Read The Complete Fiction of Nella Larsen: Passing, Quicksand, and the Stories Online

Authors: Nella Larsen,Charles Larson,Marita Golden

Tags: #Literature & Fiction, #Literary, #United States, #Contemporary Fiction, #Literary Fiction, #African American, #Psychological

The Complete Fiction of Nella Larsen: Passing, Quicksand, and the Stories (12 page)

BOOK: The Complete Fiction of Nella Larsen: Passing, Quicksand, and the Stories
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When he did call, Sunday, three days later, she put him off on Anne and went out, pleading an engagement, which until then she had not meant to keep. Until the very moment of his entrance she had had no intention of running away, but something, some imp of contumacy, drove her from his presence, though she longed to stay.
Again abruptly had come the uncontrollable wish to wound. Later, with a sense of helplessness and inevitability, she realized that the weapon which she had chosen had been a boomerang, for she herself had felt the keen disappointment of the denial. Better to have stayed and hurled polite sarcasms at him. She might then at least have had the joy of seeing him wince.

In this spirit she made her way to the corner and turned into Seventh Avenue. The warmth of the sun, though gentle on that afternoon, had nevertheless kissed the street into marvelous light and color. Now and then, greeting an acquaintance, or stopping to chat with a friend, Helga was all the time seeing its soft shining brightness on the buildings along its sides or on the gleaming bronze, gold, and copper faces of its promenaders. And another vision, too, came haunting Helga Crane: level gray eyes set down in a brown face which stared out at her, coolly, quizzically, disturbingly. And she was not happy.

The tea to which she had so suddenly made up her mind to go she found boring beyond endurance—insipid drinks, dull conversation, stupid men. The aimless talk glanced from John Wellinger’s lawsuit for discrimination because of race against a downtown restaurant and the advantages of living in Europe, especially in France, to the significance, if any, of the Garvey movement. Then it sped to a favorite Negro dancer who had just then secured a foothold on the stage of a current white musical comedy, to other shows, to a new book touching on Negroes. Thence to costumes for a coming masquerade dance, to a new jazz song, to Yvette Dawson’s engagement to a Boston lawyer who had seen her one night at a party and proposed to her the next day at noon. Then back again to racial discrimination.

Why, Helga wondered, with unreasoning exasperation, didn’ they find something else to talk of? Why must the race problem always creep in? She refused to go on to another gathering. It would, she thought, be simply the same old thing.

On her arrival home she was more disappointed than she cared to admit to find the house in darkness and even Anne gone off some
where. She would have liked that night to have talked with Anne. Get her opinion of Dr. Anderson.

Anne it was who the next day told her that he had given up his work in Naxos; or rather that Naxos had given him up. He had been too liberal, too lenient, for education as it was inflicted in Naxos. Now he was permanently in New York, employed as welfare worker by some big manufacturing concern, which gave employment to hundreds of Negro men.

“Uplift,” sniffed Helga contemptuously, and fled before the onslaught of Anne’s harangue on the needs and ills of the race.

Ten

With the waning summer the acute sensitiveness of Helga Crane’s frayed nerves grew keener. There were days when the mere sight of the serene tan and brown faces about her stung her like a personal insult. The carefree quality of their laughter roused in her the desire to scream at them: “Fools, fools! Stupid fools!” This passionate and unreasoning protest gained in intensity, swallowing up all else like some dense fog. Life became for her only a hateful place where one lived in intimacy with people one would not have chosen had one been given choice. It was, too, an excruciating agony. She was continually out of temper. Anne, thank the gods! was away, but her nearing return filled Helga with dismay.

Arriving at work one sultry day, hot and dispirited, she found waiting a letter, a letter from Uncle Peter. It had originally been sent to Naxos, and from there it had made the journey back to Chicago to the Young Women’s Christian Association, and then to Mrs. Hayes-Rore. That busy woman had at last found time between conventions and lectures to readdress it and had sent it on to New York. Four months, at least, it had been on its travels. Helga felt no curiosity as to its contents, only annoyance at the long delay, as she ripped open the thin edge of the envelope and for a space sat staring at the peculiar foreign script of her uncle.

715 Sheridan Road
Chicago, Ill
.

Dear Helga:

It is now over a year since you made your unfortunate call here. It was unfortunate for us all, you, Mrs. Nilssen, and myself. But of course you couldn’t know. I blame myself. I should have written you of my marriage
.

I have looked for a letter, or some word from you; evidently, with your usual penetration, you understood thoroughly that I must terminate my outward relation with you. You were always a keen one
.

Of course I am sorry, but it can’t be helped. My wife must be considered, and she feels very strongly about this
.

