The Idiot (8 page)

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Authors: Fyodor Dostoyevsky

Tags: #Criticism, #Literature: Classics, #other prose & writers, #1801-1917, #Russia - Social conditions - 1801-1917, #Novels, #Classic fiction, #Russian Novel And Short Story, #Fiction, #General & Literary Fiction, #General, #Social Conditions, #Literature - Classics, #Classics, #Classic fiction (pre c 1945), #Russia, #Russian

BOOK: The Idiot
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"At the scaffold there is a ladder, and just there he burst into tears—and this was a strong man, and a terribly wicked one, they say! There was a priest with him the whole time, talking; even in the cart as they drove along, he talked and talked. Probably the other heard nothing; he would begin to listen now and then, and at the third word or so he had forgotten all about it.

"At last he began to mount the steps; his legs were tied, so that he had to take very small steps. The priest, who seemed to be a wise man, had stopped talking now, and only held the cross for the wretched fellow to kiss. At the foot of the ladder he had been pale enough; but when he set foot on the scaffold at the top, his face suddenly became the colour of paper, positively like white notepaper. His legs must have become suddenly feeble and helpless, and he felt a choking in his throat—you know the sudden feeling one has in moments of terrible fear, when one does not lose one's wits, but is absolutely powerless to move? If some dreadful thing were suddenly to happen; if a house were just about to fall on one;—don't you know how one would long to sit down and shut one's eyes and wait, and wait? Well, when this terrible feeling came over him, the priest quickly pressed the cross to his lips, without a word—a little silver cross it was-and he kept on pressing it to the man's lips every second. And whenever the cross touched his lips, the eyes would open for a moment, and the legs moved once, and he kissed the cross greedily, hurriedly—just as though he were anxious to catch hold of something in case of its being useful to him afterwards, though he could hardly have had any connected religious thoughts at the time. And so up to the very block.

"How strange that criminals seldom swoon at such a moment! On the contrary, the brain is especially active, and works incessantly—probably hard, hard, hard—like an engine at full pressure. I imagine that various thoughts must beat loud and fast through his head—all unfinished ones, and strange, funny thoughts, very likely!—like this, for instance: 'That man is looking at me, and he has a wart on his forehead! and the executioner has burst one of his buttons, and the lowest one is all rusty!' And meanwhile he notices and remembers everything. There is one point that cannot be forgotten, round which everything else dances and turns about; and because of this point he cannot faint, and this lasts until the very final quarter of a second, when the wretched neck is on the block and the victim listens and waits and KNOWS—that's the point, he KNOWS that he is just NOW about to die, and listens for the rasp of the iron over his head. If I lay there, I should certainly listen for that grating sound, and hear it, too! There would probably be but the tenth part of an instant left to hear it in, but one would certainly hear it. And imagine, some people declare that when the head flies off it is CONSCIOUS of having flown off! Just imagine what a thing to realize! Fancy if consciousness were to last for even five seconds!

"Draw the scaffold so that only the top step of the ladder comes in clearly. The criminal must be just stepping on to it, his face as white as notepaper. The priest is holding the cross to his blue lips, and the criminal kisses it, and knows and sees and understands everything. The cross and the head—there's your picture; the priest and the executioner, with his two assistants, and a few heads and eyes below. Those might come in as subordinate accessories—a sort of mist. There's a picture for you." The prince paused, and looked around.

"Certainly that isn't much like quietism," murmured Alexandra, half to herself.

"Now tell us about your love affairs," said Adelaida, after a moment's pause.

The prince gazed at her in amazement.

"You know," Adelaida continued, "you owe us a description of the Basle picture; but first I wish to hear how you fell in love. Don't deny the fact, for you did, of course. Besides, you stop philosophizing when you are telling about anything."

"Why are you ashamed of your stories the moment after you have told them?" asked Aglaya, suddenly.

"How silly you are!" said Mrs. Epanchin, looking indignantly towards the last speaker.

"Yes, that wasn't a clever remark," said Alexandra.

"Don't listen to her, prince," said Mrs. Epanchin; "she says that sort of thing out of mischief. Don't think anything of their nonsense, it means nothing. They love to chaff, but they like you. I can see it in their faces—I know their faces."

