The Empire Trilogy (80 page)

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Authors: J. G. Farrell

BOOK: The Empire Trilogy
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Fleury was deeply touched by these sympathetic words; at the same time he was too overwhelmed by Louise's loveliness to be able to gaze directly at her face. Meanwhile, the pariah dog, which for some reason found him strangely exciting, had again come stealthily hopping back and was attempting to lean lovingly against his ankles.

Word of mutiny at the prison and Treasury reached the Residency an hour before dusk. Not long after five o'clock, when the streets of Krishnapur were most crowded, a strange clinking sound was heard. People wondered at first where it was coming from; it seemed to be all around them. As it grew louder they realized that among the familiar inhabitants of the town a number of strangers had appeared: they moved in long lines through the evening crowds, looking neither to right nor left, moving with a curious, rapid shuffle away from the middle of the town; presently, it became clear that the sound came from the ankle chains with which they were shackled. The prison guards had mutinied on a signal given by the sepoys at Captainganj and had freed their prisoners.

Soon afterwards came the news that the Treasury sepoys had also mutinied: a number of them had been seen hurrying through the now empty streets of Krishnapur from the direction of the Treasury. They wore
dhotis
instead of uniforms and carried heavy, oddly-shaped burdens on their shoulders and around their necks; they had broached a cart-load of silver rupees and filled the legs of their breeches with them. Now it seemed that they were staggering away with heavy, trunkless men on their shoulders.

As it was growing dark Lucy appeared at the Residency gates, accompanied by the Dunstaples'
khansamah
and a large amount of baggage. Harry and Fleury were beside themselves with astonishment and relief. What had caused Lucy to relent? Presently they learned that Louise had sent the
khansamah
with a letter, begging Lucy to accept her friendship and pleading with her to come into the Residency. Surprisingly enough, Lucy had agreed and now here she was. And not a moment too soon either. Behind her, just visible against the darkening sky, a pillar of smoke climbed from the
dak
bungalow. Then, as the thatched roof caught, the native town was brightly illuminated for a few moments before fading back into the darkness once again.

That night the entire cantonment burned. The Collector had expected that it would and consequently he at first showed no particular sign of alarm as people came to report, while he was at supper, that new fires had been sighted from the Residency roof. He continued eating placidly at the head of the table which had been set up in his bedroom and to which he had invited a number of guests, just as he might have done in normal times downstairs.

The table, although smaller than that of the dining-room, was set no less elegantly with glistening silver and glass. It also held one of the Collector's favourite possessions, a centrepiece by Elkington and Mason of Birmingham in electro-silver and on which candle-holders in the shape of swans' necks alternated with winged cherubim holding dishes. It was not simply that this centrepiece was an object of remarkable beauty in itself, it was also a representative of a new and wonderful method of multiplying works of art.

This was yet another startling advance which had occurred in the Collector's lifetime. Indeed, not much more than a decade had passed since the first small medals, coated by the aid of electricity, had been shown as curiosities. Now articles of far greater complexity even than this elaborate centre-piece were being produced, not singly, but by the thousand. Perfect copies had been made by electric agency of the celebrated cup by Benvenuto Cellini in the British Museum. Who could doubt the benefits which would result from placing such articles within the means of all classes of society...articles which could not fail to produce a love of the fine arts?

The Collector had several examples of electro-plating scattered about the Residency...in particular a heavy-thighed “Eve” in electro-bronze leaning against a tree-trunk around which a snake had wound itself (“How popular snakes were with sculptors these days!” he mused parenthetically): this piece stood on the landing at the top of the stairs. He also had a smaller piece in his drawing-room made of an alloy of nickel, copper and zinc which very nearly approached the colour of silver...this represented “
Fame Scattering Rose Petals on Shakespeare's Grave
”. His wife, too, on her own account, possessed a number of electro-metallic dogs. Could anyone doubt, the Collector wondered, sitting slumped in his chair for he was very tired and watching absently the winking highlights of the electro-silver before his eyes, that this was another invention which would rapidly make mankind sensitive to Beauty? Yes, he remembered sadly, the Magistrate had doubted it, and had scoffed when he had suggested that one day electro-metallurgy would permit every working man to drink from a Cellini cup.

