The Idiot (64 page)

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Authors: Fyodor Dostoyevsky

Tags: #Criticism, #Literature: Classics, #other prose & writers, #1801-1917, #Russia - Social conditions - 1801-1917, #Novels, #Classic fiction, #Russian Novel And Short Story, #Fiction, #General & Literary Fiction, #General, #Social Conditions, #Literature - Classics, #Classics, #Classic fiction (pre c 1945), #Russia, #Russian

BOOK: The Idiot
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"You are mad!" he cried, indignantly.

"Not quite, esteemed prince," replied Lebedeff, with some acerbity. "I confess I thought of doing you the service of handing the letter over to yourself, but I decided that it would pay me better to deliver it up to the noble lady aforesaid, as I had informed her of everything hitherto by anonymous letters; so when I sent her up a note from myself, with the letter, you know, in order to fix a meeting for eight o'clock this morning, I signed it 'your secret correspondent.' They let me in at once—very quickly—by the back door, and the noble lady received me."

"Well? Go on."

"Oh, well, when I saw her she almost punched my head, as I say; in fact so nearly that one might almost say she did punch my head. She threw the letter in my face; she seemed to reflect first, as if she would have liked to keep it, but thought better of it and threw it in my face instead. 'If anybody can have been such a fool as to trust a man like you to deliver the letter,' says she,' take it and deliver it! 'Hey! she was grandly indignant. A fierce, fiery lady that, sir!"

"Where's the letter now?"

"Oh, I've still got it, here!"

And he handed the prince the very letter from Aglaya to Gania, which the latter showed with so much triumph to his Sister at a later hour.

"This letter cannot be allowed to remain in your hands."

"It's for you—for you! I've brought it you on purpose!" cried Lebedeff, excitedly. "Why, I'm yours again now, heart and hand, your slave; there was but a momentary pause in the flow of my love and esteem for you. Mea culpa, mea culpa! as the Pope of Rome says.

"This letter should be sent on at once," said the prince, disturbed. "I'll hand it over myself."

"Wouldn't it be better, esteemed prince, wouldn't it be better—to—don't you know—"

Lebedeff made a strange and very expressive grimace; he twisted about in his chair, and did something, apparently symbolical, with his hands.

"What do you mean?" said the prince.

"Why, open it, for the time being, don't you know?" he said, most confidentially and mysteriously.

The prince jumped up so furiously that Lebedeff ran towards the door; having gained which strategic position, however, he stopped and looked back to see if he might hope for pardon.

"Oh, Lebedeff, Lebedeff! Can a man really sink to such depths of meanness?" said the prince, sadly.

Lebedeff's face brightened.

"Oh, I'm a mean wretch—a mean wretch!" he said, approaching the prince once more, and beating his breast, with tears in his eyes.

"It's abominable dishonesty, you know!"

"Dishonesty—it is, it is! That's the very word!"

"What in the world induces you to act so? You are nothing but a spy. Why did you write anonymously to worry so noble and generous a lady? Why should not Aglaya Ivanovna write a note to whomever she pleases? What did you mean to complain of today? What did you expect to get by it? What made you go at all?"

"Pure amiable curiosity,—I assure you—desire to do a service. That's all. Now I'm entirely yours again, your slave; hang me if you like!"

"Did you go before Lizabetha Prokofievna in your present condition?" inquired the prince.

"No—oh no, fresher—more the correct card. I only became this like after the humiliation I suffered there,

"Well—that'll do; now leave me."

This injunction had to be repeated several times before the man could be persuaded to move. Even then he turned back at the door, came as far as the middle of the room, and there went through his mysterious motions designed to convey the suggestion that the prince should open the letter. He did not dare put his suggestion into words again.

After this performance, he smiled sweetly and left the room on tiptoe.

All this had been very painful to listen to. One fact stood out certain and clear, and that was that poor Aglaya must be in a state of great distress and indecision and mental torment ("from jealousy," the prince whispered to himself). Undoubtedly in this inexperienced, but hot and proud little head, there were all sorts of plans forming, wild and impossible plans, maybe; and the idea of this so frightened the prince that he could not make up his mind what to do. Something must be done, that was clear.

He looked at the address on the letter once more. Oh, he was not in the least degree alarmed about Aglaya writing such a letter; he could trust her. What he did not like about it was that he could not trust Gania.

However, he made up his mind that he would himself take the note and deliver it. Indeed, he went so far as to leave the house and walk up the road, but changed his mind when he had nearly reached Ptitsin's door. However, he there luckily met Colia, and commissioned him to deliver the letter to his brother as if direct from Aglaya. Colia asked no questions but simply delivered it, and Gania consequently had no suspicion that it had passed through so many hands.

