Read The Idiot Online

Authors: Fyodor Dostoyevsky

Tags: #Criticism, #Literature: Classics, #other prose & writers, #1801-1917, #Russia - Social conditions - 1801-1917, #Novels, #Classic fiction, #Russian Novel And Short Story, #Fiction, #General & Literary Fiction, #General, #Social Conditions, #Literature - Classics, #Classics, #Classic fiction (pre c 1945), #Russia, #Russian

The Idiot (6 page)

BOOK: The Idiot
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A strange rumour began to circulate, meanwhile; no less than that the respectable and highly respected General Epanchin was himself so fascinated by Nastasia Philipovna that his feeling for her amounted almost to passion. What he thought to gain by Gania's marriage to the girl it was difficult to imagine. Possibly he counted on Gania's complaisance; for Totski had long suspected that there existed some secret understanding between the general and his secretary. At all events the fact was known that he had prepared a magnificent present of pearls for Nastasia's birthday, and that he was looking forward to the occasion when he should present his gift with the greatest excitement and impatience. The day before her birthday he was in a fever of agitation.

Mrs. Epanchin, long accustomed to her husband's infidelities, had heard of the pearls, and the rumour excited her liveliest curiosity and interest. The general remarked her suspicions, and felt that a grand explanation must shortly take place—which fact alarmed him much.

This is the reason why he was so unwilling to take lunch (on the morning upon which we took up this narrative) with the rest of his family. Before the prince's arrival he had made up his mind to plead business, and "cut" the meal; which simply meant running away.

He was particularly anxious that this one day should be passed—especially the evening—without unpleasantness between himself and his family; and just at the right moment the prince turned up—"as though Heaven had sent him on purpose," said the general to himself, as he left the study to seek out the wife of his bosom.

V.

Mrs. General Epanchin was a proud woman by nature. What must her feelings have been when she heard that Prince Muishkin, the last of his and her line, had arrived in beggar's guise, a wretched idiot, a recipient of charity—all of which details the general gave out for greater effect! He was anxious to steal her interest at the first swoop, so as to distract her thoughts from other matters nearer home.

Mrs. Epanchin was in the habit of holding herself very straight, and staring before her, without speaking, in moments of excitement.

She was a fine woman of the same age as her husband, with a slightly hooked nose, a high, narrow forehead, thick hair turning a little grey, and a sallow complexion. Her eyes were grey and wore a very curious expression at times. She believed them to be most effective—a belief that nothing could alter.

"What, receive him! Now, at once?" asked Mrs. Epanchin, gazing vaguely at her husband as he stood fidgeting before her.

"Oh, dear me, I assure you there is no need to stand on ceremony with him," the general explained hastily. "He is quite a child, not to say a pathetic-looking creature. He has fits of some sort, and has just arrived from Switzerland, straight from the station, dressed like a German and without a farthing in his pocket. I gave him twenty-five roubles to go on with, and am going to find him some easy place in one of the government offices. I should like you to ply him well with the victuals, my dears, for I should think he must be very hungry."

"You astonish me," said the lady, gazing as before. "Fits, and hungry too! What sort of fits?"

"Oh, they don't come on frequently, besides, he's a regular child, though he seems to be fairly educated. I should like you, if possible, my dears," the general added, making slowly for the door, "to put him through his paces a bit, and see what he is good for. I think you should be kind to him; it is a good deed, you know—however, just as you like, of course—but he is a sort of relation, remember, and I thought it might interest you to see the young fellow, seeing that this is so."

"Oh, of course, mamma, if we needn't stand on ceremony with him, we must give the poor fellow something to eat after his journey; especially as he has not the least idea where to go to," said Alexandra, the eldest of the girls.

"Besides, he's quite a child; we can entertain him with a little hide-and-seek, in case of need," said Adelaida.

"Hide-and-seek? What do you mean?" inquired Mrs. Epanchin.

"Oh, do stop pretending, mamma," cried Aglaya, in vexation. "Send him up, father; mother allows."

The general rang the bell and gave orders that the prince should be shown in.

"Only on condition that he has a napkin under his chin at lunch, then," said Mrs. Epanchin, "and let Fedor, or Mavra, stand behind him while he eats. Is he quiet when he has these fits? He doesn't show violence, does he?"

"On the contrary, he seems to be very well brought up. His manners are excellent—but here he is himself. Here you are, prince—let me introduce you, the last of the Muishkins, a relative of your own, my dear, or at least of the same name. Receive him kindly, please. They'll bring in lunch directly, prince; you must stop and have some, but you must excuse me. I'm in a hurry, I must be off—"

"We all know where YOU must be off to!" said Mrs. Epanchin, in a meaning voice.

