The District Manager (13 page)

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Authors: Matt Minor

BOOK: The District Manager
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So, I ponder, Bowers Power, Inc. is connected with Azteca Unidos Electrico, and may have something to do with…what deaths? Bizarre. I’m intrigued…so I keep reading. The letter in question is around ten pages long:

…the above stated aside, I suggest we continue with our correspondence in the method we have done up to this point. Do not call my home landline, as it was canceled, or my normal cell, but continue using the number I gave you until further notice. Soon I will be back in Texas, first and foremost to help Ella, but also perhaps to provide hands-on help with this issue. Remember, I have been in hiding now for some time. I do not wish you to have to suffer the same fate…’

I return the letter to its envelope and examine it further. Though there is no return address on the front, there is a stamped postmark. The letter was mailed on 7/30.

I think Jules went missing shortly after he received this.

The red ink reads Tuscaloosa, AL.

“Alabama? Why? Who is this?” I mutter.

My heart is pumping like a piston and my adrenaline is firing. I need a drink and a cigarette. Now I know why cops drink so fucking much: at some point the stress of the unknown just gets to you. And like a cop, a good one at least, I’m starting to feel instincts. I am convinced, as I slip the file back into its makeshift, hidden chamber in the filing cabinet, that the dogs have not been removed, but moved.
Moved to the Old Adobe fort!

I gather my things and am locking up when I start to feel that same old eerie feeling I always get in this place at night. I lock our office door with my thumb and thrust it shut behind me. The French doors that guard one standing in the dark hallway from the back entryway are shut.
Shut? I don’t remember shutting them.
Then I hear something, a strange rumbling above in the large attic of the bank. I have only been up there once. From what I could tell it was basically a large storage area, like so many attics.
Could it be rats?
I’m pondering, a little panicked, as I pause in bewilderment.
No time to retrace steps. Get the fuck out of here.

The heavy night air is almost comforting. Then I remember about instinct. How, if wrong, it can get innocent people killed.

 

 

I’m getting ready for work. Keith is still crashed, as he had a late night. He never heard me enter the apartment. I’m worried all this partying might inhibit his care. On his behalf, recently, in conjunction with our district’s congressional office, I’ve put in for benefits galore: Medicaid, disability, Medicare. I’m just hoping Keith’s natural instinct for fucking things up doesn’t rear its multitude of heads.

But my focus is not on Keith, it’s on the one thought above all others that I will not let go: I need to hit the Old Adobe. Not at some time in the arbitrary future, but tonight. Zipping up my slacks, I resign to do exactly that.

I must get prepared.

 

 

The whole day I can’t focus on anything but tonight. I split up to the Academy and buy a pair of waterproof rubber boots—or what Yankees call galoshes. I’ve packed a bag with a pair of jeans, a shirt I can soil, and a big flashlight. I’m beside myself all day, so restless, in fact that I decide to drive out to Bowers and inspect the structure before it gets too dark. This proves to be a good instinct because as I look out with binoculars over the water-infested field that buffers the Old Adobe from the roadway, I discover that it is barely visible. In fact, if it were dark out it would not be discernible from here at all.

Besides, sitting some quarter mile off the road, the rains of late have caused a profusion of foliage. The bottomland oaks and pecans—pecans in particular—have shrouded all but intermittent slivers of the sizable building. And what I can see is very well camouflaged. The Old Adobe, though architecturally a sort of cross between the Alamo and Goliad Presidio, was fashioned in the design of the time, which was stucco. But the paste has rotted away these past one-hundred years to reveal the brick and mortar underneath. All of it, both the brick and the mortar, are splattered and spotted with mildew.

I hop back in the Expedition and turn around at the railroad crossing. Circling back, I take the only road that could lead back to the adobe. I’m certainly not planning on pulling in whatever entry this thing might have—although by the looks of the saturated field, I don’t know how this would be possible in anything other than a tank—or canoe. I discover an arbor-shadowed, unmarked, dirt trail to my left, the Old Adobe’s on the right.

I know where to hide the car tonight. I’ve just got to make it to tonight.
I don’t know what to do with myself.

I decide to hit a local Mexican food joint and then head on over to a simulated golf course to hit some balls.

I wolf down my chicken tacos, and, after fighting a little traffic, hit the green. Well, it’s not a green actually, as this is indoors. My tee off consists of an Astroturf area about ten by ten. The course is displayed on a movie screen. Great technology—golf in the summer in Texas. I suck at this game, but I’m killing time and anxiety; just trying to keep my mind occupied. I feel like drinking, but abstain. I can’t do what I’m about to do with a buzz.

This is summer, so it takes the night forever to sink in. But finally, it’s past nine and time to go.

My heart is racing as I detour down the road that I had surveyed just a few hours ago. I pull off on the dirt trail to my left, finding a well-concealing nook. I’m worried about my headlights alerting my presence. But by now it’s so dark out I have to keep them on to keep from driving into the primordial ditch.

I put the car in park and pull off a pair of leather boots, trading them for rubber. I’m dressed all in black with the exception of my shoes, which are gray. I found some old Halloween camouflage makeup in my dresser drawers. I squint in the rearview mirror and smear the green and black cream all over my pale face. I douse myself with mosquito spray. I put my .38 revolver in a hip holster.

I get out of the Expedition, take a piss, zip, and…I’m off!

