof, here; and lately he has begun writing to me personally at the cottage. It seems that I am to be useful to this family in some way other than as an eligible belle for Étienne. The Duc has recently become involved in some sort of momentous transaction that is in the offing down south, and that he expects to yield a large quantity of hard money when it comes off, which is expected to occur late in the summer. To report any more than this would be indiscreet, but if I am reading his most recent letter correctly, he wishes me to look after certain of the details: a large transfer of metal through Lyon.
So at last I shall have something to do, and can expect the passage of time to slow down again, as I go into violent movement, and change my relations with all around me.
Eliza, Countess de la Zeur
MID-JULY
1690
L
A
D
UNETTE
MEANT “POOP DECK,”
the high place on a ship’s stern-castle from which the captain could see everything. The name had come to Louis-François de Lavardac, duc d’Arcachon, some twelve years earlier, as he had stood upon the brow of the hill, peering, between two denuded trees, across the frozen bog that would later become the
Pièce d’eau des Suisses,
at the southern flanks of the stupendous construction site that would shortly become the royal palace of Louis XIV.
The King got things built more quickly than anyone else, partly because he had the Army to help him and partly because he hired all of the qualified builders. And so
La Dunette
was still nothing more than an empty stretch of high ground with a clever name when
le Roi
had given his cousin, the duc d’Arcachon, a personal tour of the palace. They had lingered particularly in the Queen’s Apartments: a row of
bedchambers, antechambers, and salons that stretched between the Peace drawing-room and the King’s guardroom on the upper storey of the palace’s southern wing. The King and the Duke had strolled up and down the length of those apartments once, twice, thrice, pausing before each of the high windows to enjoy the view across the
Parterre Sud,
and the Orangerie below it to the rise of the Bois de Satory a mile away. The duc d’Arcachon had, in the fullness of time, perceived what the King had wished him to perceive, which was that any buildings erected on or near the crest of the hill would spoil the Queen’s view, and give her the feeling that the de Lavardacs were peering down into her bedroom windows. And so a great pile of expensive architectural drawings had been used to start fires in the Hôtel d’Arcachon in Paris, and the duc had hired the great Hardouin-Mansart and implored him to design a château altogether magnificent—but invisible from the Queen’s windows. Mansart had situated it well back from the crest of the hill. Consequently, from the windows of the château of La Dunette proper, the view was limited. But Mansart had laid out a promenade that swung out along a lobe of the garden and led to a gazebo, perched demurely on the brink of the hill, and camouflaged with climbing vines. From there the prospect was superb.
Before dinner was served, the Duke and Duchess of Arcachon invited their guests—twenty-six in all—to stroll out to the gazebo, enjoy the breeze (for the day was warm), and take in the view of the Royal Château of Versailles, its gardens, and its waterways. From this distance it was difficult to make out individuals and impossible to hear voices, but large groups were obvious. Out in the town, beyond the
Place d’Armes,
the Franciscans had lit a bonfire before their monastery and were dancing around it in a circle; from time to time, a few notes of their song would blow past on a slip of breeze. Another revel was underway along the Grand Canal, a mile-long slot of water stretching away from the Château along the central axis of the King’s garden. From here, it was a milling mob of wigs. Even the stable-hands out in the
Place d’Armes
had got a bonfire going, which had attracted hundreds of commoners: townspeople, servants of Versailles and nearby villas, and country folk who had seen the pillars of smoke and heard the pealing of bells, and come in to find out what all the excitement was about. Many of these probably had only the haziest of ideas as to who William of Orange was and why it was good that he was dead; but this did not hold them back from lusty celebration.
Étienne d’Arcachon raised his glass, and silenced the little crowd around the gazebo. “To toast the death of the Prince of Orange
*
would be uncouth, even though he was a perfidious and heretickal
usurper
and an enemy of France,” he said. This oration, being ambiguous, only threw the guests—who were all standing on tiptoe with glasses poised—into utter confusion. They froze long enough for Étienne to dig himself out of his own rhetorical hole: “But to toast the victory of the French, the free English, and the Irish at the Battle of the Boyne is honorable.”
They did so.
“The only event,” Étienne continued, “that could make the day more glorious would be a victory at sea, to match the one on land; and
voilà,
God has answered our prayers accordingly. The French Navy, of which my father has the high honor of being Grand Admiral, has routed the English and the Dutch off Beachy Head, and even now menaces the mouth of the River Thames. France is victorious on all fronts: on the sea, in Ireland, in Flanders, and in Savoy. To France!”
