The God of Small Things (21 page)

  Laughter curled around the edges of Rahel’s voice.

“
‘Safety First,’”
she announced. Ammu had drawn a wavy line down the length of the page with a red pen and written
Margin? And joint handwriting in future, please!

“Morbid kid,” Rahel said to Estha. As she turned the page something reached into her throat, plucked her voice out, shook it down, and returned it without its laughing edges. Estha’s next story was called
Little Ammu.

In joint handwriting. The tails of the
Y
’s and
G
’s were curled and looped. The shadow in the doorway stood very still.

Ammu had corrected the spelling mistakes, and below the essay had written:
If I am Talking to somebody you may interrupt me only if it is very urgent. When you do, please say “Excuse me,” I will punish you very severely if you disobey these instructions. Please complete your corrections.

Little Ammu.

Who never completed
her
corrections.

Who had to pack her bags and leave. Because she had no Locusts Stand I. Because Chacko said she had destroyed enough already.

Who came back to Ayemenem with asthma and a rattle in her chest that sounded like a faraway man shouting.

Estha never saw her like that.

Wild. Sick. Sad.

The last time Ammu came back to Ayemenem, Rahel had just been expelled from Nazareth Convent (for decorating dung and slamming into seniors). Ammu had lost the latest of her succession of jobs—as a receptionist in a cheap hotel—because she had been ill and had missed too many days of work. The hotel couldn’t afford that, they told her. They needed a healthier receptionist.

On that last visit, Ammu spent the morning with Rahel in her room. With the last of her meager salary she had bought her daughter small presents wrapped in brown paper with colored paper hearts pasted on. A packet of cigarette sweets, a tin Phantom pencil box and
Paul Bunyan
—a Junior Classics Illustrated comic. They were presents for a seven-year-old; Rahel was nearly eleven. It was as though Ammu believed that if she refused to acknowledge the passage of time, if she willed it to stand still in the lives of her twins, it would. As though sheer willpower was enough to suspend her children’s childhoods until she could afford to have them living with her. Then they could take up from where they left off. Start again from seven. Ammu told Rahel that she had bought Estha a comic too, but that she’d kept it away for him until she got another job and could earn enough to rent a room for the three of them to stay together in. Then she’d go to Calcutta and fetch Estha, and he could have his comic. That day was not far off, Ammu said. It could happen
any
day. Soon rent would be no problem. She said she had applied for a
UN
job and they would all live in The Hague with a Dutch ayah to look after them. Or on the other hand, Ammu said, she might stay on in India and do what she had been planning to do all along—start a school. Choosing between a career in Education and a
UN
job wasn’t easy, she said—but the thing to remember was that the very fact that she had a choice was a great privilege.

But for the Time Being, she said, until she made her decision, she was keeping Estha’s presents away for him.

That whole morning Ammu talked incessantly. She asked Rahel questions, but never let her answer them. If Rahel tried to say something,
Ammu would interrupt with a new thought or query. She seemed terrified of what adult thing her daughter might say and thaw Frozen Time. Fear made her garrulous. She kept it at bay with her babble.

She was swollen with cortisone, moonfaced, not the slender mother Rahel knew. Her skin was stretched over her puffy cheeks like shiny scar tissue that covers old vaccination marks. When she smiled, her dimples looked as though they hurt Her curly hair had lost its sheen and hung around her swollen face like a dull curtain. She carried her breath in a glass inhaler in her tattered handbag. Brown Brovon fumes. Each breath she took was like a war won against the steely fist that was trying to squeeze the air from her lungs. Rahel watched her mother breathe. Each time she inhaled, the hollows near her collarbones grew steep and filled with shadows.

Ammu coughed up a wad of phlegm into her handkerchief and showed it to Rahel. “You must always check it,” she whispered hoarsely, as though phlegm was an Arithmetic answer sheet that had to be revised before it was handed in. “When it’s white, it means it isn’t ripe. When it’s yellow and has a rotten smell, it’s ripe and ready to be coughed out. Phlegm is like fruit. Ripe or raw, You have to be able to tell.”

Over lunch she belched like a truck driver and said, “Excuse me,” in a deep, unnatural voice. Rahel noticed that she had new, thick hairs in her eyebrows, long—like palps. Ammu smiled at the silence around the table as she picked fried emperor fish off the bone. She said that she felt like a road sign with birds shitting on her. She had an odd, feverish glitter in her eyes.

Mammachi asked her if she’d been drinking and suggested that she visit Rahel as seldom as possible.

Ammu got up from the table and left without saying a word. Not even good-bye. “Go and see her off,” Chacko said to Rahel.

Rahel pretended she hadn’t heard him. She went on with her fish. She thought of the phlegm and nearly retched. She hated her mother then.
Hated
her.

She never saw her again.

