The H.D. Book (99 page)

mystery cults,
48
,
69
,
84
,
90
,
91
,
96
,
98
,
117
,
128
,
130
,
144
,
152
,
214
,
315
,
319
,
376
,
388
,
410

“Narthex” (H.D.),
100
,
242–47
,
254
,
258–64
,
267
,
269
,
291
,
333
,
350
,
378
,
387
,
391
,
392
,
396
,
397
,
398

nature,
89
,
153–54
,
174
,
195
,
208
,
266
,
269
,
284
,
524
,
526
,
570
,
572–74

Nazism,
60
,
143
,
463

neo-Platonism,
6
,
11
,
128
,
129
,
535
,
585–86
; and H.D.’s War Trilogy,
239–40
,
486
,
586
; and Pound’s work,
48
,
49
,
100
,
307
,
323
,
585–86

Neptune,
529
,
530

Nerval, Gerard de,
186
,
356

Nesbit, Edith,
267
,
275

Newton, Isaac,
535
,
636

Nietzsche, Friedrich,
9
,
122
,
158
,
640

Nights
(H.D.),
407–8
,
414
,
471–72

Novalis,
255
,
346

objectivism,
373

occult,
2
,
4
,
6
,
7
,
11
,
12
,
28
,
29n5
,
30n7
,
130
,
132
,
135
,
140–43
,
242
,
251
,
277
,
278
,
291
,
298
,
323
,
338
,
342
,
344
,
363
,
377
,
378
,
402
,
471
,
472
,
517
,
566

Odysseus,
105
,
108
,
127
,
259
,
311
,
323

Odyssey
(Homer),
307
,
312
,
440
,
598

Oedipus,
189
,
376
,
378
,
423
,
475
,
566–67

Olcott, Henry Steel,
130
,
132

Oliver, George,
130

Olson, Charles,
255
,
421
,
455
,
501
,
531–32
,
548
,
550–51
,
568–69
; works by: “Against Wisdom as Such,”
205
,
278
,
569
; “As the Dead Prey Upon Us,”
218
,
219
; “The Gate & the Center,”
217–18
;
Maximus Poems,
217
,
531
;
O’Ryan,
204–5
,
550
; “Projective Verse,”
188
,
217
,
272
,
273
,
328
,
329–30
,
332
,
374
,
400
,
431
,
432
,
434
; “Variations Done for Gerald Van de Wiele,”
556

The Opening of the Field
(Duncan),
12

Open Space
(periodical),
403

Oppenheimer, J. Robert,
606

“Orchard” (H.D.),
195
,
197

“Oread” (H.D.),
397

“Orestes Theme” (H.D.),
211

organic form,
164
,
173
,
270
,
327–28
,
331–32
,
345
,
359
,
571

Origen,
319

Origin
(periodical),
204
,
217
,
221

Orion,
204
,
220
,
284
,
292
,
293
,
550

Orpheus,
86
,
127
,
185
,
218
,
243
,
403
,
414
,
540
,
545
; and Cocteau’s
Orphée,
272–73
,
277

Orphic tradition,
83
,
96
,
127
,
145
,
152
,
286
,
291
,
377
,
456
,
507
,
574
,
619

Osiris,
82
,
114
,
115
,
116
,
117
,
118
,
120
,
122
,
123
,
126
,
278
,
299
,
324
,
388
,
483
,
540
,
559

Others
anthology,
216
,
235–36

Ovid,
203

Owen, Wilfred,
108
,
181

pacifism,
4
,
65
,
336
,
338
,
643

Pagany
(periodical),
250
,
377

Palimpsest
(H.D.),
100–123
,
209
,
220
,
226
,
242
,
243
,
249
,
260
,
379
,
391
,
422
,
503

“Pallas” (H.D.),
182

Pallas Athene,
113–15
,
118
,
121
,
211
,
401
,
577

Palmer, Samuel,
417

Pan,
89
,
419

Paracelsus,
48
,
153
,
320
,
586

Paradise,
86
,
87
,
90
,
92
,
184
,
199
,
391
,
451
,
464
,
466
,
501
,
573
,
578
,
579
,
589
,
629