I can’t get the tribal riff of X’s song, “The Hungry Wolf ” out of my head.

Got to focus.

The paranoia I had regarding the headlights I equally share regarding the flashlight; it must be used sparingly and cautiously. The road leading back towards the Old Adobe is flanked by deep swollen ditches. If a car comes my way, it will make for precarious escape. I switch the flashlight on and furiously survey a way onto the property. I spot a culvert covered in earth. It provides a short bridge to the other side of the ditch, just up ahead. And just in time, as I hear the hum of a car approaching from the main road. I stash myself behind a small tree that has grown out of the lingering water, just in case the car turns my way. The headlights keep straight, cutting horizontally through the thick darkness. I’m lucky…
this time.

I don’t have a lot of options here, so switching the light back on, I begin studying the barbed wire fence that surrounds the entire place. According to the deed I lifted from Jules, this property is damn near three hundred acres. I find a few loose wires and squeeze through. The ground is soaked and I feel my feet getting heavy, as if the earth’s gravitational pull just got stronger.

I’m now trespassing—with a firearm and no permit. It hits me that if I get busted, I’m toast.

Not knowing quite how to besiege this thing, I proceed along the perimeter, sticking near the fence.

People talk of butterflies, but I feel like I’ve swallowed a nest of yellow jackets.

From my back pocket I feel my phone vibrate.
It’s Brenna. Shit.
I haven’t talked to her since I dropped her off at home last Saturday.
I guess my not calling her worked—although it wasn’t intentional— because she’s now calling me, but what bad timing. Seems I can’t win. I can’t answer…
and I don’t.

The closer I get to this thing, the bigger it appears to be. I have no choice but to shine the light.
Wow, this is some structure.
It looks to be about half the size of a football field: the length being the longer and the width the shorter. The front is Alamo-like, with a bell hole cut into the center; doesn’t appear to be a bell though. But the walls that enclose whatever lurks inside, they have to be at least fifteen feet high.

Shit, I’ve thought of everything but a goddamned ladder. I guess I just lack Jules’ training.
I’m thinking this venture may have been for nothing. Plain stupid.

I stop, and shine the bright yellow orb towards the road that’s to my left. A metal gate, the length of the pavement, abruptly signals its end. By what I can make out, it looks like a dirt trail resumes the path.
I guess this is the entry way?

The fort is situated catty-corner from where I stand near the fence, under a large tree. I move accordingly, picking up my pace. I’m half jogging. The flashlight is on. The tight yellow orb bouncing with each stride along the short side of the Old Adobe’s decaying walls.

No sign of life. Nothing.

I kill the light and try to catch my breath once at the end of the side wall. The weed and smokes are really catching up with me. I’m panting like a sweltering bullfrog. Suddenly, I feel like puking. I lean over and start to spit. My mouth is warming. I need a drink of water.

What the fuck am I doing here?
I ask myself.
I mean really, no plan of action or anything, just a state employee trespassing on private property with a firearm. I must be sick in the head and covet a death wish.

After sitting down in the mud for a few, I finally get my shit together. My stomach is starting to settle, but the sweat in my eyes is causing a fresh problem. I wipe the trails from my forehead and from around my eyes, but they are still burning.

I’m here. It’s time to flee or fight.
I start thinking about Ann, Keith, Mrs. Reynolds…and Jules: that’s why I’m here, because of Jules!
Goddamnit, I’m going to fight.

I stand back up. With my shoulder snug against the back corner of the Old Adobe’s left side wall, I eek my head around to survey the ass-end of the structure. Awkwardly, with my left hand, I focus the flashlight down its shadowed length: nothing but pockets of standing water and tufts of wild weeds.

The back wall is lower than the rest of the structure, by several feet as far as I can tell. In the center is a gothic-style wooden door, with what appears to be a heavy metal latch.
There’s no way I’m getting in this place. What a waste of good danger.
But before I call it quits and sneak back to the car…I try sliding it open.

It opens.
Whoa.

This thing is heavy, so it takes a little weight to ease it open. The weeds at the base are high and further inhibit its movement. I unbutton the clasp on the holster and place my right hand on the pistol’s handle, my index finger twitching near the trigger. Now, with my right shoulder, I lean into the door with all one hundred and eighty pounds of me. I lose my balance and stumble as the door gives way. Regaining my ground I draw the .38. My left hand flashes the orb of the flashlight in terrified fury.

Nothing, nothing at all…only an open-air yard.

But wait…

Along the left wall, I spot several large crates in a row: four or five of them. Doing a double take on the yard, which ends towards the front with a covered area that appears to house several darkened passageways, I carefully navigate towards my left where the crates sit.

What the hell is this?
The first one seems to be moving, jostling as I approach. Across the front is a small, rectangular slit covered by a metal coverlet. Slowly, I slide it open. Shining the light into whatever might be inside, I struggle to view its contents.
Holy fuck!
It’s a dog, a pit bull…I think. It’s hard to know definitively because its snout is muzzled. It’s shaking furiously. I can’t tell if it’s out of fear or rage. The smell of dirty dog and dog shit hits me hard. The stench mixed with the damp air conjures a rank alchemy my upper gastro region finds hard to take. I guess my adrenaline is pumping too hard because my gag reflex refuses to oblige this potent stench.

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