Read The God of Small Things Online
Authors: Arundhati Roy
All gone.
Leaving a boat-shaped patch of bare dry earth, cleared and ready for love. As though Esthappen and Rahel had prepared the ground for them. Willed this to happen. The twin midwives of Ammu’s dream.
Ammu, naked now, crouched over Velutha, her mouth on his. He drew her hair around them like a tent. Like her children did when they wanted to exclude the outside world. She slid further down, introducing herself to the rest of him. His neck. His nipples. His chocolate stomach. She sipped the last of the river from the hollow of his navel. She pressed the heat of his erection against her eyelids. She tasted him, salty, in her mouth. He sat up and drew her back to him. She felt his belly tighten under her, hard as a board. She felt her wetness slipping on his skin. He took her nipple in his mouth and cradled her other breast in his callused palm. Velvet gloved in sandpaper.
At the moment that she guided him into her, she caught a passing glimpse of his youth, his
youngness
, the wonder in his eyes at the secret he had unearthed and she smiled down at him as though he was her child.
Once he was inside her, fear was derailed and biology took over. The cost of living climbed to unaffordable heights; though later Baby Kochamma would say it was a Small Price to Pay.
Was it?
Two lives. Two children’s childhoods.
And a history lesson for future offenders.
Clouded eyes held clouded eyes in a steady gaze and a luminous woman opened herself to a luminous man. She was as wide and deep as a river in spate. He sailed on her waters. She could feel him moving deeper and deeper into her. Frantic. Frenzied. Asking to be let in further. Further. Stopped only by the shape of her. The shape of him. And when he was refused, when he had touched the deepest depths of her, with a sobbing, shuddering sigh, he drowned.
She lay against him. Their bodies slick with sweat. She felt his
body drop away from her. His breath become more regular. She saw his eyes clear. He stroked her hair, sensing that the knot that had eased in him was still tight and quivering in her. Gently he turned her over on her back. He wiped the sweat and grit from her with his wet cloth. He lay over her, careful not to put his weight on her. Small stones pressed into the skin of his forearms. He kissed her eyes. Her ears. Her breasts. Her belly. Her seven silver stretchmarks from her twins. The line of down that led from her navel to her dark triangle, that told him where she wanted him to go. The inside of her legs, where her skin was softest. Then carpenter’s hands lifted her hips and an untouchable tongue touched the innermost part of her. Drank long and deep from the bowl of her.
She danced for him. On that boat-shaped piece of earth. She lived.
He held her against him, resting his back against the mangosteen tree, while she cried and laughed at once. Then, for what seemed like an eternity, but was really no more than five minutes, she slept leaning against him, her back against his chest. Seven years of oblivion lifted off her and flew into the shadows on weighty, quaking wings. Like a dull, steel peahen. And on Ammu’s Road (to Age and Death) a small, sunny meadow appeared. Copper grass spangled with blue butterflies. Beyond it, an abyss.
Slowly the terror seeped back into him. At what he had done. At what he knew he would do again. And again.
She woke to the sound of his heart knocking against his chest. As though it was searching for a way out. For that movable rib. A secret sliding-folding panel. His arms were still around her, she could feel the muscles move while his hands played with a dry palm frond. Ammu smiled to herself in the dark, thinking how much she loved his arms—the shape and strength of them, how safe she felt resting in them when actually it was the most dangerous place she could be.
He folded his fear into a perfect rose. He held it out in the palm of his hand. She took it from him and put it in her hair.
She moved closer, wanting to be within him, to touch more of
him. He gathered her into the cave of his body. A breeze lifted off the river and cooled their warm bodies.
It was a little cold. A little wet. A little quiet. The Air.
But what was there to say?
An hour later Ammu disengaged herself gently.
I have to go.
He said nothing, didn’t move. He watched her dress.
Only one thing mattered now. They knew that it was all they could ask of each other. The only thing. Ever. They both knew that.
Even later, on the thirteen nights that followed this one, instinctively they stuck to the Small Things. The Big Things ever lurked inside. They knew that there was nowhere for them to go. They had nothing. No future. So they stuck to the small things.