"I know their faces, too," said the prince, with a peculiar stress on the words.

"How so?" asked Adelaida, with curiosity.

"What do YOU know about our faces?" exclaimed the other two, in chorus.

But the prince was silent and serious. All awaited his reply.

"I'll tell you afterwards," he said quietly.

"Ah, you want to arouse our curiosity!" said Aglaya. "And how terribly solemn you are about it!"

"Very well," interrupted Adelaida, "then if you can read faces so well, you must have been in love. Come now; I've guessed—let's have the secret!"

"I have not been in love," said the prince, as quietly and seriously as before. "I have been happy in another way."

"How, how?"

"Well, I'll tell you," said the prince, apparently in a deep reverie.

VI.

"Here you all are," began the prince, "settling yourselves down to listen to me with so much curiosity, that if I do not satisfy you you will probably be angry with me. No, no! I'm only joking!" he added, hastily, with a smile.

"Well, then—they were all children there, and I was always among children and only with children. They were the children of the village in which I lived, and they went to the school there—all of them. I did not teach them, oh no; there was a master for that, one Jules Thibaut. I may have taught them some things, but I was among them just as an outsider, and I passed all four years of my life there among them. I wished for nothing better; I used to tell them everything and hid nothing from them. Their fathers and relations were very angry with me, because the children could do nothing without me at last, and used to throng after me at all times. The schoolmaster was my greatest enemy in the end! I had many enemies, and all because of the children. Even Schneider reproached me. What were they afraid of? One can tell a child everything, anything. I have often been struck by the fact that parents know their children so little. They should not conceal so much from them. How well even little children understand that their parents conceal things from them, because they consider them too young to understand! Children are capable of giving advice in the most important matters. How can one deceive these dear little birds, when they look at one so sweetly and confidingly? I call them birds because there is nothing in the world better than birds!

"However, most of the people were angry with me about one and the same thing; but Thibaut simply was jealous of me. At first he had wagged his head and wondered how it was that the children understood what I told them so well, and could not learn from him; and he laughed like anything when I replied that neither he nor I could teach them very much, but that THEY might teach us a good deal.

"How he could hate me and tell scandalous stories about me, living among children as he did, is what I cannot understand. Children soothe and heal the wounded heart. I remember there was one poor fellow at our professor's who was being treated for madness, and you have no idea what those children did for him, eventually. I don't think he was mad, but only terribly unhappy. But I'll tell you all about him another day. Now I must get on with this story.

"The children did not love me at first; I was such a sickly, awkward kind of a fellow then—and I know I am ugly. Besides, I was a foreigner. The children used to laugh at me, at first; and they even went so far as to throw stones at me, when they saw me kiss Marie. I only kissed her once in my life—no, no, don't laugh!" The prince hastened to suppress the smiles of his audience at this point. "It was not a matter of LOVE at all! If only you knew what a miserable creature she was, you would have pitied her, just as I did. She belonged to our village. Her mother was an old, old woman, and they used to sell string and thread, and soap and tobacco, out of the window of their little house, and lived on the pittance they gained by this trade. The old woman was ill and very old, and could hardly move. Marie was her daughter, a girl of twenty, weak and thin and consumptive; but still she did heavy work at the houses around, day by day. Well, one fine day a commercial traveller betrayed her and carried her off; and a week later he deserted her. She came home dirty, draggled, and shoeless; she had walked for a whole week without shoes; she had slept in the fields, and caught a terrible cold; her feet were swollen and sore, and her hands torn and scratched all over. She never had been pretty even before; but her eyes were quiet, innocent, kind eyes.

"She was very quiet always—and I remember once, when she had suddenly begun singing at her work, everyone said, 'Marie tried to sing today!' and she got so chaffed that she was silent for ever after. She had been treated kindly in the place before; but when she came back now—ill and shunned and miserable—not one of them all had the slightest sympathy for her. Cruel people! Oh, what hazy understandings they have on such matters! Her mother was the first to show the way. She received her wrathfully, unkindly, and with contempt. 'You have disgraced me,' she said. She was the first to cast her into ignominy; but when they all heard that Marie had returned to the village, they ran out to see her and crowded into the little cottage—old men, children, women, girls—such a hurrying, stamping, greedy crowd. Marie was lying on the floor at the old woman's feet, hungry, torn, draggled, crying, miserable.