"Yes, yes—I must hurry away, I'm late! Look here, dears, let him write you something in your albums; you've no idea what a wonderful caligraphist he is, wonderful talent! He has just written out 'Abbot Pafnute signed this' for me. Well, au revoir!"

"Stop a minute; where are you off to? Who is this abbot?" cried Mrs. Epanchin to her retreating husband in a tone of excited annoyance.

"Yes, my dear, it was an old abbot of that name-I must be off to see the count, he's waiting for me, I'm late—Goodbye! Au revoir, prince!"—and the general bolted at full speed.

"Oh, yes—I know what count you're going to see!" remarked his wife in a cutting manner, as she turned her angry eyes on the prince. "Now then, what's all this about?—What abbot—Who's Pafnute?" she added, brusquely.

"Mamma!" said Alexandra, shocked at her rudeness.

Aglaya stamped her foot.

"Nonsense! Let me alone!" said the angry mother. "Now then, prince, sit down here, no, nearer, come nearer the light! I want to have a good look at you. So, now then, who is this abbot?"

"Abbot Pafnute," said our friend, seriously and with deference.

"Pafnute, yes. And who was he?"

Mrs. Epanchin put these questions hastily and brusquely, and when the prince answered she nodded her head sagely at each word he said.

"The Abbot Pafnute lived in the fourteenth century," began the prince; "he was in charge of one of the monasteries on the Volga, about where our present Kostroma government lies. He went to Oreol and helped in the great matters then going on in the religious world; he signed an edict there, and I have seen a print of his signature; it struck me, so I copied it. When the general asked me, in his study, to write something for him, to show my handwriting, I wrote 'The Abbot Pafnute signed this,' in the exact handwriting of the abbot. The general liked it very much, and that's why he recalled it just now."

"Aglaya, make a note of 'Pafnute,' or we shall forget him. H'm! and where is this signature?"

"I think it was left on the general's table."

"Let it be sent for at once!"

"Oh, I'll write you a new one in half a minute," said the prince, "if you like!"

"Of course, mamma!" said Alexandra. "But let's have lunch now, we are all hungry!"

"Yes; come along, prince," said the mother, "are you very hungry?"

"Yes; I must say that I am pretty hungry, thanks very much."

"H'm! I like to see that you know your manners; and you are by no means such a person as the general thought fit to describe you. Come along; you sit here, opposite to me," she continued, "I wish to be able to see your face. Alexandra, Adelaida, look after the prince! He doesn't seem so very ill, does he? I don't think he requires a napkin under his chin, after all; are you accustomed to having one on, prince?"

"Formerly, when I was seven years old or so. I believe I wore one; but now I usually hold my napkin on my knee when I eat."

"Of course, of course! And about your fits?"

"Fits?" asked the prince, slightly surprised. "I very seldom have fits nowadays. I don't know how it may be here, though; they say the climate may be bad for me."

"He talks very well, you know!" said Mrs. Epanchin, who still continued to nod at each word the prince spoke. "I really did not expect it at all; in fact, I suppose it was all stuff and nonsense on the general's part, as usual. Eat away, prince, and tell me where you were born, and where you were brought up. I wish to know all about you, you interest me very much!"

The prince expressed his thanks once more, and eating heartily the while, recommenced the narrative of his life in Switzerland, all of which we have heard before. Mrs. Epanchin became more and more pleased with her guest; the girls, too, listened with considerable attention. In talking over the question of relationship it turned out that the prince was very well up in the matter and knew his pedigree off by heart. It was found that scarcely any connection existed between himself and Mrs. Epanchin, but the talk, and the opportunity of conversing about her family tree, gratified the latter exceedingly, and she rose from the table in great good humour.

"Let's all go to my boudoir," she said, "and they shall bring some coffee in there. That's the room where we all assemble and busy ourselves as we like best," she explained. "Alexandra, my eldest, here, plays the piano, or reads or sews; Adelaida paints landscapes and portraits (but never finishes any); and Aglaya sits and does nothing. I don't work too much, either. Here we are, now; sit down, prince, near the fire and talk to us. I want to hear you relate something. I wish to make sure of you first and then tell my old friend, Princess Bielokonski, about you. I wish you to know all the good people and to interest them. Now then, begin!"

"Mamma, it's rather a strange order, that!" said Adelaida, who was fussing among her paints and paint-brushes at the easel. Aglaya and Alexandra had settled themselves with folded hands on a sofa, evidently meaning to be listeners. The prince felt that the general attention was concentrated upon himself.

"I should refuse to say a word if I were ordered to tell a story like that!" observed Aglaya.

"Why? what's there strange about it? He has a tongue. Why shouldn't he tell us something? I want to judge whether he is a good story-teller; anything you like, prince-how you liked Switzerland, what was your first impression, anything. You'll see, he'll begin directly and tell us all about it beautifully."