They laughed at ant-bites on each other’s bottoms. At clumsy caterpillars sliding off the ends of leaves, at overturned beetles that couldn’t right themselves. At the pair of small fish that always sought Velutha out in the river and bit him. At a particularly devout praying mantis. At the minute spider who lived in a crack in the wall of the back verandah of the History House and camouflaged himself by covering his body with bits of rubbish—a sliver of wasp wing. Part of a cobweb. Dust. Leaf rot. The empty thorax of a dead bee.
Chappu Thamburan
, Velutha called him. Lord Rubbish. One night they contributed to his wardrobe—a flake of garlic skin—and were deeply offended when he rejected it along with the rest of his armor from which he emerged—disgruntled, naked, snot-colored.
As though he deplored their taste in clothes. For a few days he remained in this suicidal state of disdainful undress. The rejected shell of garbage stayed standing, like an outmoded world-view. An antiquated philosophy. Then it crumbled. Gradually
Chappu Thamburan
acquired a new ensemble.
Without admitting it to each other or themselves, they linked their fates, their futures (their Love, their Madness, their Hope, their Infinnate Joy), to his. They checked on him every night (with
growing panic as time went by) to see if he had survived the day. They fretted over his frailty. His smallness. The adequacy of his camouflage. His seemingly self-destructive pride. They grew to love his eclectic taste. His shambling dignity.
They chose him because they knew that they had to put their faith in fragility. Stick to Smallness. Each time they parted, they extracted only one small promise from each other:
Tomorrow?
Tomorrow.
They knew that things could change in a day. They were right about that.
They were wrong about
Chappu Thamburan
, though. He outlived Velutha. He fathered future generations.
He died of natural causes.
That first night, on the day that Sophie Mol came, Velutha watched his lover dress. When she was ready she squatted facing him. She touched him lightly with her fingers and left a trail of goosebumps on his skin. Like flat chalk on a blackboard. Like breeze in a paddyfield. Like jet-streaks in a blue church sky. He took her face in his hands and drew it towards his. He closed his eyes and smelled her skin. Ammu laughed.
Yes, Margaret
, she thought.
We do it to each other too.
She kissed his closed eyes and stood up. Velutha with his back against the mangosteen tree watched her walk away.
She had a dry rose in her hair.
She turned to say it once again:
“Naaley.”
Tomorrow.
A
RUNDHATI
R
OY
was trained as an architect. She has worked as a production designer and has written the screenplays for two films. She lives in New Delhi. This is her first book.
This is a work of fiction. The characters in it are all fictional.
Liberties have been taken with the locations of rivers, level crossings, churches, and crematoriums.
Copyright © 1997 Arundhati Roy
All rights reserved under International and Pan-American Copyright Conventions. Published in Canada by Vintage Canada, a division of Random House of Canada Limited, Toronto.
First published in Canada in hardcover in 1997 by Random House of Canada.
Grateful acknowledgment is made to the following for permission to reprint previously published material:
ABKCO Music, Inc.:
Excerpt from “Ruby Tuesday” by Mick Jagger and Keith Richards. Copyright © 1967 by ABKCO Music, Inc. Copyright renewed 1995 by ABKCO Music, Inc. All rights reserved.
Reprinted by permission.
Williamson Music:
Lyric excerpts form “The Sound of Music,” “Maria,” and
“My Favorite Things” by Richard Rodgers and Oscar Hammerstein II. Copyright © 1959 (Renewed) by Richard Rodgers and Oscar Hammerstein II. Lyrics excerpts from “So Long Farewell” by Richard Rodgers and Oscar Hammerstein II. Copyright © 1959, 1960 (Renewed) by Richard Rodgers and Oscar Hammerstein II. Williamson Music is the owner of publication and allied rights throughout the world. International copyright secured. All rights reserved. Used by permission of Williamson Music.
Canadian Cataloguing in Publication Data
Roy, Arundhati
The god of small things
eISBN: 978-0-307-37467-7
1. Title
PR9499.3.R59G62 1998 823 C98-930648-8
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