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We passed each other on the platform. I hadn’t particularly noticed him until that second, and yet in some way he’d impressed himself so forcibly upon me it was as if I’d known him elsewhere.

I walked on for what seemed to be a long interval before I allowed myself to turn around—and he was turning, too, of course, at just the same instant. We looked at each other, and we smiled, just a little, and then I turned and went on my way again.

When I reached the end of the platform, I turned back, and he was waiting.

He was handsome, yes, and maybe that was all it was about, really. And maybe it was just that beautiful appearance of his that caused his beautiful clothing, too, his beautiful overcoat and scarf and shoes to seem, themselves, like an expression of merit, of integrity, of something attended to properly and tenderly, rather than an expression of mere vanity, for instance, or greed.

Because, there are a lot of attractive men in this world, and if one of them happens to be standing there, well, that’s nice, but that’s that. This is a different thing. The truth is that people’s faces contain specific messages, people’s faces are secret messages for certain other people. And when I saw this particular face, I thought, oh, yes—so that’s it.

The sky was scudding by out the taxi window, and we hardly spoke—just phrases, streamers caught for an instant as they flashed past in the bright, tumultuous air. And no one at the reception desk looked at us knowingly or scornfully, despite the absence of luggage and the classically suspect hour. It was as solemn and grand, in its way, as a wedding.

We had taken the taxi, had stood at the desk;
we had done it
—the thought kept tumbling over me like pealing bells as we rose up in the elevator, our hands lightly clasped. And we were solemn, and so happy, or at least I was, as we entered our room, the beautiful room that we might as well have been the first people ever to see—elated as if by some solution, when just minutes before we’d been on the metro platform, clinging fiercely, as if before a decisive separation, the way lovers do in war time.

Acknowledgments
 

Incalculable thanks to Elizabeth Richebourg Rea and the late Michael Rea of the Dungannon Foundation, champions and connoisseurs of the short story; to Verena Nolte and the Villa Waldberta; and to the Lannan Foundation—all the people there, and in Marfa, who were so kind to me!

Also by Deborah Eisenberg
 

Pastorale

 

Transactions in a Foreign Currency

 

Under the 82nd Airborne

 

Air: 24 Hours: Jennifer Bartlett

 

The Stories (So Far) of Deborah Eisenberg

 

All Around Atlantis

 

Twilight of the Superheroes

 

THE COLLECTED STORIES OF DEBORAH EISENBERG
. Copyright © 1997, 2006, 2010 by Deborah Eisenberg. All rights reserved. For information, address Picador, 175 Fifth Avenue, New York, N.Y. 10010.

www.picadorusa.com

Picador
®
is a U.S. registered trademark and is used by Farrar, Straus and Giroux under license from Pan Books Limited.

For information on Picador Reading Group Guides, please contact Picador. E-mail:
[email protected]

Grateful acknowledgment is made to the following publications, in which these stories originally appeared: “Flotsam,” “What It Was Like, Seeing Chris,” “Transactions in a Foreign Currency,” “Broken Glass,” “A Cautionary Tale,” “Under the 82nd Airborne,” “Presents,” and “The Custodian,” in somewhat different form, in
The New Yorker.
“A Lesson in Traveling Light” in
Vanity Fair;
“The Robbery” and “In the Station” in
Bomb;
“Holy Week” in
Western Humanities Review;
“Across the Lake” and “Tlaloc’s Paradise” in the
Voice Literary Supplement;
“Someone to Talk To,” “Rosie Gets a Soul,” and “The Girl Who Left Her Sock on the Floor” in
The New Yorker;
“Mermaids” first appeared in
The Yale Review;
“Twilight of the Superheroes” in
Final Edition;
“Some Other, Better Otto” in
The Yale Review;
“Like It or Not” in
The Threepenny Review;
“Window” and “Revenge of the Dinosaurs” in
Tin House;
and “The Flaw in the Design” in
The Virginia Quarterly Review.

Library of Congress Cataloging-in-Publication Data

Eisenberg, Deborah.

[Short stories. Selections]

The collected stories of Deborah Eisenberg.—1st Picador ed.

p. cm.

ISBN: 978-1-4299-8722-6

I. Title.

PS3555.I793A6    2010

813'.54—dc22

2010002081

BOOK: The Collected Stories of Deborah Eisenberg
12.93Mb size Format: txt, pdf, ePub
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