"The impression was forcible—" the prince began.

"There, you see, girls," said the impatient lady, "he has begun, you see."

"Well, then, LET him talk, mamma," said Alexandra. "This prince is a great humbug and by no means an idiot," she whispered to Aglaya.

"Oh, I saw that at once," replied the latter. "I don't think it at all nice of him to play a part. What does he wish to gain by it, I wonder?"

"My first impression was a very strong one," repeated the prince. "When they took me away from Russia, I remember I passed through many German towns and looked out of the windows, but did not trouble so much as to ask questions about them. This was after a long series of fits. I always used to fall into a sort of torpid condition after such a series, and lost my memory almost entirely; and though I was not altogether without reason at such times, yet I had no logical power of thought. This would continue for three or four days, and then I would recover myself again. I remember my melancholy was intolerable; I felt inclined to cry; I sat and wondered and wondered uncomfortably; the consciousness that everything was strange weighed terribly upon me; I could understand that it was all foreign and strange. I recollect I awoke from this state for the first time at Basle, one evening; the bray of a donkey aroused me, a donkey in the town market. I saw the donkey and was extremely pleased with it, and from that moment my head seemed to clear."

"A donkey? How strange! Yet it is not strange. Anyone of us might fall in love with a donkey! It happened in mythological times," said Madame Epanchin, looking wrathfully at her daughters, who had begun to laugh. "Go on, prince."

"Since that evening I have been specially fond of donkeys. I began to ask questions about them, for I had never seen one before; and I at once came to the conclusion that this must be one of the most useful of animals—strong, willing, patient, cheap; and, thanks to this donkey, I began to like the whole country I was travelling through; and my melancholy passed away."

"All this is very strange and interesting," said Mrs. Epanchin. "Now let's leave the donkey and go on to other matters. What are you laughing at, Aglaya? and you too, Adelaida? The prince told us his experiences very cleverly; he saw the donkey himself, and what have you ever seen? YOU have never been abroad."

"I have seen a donkey though, mamma!" said Aglaya.

"And I've heard one!" said Adelaida. All three of the girls laughed out loud, and the prince laughed with them.

"Well, it's too bad of you," said mamma. "You must forgive them, prince; they are good girls. I am very fond of them, though I often have to be scolding them; they are all as silly and mad as march hares."

"Oh, why shouldn't they laugh?" said the prince. "I shouldn't have let the chance go by in their place, I know. But I stick up for the donkey, all the same; he's a patient, good-natured fellow."

"Are you a patient man, prince? I ask out of curiosity," said Mrs. Epanchin.

All laughed again.

"Oh, that wretched donkey again, I see!" cried the lady. "I assure you, prince, I was not guilty of the least—"

"Insinuation? Oh! I assure you, I take your word for it." And the prince continued laughing merrily.

"I must say it's very nice of you to laugh. I see you really are a kind-hearted fellow," said Mrs. Epanchin.

"I'm not always kind, though."

"I am kind myself, and ALWAYS kind too, if you please!" she retorted, unexpectedly; "and that is my chief fault, for one ought not to be always kind. I am often angry with these girls and their father; but the worst of it is, I am always kindest when I am cross. I was very angry just before you came, and Aglaya there read me a lesson—thanks, Aglaya, dear—come and kiss me—there—that's enough" she added, as Aglaya came forward and kissed her lips and then her hand. "Now then, go on, prince. Perhaps you can think of something more exciting than about the donkey, eh?"

"I must say, again, I can't understand how you can expect anyone to tell you stories straight away, so," said Adelaida. "I know I never could!"

"Yes, but the prince can, because he is clever—cleverer than you are by ten or twenty times, if you like. There, that's so, prince; and seriously, let's drop the donkey now—what else did you see abroad, besides the donkey?"

"Yes, but the prince told us about the donkey very cleverly, all the same," said Alexandra. "I have always been most interested to hear how people go mad and get well again, and that sort of thing. Especially when it happens suddenly."

"Quite so, quite so!" cried Mrs. Epanchin, delighted. "I see you CAN be sensible now and then, Alexandra. You were speaking of Switzerland, prince?"

"Yes. We came to Lucerne, and I was taken out in a boat. I felt how lovely it was, but the loveliness weighed upon me somehow or other, and made me feel melancholy."

"Why?" asked Alexandra.

"I don't know; I always feel like that when I look at the beauties of nature for the first time; but then, I was ill at that time, of course!"

"Oh, but I should like to see it!" said Adelaida; "and I don't know WHEN we shall ever go abroad. I've been two years looking out for a good subject for a picture. I've done all I know. 'The North and South I know by heart,' as our poet observes. Do help me to a subject, prince."

"Oh, but I know nothing about painting. It seems to me one only has to look, and paint what one sees."

BOOK: The Idiot
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