"When everyone crowded into the room she hid her face in her dishevelled hair and lay cowering on the floor. Everyone looked at her as though she were a piece of dirt off the road. The old men scolded and condemned, and the young ones laughed at her. The women condemned her too, and looked at her contemptuously, just as though she were some loathsome insect.

"Her mother allowed all this to go on, and nodded her head and encouraged them. The old woman was very ill at that time, and knew she was dying (she really did die a couple of months later), and though she felt the end approaching she never thought of forgiving her daughter, to the very day of her death. She would not even speak to her. She made her sleep on straw in a shed, and hardly gave her food enough to support life.

"Marie was very gentle to her mother, and nursed her, and did everything for her; but the old woman accepted all her services without a word and never showed her the slightest kindness. Marie bore all this; and I could see when I got to know her that she thought it quite right and fitting, considering herself the lowest and meanest of creatures.

"When the old woman took to her bed finally, the other old women in the village sat with her by turns, as the custom is there; and then Marie was quite driven out of the house. They gave her no food at all, and she could not get any work in the village; none would employ her. The men seemed to consider her no longer a woman, they said such dreadful things to her. Sometimes on Sundays, if they were drunk enough, they used to throw her a penny or two, into the mud, and Marie would silently pick up the money. She had began to spit blood at that time.

"At last her rags became so tattered and torn that she was ashamed of appearing in the village any longer. The children used to pelt her with mud; so she begged to be taken on as assistant cowherd, but the cowherd would not have her. Then she took to helping him without leave; and he saw how valuable her assistance was to him, and did not drive her away again; on the contrary, he occasionally gave her the remnants of his dinner, bread and cheese. He considered that he was being very kind. When the mother died, the village parson was not ashamed to hold Marie up to public derision and shame. Marie was standing at the coffin's head, in all her rags, crying.

"A crowd of people had collected to see how she would cry. The parson, a young fellow ambitious of becoming a great preacher, began his sermon and pointed to Marie. 'There,' he said, 'there is the cause of the death of this venerable woman'—(which was a lie, because she had been ill for at least two years)—'there she stands before you, and dares not lift her eyes from the ground, because she knows that the finger of God is upon her. Look at her tatters and rags—the badge of those who lose their virtue. Who is she? her daughter!' and so on to the end.

"And just fancy, this infamy pleased them, all of them, nearly. Only the children had altered—for then they were all on my side and had learned to love Marie.

"This is how it was: I had wished to do something for Marie; I longed to give her some money, but I never had a farthing while I was there. But I had a little diamond pin, and this I sold to a travelling pedlar; he gave me eight francs for it—it was worth at least forty.

"I long sought to meet Marie alone; and at last I did meet her, on the hillside beyond the village. I gave her the eight francs and asked her to take care of the money because I could get no more; and then I kissed her and said that she was not to suppose I kissed her with any evil motives or because I was in love with her, for that I did so solely out of pity for her, and because from the first I had not accounted her as guilty so much as unfortunate. I longed to console and encourage her somehow, and to assure her that she was not the low, base thing which she and others strove to make out; but I don't think she understood me. She stood before me, dreadfully ashamed of herself, and with downcast eyes; and when I had finished she kissed my hand. I would have kissed hers, but she drew it away. Just at this moment the whole troop of children saw us. (I found out afterwards that they had long kept a watch upon me.) They all began whistling and clapping their hands, and laughing at us. Marie ran away at once; and when I tried to talk to them, they threw stones at me. All the village heard of it the same day, and Marie's position became worse than ever. The children would not let her pass now in the streets, but annoyed her and threw dirt at her more than before. They used to run after her—she racing away with her poor feeble lungs panting and gasping, and they pelting her and shouting abuse at her.

"Once I had to interfere by force; and after that I took to speaking to them every day and whenever I could. Occasionally they stopped and listened; but they teased Marie all the same.

"I told them how unhappy Marie was, and after a while they stopped their abuse of her, and let her go by silently. Little by little we got into the way of conversing together, the children and I. I concealed nothing from them, I told them all. They listened very attentively and soon began to be sorry for Marie. At last some of them took to saying 'Good-morning' to her, kindly, when they met her. It is the custom there to salute anyone you meet with 'Good-morning' whether acquainted or not. I can imagine how astonished Marie was at these first greetings from the children.