Arrived home again, the prince sent for Vera Lebedeff and told her as much as was necessary, in order to relieve her mind, for she had been in a dreadful state of anxiety since she had missed the letter. She heard with horror that her father had taken it. Muishkin learned from her that she had on several occasions performed secret missions both for Aglaya and for Rogojin, without, however, having had the slightest idea that in so doing she might injure the prince in any way.

The latter, with one thing and another, was now so disturbed and confused, that when, a couple of hours or so later, a message came from Colia that the general was ill, he could hardly take the news in.

However, when he did master the fact, it acted upon him as a tonic by completely distracting his attention. He went at once to Nina Alexandrovna's, whither the general had been carried, and stayed there until the evening. He could do no good, but there are people whom to have near one is a blessing at such times. Colia was in an almost hysterical state; he cried continuously, but was running about all day, all the same; fetching doctors, of whom he collected three; going to the chemist's, and so on.

The general was brought round to some extent, but the doctors declared that he could not be said to be out of danger. Varia and Nina Alexandrovna never left the sick man's bedside; Gania was excited and distressed, but would not go upstairs, and seemed afraid to look at the patient. He wrung his hands when the prince spoke to him, and said that "such a misfortune at such a moment" was terrible.

The prince thought he knew what Gania meant by "such a moment."

Hippolyte was not in the house. Lebedeff turned up late in the afternoon; he had been asleep ever since his interview with the prince in the morning. He was quite sober now, and cried with real sincerity over the sick general—mourning for him as though he were his own brother. He blamed himself aloud, but did not explain why. He repeated over and over again to Nina Alexandrovna that he alone was to blame—no one else—but that he had acted out of "pure amiable curiosity," and that "the deceased," as he insisted upon calling the still living general, had been the greatest of geniuses.

He laid much stress on the genius of the sufferer, as if this idea must be one of immense solace in the present crisis.

Nina Alexandrovna—seeing his sincerity of feeling—said at last, and without the faintest suspicion of reproach in her voice: "Come, come—don't cry! God will forgive you!"

Lebedeff was so impressed by these words, and the tone in which they were spoken, that he could not leave Nina Alexandrovna all the evening—in fact, for several days. Till the general's death, indeed, he spent almost all his time at his side.

Twice during the day a messenger came to Nina Alexandrovna from the Epanchins to inquire after the invalid.

When—late in the evening—the prince made his appearance in Lizabetha Prokofievna's drawing-room, he found it full of guests. Mrs. Epanchin questioned him very fully about the general as soon as he appeared; and when old Princess Bielokonski wished to know "who this general was, and who was Nina Alexandrovna," she proceeded to explain in a manner which pleased the prince very much.

He himself, when relating the circumstances of the general's illness to Lizabetha Prokofievna, "spoke beautifully," as Aglaya's sisters declared afterwards—"modestly, quietly, without gestures or too many words, and with great dignity." He had entered the room with propriety and grace, and he was perfectly dressed; he not only did not "fall down on the slippery floor," as he had expressed it, but evidently made a very favourable impression upon the assembled guests.

As for his own impression on entering the room and taking his seat, he instantly remarked that the company was not in the least such as Aglaya's words had led him to fear, and as he had dreamed of—in nightmare form—all night.

This was the first time in his life that he had seen a little corner of what was generally known by the terrible name of "society." He had long thirsted, for reasons of his own, to penetrate the mysteries of the magic circle, and, therefore, this assemblage was of the greatest possible interest to him.

His first impression was one of fascination. Somehow or other he felt that all these people must have been born on purpose to be together! It seemed to him that the Epanchins were not having a party at all; that these people must have been here always, and that he himself was one of them—returned among them after a long absence, but one of them, naturally and indisputably.

It never struck him that all this refined simplicity and nobility and wit and personal dignity might possibly be no more than an exquisite artistic polish. The majority of the guests—who were somewhat empty-headed, after all, in spite of their aristocratic bearing—never guessed, in their self-satisfied composure, that much of their superiority was mere veneer, which indeed they had adopted unconsciously and by inheritance.

The prince would never so much as suspect such a thing in the delight of his first impression.

He saw, for instance, that one important dignitary, old enough to be his grandfather, broke off his own conversation in order to listen to HIM—a young and inexperienced man; and not only listened, but seemed to attach value to his opinion, and was kind and amiable, and yet they were strangers and had never seen each other before. Perhaps what most appealed to the prince's impressionability was the refinement of the old man's courtesy towards him. Perhaps the soil of his susceptible nature was really predisposed to receive a pleasant impression.

