The Detective & the Chinese High-Fin (6 page)

I
got in the Focus and called Keaton's brother, Greer. Halfway through the second ring, a friendly voice said, “Hello.”

“Hi, Greer, my name is John Darvelle. I'm a private investigator. Your parents hired me a few minutes ago to look into the murder of your brother. Think you and I could talk?”

“Yeah, Mom told me she was going to do that. And yeah, sure, of course, let's talk. I own a marina in Marina Del Rey. I'm here every day other than Mondays. You can come by anytime. Come by now, if you want.”

“Now sounds good to me.”

He gave me the name and the address, and I clicked off the phone and hit the gas.

Greer's marina, conveniently named Greer's
Marina, was just off Admiralty Way in Marina Del Rey. Not too far from my house in Mar Vista. Ten minutes, maybe, without traffic. Marina Del Rey is one of the more distinctive areas in Los Angeles. That being said, it has absolutely none of the qualities that people think of when they think of L.A. There's no Hollywood scene. And there's no beach scene. There
is
a section on the beach, but it's not a beach that people really go to, it's not the beach you picture when you picture a sunny Los Angeles beach. It doesn't have a funky, hipster feel like its more famous neighbor, Venice, either. But it is, without question, its own thing. Like Gary Delmore, it knows what it is.

What Marina Del Rey
does
have is an enormous man-made harbor that's home to twenty-some-odd marinas. For powerboats and sailboats and yachts and, of course, for boat people. You know? Boat people. People who love boats and talk about boats and often live on boats. Who have at least some amount of alcohol in them at all times, and usually some type of skin cancer on them as well.

Marina Del Rey also has numerous chain restaurants, seventies-style apartment complexes, moderately used tennis courts, often used hot tubs, and, of course, lots and lots of on-the-prowl, wild-eyed cougars.

So, yes, I like it a lot.

As I made my way through Marina Del Rey, I passed a Cheesecake Factory, a Chart House, an Applebee's, and an Outback. Every parking lot was filled.
Filled
.

I got to Greer's Marina, threw the Focus in a spot, then spotted a sort of main building that had an entrance on the
side of the parking lot and, it looked like, another entrance leading out to the docks.

I entered from the parking-lot side. Instead of diving into the water, then climbing up onto one of the docks and entering from the marina side. Made more sense to me.

There was a pretty brunette girl, looked to be college age, standing behind a tall counter with a cash register on it.

“Hi there,” I said. “I'm here to talk to Greer. Name's John Darvelle.”

Before she could say anything, a door opened to my right and her left. A short, fairly built guy with curly black hair, brown freckles spread across his nose, and friendly, slightly wounded brown eyes said, “Hey, John. Come on in.”

“John.” Not “Mr. Darvelle.” Telling Jackie Fuller to call me John must have cosmically clicked me back on track. Or maybe Greer was just a casual guy. One of the two.

We walked into his office and took our seats. Me in front of his desk, him behind it. I looked around. White walls with photos of the marina on them, two windows that provided views of the actual marina, and a nice teak desk, to complete the boat theme, covered in lots of papers.

I looked at Greer. He was wearing a sport shirt with his marina's logo on it, which made sense. He was also wearing a puka-shell necklace, which was troubling. The man was in his early thirties.

“So. What do you want to know?” he asked.

He said it in a way that suggested he would actually be helpful. “Anything you think might help. I have the police case file, so I've read your previous statements.”

Greer nodded and said, “So you know what I said be
fore. That Keaton was my big brother, but that he was a really lazy, disrespectful guy who pretty much pissed off everyone he came in contact with eventually.”

“Yes,” I said. “I'm aware that you said something to that effect before. But let me ask you this. Who was he pissing off right around the time he got shot?”

A concerned look fell over his face. “You know—”

“Yes. You were on a sailing trip in the British Virgin Islands when it happened.”

That was Greer's alibi. On a boat. In the ocean. Out of the country. He had left the United States one week prior to the murder. Had flown to Puerto Rico, then to Tortola, and had embarked from there on a sailing trip through the British Virgin Islands and the US Virgin Islands with a college friend who had relatives in Tortola. Delta Air Lines had verified his presence on the flight from L.A. to Puerto Rico. Cape Air had verified his presence on the flight from Puerto Rico to Tortola. On the day of the actual murder, he was in the middle of the ocean east of Tortola, near Anguilla. This was confirmed by his friend, by the first mate on the boat, by the staff at the marina in Tortola they'd departed from, by the friend's family in Tortola. Of course, all this doesn't rule out some kind of involvement in the murder, but on the day of the killing, he himself was in fact a few thousand miles away, roasting in the sun and gliding through Caribbean waters.