Parkinson, Thomas,
348

Parrish, Maxfield,
124–25
,
127

Partisan Review
(periodical),
281
,
434
,
517
,
519

Pater, Walter,
305
,
434
,
435

patrons and patronage,
219
,
241
,
244
,
248
,
257–59
,
634

Paul, Saint,
533–34

Pearson, Norman Holmes,
1
,
2
,
6
,
13
,
241
,
435–36
,
438

“Pear Tree” (H.D.),
51

Peire Cardenal,
185

Perdita,
209
,
242
,
244
,
419

permission, poetic,
9
,
384
,
385
,
406

Perrault, Charles,
418

Persephone,
96
,
145
,
152

Petrarch,
306

“Phaedra” (H.D.),
258–59

phantastikon,
105–6

Philippe le Bon,
257–58

Philo Judaeus,
103

Phosphorus,
284
,
489

photography, compared to poetry,
313

Piaget, Jean,
155

Picasso, Pablo,
63
,
229
,
448
,
467
,
468
; works by:
Guernica,
68
,
405
;
Woman in the Mirror,
60

Pico della Mirandola,
128
,
300
,
307
,
586

Pietro di Borgo,
322

Pisanello,
322

planets,
575–76
,
622–23
.
See also
astrology
;
stars

Plato,
9
,
84–87
,
154
,
156
,
159
,
169–70
,
176
,
192
,
286
,
485
,
523
,
642
,
643
,
645

pleasure principle,
560
,
561
,
562
,
566

Plethon, Gemistos,
300
,
358
,
535

Plotinus,
48
,
128
,
183
,
214
,
266
,
307
,
309
,
320
,
390
,
508
,
546
,
586

Plutarch,
9
,
103
,
118–23
,
128
,
156

Poe, Edgar Allan,
223
,
490

“The Poet” (H.D.),
211

poetic field,
151–52
,
174
,
188
,
304
,
309
,
330
,
331
,
332
,
359
,
374
,
376
,
450
,
492

poetic form,
3
,
8
,
9
,
10
,
11
,
41–42
,
45
,
52
,
70–71
,
83
,
99
,
122
,
141
,
150
,
166
,
206
,
208
,
209
,
222–23
,
270
,
310
,
314–15
,
322
,
323
,
326–27
,
328
–
29
,
332
,
359
,
370
,
374
,
429
,
500

