The Collected Works of Chögyam Trungpa: Volume Seven (97 page)

writing as

Environment

art and

awake state of mind and

Buddhist

creating

as education

flower arranging and

meditation and

See also
Installation art

Equanimity, wisdom of

Evam,
definition of

“Everybody’s a Little Homosexual” (Ginsberg)

Exhibitionistic art

Exhibitions

documentation of

Emmanuel Gallery, CU

LAICA Gallery

See also
Installation art

Expectations

as obstacle to symbolism

and panic

Experience

as first level of perception

nonverbal

penetrating quality of

sense perceptions and

symbolism and

theory vs.

workability of

Explorers of the Richness of the Phenomenal World

“Exposé”

Expression (artistic)

of beauty

unconditional vs. self

Eyes, as door of wisdom

Fear

as basis of setting-sun world

of death

of natural disasters

reality of

Fearlessness

of destroying karma

of outrageousness

Feminine/queen principle

as bhagavati

as dakini

four karmas and

purple color of

unity of masculine and

Ferlinghetti, Lawrence

Festival(s)

“Dharma” (Boston)

Midsummer’s Day

Philadelphia Fringe

Fields, Rick

Filmmaker’s Newsletter

Filmmaking

continuity in

exercise

expectations in

five buddha families and

irritation in

meditation and

shooting snow in

three principles of

Finckh, Dr. Elisabeth

Fire (element)

Firehouse Theater (Minneapolis)

First dot, best dot

First thought, best thought (principle)

as earth principle

as first dot

as heaven principle

poetry and

vs. subconscious gossip

First Thought, Best Thought

Five buddha families

filmmaking and

flower arranging and

iconography and

mandala of

neuroses of

as styles of perception

See also individual listings for
Buddha, Karma, Padma, Ratna,
and
Vajra (buddha families)

Flower arranging

environment and

five buddha families and

heaven/earth/man and

poetry and

setting-sun

as total world

See also
Installation art

Fool, willing to be

Form(s)

art

emptiness and

fusion of artistic

of mandalas

Formal Garden
(photograph)

Fornes, Maria Irene

“The Four Dharmas of Gampopa”

(calligraphy)

Four dignities

Four directions

buddha families and

four karmas and

guardians of

of Tibetan mandala

Four foundation practices

Four karmas

colors of

heaven, earth, man and

mahakalas and

mandala of

masculine/feminine principles as

See also
Destroying (karma); Enriching (karma); Magnetizing (karma); Pacifying karma

Four noble truths

Four seasons

Four Torches (yoga)

Four wind(s)

destroying karma and

karma (buddha family) and

Frank, Robert

Freedom

as letting go process

as mandala principle

pre-production

Gangshar, Khenpo

Gap (of mind)

in filmmaking

as nowness

as source of sophistication

Garden
(photograph)

Garuda (calligraphy)

Garuda
(magazine)

Generosity

Gentleness

colors of

pacifying karma as

scientific discipline and

Genuineness

Gesar of Ling

GES Building (Boulder)

Gimian, Carolyn

on elocution

Gimian, James

Ginsberg, Allen

on heaven/earth/man

meditation and poetics course

poem to

on poetry of Chögyam Trungpa

Giving, as absence of aggression

“Glorious Bhagavad-Ghetto”

Golden Age

Goodness

intrinsic

monotony of gospel of

pacifying karma and

See also
Basic goodness

Granelli, Jerry

Great Eastern Sun (vision)

art and

buddha nature as

home and

Occidental

vs. rising sun

vs. setting-sun

three principles of

The Great Eastern Sun

The Great Gatsby
(Fitzgerald)

Green (color)

of destroying karma

of karma family

Green, Ken

Greenberg, Samuel

Gregory, Andre

Grotowski, Jerzy

Groundlessness

Guru Rinpoche

See also
Padmasambhava

Guru(s)

devotion to

portraits of

Haiku, Japanese

threefold logic of

Half-circle (shape)

of magnetizing karma

Harmony

art and

chaos and

idealism vs.

richness of

in society

Hartley, Marsden

Hassan i Sabbha

Hayden Gallery (MIT)

Hayward, Karen

Head and shoulders, sense of

Heaney, Seamus

The Heart of the Buddha

Heart Sutra
(Prajnaparamita teachings)

The Heart Sutra
(play)

Heaven (principle)

art and

basic space as

finding your spot as

first thought as

panic of

primordial mind as

as “that”

Heaven/earth/man (principle)

architecture and

art and