Greer's helpful expression reappeared and he said, “You know what, John? When Keat got killed, we weren't very close. At all. We were talking on, like, birthdays and holidays. Maybe.
If
he remembered to call me on my birthday,
and
if
he showed up to Christmas at my parents' house. So I honestly don't know who he was pissing off around the time he got killed.”

I said, “Sounds like you and Keaton had fallen out a bit. Why did that happen? Was it something specific?”

It was a question that might have offended some people. It implied that even though Greer had a really good alibi, I might still be looking into him.

It didn't seem to bother him. “No. It wasn't something specific, or any one thing, really. You'll have to talk to some of the other people that I'm sure are in your case file to get those stories. His ex–business partner, Craig Helton. Who I like. Craig's a good guy. And I don't think he had anything to do with it. But he does have a specific reason for not liking Keaton.”

I nodded.

“For me and Keat, it was just . . . Keaton always let you down. Always. My mom, my dad, me. Everyone. He was just one of those people who don't give a shit about anyone other than themselves. You almost couldn't believe it. If he told you he'd be at your graduation to support you, he wouldn't show up. If he told my parents he'd pay them back for something, he wouldn't. If my dad had a birthday party, he'd show up and get wasted and be really rude to people. Just on and on.

“With me, specifically? No, it wasn't one thing. It was a hundred things. He blew off my high school graduation, which, for some reason, was important to me at the time. And I know that doesn't sound like that big a deal, and it wasn't. But when you add it to all the other stuff . . .
Like, he was rude to some of my girlfriends. He'd borrow money from me and not pay me back. It wasn't just my parents he stiffed. He wrecked my car once and never really apologized. Just kind of said, ‘Hey, man, you have insurance.' You know? On and on. And with people like that, if they're your family, you love them and you keep trying. But eventually, something clicks and you just say, ‘I'm done.' But what was tricky with Keaton was that he was a really charming guy when he wanted to be. Occasionally he'd apologize for something. He didn't with my car, but for some other things he would. He'd say, you know, ‘I'm sorry if I offended you,' playing dumb a bit. But still sort of apologizing. And whether or not he deserved it, I, everybody, gave him lots of chances. But like I said, one day I just said, ‘I'm done
.
' And that's why at the time of his murder we really weren't in touch that much.”

I thought, A charming guy with an oily, unctuous smile who lets a bunch of people down all the time. Sounds like a guy I'd like to walk up to and punch really hard in the thigh, then just walk away. And the way he apologized. I'm sorry
if
I offended you. I hate people who apologize that way.
If
.
If
I offended you. You're not taking any responsibility when you say it that way. You're not acknowledging that
you
fucked up. Have the courage to admit you were at fault. I'm sorry that I was an asshole. I'm sorry that I let you down. I'm sorry that I'm a shitty older brother, Greer. I'm sorry
if
I offended you? Yeah? Well, fuck off, because you haven't apologized yet.

I didn't say any of that to Greer. Instead I said, “Who else was in Keaton's life? I know there's Craig Helton, the
guy you mentioned, the guy he started the bar with. And there's the ex-girlfriend, Sydney. I'm going to talk to both of them. You said you and Keaton weren't that close at the end, but do you know anyone else who was in his life? Especially at the time of the murder.”

Greer said, “Keaton knew everyone. From growing up, from college, from after college. But
in
his life? At that time? You know, I really don't. I really can't think of anyone in particular. But what I know from having known him my whole life is that, you know, he was a charming guy. He was a manipulator. And you add money to a guy like that . . . It wasn't hard for him to keep finding new people who were willing to hang around him. Give him another chance. Put up with his shit. And it was probably one of those people who decided not to, you know—not to put up with his shit anymore.”

Not to put up with his shit anymore. Or, in other words, to kill him.

I looked at Greer. Seemed genuine to me. He had a little bit of that pathos about him that people get when they don't have to fight for their dreams. He seemed just a little
lost
. He'd probably be a different guy if he'd had to earn or raise the money to buy the marina. Yeah, and I'd probably be more likely to want to have a beer with him then too, because he'd have some edge, some bite, some of that energy that comes from eating what you kill. But, I thought, at least he's working. Probably working reasonably hard. The marina looked to me to be pretty successful. Pretty well run. Which probably wasn't that easy to do. Most professional endeavors aren't.

