The Given Day (13 page)

Jessie was the first and best friend Luther had made in Greenwood, and this would soon become the problem. His given name was Clarence, but his middle name was Jessup, so everyone called him Jessie when they weren't calling him Jessie Tell, and he had a way about him that drew men to him as much as women. He was a bellhop and fill- in elevator operator at the Hotel Tulsa, and he had a gift for keeping everyone's spirits up on his own high level and that could sure make a day fly. Much as Jessie'd been given a couple nicknames himself, it was only fair, since he'd done the same to everyone he met (it was Jessie who, at the Gold Goose, had first called Luther "Country"), and those names left his tongue with so much speed and certainty that usually a man started going by Jessie's nickname no matter how long he'd been called by any other on this earth. Jessie would move through the lobby of the Hotel Tulsa pushing a brass cart or lugging some bags and calling out, "Happening, Slim?" and "You know it's the truth, Typhoon," and following that with a soft "heh heh right," and before suppertime people were calling Bobby Slim and Gerald Typhoon and most felt better for the trade- off.

Luther and Jessie Tell had them some elevator races when times were slow and they bet on bag totals every day they worked the bell stand, hustled like mad with smile and shine for the white folk who called 'em both George even though they wore brass name tags clear as day, and after they'd crossed back over the Frisco tracks into Greenwood and retired to the saloons or the galleries down around Admiral, they kept their raps up, because they were both fast in the mouth and fast on their feet and Luther felt that between the two of them lay the kinship he'd been missing, the one he'd left behind in Columbus with Sticky Joe Beam and Aeneus James and some of the other men he'd played ball with and drank with and, in pre-Lila days, chased women with. Life--life--was lived here, in the Greenwood that sprung up at night with its snap of pool balls and its three- string guitars and saxophones and liquor and men unwinding after so many hours of being called George, called son, called boy, called whatever white folk felt a mind to call them. And a man could not only be forgiven, he could be expected to unwind with other men after days like they had, saying their "Yes, suhs" and their "How dos" and their "Sho 'nuffs."

Fast as Jessie Tell was--and he and Luther both ran the same numbers territory and ran it fast--he was big too. Not near as big as Deacon Broscious but a man of girth, nonetheless, and he loved him his heroin. Loved him his chicken and his rye and his fat-bottomed women and his talk and his Choctaw and his song, but, man, his heroin he loved above all else.

"Shit," he said, "nigger like me got to have something slow him down, else whitey'd shoot him 'fore he could take over the world. Say I'm right, Country. Say it. 'Cause it's so and y' know it."

Problem was, a habit like Jessie had--and his habit was like the rest of him, large--got expensive, and even though he cleared more tips than any man at the Hotel Tulsa, it didn't mean much because tips were pooled and then dealt out evenly to each man at the end of a shift. And even though he was running numbers for the Deacon and that was most definitely a paying proposition, the runners getting two cents on every dollar the customers lost and Greenwood customers lost about as much as they played and they played at a fearsome rate, Jessie still couldn't keep up by playing straight.

So he skimmed.

The way running numbers worked in Deacon Broscious's town was straight simple: ain't no such thing as credit. You wanted to put a dime on the number, you paid the runner eleven cents before he left your house, the extra penny to cover the vig. You played for four bits, you paid fi fty-five. And so on.

Deacon Broscious didn't believe in chasing down country niggers for their money after they'd lost, just couldn't see the sense in that. He had real collectors for real debt, he couldn't bother fucking up niggers' limbs for pennies. Those pennies, though, you added it up and you could fill some mail bags with it, boy, could fill a barn come those special days when folks thought luck was in the air.

Since the runners carried that cash around with them, it stood to reason that Deacon Broscious had to pick boys he trusted, but the Deacon didn't get to be the Deacon by trusting anybody, so Luther had always assumed he was being watched. Not every run, mind you, just every third or so. He'd never actually seen someone doing the watching, but it sure couldn't hurt matters none to work from that assumption.