poetic permission,
9
,
384
,
385
,
406

Poetry
(periodical),
46
,
216
,
226

Pompeii,
280
,
283
,
334
,
353

“The Pool” (H.D.),
397

Porphyrius,
112

Porter, Katherine Anne,
193

Potocki, Jan,
355

Pound, Ezra,
2
,
9
,
11
,
70
,
76
,
196
,
208
,
210
,
216
,
229
,
234–37
,
239
,
245
,
292
,
296
,
300–303
,
305–10
,
313–23
,
342
,
374
,
399
,
406
,
414
,
415
,
434
,
436
,
437
,
438
,
476
,
479
,
488
,
490
,
538
,
539
,
540
,
576
,
611
,
644
; and anti-semitism,
510
; and Browning’s work,
103
,
104–5
; on Cavalcanti,
50
,
51
; and correspondence with Duncan,
272
; and correspondence with Eliot,
223
–
24
,
225
; and correspondence with Williams,
366
,
372
,
395
,
463
,
515
; and Dante’s work,
96
,
197
,
305
,
306
,
307
,
321
,
390
; on democracy,
362
,
510
; and dream-work,
368–69
; on Eliot,
233
; and fascism,
305
; and Fenollosa’s work,
208
,
443
; on Flaubert,
101
; on Freud,
463
,
509
,
510
; on H.D.,
45–46
,
226
,
241
,
396
,
397
,
420
,
463
,
469
; and Imagism,
45–50
,
53
,
54
,
56
,
57–59
,
96
,
100
,
125
,
175
,
198
,
212
,
226
,
235
,
236
,
241
,
313
,
314
,
319
,
420
,
470
; on Henry James,
306–7
; on Lawrence,
306
,
363
,
366
; Wyndham Lewis on,
392
; and masculine speech,
372
,
373
,
395
,
516
; on Milton,
306
; on Moore,
395
; and neo-Platonism,
48
,
49
,
100
,
214
,
307
,
323
,
358
; on
phantastikon,
105–6
; postwar confinement of,
177
,
212
,
213
,
357
,
369
,
539
; on Provencal poetry,
91
,
410
,
411
,
514
; on rhetoric,
55–56
; on usury,
54
,
179
,
194
,
306
,
364
,
365
,
510
,
552
,
555
,
614
; and vernacular speech,
367–68
,
373
,
396
; and Vorticism,
51
,
212
,
235
,
305
,
373
; on Williams,
223
; Williams on,
187
,
396
; and World War I,
180
,
189
,
338
; and World War II,
211–12
; Yeats on,
321
,
470–71
; and Yeats’s work,
214
,
235
,
291
,
323
,
358
,
540
,
586
; works by:
ABC of Economics,
551–52
,
555
;
ABC of Reading,
47–48
,
55
,
56
,
70
,
100
,
197
,
309
,
313
,
356
; “April,”
470
; “Aux Etuves de Wiesbaden,”
198
,
357
; Canto I,
358
; Canto III,
214
; Canto VII,
139
; Canto XIV,
364
; Canto XXXIII,
440
; Canto XXXVI,
317
; Canto XXXIX,
459
; Canto XLV (Usura Canto),
364
,
365
; Canto LXXII,
179
; Canto LXXIV,
178
,
288
; Canto LXXIX,
524
; Canto LXXX,
288
; Canto XCI,
214
,
215
,
509–10
,
516
; Canto CXV,
187
,
307
; Canto CXVI,
193
,
509
;
The Cantos,
47–48
,
55
,
56
,
70
,
100
,
127
,
176
,
183–85
,
212
,
226
,
235
,
279
,
291
,
302
,
305–8
,
313
,
318
,
319
,
321
–
24
,
354
,
357–59
,
361
,
364
,
368–69
,
376
,
390
,
393
,
435
,
440
,
470–71
,
508
,
510
,
516
,
524
,
539
,
541
,
544
,
546
,
553
,
586
;
Cathay,
367
; “Caval canti,”
50
,
51
,
196
,
301
,
306
,
309
,
317
,
319
,
358
,
411
,
434
,
538
,
540
,
541
,
589
;
Confucian Odes,
367
; “Genesis (after Voltaire),”
357
; “A Few Don’ts,”
45
,
179
,
384
;
Guide to Kulchur,
55
,
235
,
236
,
321
,
322
,
323
,
357
,
368
,
389
,
541
,
590
;
How to Read,
313
;
Hugh Selwyn Mauberley,
175
; “In a Station of the Metro,”
45
,
53
,
57–58
,
313
;
Instigations,
208
;
Make It New,
208
;
The Pisan Cantos,
47–48
,
55
,
56
,
70
,
100,
127
,
212
,
217
,
218
,
235
,
288
,
303
,
320
,
323
,
329
,
334
,
375
,
435
,
438
,
509
,
515
,
519
,
524
; “Psychology and Troubadours,”
48
,
49
,
105–6
,
145
,
410
,
411
,
541
; “Religio,”
53
,
300–301
,
322
,
357
,
508
; “The Renaissance,”
389
; “A Retrospect,”
45
,
57
,
327–28
,
357
;
Ripostes,
234
;
Rock-Drill Cantos,
214
,
303
,
316
,
463
,
515
; “The Serious Artist,”
300
,
301
,
357
,
358
,
505–6
;
Social Credit: An Impact,
194
;
The Spirit of Romance,
72–73
,
89–90
,
96–97
,
98
,
100
,
155
,
196
,
302
,
305
,
306
,
319
,
357
,
514
,
516
,
540
; “A Stray Document,”
125
,
197–98
;
Thrones,
359
,
541
,
555
; “The Tradition,”
301
;
Usura
Cantos,
364
,
365
,
510
; “A Virginal,”
234