He said, unprompted, “You know, I'm not sure how Keaton got to be the way he was. Was it because our dad worked a lot when he was young, thirteen, fourteen? Keaton was four and a half years older than me. So when he was that age, growing up, our dad was doing whatever he had to do to build his company. He wasn't around a lot. So did Keaton feel neglected? Or was he mad at me? Because when
I
was that age, our dad had sold the company and was more relaxed. Was at home a lot more. Or maybe it was that Keaton felt like he had to compensate because he was the oldest son and we had a successful dad? You know? I don't know. I really don't know. For a long time I felt guilty, like I had it easier or something. But eventually I stopped feeling guilty. Stopped feeling like I had something to do with Keaton being such a dick.”

It was honest. It was vulnerable. I admired him for being open. Did anything he'd said help me? Well, I wasn't really sure. But that's okay. I deal with that a lot in my line. Not really being sure.

I said, handing him my card, “Thanks, Greer. Maybe I'll call you again as I get deeper into this thing. And please call me if something comes to you that you think might be helpful.”

“I will,” he said.

We stood up, shook hands. I took a last look at him as I was walking out his office door. Greer was staring out one of the windows. But it didn't seem like he was scanning the marina. No, he was looking out to sea, to where he'd been when somebody shot his brother.

I
got to my car and got out my phone. I dialed up the ex–business partner, Craig Helton, nobody there, left a message. With the crowd that's already talked to the police, I wasn't trying to surprise them in any way, pop up unannounced. I was just trying to set up good, old-fashioned, planned-in-advance meetings. Just trying to get my head further around the story I'd read in the case file. I called the ex-girlfriend next, Sydney Scott. Sydney had dated Keaton for years, some in college, some after college, but was now married to a guy named Geoff. I zeroed in on the way Geoff spelled his name. It made me uncomfortable. It made me really uncomfortable.

Sydney, unlike Craig, answered.

“Hi, Sydney. My name is John Darvelle. I'm a private detective.”

Before I could continue with my opening spiel, Sydney said, “Yes, Jackie called me. She said you might be calling.”

“Great,” I said. “Listen, do you have time to talk in person sometime soon?”

“I do. I'm home for the rest of the day. I live in the Venice canals. Would you like to come by today at some point?”

“Yep. I'm in Marina Del Rey as we speak. Close by. Fifteen minutes okay?”

“Actually, can you give me an hour? Geoff and I, my husband, Geoff, and I, were just about to do our workout.”

“Sure, that's fine.”

Sydney Scott gave me their address.

“All right,” I said. “See you in an hour. Bye.”

“Love,” she said.

“Excuse me?”

“Oh,” she laughed. “Right. You don't know me. I say ‘love' instead of ‘good-bye.' It's not such a fierce ending. It's not so permanent. And it much more represents what I'm about.”

I thought: Oh boy.

“Okay,” I said. “Got it. See you in an hour.”

“Love,” she said.

“Right,” I said.

We hung up.

I drove from Marina Del
Rey into Venice, its neighbor just to the north. These days, Venice was struggling a bit
to hang on to its title as the hippest place to live in L.A. It was still tethered to its groovy, hippie-dippie roots, but it was going more mainstream every second. Fighting with too much money coming in and too many hipsters hanging around. Don't get me wrong, it was still in a sweet spot, still a great place to stroll around, have a beer, have a bite, walk out to the ocean, mingle with some truly funky people who had been there a while. But it was just on the verge of becoming played out. L.A.'s version of New York's SoHo. I parked on Abbot Kinney. Went into Abbot's Pizza and got a slice of pepperoni and a slice of barbecue chicken. I ate them, taking intermittent sips of a nice, cold Diet Coke—no Fresca available—then went back outside and watched people walk by for thirty minutes. When I'd burned enough time, I hopped back in the Focus and headed over to the canals.

The Venice canals are right on the south edge of Venice, just inland from the ocean, and were modeled on the actual Venice canals in Italy, only much smaller. So you've got a neighborhood with bungalows and some cool little houses and some really big houses all stacked on top of one another, and all facing and connected by little rivers, with just a few roads into the neighborhood and a few roads out. You can literally canoe over to your neighbor's house. To your neighbor's really expensive house. The canals are high dollar. Overall, it's a pretty unusual, and pretty damn charming, way to exist in Los Angeles. Some depressing, cement-laden sprawl isn't that far away—shit, right over on Lincoln Boulevard—but when you're in the canals, sliding through the water in your canoe with your girlfriend up
front and a bottle of wine or perhaps a cold six-pack of Coors Light between your feet, you'd never know it.

