The Baroque Cycle: Quicksilver, the Confusion, and the System of the World (368 page)

I
T IS A WHOLE
new look for the chapel: the black window treatments have been pulled down, and sentenced to a period of confinement, not to exceed one-eighth of a year, in a wooden box where moths will feed upon them. Light is cautiously admitted through the window-grates. The tourists in the back pews are absent. On the altar before the Condemned pew, the coffin has been replaced with a platter of bread and wine. The wine looks as if it’s to be metered out in thimbles, which is an offense to Jack. For if the Church believes, as it plainly does, that a little bit of communion wine is a good thing, then why should not a bucket of it be excellent?

But there’ll be plenty of opportunities to get drunk on the way to Tyburn, and so this is a mere passing flicker of annoyance. He is here
to be Churchified. It is the next in the steadily building rite of mortifications and tortures that began with the Bell-Man last night and will culminate, in a few hours, with quartering.

Jack Shaftoe is brought in separately, after the wretches who spent the night in the Condemned Hold have already been frogmarched up the aisle and chained to the awful Pew. He feels like a bride, the last one into the church, the one all heads turn to look at. As well they might! For Jack got up two hours ago, not wanting to waste a single minute of this most special of all days, and has spent the intervening time getting dressed up in his Hanging-Suit.

He does not know whence the Hanging-Suit came. It arrived at dawn, delivered, the turnkey insisted, by a blond man who roared up in an immense black carriage, and did not speak a word.

Several boxes were needed to contain the entire Hanging-Suit. By the time Jack first saw it, they’d all been gone through by the gaolers, to make sure that no shivs, pistols, saws, or Infernal Devices were wrapped up in the finery. So all was in disarray, all blotched with grimy hand-prints. And yet the inherent majesty of the Hanging-Suit was in no way diminished.

The innermost of the Hanging-Suit’s three layers—the part that touches Jack—comprises white drawers of Egyptian cotton, white hose of Turkish silk, and a shirt made from enough fine white Irish linen to keep a company of Foot in tourniquets and bandages through a brief foreign war. And it must be understood that the adjective “white” here means a true, blinding salt-white, and not the dirty beige that passes for white in poorly illuminated textile markets.

The next layer comprises a pair of breeches, a long-skirted waistcoat, and a coat. All of these are in metallic hues. As a matter of fact, Jack’s pretty sure that they are literally made out of metal. The waistcoat seems to be cloth-of-gold. The breeches and coat are silver. All of the buttons are golden, which Jack takes to mean that, like counterfeit guineas, they are lumps of solder, cleverly jacketed in whispers of gold. But when he bites one, it bites back. Only faint impressions are left by his [false] teeth, and he can see no trace of gray in them—no evidence of base metal underlying the gold. These buttons were made by pouring molten metal into a mold, so each one bears the same imprint: a figure too tiny and involved for Jack’s eyes to make it out in the dimness of his Castle apartment.

The third layer—what comes into contact with the dirt of the world—consists of black leather shoes with silver buckles; a cape, purple on the outside, lined with fur, and hemmed and piped and bebuttoned with additional silver and gold; and a white periwig.

The Hanging-Suit is replete with pockets, several of which came
pre-loaded with coins, placing Jack in a position to dispense Civility Money to the sundry turnkeys, gaolers, blacksmiths, drivers, and executioners who’ll be handling him during the course of the day. It is extraordinary that those coins were not pilfered and the buttons not ripped off by the gaolers when they inspected the Hanging-Suit; Jack concludes that the Mysterious Personage who brought it to him must have employed not only bribery, but threats of Prosecution and of Physical Violence as well.

On his way up stairs to the chapel here, he has advanced the turnkey a shilling for the following favor:

Upon entering the Chapel, every denizen of Newgate stops in his tracks for a few moments because staggered by a blast of light, a sort of optical fanfare. To be honest, the chapel is just sufficiently illuminated for the Ordinary to read from his hundred-pound Bible. But compared to the rest of Newgate, it’s brilliant.

The Lord’s House gets the best part of the prison, viz. the southeastern corner of the top floor. This means a few windows face the morning sun, and several more take the sun during the day—assuming there is any sun. Today the sky is cloudless. The favor that Jack has requested of the turnkey is simply that he would like to have a few moments to bask in the sun that streams into one of those east-facing windows, at the back of the chapel, before he is led up to the doleful Pew.