The other people at the table included the Magistrate, Miriam, Major Hogan, Dr McNab, Mr and Mrs Rayne, the pretty Misses O'Hanlon, and, at the far end of the table in the most inconspicuous places they could find, his two eldest daughters, for whom a meal in the presence of their authoritarian father was an ordeal almost as alarming as the prospect of the siege itself. They had all seen a shadow of despondency pass over the Collector's face and naturally assumed, as anyone would, that it had been caused by the news that several bungalows were in flames. Only Miriam guessed otherwise, for he would surely never allow himself to appear despondent in the face of their common danger...moreover, in the past few days she had come to know him a little better and had noticed more than once that when he was tired his mind had a habit of slipping away from the urgent business it should have been attending to, and browsing on quite other matters. And she wondered what he might be thinking about now.

The atmosphere around the table was very strained. Since the Collector himself was saying nothing about their predicament none of his guests felt that it would be proper to introduce the subject, yet how could they possibly talk of anything else? The truth was that every single topic of conversation they attempted promptly fled back like a bolt of lightning to this predicament. Only the Magistrate seemed to be deriving any pleasure from the atmosphere of constraint which hung over the table, and he presently observed: “I wonder what the Apostles found to talk about during the Last Supper.” But this remark, to put it mildly, was not found to be amusing, and was coldly received...not that the Magistrate would mind about that.

What made things worse was that messages did not cease to arrive for the Collector. Whichever of the young officers it was who was in command of the sentinels posted around the enclave and on the Residency roof had no doubt been ordered to report the least new development, and he was performing his duties with punctiliousness. Every fresh beacon that sprang out of the darkness of the cantonment, in the view of this officer, constituted a new development. A verbal message was sent to the Collector and intercepted at the door of his bedroom by his English manservant, Vokins. Vokins then advanced, portentously discreet, to whisper it into the Collector's ear. The Collector's eyebrows would rise sadly, but he would listen without looking up, slumped in his chair and twirling the stem of his claret glass. Perhaps he would nod slowly, puffing out his cheeks in an odd and gloomy sort of way as he did so. The Collector's guests could not hear what was whispered in his ear, of course; the only person who knew the content of these messages was Vokins. Vokins, however, did not inspire confidence by his demeanour. He was a pale and haggard sort of individual at the best of times; now his pallor increased and the bones of his skull seemed to stand out more sharply, in a way which the Magistrate found interesting but which everyone else found sepulchral.

The trouble was that Vokins, as he made his solemn journeys from the door to the Collector's ear, did not understand that many of these messages were redundant (for, after all, once a cantonment has been set alight the number of bungalows blazing, more or less, is a matter of relative indifference). Vokins thought they were cumulative and progressive; Vokins lacked the broader view. He tended only to see the prospect of the Death of Vokins. Although some of the Collector's guests might have been hard put to it to think of what a man of Vokins's class had to lose, to Vokins it was very clear what he had to lose: namely his life. He was not at all anxious to leave his skin on the Indian plains; he wanted to take it back to the slums of Soho or wherever it came from.

By the time pudding was being served his expression had become tragic and he was uttering his messages in a muted gasp of terror...so that in the end even the Collector noticed and looked up enquiringly, as if to say: “Whatever is the matter with the fellow?” but then, evidently concluding that it was the heat, sank back into his own thoughts which were still following, in a meandering fashion, the theme of progress.

When the last of these messages was whispered funereally into his ear (five more bungalows adding warmth to the already stifling night) such a look of dismay came over the Collector's face that the two pretty Misses O'Hanlon could not resist a rapid intake of breath at the sight of it. But the Collector had merely been thinking of Prince Albert's Model Houses for the Labouring Classes and of another argument he had had with the Magistrate about them...how shocked he had been at the Magistrate's attitude to these model houses!