"Once two little girls got hold of some food and took it to her, and came back and told me. They said she had burst into tears, and that they loved her very much now. Very soon after that they all became fond of Marie, and at the same time they began to develop the greatest affection for myself. They often came to me and begged me to tell them stories. I think I must have told stories well, for they did so love to hear them. At last I took to reading up interesting things on purpose to pass them on to the little ones, and this went on for all the rest of my time there, three years. Later, when everyone—even Schneider—was angry with me for hiding nothing from the children, I pointed out how foolish it was, for they always knew things, only they learnt them in a way that soiled their minds but not so from me. One has only to remember one's own childhood to admit the truth of this. But nobody was convinced... It was two weeks before her mother died that I had kissed Marie; and when the clergyman preached that sermon the children were all on my side.

"When I told them what a shame it was of the parson to talk as he had done, and explained my reason, they were so angry that some of them went and broke his windows with stones. Of course I stopped them, for that was not right, but all the village heard of it, and how I caught it for spoiling the children! Everyone discovered now that the little ones had taken to being fond of Marie, and their parents were terribly alarmed; but Marie was so happy. The children were forbidden to meet her; but they used to run out of the village to the herd and take her food and things; and sometimes just ran off there and kissed her, and said, 'Je vous aime, Marie!' and then trotted back again. They imagined that I was in love with Marie, and this was the only point on which I did not undeceive them, for they got such enjoyment out of it. And what delicacy and tenderness they showed!

"In the evening I used to walk to the waterfall. There was a spot there which was quite closed in and hidden from view by large trees; and to this spot the children used to come to me. They could not bear that their dear Leon should love a poor girl without shoes to her feet and dressed all in rags and tatters. So, would you believe it, they actually clubbed together, somehow, and bought her shoes and stockings, and some linen, and even a dress! I can't understand how they managed it, but they did it, all together. When I asked them about it they only laughed and shouted, and the little girls clapped their hands and kissed me. I sometimes went to see Marie secretly, too. She had become very ill, and could hardly walk. She still went with the herd, but could not help the herdsman any longer. She used to sit on a stone near, and wait there almost motionless all day, till the herd went home. Her consumption was so advanced, and she was so weak, that she used to sit with closed eyes, breathing heavily. Her face was as thin as a skeleton's, and sweat used to stand on her white brow in large drops. I always found her sitting just like that. I used to come up quietly to look at her; but Marie would hear me, open her eyes, and tremble violently as she kissed my hands. I did not take my hand away because it made her happy to have it, and so she would sit and cry quietly. Sometimes she tried to speak; but it was very difficult to understand her. She was almost like a madwoman, with excitement and ecstasy, whenever I came. Occasionally the children came with me; when they did so, they would stand some way off and keep guard over us, so as to tell me if anybody came near. This was a great pleasure to them.

"When we left her, Marie used to relapse at once into her old condition, and sit with closed eyes and motionless limbs. One day she could not go out at all, and remained at home all alone in the empty hut; but the children very soon became aware of the fact, and nearly all of them visited her that day as she lay alone and helpless in her miserable bed.

"For two days the children looked after her, and then, when the village people got to know that Marie was really dying, some of the old women came and took it in turns to sit by her and look after her a bit. I think they began to be a little sorry for her in the village at last; at all events they did not interfere with the children any more, on her account.

"Marie lay in a state of uncomfortable delirium the whole while; she coughed dreadfully. The old women would not let the children stay in the room; but they all collected outside the window each morning, if only for a moment, and shouted 'Bon jour, notre bonne Marie!' and Marie no sooner caught sight of, or heard them, and she became quite animated at once, and, in spite of the old women, would try to sit up and nod her head and smile at them, and thank them. The little ones used to bring her nice things and sweets to eat, but she could hardly touch anything. Thanks to them, I assure you, the girl died almost perfectly happy. She almost forgot her misery, and seemed to accept their love as a sort of symbol of pardon for her offence, though she never ceased to consider herself a dreadful sinner. They used to flutter at her window just like little birds, calling out: 'Nous t'aimons, Marie!'

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