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Authors: Mary Gentle

The Black Opera (101 page)

BOOK: The Black Opera
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An hour passed.

Time went past slowly enough to make him envy the sailors at their tasks—though he knew he'd bitterly regret any life that forced him up masts and yards, to furl and unfurl sails. Pain bit again. No use offering himself for menial tasks to take his mind off what might be happening in Naples, since few enough tasks can be done literally single-handed.

He was turning his right hand for inspection when Tullio came up to lean on the rail beside him. Creased palm, fingers still stained with ink even after scrambling through Pozzuoli, capable manipulative fingers…

“Anything?”

“Man at the top of the big mast says they went to the palace.”

“Look!” Conrad's focus abruptly shifted. The dark motion beyond Tullio's head became the lifting and scooping of oars, and the dark blob the ship's boat returning from the silent city.

Sling or not, he managed to elbow his way through the idlers waiting at the side of the ship, and hold his position there while the men came back on board.

Seeing a familiar profile, he shoved forward.

Alvarez's men hurried Leonora away before she could even look around.

King Ferdinand came aboard with agility. He shrugged his shoulders, brushing the wide lapels of his coat as if he could brush Naples away with the dust.

“We sent out scouting parties. Their reports are conclusive.”

Ferdinand spoke generally, gazing around at
aides
, sailors, the survivors from the opera company. By his grave expression, the emergency had him still in the
frame of mind to speak openly to any man of the Two Sicilies, rather than with the reserve of a king.

“The Returned Dead may have gone back into the storm after the god spoke through them—but they evidently didn't go away. There are hundreds, thousands, of them… If there are any living survivors, they've fled; likely out into the countryside. There's no living man, woman, or child to be found.”

Ferdinand rubbed absently at his dust-red eyes—and dropped his hand, his expression abruptly pained.

“Naples is a city of the Returned Dead.”

CHAPTER 59

T
he
Apollon
ran south through the Straits of Messina, and south and west, around island-Sicily, rather than directly past Stromboli and the Aeolian Islands.

“Weather's still unsettled,” Tullio Rossi muttered, leaning unprovoked on the ship's rail beside Conrad, as they passed through the Straits.

Conrad stared out at land and sea for a long time before he identified the strangeness. “It's wider…”

“They say
that
wave was something to see.”

Conrad tried to comprehend that, while he and his compatriots fled fire, a great flood of water had undercut both sides of this channel, widening it out in minutes.

The notorious current didn't seem less strong.

A distant yellow stone line of buildings fronted the sea, under sullen and black-sloped Ætna. Conrad wondered aloud, “Think we'll make port at Catania?”

“The King wants to set up at Palermo too much. Don't worry, padrone.” The big man looked embarrassed. “Your family are all right, I'm sure.”

It was a niggling pain, somewhere inside, that Conrad was content to wait for a communication from Zio Baltazar telling him his mother Agnese was well.
After all
this,
I don't want to be nagged for money I certainly haven't got! Even when I get paid for
L'Altezza
's libretto
.

Worrying about that enabled him to ignore the fang of pain chewing on his left hand.

The
Apollon
sailed on. The King of the Two Sicilies wished to aid his stricken
country, shipboard rumour said—and since Naples is a city of the dead, to move his capital to island-Sicily, in the north of the island, at Palermo.

Day and night and day.

Conrad did not see Leonora.

Attempting to bribe his way past the door of the first mate's cabin failed. Even bribery with the request that he merely be allowed to talk to her through the barred door.

The sergeant in charge of the soldiers of Colonel Alvarez was sympathetic. “We'd like to do it, signore. We wish we might do it for the hero of the
Campi Flegrei
. But you understand, it's duty.”

“‘Hero'?” Conrad shook his head, stunned, and walked off, leaning against the slant of the ship.
Hero! All I want is to speak to Nora!

He found himself turning it over and over in his mind.

This is not the woman I opened my heart to in Venice
. Even without what has happened to her, how could it be? Five years gone: we are both different. She's… I don't know what she is. But I love her with her potential realised: all fire and ice and sword-blades.

I can't have her; she'll choose Roberto
.

Her arrest was strict enough that he temporarily gave up his attempts.

What does this imply for her future?