I drove down Washington Boulevard, then turned into one of the little side streets that take you into the canals proper. Once you're in the neighborhood, little alleys take you to the backs of the houses. In the small spaces between the houses you can see sections of the water on the other side.

I wound around a couple of these alleylike streets until I found Sydney and Geoff's house. I parked in front of their garage, which faced the alley, then knocked on a door that did too.

No answer. I was right on time, knocking on the door literally one hour from the time Sydney and I had hung up, so getting no answer annoyed me. Sydney and Geoff were probably still doing their workout, maybe even somewhere other than the house, and had lost track of time. They were late.

If you know me, you know I can't stand people who are late. And let me tell you, the thing people always say about people who are late is that they are selfish, and disrespectful of the time of others, and
that's
why they are late. Sure, I guess that's part of it. But I think that's giving these people too much credit. Because I think something else is happening as well. I think people who are late—not all of them, but most of them—are just a little dumb. Look, I'm not saying totally fucking stupid. You know, walking around drooling all over themselves, screaming at strangers, unable to comprehend the simplest of concepts. I'm saying just a little bit dumb. Because to be on time, you have to have the mental capacity and the mental discipline
to think into the future. You have to sit there and use mental energy to contemplate some variables, some possibilities, and then make a decision about what you need to do to manage it all. It's a teeny tiny chess match. And you have to figure out your moves. By and large, the people I know who can do this regularly are the same people who can figure out other, bigger, problems. And the ones who can't do that? You're not putting them on the top squad. You're not giving them the big jobs. You're not saying to them: Cut the red wire, not the blue wire, or we're all going to die. Because, you know, they're just a bit dumb.

I walked around to the side of the house, then through the sliver of space between it and the house next to it, and emerged just on the edge of Sydney and Geoff's yard, right on the canal. I could now see all the houses lining the little river on both sides. It was beautiful, wonderful. A breeze put modest ripples on the water.

I moved my eyes over to Sydney and Geoff's backyard. There I saw them finishing their “workout.” They were both dressed in, essentially, black karate uniforms, and they were acting out what looked like a karate fight, only they were doing it in slow motion. And they weren't making any contact. One of them would do a slow-motion punch but stop before contact. Then the other one would do a slow-motion chop but, again, stop right before contact. And so on.

They were also humming some sort of chant.

I said under my breath, “What the fuck?”

I walked into their little yard until I caught Sydney's eye. As she did a slow roundhouse kick that didn't come
very close to her husband's face, she held up a finger to me. Like: hang on one sec.

I nodded and watched them finish their routine.

An interminable four minutes later they stopped, bowed to each other, and looked over at me. With a smile, Sydney said, “Mr. Darvelle. Hello.”

Back to “mister.”

I introduced myself to both of them and told them to call me John. Sydney had chestnut brown hair, manipulative light brown bedroom eyes, smooth skin, a rosebud mouth. She had a curvy, sexy body. Really quite fetching, physically. Geoff was in shape—not huge, but it looked like he worked out—and he stood about five-ten. He had a sort of dim, blank look in his eyes. And he had a low hairline, with his dark hair brushed forward. It gave him a simian, Neanderthal quality. But he didn't seem aggressive or mean. He seemed pliant, a pushover. The kind of guy a sexy girl could talk into the whole hippie-slash-fake-karate thing they were fronting.

I looked around. Their yard was on the small side—most of the yards on the canals are—but well kept up. Their house wasn't particularly large, but it had a designed, contemporary-California, state-of-the-art feel. One or both of them had money.

We all sat down on some little chairs they had in the backyard. I couldn't resist: I said, in a genuine enough tone, “So what were you guys just doing? That was your workout?”

“We invented it,” Sydney said, a touch defensively. “It's got the beauty of a karate fight without the violence.”

She pronounced it “kuh-rot-
tay
.” She stared at me with an insecure but defiant look in her eyes, not blinking at all, wondering whether I was going to question it. I looked at Geoff. He didn't roll his eyes. They were barely open, but he didn't roll them. I was impressed. I moved on. “Thanks for talking to me.”

“Absolutely,” Sydney said. And then, to Geoff, “We should feed Zucchini.”

Geoff nodded.

“Dog or cat?” I said. “I love animals.”

Now some fire appeared in Sydney's eyes. “Zucchini's our daughter. She's asleep inside.”

It got very quiet for what seemed like two hours but was really about ten seconds. I could hear the ripples on the little river. Some wind blowing through some nearby palms. A distant bird.

“My apologies,” I said. “Anyway, I know you talked to the police a year and a half ago or so. And I know that at the time of the murder you were with your family in Chicago.”

