The Book of Madness and Cures (9 page)

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Authors: Regina O'Melveny

BOOK: The Book of Madness and Cures
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At last we glimpsed a village below, really just a huddle of single- and two-story wooden houses with steep mossy roofs and crooked walls, balconies hung with ragged, faded old rugs, for fine weather meant a good day for rug beating. A young woman with heavy arms stood on a balcony with a flat wooden bat, her hips swinging to the right as her arm swatted left, and Lorenzo let out a shout: “Oh, wonderful town! I feel I’ve come home!”

“Looks like a bunch of rickety henhouses,” Olmina teased good-naturedly.

“But what a farmyard, eh?” He waved his arm to include the lush green valley rimmed with jag-toothed mountains, the river ribboned with light, the forest that gave off a sweet resin scent in the waning heat of the day. “Just smell those woods, that meadow.” He took a deep, noisy breath that made us laugh.

Olmina rode up next to him, and their mules jostled one another.

For a moment as I ambled up from behind, I could have taken them for young lovers, their knees barely touching. Lorenzo reached across to touch her hand upon the saddle. If I weren’t there, perhaps they might have kissed, and this both astonished and delighted me. But he quickly withdrew his hand and the mules parted.

The sun slid like a coin behind the sleight-of-hand peaks before us, and we all joined in on a lullaby Olmina had murmured to me since I was young.

 

Fai la ninna bebé
che ora viene Papà
e ti porta din-don
fai la ninna bebé.

 

My father wandered somewhere ahead of me, a thousand miles or ten. Perhaps at this very moment he was returning. He could be rolling slowly upon his own barge of a horse, that black monster Stelvio. Though now that Stelvio was older, his manner might be softened, the edginess in his eyes gone docile, if indeed, poor creature, he was even alive. My father always warned,
Let him see you. Don’t sneak up on him.
But I was afraid of that horse’s stare, just as I feared the abrupt rebuke of my father’s rage.

He could be approaching me now with his two attendants, if they still accompanied him. Though really I had no reason to question their loyalty. We’d always assumed they’d send word if something happened. But since they couldn’t write (unless they enlisted the help of a scribe), they might’ve been unable to dispatch any news. And besides, messages are easily lost…

There were so many ways to disappear in this world, I mused: by land, in the sea, kidnapped by thieves, set upon by vagabonds, forced into battles or chained to galleys, vanquished by gambling. And of course, the one possibility I pushed furthest from my mind: disease of all sorts. For what good was a doctor who couldn’t cure himself ?

 

As we continued on our way to Bregnicz, a week’s ride or so from Val di Fassa, Venetian spice merchants headed to Piamonte warned us, “You can’t go by the Costentz, its waters have swallowed the road!” In my determination (what Olmina calls my obstinacy), I refused to listen to them. Venetians are accustomed to the
acqua alta.
Indeed, my father, Dr. Cardano, and I had passed this way easily over a decade ago to visit an old friend. We were forewarned of submerged roads then too, but we waded through without mishap (other than muddied clothes) as the shallow waters receded.

Also, I was fighting a desire to return to my former patients, the women I’d only been able to notify of my absence by message. Who knew what course a new doctor would follow. Would he be undoing my cures?

My father had often noted the complement of a woman doctor in the room. “They speak to you more readily, Gabriella, and give you advantage in seeking a cure.”

“I’m able to listen too, Papà. This art, not taught at university, is my greatest teacher.”

“Not your father, then?” He smiled as he sat at the desk in his study.

“Ah, the one must precede the other. How could I learn from you without listening?”

“Though we all jump in too soon sometimes, don’t you think?”

“I know, I know,” I said, feeling a hot twinge of embarrassment. “At the beginning I was far too eager to give my opinion. It’s not easy when I have to prove myself tenfold to be taken seriously as a young woman. Two faults in one. Yet every day now I remind myself to bow to the unknown cause.”

“We worship at the same altar, my dear. Malady and death, the greatest teachers.”

“And the patient herself,” I couldn’t resist adding.

Now, as we rode, I sometimes grew annoyed with my horse (though the hot weather also pricked my impatience). We’d entered the sullen dog days of August, month of fevers. Dog Star and sun together in the sky generated more heat (or so the ancients believed). My restless animal balked at the slightest crackle in the dry leaves or even at a thin rivulet threading the road. Lorenzo grumbled at me for my ill temper with Orfeo, but Olmina defended me. “Don’t be harsh on the signorina. Horses aren’t the only ones that catch a burr in the hoof !”