On his way to the Crystal Palace a small block of houses had caught his eye not far from the south entrance to the Exhibition and a little to the west of the Barracks. He had paused, thinking how cheerful they were in their modest way. They had stood there, respectful but unabashed, without giving themselves airs amid the grander edifices round about. They were square and simple (like the British working man himself, as one of his colleagues of the Sculpture Jury had lyrically expressed it) with a large window upstairs and downstairs, and they were built in pairs with a modestly silhouetted coping stone above the entrance but no flamboyant decoration. They were not dour and sullen like so many of the houses in the populous districts; they were proud, but yet knew their places. In short, they were so delightful that for a moment one even had to envy the working man his luck to be able to live in them as one passed on one's way towards the Exhibition.

But when the Collector had grown eloquent about these charming little dwellings, for this was in the early days before he had realized that the Magistrate was impermeable to optimism where social improvements were concerned, the Magistrate had spoken with equal vehemence about the exploitation of the poorer classes, the appalling conditions in which they were expected to live and so on, dismissing Prince Albert's model houses as a sop to the royal conscience. The Collector had protested that he was certain that the Prince's houses had been prompted, in a genuine spirit of sympathy, by the reports published by the Board of Health's inspectors about the wretched home accommodation of the poorer classes, the utter lack of drainage, of water supply and ventilation.

“What prompted these trivial improvements, on the contrary,” the Magistrate had replied, “was a fear of a cholera epidemic among the wealthier classes!”

Well, the Collector mused, it is impossible to argue with someone who ascribes generous motives to self-interest, and he looked up mournfully past the optimistic glints scattered by the electro-silver branches of the centre-piece to the fox-red growth that sprouted from the Magistrate's permanently contemptuous features. “What on earth is that?” he wondered aloud, having noticed, beyond the Magistrate, through the open window a tinge of buttercup in the night sky. Then, he added: “Oh yes, I see,” and got to his feet.

Downstairs in his study he lit a cheroot and shortly afterwards put it out again; instead he plucked his watch from its nest below his ribs. Once more he had to go upstairs; it was time for the last and most unpleasant task of the day. As he opened the door of his study he was confronted by a stuffed owl in a glass bell; one of its shoulders had long ago been eaten away by insects and it glared accusingly at the Collector with its glittering yellow eyes. But if the owl did not like the Collector, the Collector did not like the owl...for this owl was one of a vast population of owls, and of other stuffed birds which had come to roost in the Residency, together with a million other useless possessions. The Collector had long ago realized that he should have ordered them to be left to their fate. Instead, these possessions were stacked all over the Residency, all over Dunstaple's house, and even in the banqueting hall. Only the Magistrate had refused to allow this useless but prized rubbish into the Cutcherry, which, of course, had meant more for everyone else. Now every room, every corridor, every staircase was occluded with the garrison's acquisitions. “But still, are not possessions important? Do they not show how far a man has progressed in society from abject and anti-social poverty towards respectability? Possessions are surely a
physical
high-water mark of the
moral
tide which has been flooding steadily for the past twenty years or more.”

Amid the lumber of furniture, vases, crockery, musical instruments, and countless other objects, several more birds, motionless within their bubbles of glass, watched him wearily climb the stairs. He paused at the top, frowning. A ghostly voice had whispered in his ear: “The world is a bridge. Pass over it but do not build a house on it.” Was that a Christian or a Hindu proverb? He could not remember.

To accommodate the new arrival the Collector had had to turn out an indigo planter and his wife who had lodged themselves, uninvited, in the only remaining room. They had made a disagreeable fuss and had left, still grumbling, to seek shelter from Dr Dunstaple. Now, in their place, Hari was sitting cross-legged on the floor with his elbows propped on his knees and a sullen expression on his face. The Collector was annoyed to see that the room was lit only by a single candle; he spoke sharply to the bearer waiting at the door and he hurried away to find an oil-lamp.

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