You know, of course, that I wish you the best of luck. But take an old man’s advice and don’t do as your mother did. Why don’t you run over and visit your Aunt Katrina? She always wanted you. Maria Kirkeplads, No. 2, will find her
.

I enclose what I intended to leave you at my death. It is better and more convenient that you get it now. I wish it were more, but even this little may come in handy for a rainy day
.

Best wishes for your luck
.

Veter Nüssen

Beside the brief, friendly, but none the less final letter there was a check for five thousand dollars. Helga Crane’s first feeling was one of unreality. This changed almost immediately into one of relief, of liberation. It was stronger than the mere security from present financial worry which the check promised. Money as money was still not very important to Helga. But later, while on an errand in the big general office of the society, her puzzled bewilderment fled. Here the inscrutability of the dozen or more brown faces, all cast from the same indefinite mold, and so like her own, seemed pressing forward
against her. Abruptly it flashed upon her that the harrowing irritation of the past weeks was a smoldering hatred. Then she was overcome by another, so actual, so sharp, so horribly painful, that forever afterwards she preferred to forget it. It was as if she were shut up, boxed up, with hundreds of her race, closed up with that something in the racial character which had always been, to her, inexplicable, alien. Why, she demanded in fierce rebellion, should she be yoked to these despised black folk?

Back in the privacy of her own cubicle, self-loathing came upon her. “They’re my own people, my own people,” she kept repeating over and over to herself. It was no good. The feeling would not be routed. “I can’t go on like this,” she said to herself. “I simply can’t.”

There were footsteps. Panic seized her. She’d have to get out. She terribly needed to. Snatching hat and purse, she hurried to the narrow door, saying in a forced, steady voice, as it opened to reveal her employer: “Mr. Darling, I’m sorry, but I’ve got to go out. Please, may I be excused?”

At his courteous “Certainly, certainly. And don’t hurry. It’s much too hot,” Helga Crane had the grace to feel ashamed, but there was no softening of her determination. The necessity for being alone was too urgent. She hated him and all the others too much.

Outside, rain had begun to fall. She walked bareheaded, bitter with self-reproach. But she rejoiced too. She didn’t, in spite of her racial markings, belong to these dark segregated people. She was different. She felt it. It wasn’t merely a matter of color. It was something broader, deeper, that made folk kin.

And now she was free. She would take Uncle Peter’s money and advice and revisit her aunt in Copenhagen. Fleeting pleasant memories of her childhood visit there flew through her excited mind. She had been only eight, yet she had enjoyed the interest and the admiration which her unfamiliar color and dark curly hair, strange to those pink, white, and gold people, had evoked. Quite clearly now she recalled that her Aunt Katrina had begged for her to be allowed to remain. Why, she wondered, hadn’t her mother consented? To
Helga it seemed that it would have been the solution to all their problems, her mother’s, her stepfather’s, her own.

At home in the cool dimness of the big chintz-hung living room, clad only in a fluttering thing of green chiffon, she gave herself up to daydreams of a happy future in Copenhagen, where there were no Negroes, no problems, no prejudice, until she remembered with perturbation that this was the day of Anne’s return from her vacation at the seashore. Worse. There was a dinner party in her honor that very night. Helga sighed. She’d have to go. She couldn’t possibly get out of a dinner party for Anne, even though she felt that such an event on a hot night was little short of an outrage. Nothing but a sense of obligation to Anne kept her from pleading a splitting headache as an excuse for remaining quietly at home.

Her mind trailed off to the highly important matter of clothes. What should she wear? White? No, everybody would, because it was hot. Green? She shook her head. Anne would be sure to. The blue thing. Reluctantly she decided against it; she loved it, but she had worn it too often. There was that cobwebby black net touched with orange, which she had bought last spring in a fit of extravagance and never worn, because on getting it home both she and Anne had considered it too décolleté, and too outré. Anne’s words: “There’s not enough of it, and what there is gives you the air of something about to fly,” came back to her, and she smiled as she decided that she would certainly wear the black net. For her it would be a symbol. She was about to fly.

She busied herself with some absurdly expensive roses which she had ordered sent in, spending an interminable time in their arrangement. At last she was satisfied with their appropriateness in some blue Chinese jars of great age. Anne
did
have such lovely things, she thought as she began conscientiously to prepare for her return, although there was really little to do; Lillie seemed to have done everything. But Helga dusted the tops of the books, placed the magazines in ordered carelessness, redressed Anne’s bed in fresh-smelling sheets of cool linen, and laid out her best pale yellow pajamas of crepe de chine. Finally she set out two tall green glasses and made a great
pitcher of lemonade, leaving only the ginger ale and claret to be added on Anne’s arrival. She was a little conscience-stricken, so she wanted to be particularly nice to Anne, who had been so kind to her when first she came to New York, a forlorn friendless creature. Yes, she was grateful to Anne; but, just the same, she meant to go. At once.

