The End of the Story (7 page)

My preparations were very simple: I put in my pockets a small taper from my room and the heel of a loaf of bread from the refectory; and making sure that a little dagger which I always carried was in its sheath, I left the monastery forthwith. Meeting two of the brothers in the courtyard, I told them I was going for a short walk in the neighboring woods. They gave me a jovial “
pax

vobiscum
” and went upon their way in the spirit of the words.

Heading as directly as I could for Faussesflammes, whose turrets were often lost behind the high and interlacing boughs, I entered the forest. There were no paths, and often I was compelled to brief detours and divagations by the thickness of the underbrush. In my feverous hurry to reach the ruins, it seemed hours before I came to the top of the hill which Faussesflammes surmounted, but probably it was little more than thirty minutes. Climbing the last declivity of the boulder-strewn slope, I came suddenly within view of the château, standing close at hand in the center of the level table which formed the summit. Trees had taken root in its broken-down walls, and the ruinous gateway that gave on the courtyard was half-choked by bushes, brambles and nettle-plants. Forcing my way through, not without difficulty, and with clothing that had suffered from the bramblethorns, I went, like Gérard de Venteillon in the old manuscript, to the northern end of the court. Enormous evil-looking weeds were rooted between the flagstones, rearing their thick and fleshy leaves that had turned to dull sinister maroons and purples with the onset of autumn. But I soon found the triangular flagstone indicated in the tale, and without the slightest delay or hesitation I pressed upon it with my right foot.

A mad shiver, a thrill of adventurous triumph that was mingled with something of trepidation, leaped through me when the great flagstone tilted easily beneath my foot, disclosing dark steps of granite, even as in the story. Now, for a moment, the vaguely hinted horrors of the monkish legends became imminently real in my imagination, and I paused before the black opening that was to engulf me, wondering if some satanic spell had not drawn me thither to perils of unknown terror and inconceivable gravity.

Only for a few instants, however, did I hesitate. Then the sense of peril faded, the monkish horrors became a fantastic dream, and the charm of things unformulable, but ever closer at hand, always more readily attainable, tightened about me like the embrace of amorous arms. I lit my taper, I descended the stair; and even as behind Gérard de Venteillon, the triangular block of stone silently resumed its place in the paving of the court above me. Doubtless it was moved by some mechanism operable by a man’s weight on one of the steps; but I did not pause to consider its
modus operandi
, or to wonder if there were any way by which it could be worked from beneath to permit my return.

There were perhaps a dozen steps, terminating in a low, narrow, musty vault that was void of anything more substantial than ancient, dust-encumbered cobwebs. At the end, a small doorway admitted me to a second vault that differed from the first only in being larger and dustier. I passed through several such vaults, and then found myself in a long passage or tunnel, half-blocked in places by boulders or heaps of rubble that had fallen from the crumbling sides. It was very damp, and full of the noisome odor of stagnant waters and subterranean mould. My feet splashed more than once in little pools, and drops fell upon me from above, fetid and foul as if they had oozed from a charnel.

Beyond the wavering circle of light that my taper maintained, it seemed to me that the coils of dim and shadowy serpents slithered away in the darkness at my approach; but I could not be sure whether they really were serpents, or only the troubled and retreating shadows, seen by an eye that was still unaccustomed to the gloom of the vaults.

Rounding a sudden turn in the passage, I saw the last thing I had dreamt of seeing—the gleam of sunlight at what was apparently the tunnel’s end. I scarcely know what I had expected to find, but such an eventuation was somehow altogether unanticipated. I hurried on, in some confusion of thought, and stumbled through the opening, to find myself blinking in the full rays of the sun.

Even before I had sufficiently recovered my wits and my eyesight to take note of the landscape before me, I was struck by a strange circumstance: though it had been early afternoon when I entered the vaults, and though my passage through them could have been a matter of no more than a few minutes, the sun was now nearing the horizon. There was also a difference in its light, which was both brighter and mellower than the sun I had seen above Averoigne; and the sky itself was intensely blue, with no hint of autumnal pallor.