She nodded. “With Geoff, who didn't even know Keaton.”

And, like everyone else in the file, Geoff and Sydney had all sorts of corroboration. Confirmation from United Airlines that she and Geoff had flown direct to Chicago two days before the murder and had flown back four days after it. Credit-card receipts documenting essentially their whole trip. Dinner at Gibsons the night before the murder on Geoff's card. Starbucks the morning of—at almost the exact time of—the murder on Sydney's card. Two venti
Caffè Lattes, an Iced Lemon Pound Cake, and a Petite Vanilla Bean Scone purchased at 8:06 a.m. Chicago time . . . Not to mention four of Sydney's family members verifying their day-by-day presence in the greater Chicago area.

Geoff stood up, threw a thumb toward the house, and said, “I'm gonna go . . .” He didn't finish the sentence. He did that thing that people do a lot where they just say half a sentence and expect their audience to fill in the rest.

I
thought
he was going to say: go feed Cauliflower. Or whatever the child's name was. He was probably also heading in because he didn't want to hear his wife talking about her dead ex. Again. I was cool with it. I wanted to talk to her unencumbered by any possible communication barriers that might be created by her husband sitting there.

After Geoff strolled off, I said to Sydney, “I've read the police report. I have the file. As I said, I know you were a long way away at the time of the murder. And also, I've read what you told the police. I read your statements. So I thought maybe we could just talk a bit. At this point in my investigation I'm still trying to get a picture of this guy.”

Sydney seemed comforted by the fact that I understood that she'd been halfway across the country at the time of the killing. She still had some sort of defensive thing happening. But she seemed ready to talk.

She said, “Well, I knew Keaton really, really well. We dated, off and on, for almost seven years. We met in college. He went to USC. I went to Art Center in Pasadena to study my passion at the time, photography. Well, I went there for a year, anyway. I dropped out. Too regimented for me.”

She looked right at me, staring almost, with her defensive but still sexy eyes. Eyes that said, Are you judging me for dropping out? Do you think I'm a flake?

“Yes” and “yes” would be the answers to those questions. Often when someone says something like “too regimented,” it really just means they didn't have the discipline or the stamina to stick it out. Not always, but often.

She continued as she craned her neck and cracked it. “I just think art is more flow-y, more about spontaneity. Not like . . .” Curiously, out of nowhere, really, she started talking like and imitating a robot. “You must take this class. You must learn about this person. Then you must take this class. Then learn about this other person. You must practice every day.”

Having lived in Los Angeles my whole life, I knew a few artists. Writers, directors, photographers, even some painters. All the successful ones were very disciplined. They studied what came before them, often possessed an encyclopedic amount of information about the particular field they chose to focus on, and worked on a schedule that they stuck to very seriously. I didn't mention this to Sydney.

She continued with her robot impression, now putting stiff arms out in front of her and moving them robotically as she robot-talked. “Structure, structure, structure. Learn this before you learn that. Do it like we say. Work every day. Practice, practice, practice, practice, practice.”

She dropped the robot impression and got back to the other version of herself that she'd let me see. “I'm sorry, I'm just not going to let someone instruct me on how to do
my art. I had the same problem with a few of the people I worked for after leaving school. I had stopped taking pictures. I had realized that that actually
wasn't
my passion. I had realized, at that time anyway, that I wanted to get into film. So I worked at a few production companies. And again, it was just all these rules. All these producers wanted me to do it
their
way. And I would always say, It's
art
. I don't just
want
to do it my way. I
have
to. Anyway, I guess it was all for the best, because I realized that film wasn't my passion either. What I'm doing now is. That's why I, well, I guess
we
, invented the workout you saw. I'm going to write a book about it and go on a speaking tour.”

I thought, It's amazing what can happen to someone when they don't have to work, or when they are with someone who enables them to not have to. I surmised that in the past she'd leaned on Keaton, and that now it was Geoff who paid the bills. But, boy, entitlement can rear its ugly head quickly. And you combine that with the reality of hard work, and it can just transform and cripple people to the point where the things they say, the excuses they make, the ideas they have, reach an almost comic level of absurdity. My school wanted me to practice? That's your reason for leaving? My boss wanted me to do my job the way he or she told me to? And then, after the dropping out, quitting in a huff, proclaiming that the professionals above you are insane, that's when the entrepreneurial concepts that never actually happen start popping up. A clothing line for pets. An un-thought-through tech start-up. A new form of karate you come up with in your backyard that's going to lead to a speaking tour. Man, it's a sight to behold. And not a pretty one.