Her preparations over, she went back to the carved chair from which the thought of Anne’s homecoming had drawn her. Characteristically she writhed at the idea of telling Anne of her impending departure and shirked the problem of evolving a plausible and inoffensive excuse for its suddenness. “That,” she decided lazily, “will have to look out for itself; I can’t be bothered just now. It’s too hot.”

She began to make plans and to dream delightful dreams of change, of life somewhere else. Someplace where at last she would be permanently satisfied. Her anticipatory thoughts waltzed and eddied about to the sweet silent music of change. With rapture almost, she let herself drop into the blissful sensation of visualizing herself in different, strange places, among approving and admiring people, where she would be appreciated and understood.

Eleven

It was night. The dinner party was over, but no one wanted to go home. Half past eleven was, it seemed, much too early to tumble into bed on a Saturday night. It was a sulky, humid night, a thick furry night, through which the electric torches shone like silver fuzz—an atrocious night for cabareting, Helga insisted, but the others wanted to go, so she went with them, though half unwillingly. After much consultation and chatter they decided upon a place and climbed into two patiently waiting taxis, rattling things which jerked, wiggled, and groaned, and threatened every minute to collide with others of their kind, or with inattentive pedestrians. Soon they pulled up before a tawdry doorway in a narrow crosstown street and stepped out. The
night was far from quiet, the streets far from empty. Clanging trolley bells, quarreling cats, cackling phonographs, raucous laughter, complaining motor horns, low singing, mingled in the familiar medley that is Harlem. Black figures, white figures, little forms, big forms, small groups, large groups, sauntered, or hurried by. It was gay, grotesque, and a little weird. Helga Crane felt singularly apart from it all. Entering the waiting doorway, they descended through a furtive, narrow passage, into a vast subterranean room. Helga smiled, thinking that this was one of those places characterized by the righteous as a hell.

A glare of light struck her eyes, a blare of jazz split her ears. For a moment everything seemed to be spinning round; even she felt that she was circling aimlessly, as she followed with the others the black giant who led them to a small table, where, when they were seated, their knees and elbows touched. Helga wondered that the waiter, indefinitely carved out of ebony, did not smile as he wrote their order: “Four bottles of White Rock, four bottles of ginger ale.” Bah! Anne giggled, the others smiled and openly exchanged knowing glances, and under the tables flat glass bottles were extracted from the women’s evening scarfs and small silver flasks drawn from the men’s hip pockets. In a little moment she grew accustomed to the smoke and din.

They danced, ambling lazily to a crooning melody, or violently twisting their bodies, like whirling leaves, to a sudden streaming rhythm, or shaking themselves ecstatically to a thumping of unseen tomtoms. For the while Helga was oblivious of the reek of flesh, smoke, and alcohol, oblivious of the oblivion of other gyrating pairs, oblivious of the color, the noise, and the grand distorted childishness of it all. She was drugged, lifted, sustained, by the extraordinary music, blown out, ripped out, beaten out, by the joyous, wild, murky orchestra. The essence of life seemed bodily motion. And when suddenly the music died, she dragged herself back to the present with a conscious effort; and a shameful certainty that not only had she been in the jungle, but that she had enjoyed it, began to taunt her. She hardened her determination to get away. She wasn’t, she told
herself, a jungle creature. She cloaked herself in a faint disgust as she watched the entertainers throw themselves about to the bursts of syncopated jangle, and when the time came again for the patrons to dance, she declined. Her rejected partner excused himself and sought an acquaintance a few tables removed. Helga sat looking curiously about her as the buzz of conversation ceased, strangled by the savage strains of music, and the crowd became a swirling mass. For the hundredth time she marveled at the gradations within this oppressed race of hers. A dozen shades slid by. There was sooty black, shiny black, taupe, mahogany, bronze, copper, gold, orange, yellow, peach, ivory, pinky white, pastry white. There was yellow hair, brown hair, black hair; straight hair, straightened hair, curly hair, crinkly hair, woolly hair. She saw black eyes in white faces, brown eyes in yellow faces, gray eyes in brown faces, blue eyes in tan faces. Africa, Europe, perhaps with a pinch of Asia, in a fantastic motley of ugliness and beauty, semibarbaric, sophisticated, exotic, were here. But she was blind to its charm, purposely aloof and a little contemptuous, and soon her interest in the moving mosaic waned.

BOOK: The Complete Fiction of Nella Larsen: Passing, Quicksand, and the Stories
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