Meanwhile all these people-though friends of the family and of each other to a certain extent—were very far from being such intimate friends of the family and of each other as the prince concluded. There were some present who never would think of considering the Epanchins their equals. There were even some who hated one another cordially. For instance, old Princess Bielokonski had all her life despised the wife of the "dignitary," while the latter was very far from loving Lizabetha Prokofievna. The dignitary himself had been General Epanchin's protector from his youth up; and the general considered him so majestic a personage that he would have felt a hearty contempt for himself if he had even for one moment allowed himself to pose as the great man's equal, or to think of him—in his fear and reverence-as anything less than an Olympic God! There were others present who had not met for years, and who had no feeling whatever for each other, unless it were dislike; and yet they met tonight as though they had seen each other but yesterday in some friendly and intimate assembly of kindred spirits.

It was not a large party, however. Besides Princess Bielokonski and the old dignitary (who was really a great man) and his wife, there was an old military general—a count or baron with a German name, a man reputed to possess great knowledge and administrative ability. He was one of those Olympian administrators who know everything except Russia, pronounce a word of extraordinary wisdom, admired by all, about once in five years, and, after being an eternity in the service, generally die full of honour and riches, though they have never done anything great, and have even been hostile to all greatness. This general was Ivan Fedorovitch's immediate superior in the service; and it pleased the latter to look upon him also as a patron. On the other hand, the great man did not at all consider himself Epanchin's patron. He was always very cool to him, while taking advantage of his ready services, and would instantly have put another in his place if there had been the slightest reason for the change.

Another guest was an elderly, important-looking gentleman, a distant relative of Lizabetha Prokofievna's. This gentleman was rich, held a good position, was a great talker, and had the reputation of being "one of the dissatisfied," though not belonging to the dangerous sections of that class. He had the manners, to some extent, of the English aristocracy, and some of their tastes (especially in the matter of under-done roast beef, harness, men-servants, etc.). He was a great friend of the dignitary's, and Lizabetha Prokofievna, for some reason or other, had got hold of the idea that this worthy intended at no distant date to offer the advantages of his hand and heart to Alexandra.

Besides the elevated and more solid individuals enumerated, there were present a few younger though not less elegant guests. Besides Prince S. and Evgenie Pavlovitch, we must name the eminent and fascinating Prince N.—once the vanquisher of female hearts all over Europe. This gentleman was no longer in the first bloom of youth—he was forty-five, but still very handsome. He was well off, and lived, as a rule, abroad, and was noted as a good teller of stories. Then came a few guests belonging to a lower stratum of society—people who, like the Epanchins themselves, moved only occasionally in this exalted sphere. The Epanchins liked to draft among their more elevated guests a few picked representatives of this lower stratum, and Lizabetha Prokofievna received much praise for this practice, which proved, her friends said, that she was a woman of tact. The Epanchins prided themselves upon the good opinion people held of them.

One of the representatives of the middle-class present today was a colonel of engineers, a very serious man and a great friend of Prince S., who had introduced him to the Epanchins. He was extremely silent in society, and displayed on the forefinger of his right hand a large ring, probably bestowed upon him for services of some sort. There was also a poet, German by name, but a Russian poet; very presentable, and even handsome-the sort of man one could bring into society with impunity. This gentleman belonged to a German family of decidedly bourgeois origin, but he had a knack of acquiring the patronage of "big-wigs," and of retaining their favour. He had translated some great German poem into Russian verse, and claimed to have been a friend of a famous Russian poet, since dead. (It is strange how great a multitude of literary people there are who have had the advantages of friendship with some great man of their own profession who is, unfortunately, dead.) The dignitary's wife had introduced this worthy to the Epanchins. This lady posed as the patroness of literary people, and she certainly had succeeded in obtaining pensions for a few of them, thanks to her influence with those in authority on such matters. She was a lady of weight in her own way. Her age was about forty-five, so that she was a very young wife for such an elderly husband as the dignitary. She had been a beauty in her day and still loved, as many ladies of forty-five do love, to dress a little too smartly. Her intellect was nothing to boast of, and her literary knowledge very doubtful. Literary patronage was, however, with her as much a mania as was the love of gorgeous clothes. Many books and translations were dedicated to her by her proteges, and a few of these talented individuals had published some of their own letters to her, upon very weighty subjects.

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