The Five People You Meet in Heaven (13 page)

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Authors: Mitch Albom

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BOOK: The Five People You Meet in Heaven
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"He was hard on you," the old woman said.

Eddie lowered his eyes. "Yeah. So?"

"Perhaps you were hard on him, too."

"I doubt it. You know the last time he talked to me?"

"The last time he tried to strike you."

Eddie shot her a look.

"And you know the last thing he said to me? 'Get a job.' Some father, huh?"

The old woman pursed her lips. "You began to work after that. You picked yourself up."

Eddie felt a rumbling of anger. "Look," he snapped. "You didn't know the guy."

"That's true." She rose. "But I know something you don't. And it is time to show you."

R
UBY POINTED WITH the tip of her parasol and drew a circle in the snow. When Eddie looked into the circle, he felt as if his eyes were falling from their sockets and traveling on their own, down a hole and into another moment. The images sharpened. It was years ago, in the old apartment. He could see front and back, above and below.

This is what he saw:

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He saw his mother, looking concerned, sitting at the kitchen table. He saw Mickey Shea, sitting across from her. Mickey looked awful. He was soaking wet, and he kept rubbing his hands over his forehead and down his nose. He began to sob. Eddie's mother brought him a glass of water.

She motioned for him to wait, and walked to the bedroom and shut the door. She took off her shoes and her house-dress. She reached for a blouse and skirt.

Eddie could see all the rooms, but he could not hear what the two of them were saying, it was just blurred noise. He saw Mickey, in the kitchen, ignoring the glass of water, pulling a flask from his jacket and swigging from it. Then, slowly, he got up and staggered to the bedroom.

He opened the door.

Eddie saw his mother, half dressed, turn in surprise. Mickey was wobbling. She pulled a robe around her. Mickey came closer. Her hand went out instinctively to block him. Mickey froze, just for an instant, then grabbed that hand and grabbed Eddie's mother and backed her into the wall, leaning against her, grabbing her waist. She squirmed, then yelled, and pushed on Mickey's chest while still gripping her robe.

He was bigger and stronger, and he buried his unshaven face below her cheek, smearing tears on her neck.

Then the front door opened and Eddie's father stood there, wet from rain, a ball peen hammer hanging from his belt. He ran into the bedroom and saw Mickey grabbing his wife. Eddie's father hollered. He raised the hammer. Mickey put his hands over his head and charged to the door, knocking Eddie's father sideways. Eddie's mother was crying, her chest heaving, her face streamed with tears. Her husband grabbed her shoulders. He shook her violently. Her robe fell. They were both screaming. Then Eddie's father left the apartment, smashing a lamp with the hammer on his way out. He thumped down the steps and ran off into the rainy night.

W
HAT WAS THAT?" Eddie yelled in disbelief. "What the hell was
THAT
?"

The old woman held her tongue. She stepped to the side of the snowy circle and drew another one. Eddie tried not to look down. He couldn't help it. He was falling again, becoming eyes at a scene.

This is what he saw:

He saw a rainstorm at the farthest edge of Ruby Pier—the "north point," they called it—a narrow jetty that stretched far out into the 79

ocean. The sky was a bluish black. The rain was falling in sheets. Mickey Shea came stumbling toward the edge of the jetty. He fell to the ground, his stomach heaving in and out. He lay there for a moment, face to the darkened sky, then rolled on his side, under the wood railing. He dropped into the sea.

Eddie's father appeared moments later, scrambling back and forth, the hammer still in his hand. He grabbed the railing, searching the waters. The wind blew the rain in sideways. His clothes were drenched and his leather tool belt was nearly black from the soaking. He saw something in the waves. He stopped, pulled off the belt, yanked off one shoe, tried to undo the other, gave up, squatted under the railing and jumped, splashing clumsily in the churning ocean.

Mickey was bobbing in the insistent roll of seawater, half unconscious, a foamy yellow fluid coming from his mouth. Eddie's father swam to him, yelling into the wind.

He grabbed Mickey. Mickey swung. Eddie's father swung back. The skies clapped with thunder as the rainwater pelted them. They grabbed and flailed in the violent chop.