Now
that
was a toast. Everyone drank. Then it was “to the King!” and then “to the King of England!” meaning James Stuart, then “to Monsieur le duc!” which le duc had to sit out, since it was bad form to toast oneself. Servants scurried about cradling swaddled magnums and refilled glasses for the next round. Then M. le duc raised his glass: “To the Countess de la Zeur, who has done so much to give the Navy its sinews.” Which obliged Eliza to say, “To Captain Jean Bart who, they say, distinguished himself yet again off Beachy Head on his ship
Alcyon
!”
Madame la duchesse, peering down at Versailles through a spectacular Instrument, now initiated a controversy, as follows: “Louis-François, those revelers along the Canal do not celebrate the death of the Prince of Orange, they celebrate
you
!” and she handed her husband a gold and silver caduceus (emblem of Mercury, bringer of information) with lenses cleverly mounted in the eyes of the two snakes that were wound about its central pole. The duc brought it to his face as if expecting the serpents to drive their fangs into his cheeks, and blinked fiercely into the optics. But anyone who had good eyes could see that a few gilded barques had taken to the wavelets of the Grand Canal, and were jerking about in an extemporaneous reënactment of the Battle of Beachy Head. As combatants swung boat-paddles to dash up barrages of spray, blooms of white water appeared here and there, looking from this range much like cannon-smoke. From time to time the musket-like report of an ivory-inlaid paddle smacking the water, or a gilded oar-shaft snapping, would echo up from the vale of Galie. A drunken boarding-party, perhaps still fired by the memory of Jean Bart’s visit of a few
months past, sprang from one boat to another, swinging like pirates on silken ropes, crashing into the brocade awnings, bucking the ebony and boxwood poles of the pavilions, smashing the velvet furniture. They must have been royal bastards, or Princes of the Blood, to behave so. A smaller boat was capsized; conversation lulled around the gazebo as rescuers paddled to the scene, then welled up into laughter and witticisms as combatants were dragged out of the canal and their bobbing periwigs fished out on the tips of swords.
“Ah, it is a great day,” announced the Duke, who looked, in his formal Grand Admiral uniform, like a galleon on legs. He was saying it to his wife; but something occurred to him, and he added, “and it will only get better, for France, and for us. God willing.” His eyes turned in their sockets towards Eliza. As his head was covered in a wig, and the wig had an admiral’s hat planted athwart it, he did not like to turn his head from side to side if he could avoid it; such complicated maneuvers demanded as much prudent premeditation as tacking a three-masted ship.
Eliza, recognizing as much, sidestepped into the Duke’s field of view. “I cannot imagine why you look to
me
when you say this, Monsieur le duc,” she said.
“Soon, if I have my way, you shall hear from Étienne a certain
proposition
that shall make it all perfectly clear.”
“Is it anything like the proposition you have spoken of in your letters to me?”
The very mention of this made the Duke nervous, and his eyes flicked left and right to see if anyone had heard; but soon enough they returned to Eliza, who was smiling in a way that let him know she had been discreet. The Duke stepped forward in the cautious bent-kneed stride of an African matron with a basket of bananas on her head. “Don’t be coy, Étienne’s proposal will be of an
entirely different nature!
Though it’s true I should like to see
both
of them come together at the same time, in the autumn—say, October. My birthday. What do you say to it?”
Eliza shrugged. “I cannot answer, monseigneur, until I know more of both propositions.”
“We’ll get that sorted out! The boy is still young in many ways, you know—not too old to benefit from some fatherly advice, especially where affairs of the heart are concerned. I have been away too much, you know? Now that I am back—for a little while, at least—I shall talk to him, guide him, give him some backbone.”
“Well, it is good to have you back, even briefly,” said Eliza. “It is odd, I feel as if I have met you before. I suppose it comes from seeing
your busts and portraits everywhere, and your handsome features echoed in the face of Étienne.”
By now the Duke had drawn close to Eliza. He had put on cologne recently, something Levantine, with a lot of citrus. It did not quite mask another odor which put Eliza in mind of rotting flesh. A bird, or some little scurrying creature, must have given up the ghost some days ago under the gazebo, and gone foul in the heat.
“Time for dinner soon,” said the Duke. “My time here is short. Meetings with the King, and the Council. Then to the Channel coast to greet the victorious Fleet. But after that I go south. I have already despatched orders to my
jacht.