The transaction comes off as agreed. Into the southeast corner Jack goes, and stands in a prism of sunlight for a few moments. His eyes are seared by the radiance of his own clothing. He is forced to gaze out the window for a few moments, to give his stiff creaky old pupils time to shrink down to the size of fleas. He is therefore gazing roughly eastwards, down the length of Phoenix Court. Just below him, Phoenix Court makes a sort of intersection with the Straight and Narrow Way that connects Newgate with the Court of Sessions in the Old Bailey. Moving away from the prison, then, it forms the northern boundary of the garden that spreads behind the College of Physicians.

Gazing over the wall from this privileged vantage-point, Jack is just a bit let down to see that the College of Physicians is still standing. Oh, there are columns of smoke rising from its property. But this is not because the Mobb burned it down last night. The smoke issues rather from cook-fires. The garden in the back has been turned into a bivouac for (counting the tents) a company of soldiers. No, strike that, they are (examining the colours) grenadiers. Of soldiers, these are the biggest (in that they are obliged to march around with large numbers of iron bombs strapped to their bodies), stupidest (obviously), and the most dangerous to the Mobility (considering the effect of a grenade lobbed into a crowd). Just the lot you’d want to
have camped out in your garden if you were Noble, and expecting a nocturnal visit from the Mobile.

As long as he’s here, Jack takes a moment to fondle one of his golden buttons, and to twist it round for a good look. He notes, first of all, that it’s not attached very firmly: just a few threads hold it in place. But he already knew that from fumbling with it in the dark, back in his apartment. What he really wants is to examine the emblem that is molded into every one of those buttons. Now that he has light, he recognizes it instantly: this is the symbol written by Alchemists to denote quicksilver.

These preliminaries, small as they might seem, put all into a new light—and not just literally—for Jack. He allows himself to be escorted up the aisle, very much like a radiant bride, and very much to the dazzlement of his pew-mates and the dismay of the Ordinary.

The only thing lacking is the bridegroom, one Jack Ketch, who is down in his kitchen putting on his black formal attire and getting ready for the big day. But that part of the ceremony will be conducted later,
al fresco,
before, give or take a multitude, the entire population of Southeastern England.

The service follows the usual pattern, complete with Old and New Testament readings chosen to fit the occasion. The Ordinary has pre-positioned bookmarks. The Old Testament one is a length of black grosgrain ribbon that takes him into the type of passage whose sole purpose, in a Christian service, is to demonstrate just how much trouble we would all be in, if we were still Jews. Finishing this, the Ordinary grips three inches’ and fifty pounds’ worth of pages and heaves them over, bypassing a lot of zany Prophets and tedious Psalms, and dropping smack dab into the New Testament. A small adjustment then takes him to a page that has been marked with the gaudiest, most whorish bookmark Jack’s ever seen, a fat swath of yellow silk with a gold medallion dangling from the end. The Ordinary pulls this exhibit all the way out of the Book, gripping the golden disk in his hand, and letting the yellow silk dangle before them, and rather deliberately folds it up and
slips it into his pocket,
all the while keeping a curious eye on Jack.

It occurs to Jack that he is being Sent a Message.

The Ordinary reads. It is not a single continuous selection but a whole series of snippets, for worshippers with short attention spans, and short life expectancies.

“Now about eight days after these sayings he took with him Peter and John and James, and went up on the mountain to pray. And as he was praying, the appearance of his countenance was altered, and his raiment became dazzling white. Luke 9:28–29.

“As they were going along the road, a man said to him, ‘I will follow you wherever you go.’ And Jesus said to him, ‘Foxes have holes, and birds of the air have nests; but the Son of man has nowhere to lay his head.’ Luke 9:57–58.

“A man was going down from Jerusalem to Jericho, and he fell among robbers, who stripped him and beat him, and departed, leaving him
half dead
. Now by chance a priest was going down that road; and when he saw him he passed by on the other side. So likewise a Levite, when he came to the place and saw him, passed by on the other side. But a Samaritan, as he journeyed, came to where he was; and when he saw him, he had compassion, and went to him and bound up his wounds, pouring on oil and wine; then he set him on his own beast and brought him to an inn, and took care of him. Luke 10:30–34.