He might have been given his own quarters below decks, but comfort and some odd feeling—that surely could not be any kind of loyalty—kept him in the makeshift sickbay that was Captain Bernard's cabin, with the Conte di Argente.

The Count's arrest was strict. Conrad still had visitors. Each allowed in by ones and twos, but visitors nonetheless.

JohnJack Spinelli came with an extra ration of crackers, and leaned against Conrad's cot making “single-handed” jokes until Conrad threw him out, pleased to have got that initial hump over with.

Sandrine offered her protests about her plight having to live below decks, “at close quarters with all those common sailors,” but confessed that Paolo had hung up a curtain to cut the “opera” section of the lower deck off at least from curious stares, if not from flirtation… Scurrilous company gossip followed.

Paolo-Isaura came with Tullio and a wordless, but beaming, Giambattista Velluti. Apparently all the officers and half the crew wanted to hear his story of what happened in the
Anfiteatro
, and needing Isaura to translate his whispers into her broken French only made it more effective.

“Oh, yes, brother,” Paolo-Isaura said innocently. “I'm told we have to congratulate you on your new-found belief in God…”

“My
what?”

Tullio snickered. By the look of him, he was not the source of any rumours.

That'll be Count Roberto that's flapped his mouth off
, Conrad mused grumly.
Since he was the only other person here apart from the surgeon
. He must have said something while I was asleep.

Paolo cast her eyes up to the heavens (or, in this case, the underside of the frigate's deck) and murmured, “‘Thank God for science'…”

Conrad managed to summon a lofty dignity. “I was using the term in the cultural,
secular
sense of the word.”

Even Giambattista Velluti joined in the jeers in response to that.

“All right, I was out of my head with brandy and laudanum!” Conrad very carefully folded his arms, and sulked his way through an afternoon of teasing.

They haven't abandoned me
.

He dared not look when the lob-lolly boy changed the bandages. He kept his head turned away, and at those times read what remained of his cut and de-boned hand in Roberto Capiraso's horrified gaze.

Conrad met with Ferdinand again only briefly, the King congratulating him on surviving surgery.

Now that it looks like the
Apollon
and all of us will survive… there'll be arrest, judgement, and punishment of the King's enemies.

Conrad could not have imagined, before, that it would give him a moment's concern.

The two wooden cradles swung to an identical angle as the frigate heeled over, running west before tacking north again.

Roberto Capiraso's voice held no apparent emotion. “I suppose it will be a matter of prison.”

“You deserve it.”

The bearded man lay back flat, his expression a curious mix of resignation and frustration. “I know. I don't deny it.”

A laugh bubbled out of Conrad before he could stop it.

The Conte di Argente glared—and then heaved a sigh. “What is it
now
, poet?”

“You can talk!” The most recent dose of morphine loosened Conrad's tongue, but didn't move him to speak anything but his true opinion. “You out-poet the poets, Superbo! All for love… All for her…”

If the man had not been injured and in pain, Conrad wouldn't have seen the flinch, or watched the muscles of Capiraso's jaw tighten.

That hit home
.

The Count said bitterly, “I have half a mind to get out of this
thing
and find her—”

“—If you want to be on crutches the rest of your life.”

The man cursed like a dockside
lazzaroni
.

Conrad had no idea, now it came to it, why he should be warning Il Superbo of anything.

Because of her
, Conrad reflected.
Because I understand him, and I can't help but sympathise, even with my rival.

The surgeon made his rounds then, inspecting both men with a dour confidence in his own ability that Conrad found cheering.

Conrad caught sight of uniformed, armed men beyond the door.

“They must think I'm improving,” Roberto grunted. “I'm under the strictest possible arrest.”

The
Apollon
came into the north-west facing harbour of Palermo early in the morning, bows seeming hardly to disturb limpid water. March brought out green scrub and grasses on the great grey crags that cupped the city. The southern light, and the heat that soothed his skin, made Conrad physically at ease for the first time since the Burning Fields.

As they came into the curve of the bay, he looked beyond the town. Blue-grey haze went up into the heavens.

The grey-blue cloud gave way, halfway up the sky, to stark rock.

It was not a cloud—was, in fact, the higher foothills of Ætna, on the far side of the island; whose white snow and eruption-blackened peak stood out precise and distinct. High enough that he must tilt his head back to take it in, even this number of miles away…

BOOK: The Black Opera
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