“But one must be kind to beasts,” he muttered.

“I’ll try,” I promised him, and I sincerely meant it, though not long after, Orfeo halted and dug in his hooves, stricken by the mystifying vision of a curved stick in the middle of the road. “Boiled-Eggs-for-Brains!” I flung the words under my breath. The pack mules took advantage of the delay to wander off and enthusiastically crop grasses and blue gentian among the stones.

Lorenzo dismounted and kicked the offending stick aside. He wryly warned, “Don’t forget that trouble rides a
fast
horse!”

A fast horse would have gotten us to Lake Costentz by now,
I thought.

 

The high fields smelled of scythed barley and threshing, old apples, and Rhenish. Sheep stood unmoved in the middle of mountain paths when we rode up, and they turned their implacable dun faces toward us, bleating loudly and sticking their tongues out. Lorenzo sat up in the saddle, leaned forward, and commanded them in a quick, low tone to move their woolly rumps. The flocks miraculously parted. Sometimes, as we moved along, I noticed that the three rear pack mules abruptly picked up the pace, setting off a panicky crunch. Lorenzo would turn round with a long, “Ooooh, oooh,” and slow them down. That they listened to him seemed no small marvel to me. After that, he’d sometimes pivot in his saddle and glance behind us.

“What are you looking at, Lorenzo?” I’d ask.

“Oh, nothing, signorina. Just keeping an eye on them.”

But I noticed that he wasn’t checking the mules as much as scanning behind them. Would wolves hunt us in broad daylight? Or was there a madman roaming the woods? For there were many folk three bricks shy of a load, as Lorenzo would say, turned loose like kittens dumped in a wild place, when they weren’t thrown into the lake in a sack of stones. But Olmina used to say,
La paura è spesso maggiore del pericolo,
and if indeed the fear was worse than the danger, I should keep it to myself.

Still, the jitters of the mules often ran through the loose ropes connecting us like the twitching of nerves.

 

A week after we’d left Val di Fassa, we finally approached the swollen waters of Lake Costentz. The animals shied back, all six of them, with looks of terror on their long faces. Olmina spoke in a tone of dread. “Ah, Signorina Gabriella, look at the village there on the far shore, the poor drowned cottages.”

I surveyed the flooded lake (none of us knew how to swim), and blunt misgivings rose up, but I hid them. “Those towns remind me of a collection of bones—like our bodies,” I mused. “Remember the little Chapel of the Innocents, bones as lintels and stacked as posts, skulls and vertebrae as ornament?”

“Oh, but signorina, where will they live now, those inhabitants of the drowned villages? And by what path will we go?” Olmina cried, pushing her gray hair away from her face, tucking it back into the faded red scarf from which it had escaped.

“Maybe we can pick our way along the higher ground,” I offered with more conviction than I felt, glancing up at the flanks of the mountains.

“We can walk the animals,” Lorenzo asserted, and he gestured widely with his lean arm. “The water looks shallow.”

“I don’t like this one bit,” muttered Olmina.

“At least it’s not rising—you can see the old high-water marks there, a meter above the present level,” I added, pointing to some rocks banded with mud.

But none of us moved as we stared at the pale gravel swath of the road where it slid beneath a wide finger of the lake. The reed beds lay sunken, in some places half-submerged, pointing their thin green fingers at the sky. Ducks and coots swam across the underwater track. The day was still warm, but a stiff wind came up from the other shore, raking the lake’s surface into small, choppy furrows as it approached us.

“Well, let’s get on with it, then,” said Lorenzo, sighing.

He dismounted and cut a length of willow to sound the water’s depth as he led the way. Olmina and I dismounted and tucked the hems of our skirts into our waistbands so the folded edges rose to our calves. We began to wade ankle-deep, sometimes knee-deep, through the edge of the lake, following the winding trace of the underwater road. My feet slid back and forth in the sloppy leather of my sodden shoes. Lorenzo’s mild limp grew more pronounced; Olmina swayed side to side, swinging the table of her hips in a slow rhythm. We pulled the reluctant animals after us. As we sloshed through sheets of water that mirrored the mountains and fitful heavens, I said, “We’re treading on the sky!” seeking a diversion. Olmina rolled her eyes at me, and Lorenzo said nothing as he probed the flood before him.