“There was a rich man, who was clothed in purple and fine linen and who feasted sumptuously every day. And at his gate lay a poor man named Lazarus, full of sores, who desired to be fed with what fell from the rich man’s table; moreover the dogs came and licked his sores. The poor man died and was carried by the angels to Abraham’s bosom. The rich man also died and was buried; and in Hades, being in torment, he lifted up his eyes, and saw Abraham far off and Lazarus in his bosom. Luke 16:19–23.”

“I’ll be damned, that Luke was a hell of a scribbler,” says Jack.

The Ordinary pauses and stares at Jack over his half-glasses.

Bribing the Ordinary is nothing new, of course, it is nearly as ancient and hallowed a ritual as celebrating the Eucharist. But the yellow silk, the gold—this is a kind of signature, a way of letting Jack know just
who
did the bribing.

“Your Reverence, could I trouble you to read the Old Testament passage one more time?”

“I beg your pardon?”

“Read it again. Consider it, sir, to be part of those Duties for which you have been already Compensated.”

With great rakings and shovelings of pages, the Ordinary returns to the very beginning of the Tome. The other condemned prisoners shift and mutter; some even rattle their chains. To be hanged by the neck until dead is one thing; but to be forced to listen to a reading from the Old Testament
twice,
why, that is not only Unusual but Cruel.

“Cain knew his wife,” the Ordinary intones, “and she conceived and bore Enoch; and he built a City, and called the name of the city after the name of his son, Enoch…” There now follows a quarter of an hour of men knowing their wives, and becoming the fathers of
other men and living for hundreds and hundreds of years. This was the bit where Jack lost his concentration on the first read-through. And to be perfectly honest he loses it again now, somewhere around the time when Kenan becomes the father of Mahalalel. But he snaps to attention later when the name of Enoch comes up again. “When Enoch had lived sixty-five years, he became the father of Methuselah. Enoch walked with God after the birth of Methuselah three hundred years, and had other sons and daughters. Thus all the days of Enoch were three hundred and sixty-five years. Enoch walked with God; and he was not, for God took him. The Book of Genesis, Chapter 5.” And the Ordinary heaves an immense sigh, for he has been reading for a long time, and lo, he thirsteth mightily for the wine on the Lord’s Table, for his throat is as dry as a place in the wilderness without water, amen.

“What the hell does that mean? ‘Enoch walked with God, and he was not, for God took him’?”

“Enoch was translated,” the Ordinary says.

“Even an unlettered mudlark like me knows that the Bible was translated from another tongue, your Reverence, but—”

“No, no, no, I don’t mean translated that way. It is a term of
theology,
” the Ordinary says, “it means that Enoch did not die.”

“Pardon?”

“At the point of death, he was taken away bodily into the afterlife.”

“Bodily?”

“His body, rather than dying, was translated away,” says the Ordinary. “Is it all right with you if we continue now with the service as planned?”

“Carry on, sir,” Jack says. “Carry on.”

E
VEN AS
D
ANIEL’S PROCESSION
has been assembling in the Cloisters of Westminster Abbey, in other buildings, palaces, and compounds around London other groups have been coalescing in more or less ancient and awesome buildings and converged on Westminster by
boat, foot, or gilded carriage, and are now stacked outside of Star Chamber like so many battalions waiting to be summoned onto the Fields of Mars. It is no mean similitude. The Trial of the Pyx is so pompous precisely because it is such a dire and vicious clash. In its rudiments, this is a four-way knife-fight among the Sovereign (here represented by the Lords of the Council and the King’s Remembrancer), the Exchequer (which is playing host to the Trial), the Mint (today, synonymous with Sir Isaac Newton), and a medieval guild called the Company of Goldsmiths. In effect, what they are all here to do is to construct an airtight legal case against Sir Isaac, and find him guilty beyond doubt of Treason, in the form of embezzling from the Royal Mint, so that he may be punished straightaway and with no thought of any appeal. The penalties might range from æternal shame and obloquy on up to loss of the right hand (the traditional fate of fraudulent coiners) or even to the same treatment that Jack Shaftoe is about to receive at Tyburn. The challengers are the Goldsmiths, here represented by a jury of chaps in suitably medieval-looking garb, flashy with cloth-of-gold. They are Prosecutors, Mercenaries, and Inquisitors all rolled in to one. The choice is cunningly made, for the Goldsmiths have a natural and long-standing suspicion of the Mint and its produce, which from time to time flares up to out-and-out hostility. Hostility has been the rule during Sir Isaac’s tenure. Isaac has found ways to reduce the profit that the Goldsmiths reap when they deliver bullion to the Mint to be coined, and they have retaliated by crafting new trial plates of such fineness that Isaac has been hard pressed to mint guineas pure enough. For the Goldsmiths, as well as others in the money trade, such as Mr. Threader, the rewards of bringing down Isaac shall be immense.

