The Collected Works of Chögyam Trungpa: Volume Seven (95 page)

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Authors: Chögyam Trungpa

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BOOK: The Collected Works of Chögyam Trungpa: Volume Seven
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art as
in everyday life
as isness
vs. mindfulness in art
perception and
unconditional
See also
Space awareness practice

Bach

Basho

Basic beauty

art and
art as expression of
Basic goodness
heaven/earth/man and
intelligence as
pacifying karma as
simplicity of
trust in

Basic health

“Basic Sanity in Theater” (article)

Basic sanity

vs. black magic
as goal of Buddhist path
in theater arts

Bateson, Gregory

Beam
(photograph)

Beethoven, Ludwig van

Being, sense of

allergic to oneself
cornered
not afraid to be a fool
perception as
on the spot
See also
Isness

Bercholz, Sam

Bergman, Ingmar, films of

Bewilderment

positive

Black magic

vs. basic sanity
violent art as

Blake, William

Blankness

beginning with
vs. eagerness
first dot and
heaven principle as
as space of nothing happening
unbiased mind as

Blue (color)

of buddha family
of pacifying karma, of

Bly, Robert

Bodhgaya (India)

Bodhisattva(s)

artist as
images of
poet as

Body

coordinating speech and
synchronizing mind and
winds of

“Boo” transmission

Born in Tibet

Boulder Craft House

Brahms

Branches
(photograph)

Bravery

poetic

Brilliance, all-pervasive

Brook, Peter

Brush stroke

as statement
as weapon
See also
Calligraphy

Bryant, Baird

Buddha(s)

difficulty portraying
three types of

Buddha, Shakyamuni

disciples of
Vajradhara, as

Buddha (buddha family)

all-encompassing wisdom
blue color
as environment
space element
wheel symbol

Buddha nature

Great Eastern Sun as
yidams as expressions of

Buddhism

Ch’an
composure of
conmanship vs.
early
evolutionary quality of
Indian vs. Chinese
Japanese
living
nontheism of
perception and
as “slow journey”
symbolism of
three yana path of
Tibetan
translating, into English
See also
Vajrayana Buddhism

Buddhist art

noncultural
traditional
See also
Tibetan Buddhist art/iconography

Bukowski, Charles

Burroughs, William

on prose

Business mentality

Byrd Hoffmann School of Byrds

Cage, John

Calligraphy

abstract
brushes
Chinese style
English language
heaven/earth/man and
Hebrew
ink
in installation art
Japanese style
as nonthought painting
paper
of poetry
of refuge/bodhisattva vow names
scripts
of seed syllables
on shikishi boards
signatures on
as visual haiku

Castlebury, John

Center Design Studio

Centre Productions (film studio)

Chado
(way of tea)

Chaikin, Joe

Chanting (liturgical)

wrathful deity and

Chaos

harmony and

Chartres Cathedral

Cheering up

Chicago Review

Child of Illusion
(play)

Chinese Communist oppression

Chögyam Trungpa
(Midal)

Christianity

A Christmas Carol
(Dickens)

Chu-yik (calligraphic script)

Circle (shape)

heaven principle as
pacifying karma as

Clarity

humor and
irritation and
nonaggression as

Claudel, Paul

Claustrophobia of anxiety

Coca-Cola world

Coe, Stella (ikebana master)

Coemergent wisdom

Coleridge, Samuel Taylor

Collaboration, artistic

poetic
Trungpa/Karl Appel

Color(s)

“arrangement”
of buddha families
of four karma
of imperial courts
of masculine/feminine principles

Coming from Nothing
(Worley)

Communication

art as
mindfulness-awareness in
process of total
sense perceptions as
vipashyana as

Compassionate plot

Competitiveness

Composition

filmmaking
five buddha families and
poetic

Confidence

art and
Great Eastern Sun as

Conmanship

Construction Site
(photograph)

Continuity

filmmaking
meditation and

Coolness

absence of neurosis as
of dharma
of pacifying karma

Cooperstein, Nancy

Corbett, Barry

Corso, Gregory

Cosmic garbage

Cowardice

weaponry and

Crane, Hart

Craziness, poetry and

imagery, in

Crazy wisdom (calligraphy)

Creative process

five buddha families and
open-mindedness and

Creeley, Robert

Crowley, Aleister

Crudeness

Culture

art beyond
individual and
monastic
Tibetan vs. Japanese

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