You and I must talk. After dinner, I think. In the library, while the guests are strolling in the garden.”
“The library is where I shall be,” said Eliza, “at your service, and waiting for you to explain all of these cryptic statements.”
“Ah, I shall not explain all!” said the Duke, amused. “Only enough—just enough. That will suffice.”
Eliza’s head snapped around to a new azimuth, and her attention settled on a group of guests, mostly men, who had migrated off the marble floor of the gazebo and gathered on the gravel path to smoke. It was rude to break off her conversation with the Duke in such a way. But her movement had not been voluntary. It had been occasioned by a word, spoken loudly, by one of these men. The word was
une esclave,
which signified, a slave—a
female
slave. The speaker was Louis Anglesey, the Earl of Upnor. He was nominally an Englishman. But he had spent so much of his life in France that he was indistinguishable, in his speech, dress, and mannerisms, from a French noble. He had come over with James Stuart following the Revolution in England, and become an important man in the exiled King’s court at St.-Germain-en-Laye. This was not the first time Eliza had seen him socially.
It was not unusual to hear the word
esclave
in such company. Many at Versailles made money from the slave trade. But normally the word was used in masculine, plural form, to denote a ship-full of cargo bound for some plantation in the Caribbean. The singular, feminine form was rare enough to have turned Eliza’s head.
In the corner of her eye, she saw the pale oval of some woman’s face turn around to stare at her. Eliza had reacted so sharply that someone else had taken notice of it. She needed to control her reactions better. She wondered who it was; but to look over and find out would be obvious. She forced herself not to, and tried instead to memorize a few things about this lady who was giving her the eye: tall, and dressed in pink silk.
She looked back at the Duke, ready to apologize to him for having
been distracted. But it seemed that he considered his chat with Eliza to be finished. He had caught someone’s eye and wanted to go talk to him. He most civilly took his leave from Eliza, and glided away. Eliza tracked him with her eyes for a few moments. As he passed in front of the tall woman in pink silk, Eliza glanced up, just for an instant, to see who it was. The answer was, the Duchess of Oyonnax.
Having settled that, Eliza turned her attention back to Upnor and his circle of admirers.
James Stuart and his French advisors phant’sied that, once they had retaken Ireland, they might move thence to Qwghlm, which could be used as a sort of outlying demilune-work from which to mount an invasion of northern England. This had at least something to do with Eliza’s popularity at the two Courts: the French one at Versailles, and the exile-English one at St.-Germain. Consequently she had seen and heard enough of Upnor, in the last half-year, to know the first parts of this story by heart. It was the tale of the day he had made his escape from England.
He had sent his household ahead of him to Castle Upnor, where they had made ready to board ship and sail to France as soon as he arrived. For he had stayed behind in London, supposedly at great risk, to attend to certain matters of stupendous importance. These matters were, however, far too deep and mystical for Upnor to say anything about them in mixed company. This suggested that they had something to do with Alchemy, or at least that he wished as many people as possible to believe so. “I could not allow certain information to fall into the hands of the usurper and those of his lackeys who pretend to know of matters that are, in truth, beyond their ken.”
At any rate, after completing his affairs in London, Upnor had mounted a stallion (he was a horse-fancier, and so this part of the anecdote was never related without many details concerning this horse’s ancestry, which was more distinguished than that of most human beings) and set off a-gallop for Castle Upnor, accompanied by a pair of squires and a string of spare mounts. They had departed from London around dawn and ridden hard all morning along the south bank of the Thames. From place to place, the river road would cross some tributary of the great river, and there would be a bridge or ford that all traffic must use.
In the middle of one such bridge, out in the countryside, they had spied a lone man on horseback, wearing common clothes, but armed; and it had appeared from his posture that he was waiting.
For the sorts of people the Earl was apt to tell this story to, this
last detail sufficed to
classify
the anecdote as if it had been a new botanical sample presented to the Royal Society. It belonged to the genus “Persons of Quality beset by varlets on the road.” No type was more popular round French dinner tables, because France was so large and so infested with Vagabonds and highwaymen. The nobles who came together at Versailles must occasionally travel to and fro their fiefdoms, and the perils and tribulations of such journeys were one of the few experiences they shared in common, and so that was what they talked about. Such tales were, in fact, told so frequently that everyone was tired of them; but any new variations were, in consequence, appreciated that much more. Upnor’s had two distinctions: It took place in England, and it was embroidered, as it were, on the back-cloth of the Revolution.