The Serjeant at Arms Attending the Great Seal comes out in to the yard and summons Daniel’s contingent. They troop into the Palace and enter presently into Star Chamber. Last time Daniel was in this place, he was tied to a chair and being tortured for sport by Jeffreys. Today the scene’s a bit different. The furniture has been removed or pushed to the walls. In the middle of the chamber, planks have been laid down to protect the floor, and bricks piled atop them to make a platform at about the height of a man’s midsection. Resting atop this is a small furnace, similar to the one in which Daniel melted his ring last night. Someone must have been up tending it since the wee hours, for it’s already heated through, cherry red, and ready to go.

They pass out into a side chamber. Marlborough’s here, seated at the high end of a table along with the Lord Chancellor, the Chancellor of the Exchequer, the new First Lord of the Treasury—Roger’s replacement—and
other Lords of the Council. Seated in the middle of the table, facing the door, and flanked by clerks and aides, is a chap in a white judicial wig, a three-cornered baron’s hat, and black robes. This, Daniel reckons, would be the King’s Remembrancer: one of the most ancient positions in the Realm. He is the keeper of the Seal that is the
sine qua non
of the power of the Chancellor of the Exchequer, and in the King’s name he rides herd on the Exchequer in diverse ways—including presiding over Trials of the Pyx.

Such a Trial cannot even get underway without the necessaries that it has been Daniel’s honor to fetch from the Abbey vault. And so what occurs next, encrusted as it might be with protocol and ceremony, is ever so straightforward: Daniel and the other five Key-holders are summoned to the table. The King’s Remembrancer asks for the Indentures, the Weights, and the Plates. These are handed over, but not before Daniel and the others have sworn on stacks of Bibles that they are the genuine articles. One of the King’s Remembrancer’s Clarkes opens up the chest containing the trial plates. There are two of these, one of silver and one of gold: slabs of metal inscribed with great hairballs of cursive asserting just how fine and just how authentic they are, and pocked here and there with goldsmiths’ seals. The Clarke reads these aloud. Another contingent of blokes is summoned and sworn: these have come from his majesty the King’s Treasury at Westminster, whence they’ve fetched out a little chest, sealed shut with a lump of wax. The seal is that of the Lord Mayor. The Lord Mayor himself is hauled in, at the head of a jury of twelve Citizens, Mr. Threader among them. The Lord Mayor verifies the seal on the chest. It is opened and a die is removed from a velvet bed. The die is compared, by the Mayor and the Citizens, to the stamps on the trial plates, and all agree that the match is perfect. These are indeed the true plates made by the Goldsmiths as a challenge to Sir Isaac Newton; the Trial may proceed.

Similar rites attend the box of weights. This is lined in green velvet, with neat depressions to contain the individual weights: the largest, a full pint or so of brass, marked
500 shillings
and much smaller ones for
1 shilling
and
4 pence
and
one pence,
&c., &c., and finally a set of ivory-handled tweezers for manipulating the tiniest of them.

“Summon the Goldsmiths,” intones the King’s Remembrancer. To Daniel and his coterie, he says, “You may stand over there,” and waves at an open space in the corner. Daniel leads the group over, and turns around to find the eyes of the Duke of Marlborough on him: a reminder—as if Daniel needed any—that this is it. The new System is facing its first test, and it’s doing so under the most adverse possible
circumstances: a sick and possibly demented Alchemist is in charge of the Mint and a Vagabond has tampered with the Pyx and is now going to meet his Maker without having coughed up the evidence they want. And Roger’s no longer around to make it all better.