Ammu died in a grimy room in the Bharat Lodge in Alleppey, where she had gone for a job interview as someone’s secretary. She died alone. With a noisy ceiling fan for company and no Estha to lie at the back of her and talk to her. She was thirty-one. Not old, not young, but a viable, die-able age.

She had woken up at night to escape from a familiar, recurrent dream in which policemen approached her with snicking scissors, wanting to hack off her hair. They did that in Kottayam to prostitutes whom they’d caught in the bazaar—branded them so that everybody would know them for what they were.
Veshyas.
So that new policemen on the beat would have no trouble identifying whom to harass. Ammu always noticed them in the market, the women with vacant eyes and forcibly shaved heads in the land where long, oiled hair was only for the morally upright.

That night in the lodge, Ammu sat up in the strange bed in the strange room in the strange town. She didn’t know where she was, she recognized nothing around her. Only her fear was familiar. The faraway man inside her began to shout. This time the steely fist never loosened its grip. Shadows gathered like bats in the steep hollows near her collarbone.

  The sweeper found her in the morning. He switched off the fan.

She had a deep blue sac under one eye that was bloated like a bubble. As though her eye had tried to do what her lungs couldn’t. Some time close to midnight, the faraway man who lived in her chest had stopped shouting. A platoon of ants carried a dead cockroach sedately through the door, demonstrating what should be done with corpses.

The church refused to bury Ammu. On several counts. So Chacko hired a van to transport the body to the electric crematorium. He had her wrapped in a dirty bedsheet and laid out on a stretcher. Rahel thought she looked like a Roman Senator.
Et tu, Ammu?
she thought and smiled, remembering Estha.

It was odd driving through bright, busy streets with a dead
Roman Senator on the floor of the van. It made the blue sky bluer. Outside the van windows, people, like cut-out paper puppets, went on with their paper-puppet lives. Real life was inside the van. Where real death was. Over the jarring bumps and potholes in the road, Ammu’s body jiggled and slid off the stretcher. Her head hit an iron bolt on the floor. She didn’t wince or wake up. There was a hum in Rahel’s head, and for the rest of the day Chacko had to shout at her if he wanted to be heard.

The crematorium had the same rotten, rundown air of a railway station, except that it was deserted. No trains, no crowds. Nobody except beggars, derelicts and the police-custody dead were cremated there. People who died with nobody to lie at the back of them and talk to them. When Ammu’s turn came, Chacko held Rahel’s hand tightly. She didn’t want her hand held. She used the slickness of crematorium sweat to slither out of his grip. No one else from the family was there.

The steel door of the incinerator went up and the muted hum of the eternal fire became a red roaring. The heat lunged out at them like a famished beast. Then Rahel’s Ammu was fed to it. Her hair, her skin, her smile. Her voice. The way she used Kipling to love her children before putting them to bed:
We be of one blood, thou and I.
Her goodnight kiss. The way she held their faces steady with one hand (squashed-cheeked, fish-mouthed) while she parted and combed their hair with the other. The way she held knickers out for Rahel to climb into.
Left leg, right leg.
All this was fed to the beast, and it was satisfied.

She was their Ammu
and
their Baba and she had loved them Double.

The door of the furnace clanged shut. There were no tears.

The crematorium “In-charge” had gone down the road for a cup of tea and didn’t come back for twenty minutes. That’s how long Chacko and Rahel had to wait for the pink receipt that would entitle them to collect Ammu’s remains. Her ashes. The grit from her bones. The teeth from her smile. The whole of her crammed into a little clay pot. Receipt No. Q 498673.

Rahel asked Chacko how the crematorium management knew which ashes were whose. Chacko said they must have a system.

Had Estha been with them, he would have kept the receipt. He was the Keeper of Records. The natural custodian of bus tickets, bank receipts, cash memos, checkbook stubs. Little Man. He lived in a Caravan. Dum dum.

But Estha wasn’t with them. Everybody decided it was better this way. They wrote to him instead. Mammachi said Rahel should write too. Write what?
My dear Estha, How are you? I am well. Ammu died yesterday.

Rahel never wrote to him. There are things that you can’t do—like writing letters to a part of yourself. To your feet or hair. Or heart.

  In Pappachi’s study, Rahel (not old, not young), with floor-dust on her feet, looked up from the Wisdom Exercise Notebook and saw that Esthappen Unknown was gone.

She climbed down (off the stool off the table) and walked out to the verandah.

She saw Estha’s back disappearing through the gate.

It was midmorning and about to rain again. The green—in the last moments of that strange, glowing, pre-shower light—was fierce.

A cock crowed in the distance and its voice separated into two. Like a sole peeling off an old shoe.

Rahel stood there with her tattered Wisdom Notebooks. In the front verandah of an old house, below a button-eyed bison head, where years ago, on the day that Sophie Mol came,
Welcome Home, Our Sophie Mol
was performed.

Things can change in a day.

WELCOME HOME, OUR SOPHIE MOL