Jessie said, "You give Deacon too much credit, boy. Man can't have eyes everywhere. 'Sides, even if he did, those eyes are human, too. They can't tell if you went into the house and just Daddy played or if Mama and Grandpa and Uncle Jim all played, too. And you sure don't pocket all four of them dollars. But if you pocket one? Who's the wiser? God? Maybe if He's looking. But the Deacon ain't God."

He surely wasn't that. He was some other thing.

Jessie took a shot at the six ball and missed it clean. He gave Luther a lazy shrug. His buttery eyes told Luther he'd been hitting the spike again, probably in the alley while Luther'd used the bathroom a while back.

Luther sank the twelve.

Jessie gripped his stick to keep him up, then felt behind him for his chair. When he was sure he'd found it and centered it under his ass, he lowered himself into it and smacked his lips, tried to get some wet into that big tongue of his.

Luther couldn't help himself. "Shit going to kill you, boy."

Jessie smiled and wagged a finger at him. "Ain't going to do nothing right now but make me feel right, so shush your mouth and shoot your pool."

That was the problem with Jessie--much as the boy could talk at you, weren't no one could talk to him. There was some part of him--the core, most likely--that got plumb irritated by reason. Common sense insulted Jessie.

"Just 'cause folks be doing a thing," he said to Luther once, "don't make that thing a good fucking idea all to itself, do it?"

"Don't make it bad."

Jessie smiled that smile of his got him women and a free drink more often than not. "Sure it do, Country. Sure it do."

Oh, the women loved him. Dogs rolled over at the sight of him and peed all over their bellies, and children followed him when he walked Greenwood Avenue, as if gold-plated jumping jacks would spring from his trouser cuffs.

Because there was something unbroken in the man. And people followed him, maybe, just to see it break.

Luther sank the six and then the five, and when he looked up again, Jessie had gone into a nod, a bit of drool hanging from the corner of his mouth, his arms and legs wrapped around that pool stick like he'd decided it would make him a right fi ne wife.

They'd look after him here. Maybe set him up in the back room if the place got busy. Else, just leave him where he sat. So Luther put his stick back in the rack and took his hat from the wall and walked out into the Greenwood dusk. He thought of fi nding himself a game, just sit in for a few hands. There was one going on right now upstairs in the back room of Po's Gas Station, and just picturing it put an itch in his head. But he'd played in a few too many games already during his short time in Greenwood and it was all he could do hustling for tips at the hotel and running for the Deacon to keep Lila from getting any idea how much he'd lost.

Lila. He'd promised her he'd come home tonight before sunset and it was well past that now, the sky a deep dark blue and the Arkansas River gone silver and black, and while it was just about the last thing he wanted to do, what with the night filling up around him with music and loud, happy catcalls and such, Luther took a deep breath and headed home to be a husband.

Lila didn't care much for Jessie, no surprise, and she didn't care much for any of Luther's friends or his nights on the town or his moonlighting for Deacon Broscious, so the small house on Elwood Avenue had been getting smaller every day since.

A week ago when Luther had said, "Where the money going to come from then?" Lila said she'd get a job, too. Luther laughed, knowing that no white folk was going to want a pregnant colored scrubbing their pots and cleaning their floors because white women wouldn't want their husbands thinking about how that baby got in there and white men wouldn't like thinking about it either. Might have to explain to the children how come they'd never seen a black stork.

After supper tonight, she said, "You a man now, Luther. A husband. You got responsibilities."

"And I'm keeping 'em up, ain't I?" Luther said. "Ain't I?" "Well, you are, I'll grant you."

"Okay, then."

"But still, baby, you can spend some nights at home. You can get to fixing those things you said."

"What things?"

She cleared the table and Luther stood, went to the coat he'd placed on the hook when he'd come in, fished for his cigarettes.

"Things," Lila said. "You said you'd build a crib for the baby and fix the sag in the steps and--"

"And, and, and," Luther said. "Shit, woman, I work hard all day." "I know."

"Do you?" It came out a lot harder than he'd intended.

Lila said, "Why you so cross all the time?"

Luther hated these conversations. Seemed like it was the only kind they had anymore. He lit a cigarette. "I ain't cross," he said, even though he was.

"You cross all the time." She rubbed her belly where it had already begun to show.