Now, with ever-increasing stupefaction, I stared about me, and could find nothing familiar or even credible in the scene upon which I had emerged. Contrary to all reasonable expectation, there was no semblance of the hill upon which Faussesflammes stood, or of the adjoining country; but around me was a placid land of rolling meadows, through which a golden-gleaming river meandered toward a sea of deepest azure that was visible beyond the tops of laurel-trees…. But there are no laurel-trees in Averoigne, and the sea is hundreds of miles away: judge, then, my complete confusion and dumbfoundment.

It was a scene of such loveliness as I have never before beheld. The meadow-grass at my feet was softer and more lustrous than emerald velvet, and was full of violets and many-colored asphodels. The dark green of ilex-trees was mirrored in the golden river, and far away I saw the pale gleam of a marble acropolis on a low summit above the plain. All things bore the aspect of a mild and clement spring that was verging upon an opulent summer. I felt as if I had stepped into a land of classic myth, of Grecian legend; and moment by moment, all surprise, all wonder as to how I could have come there, was drowned in a sense of ever-growing ecstasy before the utter, ineffable beauty of the landscape.

Nearby, in a laurel-grove, a white roof shone in the late rays of the sun. I was drawn toward it by the same allurement, only far more potent and urgent, which I had felt on seeing the forbidden manuscript and the ruins of Faussesflammes. Here, I knew with an esoteric certainty, was the culmination of my quest, the reward of all my mad and perhaps impious curiosity.

As I entered the grove, I heard laughter among the trees, blending harmoniously with the low murmur of their leaves in a soft, balmy wind. I thought I saw vague forms that melted among the boles at my approach; and once a

shaggy, goat-like creature with human head and body ran across my path, as if in pursuit of a flying nymph.

In the heart of the grove, I found a marble palace with a portico of Doric columns. As I neared it, I was greeted by two women in the costume of ancient slaves; and though my Greek is of the meagerest, I found no difficulty whatever in comprehending their speech, which was of Attic purity.

“Our mistress, Nycea, awaits you,” they told me. I could no longer marvel at anything, but accepted my situation without question or surmise, like one who resigns himself to the progress of some delightful dream. Probably, I thought, it was a dream, and I was still lying in my bed at the monastery; but never before had I been favored by nocturnal visions of such clarity and surpassing loveliness. The interior of the palace was full of a luxury that verged upon the barbaric, and which evidently belonged to the period of Greek decadence, with its intermingling of Oriental influences. I was led through a hallway gleaming with onyx and polished porphyry, into an opulently furnished room, where, on a couch of gorgeous fabrics, there reclined a woman of goddess-like beauty.

At sight of her, I trembled from head to foot with the violence of a strange emotion. I had heard of the sudden mad loves by which men are seized on beholding for the first time a certain face and form; but never before had I experienced a passion of such intensity, such all-consuming ardor, as the one I conceived immediately for this woman. Indeed, it seemed as if I had loved her for a long time, without knowing that it was she whom I loved, and without being able to identify the nature of my emotion or to orient the feeling in any manner.

She was not tall, but was formed with exquisite voluptuous purity of line and contour. Her eyes were of a dark sapphire blue, with molten depths into which the soul was fain to plunge as into the soft abysses of a summer ocean. The curve of her lips was enigmatic, a little mournful, and gravely tender as the lips of an antique Venus. Her hair, brownish rather than blond, fell over her neck and ears and forehead in delicious ripples confined by a plain fillet of silver. In her expression, there was a mixture of pride and voluptuousness, of regal imperiousness and feminine yielding. Her movements were all as effortless and graceful as those of a serpent.

“I knew you would come,” she murmured in the same soft-voweled Greek I had heard from the lips of her servants. “I have waited for you long; but when you sought refuge from the storm in the abbey of Périgon, and saw the manuscript in the secret drawer, I knew that the hour of your arrival was at hand. Ah! you did not dream that the spell which drew you so irresistibly, with such unaccountable potency, was the spell of my beauty, the magical allurement of my love!”

“Who are you?” I queried. I spoke readily in Greek, which would have surprised me greatly an hour before. But now, I was prepared to accept anything whatever, no matter how fantastic or preposterous, as part of the miraculous

fortune, the unbelievable adventure which had befallen me.

“I am Nycea,” she replied to my question. “I love you, and the hospitality of my palace and of my arms is at your disposal. Need you know anything more?”

The slaves had disappeared. I flung myself beside the couch and kissed the hand she offered me, pouring out protestations that were no doubt incoherent, but were nevertheless full of an ardor that made her smile tenderly.