Mickey coughed hard as Eddie's father grabbed his arm and hooked it over his shoulder. He went under, came up again, then braced his weight against Mickey's body, pointing them toward shore. He kicked.

They moved forward. A wave swept them back. Then forward again. The ocean thumped and crashed, but Eddie's father remained wedged under Mickey's armpit, pumping his legs, blinking wildly to clear his vision.

They caught the crest of a wave and made sudden progress shoreward. Mickey moaned and gasped. Eddie's father spit out seawater. It seemed to take forever, the rain popping, the white foam smacking their faces, the two men grunting, thrashing their arms.

Finally, a high, curling wave lifted them up and dumped them onto the sand, and Eddie's father rolled out from under Mickey and was able to hook his hands under Mickey's arms and hold him from being swept into the surf. When the waves receded, he yanked Mickey forward with a final surge, then collapsed on the shore, his mouth open, filling with wet sand.

E
DDIE'S VISION RETURNED to his body. He felt exhausted, spent, as if he had been in that ocean himself. His head was heavy. Everything he thought he'd known about his father, he didn't seem to know anymore.

"What was he
doing
?" Eddie whispered.

80

"Saving a friend," Ruby said.

Eddie glared at her. "Some friend. If I'd have known what he did, I'd have let his drunken hide drown."

"Your father thought about that, too," the old woman said. "He had chased after Mickey to hurt him, perhaps even to kill him. But in the end, he couldn't. He knew who Mickey was. He knew his shortcomings.

He knew he drank. He knew his judgment faltered.

"But many years earlier, when your father was looking for work, it was Mickey who went to the pier owner and vouched for him. And when you were born, it was Mickey who lent your parents what little money he had, to help pay for the extra mouth to feed.Your father took old friendships seriously—"

"Hold on, lady," Eddie snapped. "Did you see what that bastard was doing with my mother?"

"I did," the old woman said sadly. "It was wrong. But things are not always what they seem.

"Mickey had been fired that afternoon. He'd slept through another shift, too drunk to wake up, and his employers told him that was enough. He handled the news as he handled all bad news, by drinking more, and he was thick with whiskey by the time he reached your mother. He was begging for help. He wanted his job back. Your father was working late. Your mother was going to take Mickey to him.

"Mickey was coarse, but he was not evil. At that moment, he was lost, adrift, and what he did was an act of loneliness and desperation. He acted on impulse. A bad impulse. Your father acted on impulse, too, and while his first impulse was to kill, his final impulse was to keep a man alive."

She crossed her hands over the end of her parasol.

"That was how he took ill, of course. He lay there on the beach for hours, soaking and exhausted, before he had the strength to struggle home. Your father was no longer a young man. He was already in his fifties."

"Fifty-six," Eddie said blankly.

"Fifty-six," the old woman repeated. "His body had been weakened, the ocean had left him vulnerable, pneumonia took hold of him, and in time, he died."

"Because of Mickey?" Eddie said.

"Because of loyalty," she said.

"People don't die because of loyalty."

81

"They don't?" She smiled. "Religion? Government? Are we not loyal to such things, sometimes to the death?"

Eddie shrugged.

"Better," she said, "to be loyal to one another."

A
FTER THAT, THE two of them remained in the snowy mountain valley for a long time. At least to Eddie it felt long. He wasn't sure how long things took anymore.

"What happened to Mickey Shea?" Eddie said.

"He died, alone, a few years later," the old woman said. "Drank his way to the grave. He never forgave himself for what happened."

"But my old man," Eddie said, rubbing his forehead. "He never said anything."

"He never spoke of that night again, not to your mother, not to anyone else. He was ashamed for her, for Mickey, for himself. In the hospital, he stopped speaking altogether. Silence was his escape, but silence is rarely a refuge. His thoughts still haunted him.

"One night his breathing slowed and his eyes closed and he could not be awakened. The doctors said he had fallen into a coma."

Eddie remembered that night. Another phone call to Mr. Nathanson.

Another knock on his door.

"After that, your mother stayed by his bedside. Days and nights. She would moan to herself, softly, as if she were praying: 'I should have done something. I should have done something.'