"Well why the fuck not?" Luther said. He hadn't meant to cuss in front of her, but he could feel the liquor in him, liquor he barely noticed drinking when he was around Jessie because Jessie and his heroin made a little whiskey seem as dangerous as lemonade. "Two months ago, I wasn't a father-to-be."

"And?"

"And what?"

"And what's that supposed to mean?" Lila placed the dishes in the sink and came back into the small living room.

"Shit mean what I said," Luther said. "A month ago--"

"What?" She stared at him, waiting.

"A month ago I wasn't in Tulsa and I wasn't shotgun-wed and I wasn't living in some shit little house on some shit little avenue in some shit little town, Lila. Now was I?"

"This ain't no shit town." Lila's voice went up with her back. "And you weren't shotgun-wed."

"May as well."

She got up into him, staring with stoked- coal eyes and curled fi sts. "You don't want me? You don't want your child?"

"I wanted a fucking choice," Luther said.

"You have your choice and you take it every night out on the streets. You ain't ever come home like a man should, and when you do, you drunk or high or both."

"Got to be," Luther said.

Her lips were trembling when she said, "And why's that?"

" 'Cause it's the only way I can put up with--" He stopped himself, but it was too late.

"With what, Luther? With me?"

"I'm going out."

She grabbed his arm. "With me, Luther? That it?"

"Go on over to your auntie's now," Luther said. "Ya'll can talk about what an un-Christian man I am. Tell yourselves how you gonna God me up."

"With me?" she said a third time, and her voice was small and soul sick.

Luther left before he could get the mind to bust something.

They spent Sundays at Aunt Marta and Uncle James's grand house on Detroit Avenue in what Luther'd come to think of as the Second Greenwood.

No one else wanted to think of it that way, but Luther knew there were two Greenwoods, just like there were two Tulsas. Which one you found yourself in depended on whether you were north or south of the Frisco depot. He was sure white Tulsa was several different Tulsas when you got under the surface, but he wasn't privy to any of that, since his interactions with it never got much past "Which floor, ma'am?"

But in Greenwood, the division had become a whole lot clearer. You had "bad" Greenwood, which was the alleys off Greenwood Avenue, well north of the intersection with Archer, and you had the several blocks down around First and Admiral, where guns were fi red on Friday nights and passersby could still catch a whiff of opium smoke in the Sunday-morning streets.

But "good" Greenwood, folks liked to believe, made up the other 99 percent of the community. It was Standpipe Hill and Detroit Avenue and the central business district of Greenwood Avenue. It was the First Baptist Church and the Bell & Little Restaurant and the Dreamland Theater where the Little Tramp or America's Sweetheart ambled across the screen for a fi fteen-cent ticket. It was the Tulsa Star and a black deputy sheriff walking the streets with a polished badge. It was Dr. Lewis T. Weldon and Lionel A. Garrity, Esquire, and John and Loula Williams who owned the Williams Confectionery and the Williams One- Stop Garage and the Dreamland itself. It was O. W. Gurley, who owned the grocery store, the mercantile store, and the Gurley Hotel to boot. It was Sunday-morning services and these Sunday- afternoon dinners with the fine china and the whitest linen and something classical and delicate tinkling from the Victrola, like the sounds from a past none of them could point to.

That's where the other Greenwood got to Luther most--in that music. You only had to hear but a few bars to know it was white. Chopin, Beethoven, Brahms. Luther could just picture them sitting at their pianos, tapping away in some big room with polished floors and high windows while the servants tiptoed around outside. This was music by and for men who whipped their stable boys and fucked their maids and went on weekend hunts to kill small animals they'd never eat. Men who loved the sound of baying hounds and sudden fl ight. They'd come back home, weary from lack of work, and compose or listen to music just like this, stare up at paintings of ancestors as hopeless and empty as they were, and preach to their children about right and wrong.

Uncle Cornelius had spent his life working for men like those before he'd gone blind, and Luther had met more than a few himself in his day, and he was content to step out of their path and leave them to themselves. But he couldn't stand the idea that here, in James and Marta Hollaway's dining room on Detroit Avenue, the dark faces assembled seemed determined to drink, eat, and money themselves white.