Her hand was cool to my lips, but the touch of it fired my passion. I ventured to seat myself beside her on the couch, and she did not deny my familiarity. While a soft purple twilight began to fill the corners of the chamber, we conversed happily, saying over and over again all the sweet absurd litanies, all the felicitous nothings that come instinctively to the lips of lovers. She was incredibly soft in my arms, and it seemed almost as if the completeness of her yielding was unhindered by the presence of bones in her lovely body.

The servants entered noiselessly, lighting rich lamps of intricately carven gold, and setting before us a meal of spicy meats, of unknown savorous fruits and potent wines. But I could eat little, and while I drank, I thirsted for the sweeter wine of Nycea’s mouth.

I do not know when we fell asleep; but the evening had flown like an enchanted moment. Heavy with felicity, I drifted off on a silken tide of drowsiness, and the golden lamps and the face of Nycea blurred in a blissful mist and were seen no more.

Suddenly, from the depths of a slumber beyond all dreams, I found myself compelled into full wakefulness. For an instant, I did not even realize where I was, still less what had aroused me. Then I heard a footfall in the open doorway of the room, and peering across the sleeping head of Nycea, saw in the lamplight the abbot Hilaire, who had paused on the threshold. A look of absolute horror was imprinted upon his face, and as he caught sight of me, he began to gibber in Latin, in tones where something of fear was blended with fanatical abhorrence and hatred. I saw that he carried in his hands a large bottle and an aspergillus. I felt sure that the bottle was full of holy water, and of course divined the use for which it was intended.

Looking at Nycea, I saw that she too was awake, and knew that she was aware of the abbot’s presence. She gave me a strange smile, in which I read an affectionate pity, mingled with the reassurance that a woman offers a frightened child.   

“Do not fear for me,” she whispered.

“Foul vampire! accursed lamia! she-serpent of hell!” thundered the abbot suddenly, as he crossed the threshold of the room, raising the aspergillus aloft. At the same moment, Nycea glided from the couch, with an unbelievable swiftness of motion, and vanished through an outer door that gave upon the forest of laurels. Her voice hovered in my ear, seeming to come from an immense distance:

“Farewell for awhile, Christophe. But have no fear. You shall find me again

if you are brave and patient.”

As the words ended, the holy water from the aspergillus fell on the floor of the chamber and on the couch where Nycea had lain beside me. There was a crash as of many thunders, and the golden lamps went out in a darkness that seemed full of falling dust, of raining fragments. I lost all consciousness, and when I recovered, I found myself lying on a heap of rubble in one of the vaults I had traversed earlier in the day. With a taper in his hand, and an expression of great solicitude, of infinite pity upon his face, Hilaire was stooping over me. Beside him lay the bottle and the dripping aspergillus.

“I thank God, my son, that I found you in good time,” he said. “When I returned to the abbey this evening and learned that you were gone, I surmised all that had happened. I knew you had read the accursed manuscript in my absence, and had fallen under its baleful spell, as have so many others, even to a certain reverend abbot, one of my predecessors. All of them, alas! beginning hundreds of years ago with Gérard de Venteillon, have fallen victims to the lamia who dwells in these vaults.”

“The lamia?” I questioned, hardly comprehending his words.

“Yes, my son, the beautiful Nycea who lay in your arms this night is a lamia, an ancient vampire, who maintains in these noisome vaults her palace of beatific illusions. How she came to take up her abode at Faussesflammes is not known, for her coming antedates the memory of men. She is old as paganism; the Greeks knew her; she was exorcised by Apollonius of Tyana; and if you could behold her as she really is, you would see, in lieu of her voluptuous body, the folds of a foul and monstrous serpent. All those whom she loves and admits to her hospitality, she devours in the end, after she has drained them of life and vigor with the diabolic delight of her kisses. The laurel-wooded plain you saw, the ilex-bordered river, the marble palace and all the luxury therein, were no more than a satanic delusion, a lovely bubble that arose from the dust and mould of immemorial death, of ancient corruption. They crumbled at the kiss of the holy water I brought with me when I followed you. But Nycea, alas! has escaped, and I fear she will still survive, to build again her palace of demoniacal enchantments, to commit again and again the unspeakable abomination of her sins.”