The cold lake rose through my skirts. I became a wick for all that was shapeless and heavy, things that skulked at the bottom of Lake Costentz. Though I prided myself on a certain mettle, I finally stood, shivering and unable to move. Orfeo shoved his sloppy, bristling lips against my ear and I held his anvil head to mine for a moment. Then I pushed through the water again.

As we shuffled around a small promontory, another village came into view close by. The black wrought-iron benches of the town promenade descended blindly down the slope until they plunged below the water. Alder leaves drifted on the surface, around the roofs of houses that now resembled strange shale-and-wood rafts. The water stuttered in the dark mouths of half-submerged windows. Part of the town was still visible above water, and a few stout men—solemnly smoking long clay pipes at the edge of a cobbled street that vanished into lake—watched us approach as if they were witnessing apparitions.

Large whitecaps clipped the lake. Orfeo snorted behind me. His hoof caught—suddenly he buckled forward, and I shouted, watching him go down, as a stirrup snagged my left foot and I flipped backward, stunned by cold water. He dragged me along a slippery bank, gasping. The horse labored underwater and we descended. He dealt me a dull blow to the chest and shoulder. I couldn’t breathe. Muted shouts rang out above us. The shocked whites of his eyes flashed as he sank, his legs still toiling.

My dress coiled around me. Water forced my mouth and broke into my lungs. I flailed hard. The dark sealed my eyes.

 

I woke up choking.

A barrel-chested man bent over me. He smelled of sausages and sotweed. I shook with cold, then retched and retched again, shutting my eyes against the stranger, ashamed.

“This lady should not be wandering with only servants on this dangerous route, even if she be a pilgrim, which clearly she is not!” His harsh voice boomed over me. “Where is her staff and scallop shell or other holy badge? In plain fact she shouldn’t be on the road at all, which is not a road, now that the lake has claimed it!”

“Signorina Gabriella.” Someone carefully wiped my mouth with a cloth. “Signorina…” It was Lorenzo.

Olmina moved her crooked hands upon my head. “
Madre di Dio,
come back to us, child!” Her fingers were twigs scraping my skin.

Two men carried me into a smoky half-timber house nearby that reeked of mildew and up several narrow stairs into a plain attic room. I trembled down to my bones as Olmina changed my wet clothes for dry, while I lay abed. Every few moments I gulped air. My chest burned. I thought,
What I truly need is a good infusion of coltsfoot with honey,
but before I could ask Olmina to brew it, my heart jolted and I sat up crying, “The medicine chest!”

Olmina drew me back down to the bed. “Orfeo sank, the chest went with him. But you are with us and that is the most important thing.”

The medicine chest—the ashes of Maurizio’s letters (a medicament for my own longing—the powder of his words, which I could actually touch), the herbs and metals that I’d collected over the years… If I could hold the jar of dried hyssop my father and I had gathered near the hills of Verona, then he would still be with me. Those tiny blue flowers caused bruises to disappear, according to Pliny. The bruises on my chest and shoulder… Where was I?

“What is this place?” I mumbled.

“You’re in the house of Dr. Wassler, one of the men who pulled you from the lake,” Olmina reassured me.

I scanned the room, disoriented. A thin, weedy woman stood in the corner wringing her hands. “Who is that?”

“Mrs. Wassler, who’s preparing a woad-leaf plaster for your wound. Orfeo gave you quite a smart kick with his hoof, poor beast.”

Orfeo! He was gone.

The woman squeezed damp leaves over a basin with bony hands. Her blue eyes focused intently on her task, though her thin mouth twitched. A woolen scarf covered her hair. Dr. Wassler stood behind her, frowning, though I couldn’t make him out very well because the only light in the room came from the small fireplace. Were there no candles? When the fire flared for a moment, his freckled head shone, fringed with straw hair, bobbing and nodding as he spoke briskly to his wife. The wind rattled the shutters and droned down the chimney.

When Lorenzo came to stand beside my bed, I spoke in a whisper so Dr. Wassler couldn’t hear. “Do you still have the maps and my notes for
The Book of Diseases
?”

“Yes, yes, signorina,” he answered under his breath. “I have them in safekeeping in my satchel—don’t you fret.”

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