"Finally, one night, at the doctors' urging, she went home to sleep.

Early the next morning, a nurse found your father slumped halfway out the window."

"Wait," Eddie said. His eyes narrowed. "The window?"

Ruby nodded. "Sometime during the night, your father awakened. He rose from his bed, staggered across the room, and found the strength to raise the window sash. He called your mother's name with what little voice he had, and he called yours, too, and your brother, Joe. And he called for Mickey. At that moment, it seemed, his heart was spilling out, all the guilt and regret. Perhaps he felt the light of death approaching.

Perhaps he only knew you were all out there somewhere, in the streets beneath his window. He bent over the ledge. The night was chilly. The wind and damp, in his state, were too much. He was dead before dawn.

82

"The nurses who found him dragged him back to his bed. They were frightened for their jobs, so they never breathed a word. The story was he died in his sleep."

Eddie fell back, stunned. He thought about that final image. His father, the tough old war horse, trying to crawl out a window. Where was he going? What was he thinking? Which was worse when left unexplained: a life, or a death?

H
OW DO YOU know all this?" Eddie asked Ruby.

She sighed. "Your father lacked the money for a hospital room of his own. So did the man on the other side of the curtain."

She paused.

"Emile. My husband."

Eddie lifted his eyes. His head moved back as if he'd just solved a puzzle.

"Then you
saw
my father."

"Yes."

"And my mother."

"I heard her moaning on those lonely nights. We never spoke. But after your father's death, I inquired about your family. When I learned where he had worked, I felt a stinging pain, as if I had lost a loved one myself. The pier that bore my name. I felt its cursed shadow, and I wished again that it had never been built.

"That wish followed me to heaven, even as I waited for you."

Eddie looked confused.

"The diner?" she said. She pointed to the speck of light in the mountains. "It's there because I wanted to return to my younger years, a simple but secure life. And I wanted all those who had ever suffered at Ruby Pier—every accident, every fire, every fight, slip, and fall—to be safe and secure. I wanted them all like I wanted my Emile, warm, well fed, in the cradle of a welcoming place, far from the sea."

Ruby stood, and Eddie stood, too. He could not stop thinking about his father's death.

"I hated him," he mumbled.

The old woman nodded.

"He was hell on me as a kid. And he was worse when I got older."

83

Ruby stepped toward him. "Edward," she said softly. It was the first time she had called him by name. "Learn this from me. Holding anger is a poison. It eats you from inside. We think that hating is a weapon that attacks the person who harmed us. But hatred is a curved blade. And the harm we do, we do to ourselves.

"Forgive, Edward. Forgive. Do you remember the lightness you felt when you first arrived in heaven?"

Eddie did.
Where is my pain
?

"That's because no one is born with anger. And when we die, the soul is freed of it. But now, here, in order to move on, you must understand why you felt what you did, and why you no longer need to feel it."

She touched his hand.

"You need to forgive your father."

E
DDIE THOUGHT ABOUT the years that followed his father's funeral.

How he never achieved anything, how he never went anywhere. For all that time, Eddie had imagined a certain life—a "could have been" life—

that would have been his if not for his father's death and his mother's subsequent collapse. Over the years, he glorified that imaginary life and held his father accountable for all of its losses: the loss of freedom, the loss of career, the loss of hope. He never rose above the dirty, tiresome work his father had left behind.

"When he died," Eddie said, "he took part of me with him. I was stuck after that."

Ruby shook her head, "Your father is not the reason you never left the pier."

Eddie looked up. "Then what is?"

She patted her skirt. She adjusted her spectacles. She began to walk away. "There are still two people for you to meet," she said.

Eddie tried to say "Wait," but a cold wind nearly ripped the voice from his throat. Then everything went black.

R
UBY WAS GONE. He was back atop the mountain, outside the diner, standing in the snow.

He stood there for a long time, alone in the silence, until he realized the old woman was not coming back. Then he turned to the door and 84

slowly pulled it open. He heard clanking silverware and dishes being stacked. He smelled freshly cooked food—breads and meats and sauces.

The spirits of those who had perished at the pier were all around, engaged with one another, eating and drinking and talking.

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